Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The
Non classifié
11 206
Piano & claviers
Piano seul
10 248
Piano, Voix
1 877
Piano, Voix et Guitare
1 125
Orgue
751
Instruments en Do
700
1 Piano, 4 mains
296
Piano Trio: piano, violon, violoncelle
152
2 Pianos, 4 mains
119
Accompagnement Piano
79
Orgue, Piano (duo)
62
Piano Facile
60
Piano Quintette: piano, 2 violons, alto, violoncelle
44
Piano Quatuor: piano, violon, alto, violoncelle
44
Accordéon
41
Orgue, Trompette (duo)
32
Clavecin
29
2 Pianos, 8 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
5
Piano (partie séparée)
3
Fake Book
2
2 Accordéons
2
Ensemble d'Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare
1 095
Guitare notes et tablatures
712
Basse electrique
290
Ukulele
137
2 Guitares (duo)
128
Ligne De Mélodie, (Paroles) et Accords
119
Piano, Guitare (duo)
103
Dulcimer
79
4 Guitares (Quatuor)
51
Mandoline
23
3 Guitares (trio)
17
Banjo
16
Ensemble de guitares
14
Paroles et Accords
8
2 Dulcimers (duo)
5
2 Ukuleles
5
Guitare, Violon, Violoncelle (trio)
4
Ukulele Baryton
4
Guitare (partie séparée)
3
Ensemble de Ukulélés
2
Mandoline, Guitare (duo)
2
Luth
1
2 Guitares et Orchestre
1
Mandoline, Piano (duo)
1
Guitare, Orchestre
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
4 222
Chorale TTBB
1 082
Chorale SSAA
638
Chorale 3 parties
583
Voix seule
537
Voix Soprano, Piano
155
Chorale Unison
131
Voix haute
118
Chorale 2 parties
94
Voix duo, Piano
91
Voix duo
83
Voix Alto, Piano
53
Voix Baryton, Piano
52
Voix Tenor, Piano
49
Chorale
46
Voix moyenne, Piano
30
Voix Tenor
23
Voix basse, Piano
22
Voix basse
11
Voix Soprano
10
Voix Mezzo-Soprano, Piano
5
Chorale SSATTB
3
Chorale SSATB
3
Chorale SSAATTBB
3
Voix, Guitare
2
Chorale SSAB a cappella
2
Male Voice
1
Chorale SSAATB
1
Chorale, Orgue
1
Chorale SATBB
1
Chorale SSAATB A Cappella
1
Chorale SSAB, Piano
1
+ 27 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 066
Quatuor de Saxophones: 4 saxophones
1 060
Flûte traversière et Piano
772
Quatuor de Clarinettes: 4 clarinettes
671
Flûte traversière
658
2 Saxophones (duo)
611
Saxophone Alto
586
Clarinette et Piano
563
Clarinette
557
Flûte, Hautbois, Clarinette, Basson
534
Saxophone (partie séparée)
517
Saxophone Tenor
510
Saxophone Alto et Piano
496
3 Saxophones (trio)
457
Hautbois, Piano (duo)
453
2 Clarinettes (duo)
415
Saxophone Tenor et Piano
356
Quintette de Saxophone: 5 saxophones
332
Ensemble de Clarinettes
303
2 Flûtes traversières (duo)
286
Hautbois (partie séparée)
286
Quatuor de Flûtes : 4 flûtes
284
3 Clarinettes (trio)
262
Ensemble de saxophones
236
Ensemble de Flûtes
198
Quintette de Clarinettes: 5 clarinettes
193
Saxophone Soprano et Piano
185
Clarinette (partie séparée)
151
Trio de Flûtes: 3 flûtes
141
Flûte, Clarinette (duo)
123
Flute (partie séparée)
110
Hautbois, Basson (duo)
107
Saxophone
102
2 Hautbois (duo)
102
Flûte et Guitare
91
Saxophone, Clarinette (duo)
86
Flûte, Hautbois, Clarinette (trio)
77
Flûte, Hautbois, Basson
77
Hautbois, Flûte
72
Flûte, Clarinette et Basson
71
Saxophone Baryton, Piano
68
Clarinette, Guitare (duo)
61
3 Hautbois
58
Clarinette, Violon (duo)
51
Flûte, Violon
45
Quintette de Flûte : 5 flûtes
44
Hautbois, Clarinette (duo)
42
Hautbois, Clarinette, Basson (trio d'anches)
41
2 Flûtes traversières, Piano
