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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thomas S
Non classifié
100
Piano & claviers
Piano seul
88
Piano, Voix
21
Orgue
11
Piano, Voix et Guitare
11
Instruments en Do
3
1 Piano, 4 mains
2
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Basse electrique
14
Guitare
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Ensemble de guitares
1
Voix
Chorale SATB
32
Chorale TTBB
14
Chorale SSAA
6
Chorale 3 parties
5
Voix Soprano, Piano
4
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Chorale 2 parties
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Hautbois (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
4
Ensemble de saxophones
4
Hautbois, Piano (duo)
4
Clarinette
4
Clarinette (partie séparée)
3
Flûte traversière et Piano
3
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
3
Quintette de Saxophone: 5 saxophones
2
Quatuor de Flûtes à bec
2
Ensemble de Clarinettes
2
Flute (partie séparée)
2
Saxophone Alto
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Tenor et Piano
1
Piccolo, Piano
1
Saxophone Baryton, Piano
1
Ensemble De Flûte à bec
1
Clarinette Basse, Piano
1
2 Saxophones (duo)
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Clarinette et Piano
1
+ 26 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
5
Cor (partie séparée)
4
Trompette (partie séparée)
4
Trombone
3
Cor
3
Euphonium, Piano (duo)
2
Trombone (partie séparée)
2
Trompette, Piano
1
2 Trompettes (duo)
1
Trombone et Piano
1
Cor anglais, Piano
1
Cor et Piano
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
10
Violon
8
Violon, Violoncelle (duo)
8
Alto (partie séparée)
5
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle
4
Violon (partie séparée)
4
2 Violons (duo)
3
Violon, Alto (duo)
3
Alto, Piano
3
Violoncelle, Piano
3
Alto seul
2
2 Violoncelles (duo)
2
Contre Basse
2
4 Violoncelles
1
Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37
Orchestre
18
Orchestre de chambre
13
Ensemble Jazz
9
Orchestre à Cordes
7
Fanfare
7
Percussion (partie séparée)
5
Ensemble de cuivres
5
Jazz combo
2
Marimba
2
Cloches
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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The Viola in Bob's Life (2018) for viola and percussion
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Thomas Oboe Lee
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True Confession
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The Viola in Bob's Life
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Drum Set,Marimba,Vibraphone,Viola - Level 4 - SKU: A0.869590 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romant...
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Small Ensemble Drum Set,Marimba,Vibraphone,Viola - Level 4 - SKU: A0.869590 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #4102857. Published by Thomas Oboe Lee (A0.869590). Violist Noriko Futagami and multi-percussionist Bob (Robert) Schulz have played my music on many occasions, especially as members of the Boston Modern Orchestra Project. Noriko and Bob are a domestic pair and this is a musical Christmas present for them. True Confession. I have always been a fan (a secret and odd admirer) of Morton Feldman's music since I was a graduate student in composition, way back in the early 70's. When I say odd admirer I mean to say that I admire him from a distance, more out of respect than from any true emotional response to his music. Why is that? Well, his music and mine are so different ... But I respect his artistic integrity and guts!!! Anyway, The Viola in Bob's Life (of course, I stole the title from MF!!!) is in four movements. The viola is featured in all of them. Bob plays a different percussion instrument in each, except he has to do some clever overdubbing in the last because it is scored for marimba and drum set.1. Allegro ... for viola and marimba.2. Allegro ... for viola and drum set.3. Adagio ... for viola and vibraphone.4. Moderato ... for viola, marimba and drum set.Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/the-viola-in-bobs-life-2018YouTube link: https://youtu.be/Enc9pgCfvPo
$9.99
The Viola in Bob's Life (2018) percussion part
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Thomas Oboe Lee
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The Viola in Bob's Life
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Drum Set,Marimba,Vibraphone - Level 4 - SKU: A0.869592 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Per...
