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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Various
Non classifié
533
Piano & claviers
Piano seul
266
Piano, Voix
72
Orgue
18
Piano, Voix et Guitare
12
Instruments en Do
9
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Orgue, Piano (duo)
2
Accordéon
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Facile
1
+ 10 instrumentations
Retracter
Guitares
Guitare
31
Basse electrique
17
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
1
4 Guitares (Quatuor)
1
Dulcimer
1
+ 2 instrumentations
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Voix
Chorale SATB
63
Chorale TTBB
13
Chorale SSAA
12
Chorale 3 parties
8
Voix seule
1
Chorale Unison
1
Voix haute
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
Voix duo, Piano
1
+ 5 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Ensemble de saxophones
31
Quintette de Saxophone: 5 saxophones
27
2 Flûtes traversières, Piano
26
Quatuor de Saxophones: 4 saxophones
25
2 Saxophones (duo)
22
Ensemble de Clarinettes
21
Flûte traversière et Piano
20
2 Clarinettes (duo)
18
Hautbois, Piano (duo)
18
2 Flûtes traversières (duo)
17
Ensemble de Flûtes
17
Quatuor de Flûtes : 4 flûtes
16
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette et Piano
16
3 Saxophones (trio)
12
Clarinette
12
3 Clarinettes (trio)
11
Flûte traversière
11
Saxophone Alto et Piano
11
Flûte, Clarinette (duo)
10
Saxophone, Clarinette (duo)
8
2 Hautbois (duo)
6
Saxophone Soprano et Piano
5
Saxophone Tenor et Piano
5
Quintette de Clarinettes: 5 clarinettes
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
4
Hautbois (partie séparée)
4
Saxophone (partie séparée)
4
Saxophone Tenor
4
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Clarinette, Violon (duo)
3
Hautbois, Flûte
3
Saxophone Alto
3
Clarinette, Trompette (duo)
2
Saxophone Baryton
2
Saxophone Baryton, Piano
2
Hautbois
2
Flûte, Violon
2
Clarinette, Guitare (duo)
2
Flûte, Trompette (duo)
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
2
Saxophone Soprano
2
Flûte, Alto (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Tenor
1
2 Hautbois et Cor anglais
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte à bec Soprano
1
Cor anglais, Piano
1
Cor Anglais
1
2 Saxophones, Piano
1
Cor anglais, Guitare (duo)
1
Clarinette Basse, Piano
1
3 Hautbois
1
Flûte, Hautbois, Basson
1
2 Hautbois et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Quatuor de cuivres: 4 trombones
31
Ensemble de Trombones
14
Trompette, Piano
12
Trombone et Piano
10
2 Euphoniums et 2 Tubas
8
2 Trompettes (duo)
8
Trompette
8
Cor
7
Cor et Piano
6
2 Trombones (duo)
6
Quatuor de cuivres: 4 cors
5
Ensemble de Trompettes
5
Trombone
4
Tuba
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres
3
Trompette, Trombone (duo)
3
3 Trombones (trio)
3
Tuba et Piano
3
3 Trompettes (trio)
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
3 Cors (trio)
2
Trio de Cuivres
1
Cor anglais, Piano
1
Cor Anglais
1
Trombone basse
1
Euphonium, Piano (duo)
1
Cor anglais, Guitare (duo)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Cors
1
Trompette, Cor (duo)
1
Trombone, Cor (duo)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Trio à Cordes: violon, alto, violoncelle
21
Violon et Piano
19
Violon
19
Violon, Violoncelle (duo)
15
Violoncelle
14
Violoncelle, Piano
11
2 Harpes (duo)
8
Alto, Piano
7
Violon, Alto (duo)
7
2 Violons (duo)
7
Alto seul
6
2 Violoncelles (duo)
6
Harpe
6
Violon, Guitare (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Autoharp
1
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 altos
1
4 Violoncelles
1
Trio à cordes
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre
59
Orchestre d'harmonie
52
Ensemble Jazz
43
Orchestre de chambre
32
Orchestre à Cordes
30
Jazz combo
21
Ensemble de cuivres
20
Cloches
17
Batterie
6
Ensemble de Percussions
3
Fanfare
3
Vibraphone
1
Caisse Claire
1
Marimba
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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526
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Ful...