40
Clarinette, Trompette (duo)
37
Hautbois
37
Cornemuse
35
Clarinette, Basson (duo)
35
Flûte, Violon et Violoncelle
33
Clarinette Basse, Piano
33
Flûte, Alto (duo)
33
Flûte, Violon, Piano
31
2 Flûte à bec (duo)
31
Cor anglais, Piano
29
Flûte, Clarinette, Piano (trio)
28
Clarinette et Alto
27
Flûte, Saxophone (duo)
24
Flûte, Violoncelle
24
Saxophone Soprano
22
Flûte, Hautbois (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Violoncelle, Piano (trio)
18
Flûte, Trompette (duo)
18
Flûte, Violon, Violoncelle et Piano
16
Flûte à Bec
15
Flûte à bec Soprano
15
Flûte, Basson et Piano
13
Clarinette, Violoncelle (duo)
12
Flûte traversière, Orgue (duo)
12
Cor Anglais
12
5 Flûtes à bec
11
Flute, harpe et violon
11
2 Clarinettes, Piano
9
Hautbois, Guitare (duo)
9
Saxophone et Orgue
9
Flûte, Alto et Piano
8
Clarinette, Harpe (duo)
8
Ensemble De Flûte à bec
8
Flûte à bec Alto
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
2 Saxophones, Piano
7
4 Hautbois
7
2 Cors Anglais Et Pianoforte
6
Flûte, alto et harpe
6
Clarinette, Tuba
6
Clarinette, Violoncelle, Piano (trio)
6
Piccolo
6
Flûte, Trombone (duo)
6
Flûte à bec Alto, Piano
5
Cor anglais, Guitare (duo)
5
2 Clarinettes, Basson
5
Saxophone et Guitare
5
Ensemble à vent
4
Piccolo, Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Violoncelle, Guitare
3
Flûte à bec Tenor
3
Saxophone Baryton
3
Clarinette, Trombone (duo)
3
Saxophone et Harpe
3
Hautbois, Harpe
3
Harmonica
3
Clarinette Basse
2
Flûte irlandaise
2
Clarinette, Basson, Piano (trio)
2
Flûte, Harpe et Violoncelle
2
Flûte, Hautbois, Violon
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violon, Guitare
2
Flûte à bec Soprano, Piano
2
Hautbois, Violoncelle
2
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Orgue
1
Hautbois, Violon, Piano
1
Flûte et Trio à cordes
1
Hautbois, Trompette (duo)
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Saxophone et Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Tuba (duo)
1
2 Hautbois et Cor anglais
1
Hautbois, Violoncelle et Piano
1
Flûte et Quatuor à Cordes
1
+ 130 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 147
Quatuor de Cuivres : 2 trompettes, trombone, tuba
653
Trompette
640
Trombone
500
Trombone et Piano
387
Trompette, Piano
383
Trompette (partie séparée)
374
Trombone (partie séparée)
278
Quatuor de cuivres: 4 trombones
277
Cor
262
Quatuor de Cuivres: 2 trompettes, Cor, trombone
238
Cor et Piano
229
2 Trompettes (duo)
157
Quatuor de cuivres: 4 cors
148
Cor (partie séparée)
132
2 Trombones (duo)
131
Ensemble de Trombones
127
2 Euphoniums et 2 Tubas
119
Tuba et Piano
119
Quatuor de Cuivres
114
2 Cors (duo)
104
Trompette, Trombone (duo)
91
Euphonium, Piano (duo)
67
Ensemble de Cors
56
3 Trombones (trio)
53
Ensemble de Trompettes
52
Trompette, Cor (duo)
52
Trompette, Saxophone (duo)
45
Tuba
44
4 Tubas
37
Trio de Cuivres
30
Cor anglais, Piano
29
Euphonium, Tuba (duo)
26
Euphonium
25
3 Trompettes (trio)
24
Trompette, Tuba (duo)
19
Quatuor de cuivres: 4 trompettes
17
Tuba (partie séparée)
17
2 Tubas (duo)
16
Clarinette, Cor (duo)
12
Cor Anglais
12
3 Cors (trio)
11
Euphonium (partie séparée)
10
Trombone basse
9
Trombone, Tuba (duo)
9
Trombone, Cor (duo)
7
2 Cors Anglais Et Pianoforte
6
3 Euphoniums
6
Trompette, Violoncelle et Piano
5