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Small Ensemble Drum Set,Marimba,Vibraphone - Level 4 - SKU: A0.869592 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 27 pages. Thomas Oboe Lee #4110615. Published by Thomas Oboe Lee (A0.869592). Percussion part for The Viola in Bob's Life.Vibraphone, marimba and drum set.
$9.99
Bendemeer's Stream by Thomas Moore, arr. for voice and classical guitar
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Thomas Moore
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John Pinno
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Bendemeer's Stream by Thomas M
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John Pinno
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 4 - SKU: A0.775466 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Celtic,Concert,Holid...
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Small Ensemble Guitar,High Voice,Low Voice - Level 4 - SKU: A0.775466 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Celtic,Concert,Holiday. Score and parts. 3 pages. John Pinno #3906445. Published by John Pinno (A0.775466). An arrangement for voice (soprano, mezzo-soprano, or alto) and classical guitar of the song by Thomas Moore (1779-1852).
$8.00
The Harp That Once Through Tara's Halls for voice and classical guitar
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Thomas Moore
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John Pinno
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The Harp That Once Through Tar
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John Pinno
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SheetMusicPlus
Small Ensemble Guitar,High Voice,Low Voice - Level 4 - SKU: A0.775407 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Classical,Concert,Ho...
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Small Ensemble Guitar,High Voice,Low Voice - Level 4 - SKU: A0.775407 Composed by Thomas Moore (1779-1852). Arranged by John Pinno. Classical,Concert,Holiday. Score and parts. 4 pages. John Pinno #2551071. Published by John Pinno (A0.775407). An arrangement for solo voice and classical guitar of the song composed by Thomas Moore in the early 19th century. The song evokes the spirit of the hilltop castle home of the ancient Irish kings, through the symbol of the harp, the traditional instrument of the Irish people. The vocal part could be taken by soprano, alto, or tenor voice ranges, and if the pitch is too low for a particular voice, the guitarist could use a capo to raise the pitch of the guitar. This arrangement was done in honor of Paul Coates, who was the yoga teacher for my wife and I from 1993-2011, and he of Irish heritage, would often humorously say as he had the class up in a shoulder stand, and now we'll all sing a verse of The Harp That Once Through Tara's Halls! For any questions or concerns email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$8.00
Death-Bed Adieu-Thomas Jefferson
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G
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Death-Bed Adieu-Thomas Jeffers
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George Skipworth
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.962563 Composed by G.F. Skipworth. Concert. 8 pages. George Skipworth #5215837. Published by George Skipworth (A0.9...
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Vocal Solo,Voice - Level 4 - SKU: A0.962563 Composed by G.F. Skipworth. Concert. 8 pages. George Skipworth #5215837. Published by George Skipworth (A0.962563). Set to Thomas Jefferson's death-bed text, the setting is scored for tenor voice and piano. It can also be sung high male or mixed ensemble - unison. Difficulty level is moderate to advanced.
$2.00
Gardiner: Shepherd Fennel's Dance - wind dectet/bass
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Contemporain
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Henry Balfour Gardiner
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Ray Thompson
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Gardiner: Shepherd Fennel's Da
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.554074 Composed by Henry Balfour Gardiner. Arranged by Ray Thompson. Contemporary. 48 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.554074 Composed by Henry Balfour Gardiner. Arranged by Ray Thompson. Contemporary. 48 pages. RayThompsonMusic #6597257. Published by RayThompsonMusic (A0.554074). Composed in 1911.Probably intended as an interlude for a projected one-act opera based on Thomas Hardy's 'The Three Strangers'. Premiered at the Queen's Hall at a Promenade Concert and so successful that it was repeated a month later during the same Proms season.(It became a favourite at the Proms, chalking up 35 performances between 1911 and 1951) Henry Balfour Gardiner (7 November 1877 – 28 June 1950) was a British musician, composer, and teacher.He was born at Kensington (London), began to play at the age of 5 and to compose at 9.Between his conventional education at Charterhouse School and New College, Oxford, where he obtained only a pass degree, Gardiner was a piano student at the Hoch Conservatory in Frankfurt, where he was taught by Iwan Knorr and Lazzaro Uzielli, who had been a pupil of Clara Schumann. He belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s Gardiner's most important work, possibly, was his promotion of the music of contemporary British and colonial composers, particularly through a series of concerts he personally financed at Queen's Hall London in 1912 to 1913. The composers represented included Arnold Bax, Frederic Austin, Gustav Holst, Percy Grainger, Roger Quilter, Cyril Scott and Norman O'Neill. (The last four had also studied with him at Frankfurt.)Arranged for symphonic wind dectet and bass
$19.95
Lights Are On But Nobody's Home
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Tom Rosenthal
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Lazaros Delidemos
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Lights Are On But Nobody's Hom
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Lazaros Delidemos
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1128472 By Tom Rosenthal. By Thomas Rosenthal. Arranged by Lazaros Delidemos. 20th Ce...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1128472 By Tom Rosenthal. By Thomas Rosenthal. Arranged by Lazaros Delidemos. 20th Century,Contemporary,Pop. 19 pages. Lazaros Delidemos #729092. Published by Lazaros Delidemos (A0.1128472). Arrangement for Tenor Saxophone and String Quintet (or String Orchestra).