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Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
Sonatas for Various Unaccompanied Instruments Opus 1
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Mark Jones
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Sonatas for Various Unaccompan
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Mark Jones
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SheetMusicPlus
Small Ensemble Instrumental Solo - Level 4 - SKU: A0.1029599 Composed by Mark Jones. Baroque,Contemporary. Individual part. 182 pages. Mark Jones #52141...
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Small Ensemble Instrumental Solo - Level 4 - SKU: A0.1029599 Composed by Mark Jones. Baroque,Contemporary. Individual part. 182 pages. Mark Jones #5214115. Published by Mark Jones (A0.1029599). Collection of Sonatas for Various Instruments, which are: - Violino Piccolo, Viola, Oboe, and Bassoon. Thirty Five Sonatas, each in three movements, and grouped into sets of five, each instrument cycling through keys, and also cycling through the modes, using the Neely Quotient.
$20.00
Toccatas for Various Unaccompanied Instruments Opus 4
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Mark Jones
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Toccatas for Various Unaccompa
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Mark Jones
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SheetMusicPlus
Bass Clef Instrument,Instrumental Solo,Keyboard,Organ - Level 4 - SKU: A0.1286023 Composed by Mark Jones. Baroque,Chamber,Classical,Contemporary. Indivi...
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Bass Clef Instrument,Instrumental Solo,Keyboard,Organ - Level 4 - SKU: A0.1286023 Composed by Mark Jones. Baroque,Chamber,Classical,Contemporary. Individual part. 50 pages. Mark Jones #877149. Published by Mark Jones (A0.1286023). Works for Organ, (True/Great) Bass Rebec, and Pianoforte, Five Toccatas for each of these instruments, Fifteen in all.
$12.00
Ave Verum Corpus for Brass Quartet
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William Byrd
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James Haynor
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Ave Verum Corpus for Brass Qua
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.782215 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Scor...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.782215 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Score and parts. 13 pages. James Haynor #3569941. Published by James Haynor (A0.782215). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for brass quartet. Scored here for flugelhorns, trumpets may certainly be used. ( Duration 3:30 )
$10.00
Pretty how town for chamber orchestra
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Pretty how town for chamber or
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
Lithuanian Nonet for winds & strings
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Contemporain
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds &am
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
The First Time Ever I Saw Your Face
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Various
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Kirstie Smith
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The First Time Ever I Saw Your
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Kirstie Smith
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SheetMusicPlus
Alto Voice,Baritone Horn TC,Bass Voice,Mezzo-Soprano Voice,Piano,Tenor Voice - Level 4 - SKU: A0.1473304 By Various. By Ewan MacColl. Arranged by Kirsti...
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Alto Voice,Baritone Horn TC,Bass Voice,Mezzo-Soprano Voice,Piano,Tenor Voice - Level 4 - SKU: A0.1473304 By Various. By Ewan MacColl. Arranged by Kirstie Smith. 20th Century,Chamber,Classical,Wedding. Full Performance. Duration 310. Kirstie Smith #1051092. Published by Kirstie Smith (A0.1473304). Full audio performance of a unique SATB (divisi) improvised recording of 'The First Time Ever I Saw Your Face' .This recording was made during the 2020 UK lockdown, a difficult time for all, self-employed musicians included, but which allowed time for artistic creativity resulting in an improvised vocal / piano performance in an impressionistic film-score style.Although no referring score has been completed yet, if this MP3 audio is downloaded twice a score will be written and published.According to Wikipedia (08/06/2024) The First Time Ever I Saw Your Face was originally a 1957 folk song written by British political singer-songwriter Ewan MacColl for Peggy Seeger, who later became his wife. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972, winning Grammy Awards for Record of the Year and Song of the Year. Billboard ranked it as the number-one Hot 100 single of the year for 1972. FUN FACT: The First Time Ever I Saw Your Face was played as the wake-up music on flight day 9 to the astronauts aboard Apollo 17 on their last day in Lunar orbit (Friday, December 15, 1972) before returning to Earth, thus ending the last human explorations of the Moon. The use of the song was most likely a reference to the face of the Moon below the spacecraft.