Cor et Basson (duo)
5
Cor et Harpe
5
Cor anglais, Guitare (duo)
5
Cor, Tuba (duo)
5
Trombone basse et Piano
5
Cor et Orgue
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone, Orgue
3
Trompette, Violoncelle (duo)
3
Trompette, Harpe
3
Trombone et orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Trompette, Orchestre
2
2 Euphoniums (duo)
2
Trompette, violon (duo)
2
Cor, Orchestre
1
3 Tubas (trio)
1
Cor, Trompette, Trombone (trio)
1
Trompette, Trombone, Piano
1
Cornet et orchestre
1
Trombone, Violon (duo)
1
4 Euphoniums
1
Ensemble de Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 230
Violon et Piano
1 126
Violon
826
Violon, Violoncelle (duo)
702
Violoncelle, Piano
656
Violoncelle
640
Trio à Cordes: violon, alto, violoncelle
531
Alto, Piano
530
Harpe
484
Alto seul
343
2 Violons (duo)
296
2 Violoncelles (duo)
273
Violon, Alto (duo)
208
Trio à Cordes: 2 violons, violoncelle
204
Alto (partie séparée)
152
2 Altos (duo)
151
Alto, Violoncelle (duo)
123
4 Violoncelles
106
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Trio à cordes: 3 violins
89
Trio à Cordes: 3 violoncelles
87
Violon, Guitare (duo)
80
Trio à cordes: 3 altos
64
Contre Basse
63
Contrebasse, Piano (duo)
58
2 Harpes (duo)
52
Violoncelle , Guitare (duo)
49
Alto, Guitare (duo)
35
Trio à Cordes: 2 violons, alto
33
Harpe, Flûte (duo)
30
Quatuor à cordes: 4 violons
30
Harpe, Violon (duo)
30
Violon (partie séparée)
28
Piano Trio: Violon, Alto, Piano
23
Trio à cordes
21
Quatuor à cordes : 4 altos
21
Contrebasse (partie séparée)
19
2 Contrebasses (duo)
18
Ensemble de Violons
16
Harpe, Violoncelle (duo)
14
Ensemble d'Altos
13
Alto et Harpe
13
2 Violons, Piano
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Ensemble de Violoncelles
11
Violoncelle, Orgue
9
Violoncelle, Contrebasse (duo)
9
4 Contrebasses
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Voix
8
Violon, Orgue
7
Harpe, Violon, Violoncelle
6
3 Contrebasses
5
Violon, Clarinette, Piano (trio)
5
2 Violoncelles, Piano
4
Violoncelle (partie séparée)
4
Violoncelle, Orchestre
3
Alto, Orgue
2
Harpe, Trombone (duo)
2
Harpe et mandoline
2
Harpe et Piano
2
Violon, Basse continue
2
Alto et Basson
1
Harpe, Quatuor à cordes
1
Violon, Tuba (duo)
1
Harpe (partie séparée)
1
Violoncelle, Basse continue
1
2 Altos, Piano
1
Autoharp
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 231
Orchestre
1 933
Ensemble Jazz
1 580
Orchestre à Cordes
1 095
Ensemble de cuivres
973
Orchestre de chambre
666
Fanfare
612
Jazz combo
332
Batterie
311
Cloches
259
Ensemble de Percussions
111
Percussion (partie séparée)
83
Marimba
63
Vibraphone
45
Timbales (partie séparée)
16
Batterie (partie séparée)
14
2 Xylophones
8
Xylophone, Piano
7
Orchestre, Violon
5
Piano et Orchestre
4
Instrumentation Flexible
4
Quatuor à Vent : 4 instruments à vents
3
Xylophone
3
Vibraphone et Marimba
3
Big band
2
Quintette à Vent
2
Percussion
2
Caisse Claire
2
Xylophone (partie séparée)
1
Voix et Orchestre
1
2 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
+ 27 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
9
Partitions Numériques
11 206
Librairie Musicale
7 651
Matériel de Musique
62 219
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The
avancé
Partitions à imprimer
11 206 partitions trouvées
<
1
26
51
....