$17.99
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classic...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #32565. Published by Thomas Oboe Lee (A0.869256). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classic...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #3899. Published by Thomas Oboe Lee (A0.869203). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
Concertino per Violino e Sedici Strumenti (2017)
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Thomas Oboe Lee
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moderato, TRIO
2
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Concertino per Violino e Sedic
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe ...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 120 pages. Thomas Oboe Lee #3131035. Published by Thomas Oboe Lee (A0.869544). A couple of years I caught Eric Hewitt conducting Kurt Weill's Concerto, opus 12 for violin and wind orchestra, plus 4 double basses. Markus Placci was the soloist. I was so impressed by the work that I told Eric and Markus I want to write a similar work for them. The end result is my Concertino per Violino e Sedici Strumenti (2017).Kurt Weill's version has the following instruments.2 flutes1 oboe2 clarinets2 bassoons2 horns1 trumpettimpani3 percussions4 double bassesMine is a bit different:1 flute, doubling on piccolo1 oboe2 clarinets2 bassoons2 trumpets2 horns2 trombonesTimpani (3)Percussion (snare drum, 2 triangles)2 double bassesConcertino is in three movements.1. Introduction; moderato, TRIO2. Adagio3. Vivace, TRIOAudio link: https://thomasoboelee.bandcamp.com/album/concertino-per-violino-e-sedici-strumenti-2017Video link: https://youtu.be/uzaBA3FalGg
$9.99
Horn Trio (2017) for violin, horn and piano
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Thomas Oboe Lee
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Horn Trio
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.869558 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.869558 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #3381053. Published by Thomas Oboe Lee (A0.869558). Irina Muresanu has been a huge champion of my music since 2009 when I wrote a violin concerto for her and the Boston Civic Symphony Orchestra. Since then I have written other works for her.Partita for Solo Violin (2011)Grand Duo (2012) for violin and pianoPiano Trio No. 3 ... Keith Jarrett (2014) for violin, cello and pianoAnd now the Horn Trio (2017).I have always admired the Brahms Horn Trio, although it's not my favorite Brahms work. LOL! My Trio is in five movements.1. Moderato 2. Presto in 10/8 with a TRIO3. Allegro ... alla Marcia.4. Presto in 6/8 with a TRIO5. Apotheosis ... LargoEnjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/horn-trio-2017Video link: https://youtu.be/qSXT5IdQQok
$9.99
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
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Thomas Oboe Lee
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Percussion Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin...
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Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
Seven Short Poems by Robert Creeley (2016) for baritone voice, vibraphone, marimba and multi-percuss
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Thomas Oboe Lee
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Seven Short Poems by Robert Cr
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Marimba,Multi-Percussion,Vibraphone,Voice - Level 4 - SKU: A0.869425 Composed by Thomas Oboe Lee. 20th Century,Blues,Contemporary,Jazz,Ro...