$4.99
Westerly for flute, violin and string orchestra (mp3)
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Alec Keith, Matt Weiss, Octava
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century...
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Strings Flute,Violin - Level 4 - SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
Flights of Fancy
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Contemporain
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Joe Clark
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Flights of Fancy
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Joe Clark
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Publi...
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Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
$15.99
The Earwig song flute trio (SSB)
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Contemporain
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David Warin Solomons
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The Earwig song flute trio
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David Warin Solomons
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SheetMusicPlus
Bass Flute - Level 4 - SKU: A0.581246 Composed by David Warin Solomons. Contemporary. 14 pages. David Warin Solomons #54441. Published by David Warin So...
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Bass Flute - Level 4 - SKU: A0.581246 Composed by David Warin Solomons. Contemporary. 14 pages. David Warin Solomons #54441. Published by David Warin Solomons (A0.581246). The earwig song was originally a vocal piece based on a poem by Wilhelm Busch in which the poet (Balduin Bählamm) lies down in a meadow full of potential inspiration when an earwig enters his ear and distracts him somewhat! I have re-arranged my setting for various trio versions: (clarinet trio and various flute trio arrangements with bass or alto flute taking the bottom line) The pdf file contains score and parts. The sound sample is an electronic preview.
$9.00
Samba De Janeiro
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Contemporain
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Various Artists
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Des McNutty
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Samba De Janeiro
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des Mc...
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Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Stille Trilogie
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Various
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Helmut Kogler
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Stille Trilogie
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Pentharmonics
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SheetMusicPlus
Horn Quintet - Level 4 - SKU: A0.1254282 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 34 pages. ...
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Horn Quintet - Level 4 - SKU: A0.1254282 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 34 pages. Pentharmonics #847855. Published by Pentharmonics (A0.1254282). Christmas Carols - Version for French Horn Grade 3.5 - Total Duration 8:10 min.The Silent Trilogy is a compilation of three traditional European Advent and Christmas carols arranged for various quintet ensembles (brass-, saxophone- and horn-quintet) and finally also for wind band. The trilogy consists of the songs Alle Jahre wieder, Es wird scho 'glei' dumpa and Stille Nacht. The colorful arrangements represent harmonic variations around the ever-present melody of the original songs.Compared to the versions for brass- and saxophone quintett, the version for horn is more advanced, in particular in the first and the fifth horn due to the range of notes. The parts are provided for F and for E flat horns.Alle Jahre wieder (Every year again, Audio-Demo from the beginning) is a well-known Christmas carol from the German-speaking area. The melody comes from Friedrich Silcher, the text was written by Wilhelm Hey in 1837.Es wird scho 'glei' dumpa (It will be dark soon, Audio-Demo from minute 2:15) is an Austrian nativity scene song based on the melody of a traditional Marian song. The text was written by Anton Reidinger in relation to a historical nativity play in Bad Ischl and published around 1884.Stille Nacht (Silent Night, Audio-Demo from minute 4:55) is one of the most famous Christmas carols. It was performed for the first time on December 24, 1818 with the melody by Franz Xaver Gruber and the text by Joseph Mohr in Salzburg. Since then, the song has been translated into countless languages and sung all over the world.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$24.99
Bach BWV847 - Fugue in C Minor. Brass band arrangement.