9976
Colores (Let the Children Teach Us)
#
Lon W
#
Colores
#
LCS Productions
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions ...
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
Song of the Childless
#
Contemporain
#
David Warin Solomons
#
Song of the Childless
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
(+)
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
#
James Nathaniel Holland
#
The Snow Queen, A Ballet in 3
#
James Nathaniel Holland
#
SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
(+)
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
A Mother's Journey (Orchestral Parts - One Set)
#
Contemporain
#
W
#
2. Struggles on the Journey
#
A Mother's Journey
#
William David Hedrick
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.881490 Composed by W. David Hedrick. Contemporary. Score and parts. 28 pages. William David Hedrick #2025553. Publish...
(+)
Small Ensemble - Level 4 - SKU: A0.881490 Composed by W. David Hedrick. Contemporary. Score and parts. 28 pages. William David Hedrick #2025553. Published by William David Hedrick (A0.881490). A Mother's Journey (Orchestral Parts-One Set) is a lyrical composition for orchestra by W. David Hedrick with the subtitle Remembering the Lives of Mothers. It is dedicated to the composer's mother and is a commemorative piece for all mothers who dutifully led their lives and enriched the lives of others. It is an 8 minute work and requires a Harp (or Piano), solo oboe, solo English horn, bassoon solo, and the usual orchestral instrumentation (included). The composition is elegantly written in for sections or moods: 1. A Journey of Fulfillment; 2. Struggles on the Journey; 3. Peace; 4. The Journey Home. The composition is Romantic in nature and will create mental images for the audience and help them reflect on the lives of their own mothers or other important women in their lives. It is suitable for any orchestral concert venue, contests, and festivals.
$24.99
The Sunshine Of Your Smile
#
Leslie Cooke
#
Rita Arendz
#
The Sunshine Of Your Smile
#
Rita Arendz
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1104241 By Leslie Cooke. By Lilian Ray. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Standards,Wedding. Brass Band. 38 pages. Rita Arendz #707448. Published by Rita Arendz (A0.1104241). For voice and Brass band. Looking for something nostalgic? The Sunshine of Your Smile was written in 1913 by Lilian Ray with lyrics by Leonard Cooke. Ray was a pseudonym used by English composer John Neat. This song was very popular among the soldiers during the First World War as a ballad to their sweethearts. Since then, it has had many famous covers. In 1941, Frank Sinatra and Tommy Dorsey recorded this song in a jazz idiom and it remained popular for the remainder of World War II. Later, in 1980, Michael Berry did a cover where it reached the top 10 in the UK Singles Chart. Great for recitals, concerts (love-themed), weddings, and other special occasions. Voice range sits well for mezzo-soprano or alto. Duration ~3:30. 38 pages.
$53.99
The Peanut Vendor (el Manisero)
#
Contemporain
#
Louis Armstrong & His Orchestr
#
Des McNutty
#
The Peanut Vendor
#
Des Press
#
SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. S...
(+)
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
#
Contemporain
#
David Warin Solomons
#
Bagpipe music - instrumental i
#
David Warin Solomons
#
SheetMusicPlus
Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons...
(+)
Sampler - Level 4 - SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
The Moon's Sun
#
Nolwazi Nkwanyana
#
The Moon's Sun
#
Nolwazi Nkwanyana
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Roma...