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Small Ensemble Marimba,Multi-Percussion,Vibraphone,Voice - Level 4 - SKU: A0.869425 Composed by Thomas Oboe Lee. 20th Century,Blues,Contemporary,Jazz,Romantic Period. Score and parts. 31 pages. Thomas Oboe Lee #2037161. Published by Thomas Oboe Lee (A0.869425). I wrote this song cycle for my friend Brian Calhoon, who sings in the style of Chet Baker and is a fabulous percussionist. In this work he and an assistant play vibraphone, marimba, triangle, tom-toms, wood blocks and gong. The seven Robert Creeley poems are: 1. Water Music ... 2. The Carnival ... 3. Zero ... 4. The Measure ...5. Jack's Blues ...6. The Rhythm ...7. The End.Audio link: https://thomasoboelee.bandcamp.com/album/seven-short-poems-by-robert-creeley-2016Video link: https://youtu.be/uAQrr9b3Dbg
$9.99
Nonet (2019) for chamber ensemble
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Thomas Oboe Lee
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I said yes.
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Nonet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Cont...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc. I said yes. This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
$9.99
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
Conflusion - Suite - Woodwind Ensemble
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Classique
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Vanessa ... Hommage à Maurice Ravel (2024) - Score Only
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Thomas Oboe Lee
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Vanessa ... Hommage à M
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1493856 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 37 pages. Thomas Oboe Lee #1070514....
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Small Ensemble - Level 4 - SKU: A0.1493856 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 37 pages. Thomas Oboe Lee #1070514. Published by Thomas Oboe Lee (A0.1493856). Full scoreProgram note:Nancy Braithwaite, one of my dearest friend in the Netherlands, asked me to write a new work for her Rietveld Ensemble based in Utrecht. I said great, how about a work based solely on the waltz for clarinet, violin, cello and piano? She said that would be fabulous. So, it immediately reminded me that one of my favorite works by Maurice Ravel is his solo piano work, Valses nobles et sentimentales. It was interesting and revelatory to find out (from Wikipedia, of course) that Ravel was in turn inspired by Schubert's collection of waltzes entitled Valses nobles and Valses sentimentales. My quartet is in eight movements, as is the Ravel. The title of my work, Vanessa, is an acronym of sorts to the Ravel title, Valses nobles et sentimentales. I. Modéré - très franc II. Assez lent - avec une expression intense III. Modéré IV. Assez animé V. Presque lent - dans un sentiment intime VI. Vif VII. Moins vif VIII. Épilogue: lentEnjoy!
$9.99
Mathilde Wesendonck (2024) - Score Only
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Thomas Oboe Lee
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Mathilde Wesendonck
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1493835 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 33 pages. Thomas Oboe Lee #1070492....
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Small Ensemble - Level 4 - SKU: A0.1493835 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 33 pages. Thomas Oboe Lee #1070492. Published by Thomas Oboe Lee (A0.1493835). Full score.Program note. I have always been fascinated with Wagner's song cycle Wesendonck Lieder for soprano and orchestra. Of course, the story behind Wagner and Mathilde Wesendonck was even more intriguing. If you don't know the story then you should look it up. When Nancy Braithwaite informed me recently that I have written nine works for her since 1997, that was the year I wrote Yo Picasso for her and her chamber group The Arto Ensemble. I told her, well, let's make it ten. She said her current group, the Rietveld Ensemble, consists of clarinet, violin, viola and cello. That sounds good, but I also suggested adding a soprano voice. She said, fine. That was when I thought I should write Nancy a song cycle using the same Wesendonck poems that Wagner did for his orchestral cycle. 1. Der Engel ... Moderato 2a. Interlude I ... Moderato 2b. Stehe still! ... Allegro TRIO I 3. Im Treibhaus ... Largo 4a. Interlude II ... Allegro TRIO II 4b. Schmerzen ... Adagio 5. Traüme ... Allegro.
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
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Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
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