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Classique
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Johann Sebastian Bach
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Rhodri Tomos
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Bach BWV847 - Fugue in C Minor
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RT Music Ltd
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.864947 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Brass Band. 30 pages. RT Music Ltd #2183. Published by RT Music Ltd (A0.864947). This is the first brass band arrangement ever (I think!) of not the best known but perhaps underplayed J.S.Bach Fugue from The Well-tempered Clavier collection. The original composition is transcribed to various instruments in the brass band. The fugue consists of at most 3 distinct musical lines at one time, played by various combinations of the brass band instruments.
$24.99
Bach BWV847 - Prelude in C Minor. Brass band arrangement.
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Classique
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Johann Sebastian Bach
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Rhodri Tomos
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Bach BWV847 - Prelude in C Min
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RT Music Ltd
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.864945 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Brass Band. 43 pages. RT Music Ltd #2181. Published by RT Music Ltd (A0.864945). This is the first brass band arrangement ever (I think!) of not the best known but perhaps underplayed J.S.Bach Prelude in C minor from The Well-tempered Clavier collection. The original composition is transcribed to various instruments in the band with some additions here and there by the arranger, to deepen the musical impact with the various colours possible with a brass band.
$24.99
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
Tiananmen
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Contemporain
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Xiaowei Cao
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Xiaowei Cao
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Tiananmen
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ShallV
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SheetMusicPlus
Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and ...
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Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (å…四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.
$14.99
I Am The Walrus
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Rock
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Th...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 10 pages. RayThompsonMusic #379309. Published by RayThompsonMusic (A0.771667). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Transposed into Ab Arranged brass quartet: 2 tpt, tbn and tuba. Alt horn in F part for tbn. You tube link is the clarinet quartet arrangement, but will give you an idea as to how the wq will sound.
$17.95
Witch's Lair (from the "Paranormania"-Trio)
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Ulrich Lehensteiner
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Witch's Lair
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Ulrich Lehensteiner
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Viola - Level 4 - SKU: A0.1509168 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary,Halloween. ...
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Small Ensemble Clarinet,Piano,Viola - Level 4 - SKU: A0.1509168 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary,Halloween. 18 pages. Ulrich Lehensteiner #1084417. Published by Ulrich Lehensteiner (A0.1509168). A musical walk through the gloomy caves of a witch's hideout, featuring some odd harmonic twists and occasional dramatic outbursts that lead into a wicked dance-like reprise of the main theme at the end. This piece serves as the opening of the Paranormania-Trio, a collection of five pieces depicting various supernatural, halloween-esque scenes, like dancing with the devil or summoning demons. Duration: 5 minutesContains piano score + parts.
$19.99
Two-Handed Tapping The Bb Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The Bb Melo
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1510203 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1510203 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1085405. Published by Danny Crocome Music (A0.1510203). These info sheets teach guitarists how to play the Bb Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave Bb Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
Two-Handed Tapping The A Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The A Melod
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1510121 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1510121 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1085319. Published by Danny Crocome Music (A0.1510121). These info sheets teach guitarists how to play the A Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave A Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
Two-Handed Tapping The C Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The C Melod
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1511480 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1511480 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086636. Published by Danny Crocome Music (A0.1511480). These info sheets teach guitarists how to play the C Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave C Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
Two-Handed Tapping The C# Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The C# Melo
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1511503 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1511503 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086661. Published by Danny Crocome Music (A0.1511503). These info sheets teach guitarists how to play the C# Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave C# Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
Two-Handed Tapping The E Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The E Melod
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1511521 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1511521 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086678. Published by Danny Crocome Music (A0.1511521). These info sheets teach guitarists how to play the E Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave E Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
Two-Handed Tapping The D Melodic Minor Scale
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Traditional
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Danny Crocome
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Two-Handed Tapping The D Melod
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1511513 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 p...
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Guitar - Level 4 - SKU: A0.1511513 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086670. Published by Danny Crocome Music (A0.1511513). These info sheets teach guitarists how to play the D Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave D Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.
$7.99
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