(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1029742 Composed by Nolwazi Nkwanyana. 20th Century,Contemporary,Romantic Period. Score and parts. 15 pages. Nolwazi Nkwanyana #6884175. Published by Nolwazi Nkwanyana (A0.1029742). For Flute, Bb Clarinet and PianoDuration: 4.5 minutesThe relationship between the sun and the moon is a rather fascinating one. One could imagine that the sun, as bright and glorious as it is, shares its light to help the moon come to life at night. A bright full moon is such a splendid and ethereal sight -but it would not be so without the sun. During the darkest nights, the moon and sun work together to provide the night sky with a timeless illumination. You will find that all three instruments have their beautiful individual moments. However, the most brilliant and splendid sections in the piece are a result of their timbres combined and the way their melodic lines intertwine. The piano part is crucial for setting the mood of each section and should be treated with ultimate delicacy and importance. There is no main instrument in this piece. The flute and clarinet come together bringing additional light and life to the majestic landscape that is provided by the piano.
$11.99
The Last Brigade (Duet for Flute and 3-Octave Marimba)
#
Adam Lenhart
#
The Last Brigade
#
Adam Lenhart
#
SheetMusicPlus
Flute,Instrumental Duet,Marimba - Level 4 - SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #52147...
(+)
Flute,Instrumental Duet,Marimba - Level 4 - SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
Brass Band - March -So Fly the Eagles
#
Contemporain
#
Mike Lyons
#
Brass Band - March -So Fly the
#
Lyons Music Services
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767302 Composed by Mike Lyons. Contemporary. Brass Band. 58 pages. Lyons Music Services #3409907. Published by Lyons Music Services (A0.767302). An original march dedicated to The Eagley Band, with whom I have a very long associationThe opening section is quite chaotic, as the eagles flap their wings and get ready for take-off. Then they are off with a run and a leap and we hear the first theme, a martial tune in the solo euphonium, with fanfare-like interjections on the cornets. At letter B, the tune is expanded to encompass the other sections of the band. Then at letter C, a new idea is introduced which has little obbligato tweets from the soprano and repieno on the repeat.The bass solo continues the military idea with aggressive fanfare interjections over the bass melody.The trio changes style completely and should be played as lightly and delicately as possible. The leaps on baritone and trombones should be clear and well articulated but should fit into the general texture rather than stick out abruptly.At letter G, the grace notes should be played by only one player in each section to avoid sounding like clucking chickens. The grace notes should be extremely light.
$25.00
All Kinds of Whether (suite for carillon)
#
Joey Brink
#
All Kinds of Whether
#
Joey Brink
#
SheetMusicPlus
Bells,Instrumental Solo - Level 4 - SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Pu...
(+)
Bells,Instrumental Solo - Level 4 - SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Published by Joey Brink (A0.829120). All Kinds of Whether by Joey Brink, for 4 or 4.5-octave carillon.- a suite for carillon by Joey Brink - DELUGEHAILLIGHTNINGRAINDROPSSHOWERSUNBURSTTHUNDERSTORMWINDCreate your own Storm!All Kinds of Whether is a suite of eight movements and fifty-six transitions. Each movement represents a Weather Pattern, and is an ingredient in your storm toolbox.Storms need not incorporate all eight weather patterns (though such a storm would indeed be epic). In fact, some storms may consist of just one movement, or two, or three, or four, or more. Storms may begin with any weather pattern and end with any weather pattern. Weather patterns can be combined in any order by taking the appropriate transition from one to another. No two storms are alike. With eight movements and fifty-six transitions, there are 109,600 possible storms to unleash on your listeners. And even more if you consider recurring weather patterns.ÂÂWhether you create one storm, or another, is entirely up to you. Intermediate to advanced level. Commissioned by the Yale University Guild of Carillonneurs for the 50th anniversary of the Yale Memorial Carillon. Originally published by Yale University in 2016.www.joeybrink.com
$20.00
Neither One Of Us (wants To Be The First To Say Goodbye)
#
Contemporain
#
Gladys Knight & The Pips
#
Katherine James
#
Neither One Of Us
#
Katherine James
#
SheetMusicPlus
Instrumental Duet,Piano Guitar,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.902706 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Kath...
(+)
Instrumental Duet,Piano Guitar,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.902706 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Katherine James. Contemporary. Score and parts. 2 pages. Katherine James #6207771. Published by Katherine James (A0.902706). I've arranged this in Lead Sheet format which is especially valuable for sitting in at Jam sessions, or for a vocalist to hand a piano or guitar accompanist. This 2 page version is in F Major, includes the lyrics and chord changes, all in easy to read standard fake-book font.
$6.99
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
#
Spiritual
#
Maria Thompson Corley
#
"Wade in the Water"
#
Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
(+)
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
The Butterfly
#
Contemporain
#
Daniel Burwasser
#
The Butterfly
#
Head and Stem
#
SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
(+)
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
The Theremin Play Along Book
#
See description
#
Tim Labor
#
The Theremin Play Along Book
#
Tim Labor
#
SheetMusicPlus
C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classica...
(+)
C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classical,Contemporary,Instructional,Opera. Individual part. 65 pages. Tim Labor #809664. Published by Tim Labor (A0.1212146). Patented in 1928 by Russian/Soviet television and surveillance researcher Leon Theremin, the instrument named for him is one of the world’s oldest electronic musical instruments.As a performer, the Thereminist pays some prices. They do not touch their instrument when playing, they cannot operate the device with people in range of the sensors (there are no Theremin sections in symphony orchestras), and compared to other instruments there are few teachers. Learning to play a Theremin is a lonely experience.Enter the public domain and the Digital Age, where increased online resources for listening to music on free streaming services and other platforms, form a special opportunity to jam.The Theremin Play-Along Book is a collection of twenty-eight imaginary parts for classical compositions that allow the Thereminist to solo along with existing recordings, integrate into a Western orchestral or chamber concert, or hone playing and listening skills by singing in an online shower. The volume includes selections from Puccini, Verdi, Faure, Debussy and even adaptations of Wagner's Liebestod and Rimsky-Korsakov's Flight of the Bumble Bee.
$15.99
Floating, Falling, Flying (parts for other instrumental combinations)
#
Brian Chung
#
Floating, Falling, Flying
#
Brian Chung Music
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
(+)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn
#
Halloween
#
David McKeown
#
Walter the Weary Werewolf, Hal
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trumpet - Level 4 - SKU: A0.592397 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and pa...
(+)
Instrumental Duet Instrumental Duet,Trumpet - Level 4 - SKU: A0.592397 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358911. Published by David McKeown (A0.592397). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Walter the Weary Werewolf, Halloween Duet for Oboe and Cor Anglais (or English Horn)
#
Halloween
#
David McKeown
#
Walter the Weary Werewolf, Hal
#
David McKeown
#
SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.592386 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Sc...
(+)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.592386 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358889. Published by David McKeown (A0.592386). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Walter the Weary Werewolf, Halloween Duet for Oboe and Violin
#
Halloween
#
David McKeown
#
Walter the Weary Werewolf, Hal
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.592387 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score an...
(+)
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.592387 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358891. Published by David McKeown (A0.592387). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Violin. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
At the Round Earth's Imagined Corners for Trombone or Low Brass Octet
#
Contemporain
#
Eric Burger Music
#
At the Round Earth's Imagined
#
Eric Burger Music
#
SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 4 - SKU: A0.508191 Arranged by Eric Burger Music. 20th Century. Score and parts. 24 pag...
(+)
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 4 - SKU: A0.508191 Arranged by Eric Burger Music. 20th Century. Score and parts. 24 pages. Eric Burger Music #3514661. Published by Eric Burger Music (A0.508191). Written near the end of Parry's life, he takes the evocative title from his song, At the Round Earth’s Imagined Corners from a poem by John Donne that talks about redemption of the spirit in the face of adversity.This beautiful and haunting work is both mournful and celebratory, and will give your ensemble a rewarding musical challenge.View the score with playback at:https://youtu.be/X7yAUEw4e64This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement. View the score with playback at:https://youtu.be/X7yAUEw4e64 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
Turn of the Tide
#
Will Savage
#
Turn of the Tide
#
Will Savage
#
SheetMusicPlus
Flugelhorn,Instrumental Solo,Piano - Level 4 - SKU: A0.1350163 By Will Savage. By Will Savage. Classical,Jazz. Score and individual part. 12 pages. Will...
(+)
Flugelhorn,Instrumental Solo,Piano - Level 4 - SKU: A0.1350163 By Will Savage. By Will Savage. Classical,Jazz. Score and individual part. 12 pages. Will Savage #934942. Published by Will Savage (A0.1350163). 'Turn of the Tide' - to reverse the general course of events.Turn of the Tide is about an on-going war in a land far away. One of the last remaining tribes in the human race is losing a great battle and they are slowly, but surely becoming extinct. In a sudden change of events, the opposing tribe dies of an unknown disease, and the music unusually lifts at this point, from C Minor to G major. The Tribe then discovers the damage that the world has been left in. We descend back to C Minor from a big climax as the once cheerful tribe all breathe their last breath. There is no more population on planet earth.Instrumentation:Solo Flugelhorn (Instrument in Bb)+ Piano Accompanimentsavagesmusic.com/turn-of-the-tide
$15.04
Together As One
#
Michael Thomas Coull
#
Together As One
#
MTC Publishing
#
SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1514589 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publ...
(+)
Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1514589 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #1089079. Published by MTC Publishing (A0.1514589). Together As One - Choral Composition for SSA choir and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. It explores how singing gives us both sides of the emotional coin: from nervousness and even trepidation on one side, to great joy on the other. We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. This original composition for SSA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, SSAA and Unison in F Major, and 2-Part in Eb Major.
$3.99
And Then We See (Arranged for Flugelhorn)
#
New Age
#
Contemporain
#
Ho Fong Leong
#
And Then We See
#
Marco leong
#
SheetMusicPlus
Flugelhorn,Piano,Violin - Level 4 - SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published ...
(+)
Flugelhorn,Piano,Violin - Level 4 - SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
Klezmorim (The Klezmer Musicians) for Clarinet in A, (optional Viola), and Cello
#
Klezmer
#
Joel Jacklich, Traditional
#
Joel Jacklich (ASCAP)
#
Klezmorim
#
Joel Jacklich
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola - Level 4 - SKU: A0.723142 Composed by Joel Jacklich, Traditional. Arranged by Joel Jacklich (ASCAP). Folk,Jewish,Mu...
(+)
Small Ensemble Cello,Clarinet,Viola - Level 4 - SKU: A0.723142 Composed by Joel Jacklich, Traditional. Arranged by Joel Jacklich (ASCAP). Folk,Jewish,Multicultural,World. Score and parts. 18 pages. Joel Jacklich #3867355. Published by Joel Jacklich (A0.723142). Klezmerim (the Klezmer musicians): I was asked to write a Klezmer-style piece by my clarinettist friend Mitch Sturman and his friend, cellist Marty Steinberg, to perform in Philadelphia at a neighborhood reunion. A new synagogue had been built in their old Philadelphia neighborhood of Mayland-Mohican/West Oak Lane -- Congregation Beth’El, 7531 Lowber Ave., Philadelphia, a synagogue founded by the late Rabbi Louise Elizabeth Dailey, the daughter of a Baptist minister. The congregation's spiritual leaders are her daughter, Rabbi Debra Bowen, and Rabbi Bowen's husband, Earl. A concert was given in this new synagogue for its current worshippers on November 4, 2018. An original Klezmer-like tune serves as a ritornello around the melodies of Go down, Moses (a nod to the original Baptists religion of the synagogue's founder); Avadim hayinu, ata b'nei chorin (We were slaves, but now we are free); Eliyahu havani (Elijah, the prophet); and Chad gadya (The goat my father bought for two zuzim). The ritornello of the piece (the Klezmer-like melody) was originally composed by Jacklich in 2015 for clarinet, viola, and cello, at the suggestion of Sturman for performance by Sturman (clarinet), Jacklich (viola), and Marissa Gohl (cello). This original kernel of a piece was performed once after a rehearsal of the Imperial Valley Symphony, but was put aside to await further musical development. The commission by Sturman and Steinberg (for a clarinet/cello duo on a Klezmer-like theme), and Steinberg's request for the addition of the Negro spiritual and three Passover Seder melodies, provided the motivation to complete the work in its current form.. The viola part is there for trio performance; however, the work may be performed by only clarinet and cello.
$9.99
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale