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TRI ET FILTRES
TRI ET FILTRES
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PIANO & CLAVIERS
Piano seul
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Orgue
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Ensemble de saxophones
31
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2 Flûtes traversières, Piano
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Ensemble de Clarinettes
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Flûte, Hautbois, Clarinette, Basson
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Flûte traversière et Piano
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2 Flûtes traversières (duo)
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15
3 Saxophones (trio)
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10
3 Clarinettes (trio)
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Clarinette
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Flûte traversière
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Saxophone Alto et Piano
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2 Hautbois (duo)
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Saxophone (partie séparée)
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4
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3
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Quintette de Clarinettes: 5 clarinettes
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3
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2
Clarinette, Trompette (duo)
2
Saxophone Alto
2
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2
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3 Hautbois
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Cor anglais, Guitare (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Quatuor de cuivres: 4 trombones
30
Ensemble de Trombones
14
Trompette, Piano
10
2 Euphoniums et 2 Tubas
8
2 Trompettes (duo)
8
Trombone et Piano
8
Trompette
6
2 Trombones (duo)
6
Ensemble de Trompettes
5
Cor
5
Quatuor de cuivres: 4 cors
4
Cor et Piano
4
Trompette, Saxophone (duo)
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2 Cors (duo)
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
3 Trombones (trio)
3
Tuba
2
3 Cors (trio)
2
4 Tubas
2
3 Trompettes (trio)
2
Trombone
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Cor, Trompette, Trombone (trio)
1
Trombone, Cor (duo)
1
Tuba et Piano
1
Cor anglais, Piano
1
Trompette, Cor (duo)
1
Cor Anglais
1
Trio de Cuivres
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
95
Trio à Cordes: violon, alto, violoncelle
18
Violon et Piano
18
Violon
16
Violon, Violoncelle (duo)
12
Violoncelle (partie séparée)
8
2 Harpes (duo)
8
2 Violons (duo)
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Harpe
6
Violon, Guitare (duo)
5
Violoncelle, Piano
5
Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Ensemble d'Altos
4
Ensemble de Violons
4
Alto seul
4
Violoncelle
3
Alto (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Altos (duo)
3
Trio à cordes: 3 violins
3
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Autoharp
1
2 Contrebasses (duo)
1
4 Violoncelles
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Trio à cordes
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PERCUSSIONS & ORCHESTRES
Orchestre
53
Orchestre d'harmonie
48
Ensemble Jazz
33
Orchestre à Cordes
29
Orchestre de chambre
27
Ensemble de cuivres
20
Cloches
17
Jazz combo
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Batterie
6
Ensemble de Percussions
3
Fanfare
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Vibraphone
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Marimba
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Caisse Claire
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AUTRES
Formation musicale - Solfège
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Déjeuner du matin sung in French and English with various samples (mp3)
Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solo…
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Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
5.15 €
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David Warin Solomons
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Déjeuner du matin sung in French and English with various samples
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David Warin Solomons
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SheetMusicPlus
Sonatas for Various Unaccompanied Instruments Opus 1
Small Ensemble Instrumental Solo - Level 4 - Digital Download SKU: A0.1029599 Compo…
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Small Ensemble Instrumental Solo - Level 4 - Digital Download SKU: A0.1029599 Composed by Mark Jones. Baroque,Contemporary. Individual part. 182 pages. Mark Jones #5214115. Published by Mark Jones (A0.1029599). Collection of Sonatas for Various Instruments, which are: - Violino Piccolo, Viola, Oboe, and Bassoon. Thirty Five Sonatas, each in three movements, and grouped into sets of five, each instrument cycling through keys, and also cycling through the modes, using the Neely Quotient.
$20.00
18.71 €
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Mark Jones
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Sonatas for Various Unaccompanied Instruments Opus 1
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Mark Jones
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SheetMusicPlus
Toccatas for Various Unaccompanied Instruments Opus 4
Bass Clef Instrument,Instrumental Solo,Keyboard,Organ - Level 4 - Digital Download SKU:…
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Bass Clef Instrument,Instrumental Solo,Keyboard,Organ - Level 4 - Digital Download SKU: A0.1286023 Composed by Mark Jones. Baroque,Chamber,Classical,Contemporary. Individual part. 50 pages. Mark Jones #877149. Published by Mark Jones (A0.1286023). Works for Organ, (True/Great) Bass Rebec, and Pianoforte, Five Toccatas for each of these instruments, Fifteen in all.
$12.00
11.23 €
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Mark Jones
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Toccatas for Various Unaccompanied Instruments Opus 4
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Mark Jones
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SheetMusicPlus
Ave Verum Corpus for Brass Quartet
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782215 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782215 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Score and parts. 13 pages. James Haynor #3569941. Published by James Haynor (A0.782215). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for brass quartet. Scored here for flugelhorns, trumpets may certainly be used. ( Duration 3:30 )
$10.00
9.36 €
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William Byrd
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James Haynor
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Ave Verum Corpus for Brass Quartet
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James Haynor
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SheetMusicPlus
Pretty how town for chamber orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digi…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
14.97 €
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David Warin Solomons
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Colin Bayliss
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Pretty how town for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Si yo nunca desapareciera (LOW VOICE)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
3.73 €
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
56.12 €
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
Book 1 - 32 Hardop Classics for Trumpet
C Instrument - Level 4 - Digital Download SKU: A0.1451088 By Various HardBop. By Va…
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C Instrument - Level 4 - Digital Download SKU: A0.1451088 By Various HardBop. By Various. Arranged by Buddy Blanco. Jazz. Lead Sheet / Fake Book. 45 pages. Brian White #1030542. Published by Brian White (A0.1451088). Arranged for TrumpetFrom the original trumpet linesOptimised for Forscore on iPadArranged for Trumpet from the original Trumpet lines, or Trumpet friendly lines. Optimised forForscore on iPad.This book is a collection of Hard Bop tunes written in a lead sheet format. Designed for practice withthe original recording.IndexHorace SilverBonita, from the Album “Cape Verdean Blues”The African Queen, from the Album “Cape Verdean Blues”Cool Eyes, from the Album “6 Pieces of Silver”The Preacher, from the Album “Horace Silver and the Jazz Messengers”Tokyo Blues, from the Album “Tokyo Blues”Cape Verdean Blues, from the Album “Cape Verdean Blues”Yeah!, from the Album “Horace-Scope”The Gringo, from the Album “Doin' The Thing”Thelonious MonkWell You needn’t, from the Chet Baker Album “Italian Sessions”We See, from the Dexter Gordon Album “Generation”Thelonious, from the Album “Underground”Hackensack, from the Album “Criss Cross”Boo Boo’s Birthday, from the Album “Underground”Ugly Beauty, from the Album “Underground”Raise Four, from the Album “Underground”Blue MitchellFungii Mama, from the Album “The Thing to Do”Dexter GordonHanky Panky, from the Album “Clubhouse”For Regulars Only, from the Album “Doin Alright”Cannonball AdderleySack O’ Woe, from the Album “Live at the Lighthouse”Jessica’s Birthday, from the Album “Laguno 1963”Victor FeldmanAzule Serape, from the Album “Live at the Lighthouse”Joe HendersonMo Joe, from the Album “Cape Verdean Blues”Hank MobleyA Baptist Beat, from the Album “Roll Call”No Room For Squares, from the Album “No Room For Squares”My Groove, Your move, from the Album “Roll Call”Roll Call, from the Album “Roll Call”Lee MorganDesert Moonlight, from the Album “Rumproller”Tom Cat, from the Album “Tom Cat”Jackie McLeanCondition Blue, from the Album “Capuchin Swing”Five Will Give You Ten, from the Album “Fickle Sonice”Dizzy ReeceThe Rake, from the Album “Star Bright”.
$15.00
14.03 €
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Various HardBop
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Buddy Blanco
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Book 1 - 32 Hardop Classics for Trumpet
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Brian White
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SheetMusicPlus
Rock My Soul
Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. A…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1444613 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Ragtime,Spiritual,World. Individual part. 13 pages. Richard Hirsch #1024507. Published by Richard Hirsch (A0.1444613). I offer an arrangement of the Spiritual “Rock My Soul in the Bosom of Abraham” for acoustic fingerstyle guitar. The arrangement is in the ragtime style of guitar playing reminiscent of Reverend Gary Davis. The melody is played with alternating middle, index, and ring fingers over alternating bases played by the thumb. The melody is repeated in different major keys starting in the key of D and moving through the keys of A , G, and C, returning at the end to D.The arrangement is intended as a fun instructional introduction to the various keys that are good for fingerstyle guitar with alternating bases in normal tuning. There are lots of little ornamentations like pulls-offs, slurs, and trills that liven up the piece and are good practice for the intermediate to advanced student of fingerstyle guitar.I have given Presto as the tempo as that is the tempo in which I first conceived of the arrangement, but the piece can also be played at a slower tempo, i.e. Allegro.In a number of instances in the notation harmonics are marked as sounding one or two octaves higher than notated. These notes are notated and tabulated at the position they are to be found on the fretboard. When played as harmonics they will sound one or two octaves higher.The piece would I think work well also in contexts where the guitarist might like to have some audience participation in the way of hand-clapping of the beat while moving through the various key changes. The piece also works well as a warm-up. I really enjoy playing the piece. It makes my day!
$6.99
6.54 €
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Traditional
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Richard Hirsch
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Rock My Soul
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Richard Hirsch
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SheetMusicPlus
Westerly for flute, violin and string orchestra (mp3)
Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Ma…
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Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
6.08 €
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Alec Keith, Matt Weiss, Octava Chamber Orchestra
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Flights of Fancy
Small Ensemble Clarinet,Flute,Viola - Level 4 - Digital Download SKU: A0.987048 Com…
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Small Ensemble Clarinet,Flute,Viola - Level 4 - Digital Download SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
$15.99
14.96 €
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Joe Clark
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Flights of Fancy
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Joe Clark
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SheetMusicPlus
The Earwig song flute trio (SSB)
Bass Flute - Level 4 - Digital Download SKU: A0.581246 Composed by David Warin Solo…
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Bass Flute - Level 4 - Digital Download SKU: A0.581246 Composed by David Warin Solomons. Contemporary. 14 pages. David Warin Solomons #54441. Published by David Warin Solomons (A0.581246). The earwig song was originally a vocal piece based on a poem by Wilhelm Busch in which the poet (Balduin Bählamm) lies down in a meadow full of potential inspiration when an earwig enters his ear and distracts him somewhat! I have re-arranged my setting for various trio versions: (clarinet trio and various flute trio arrangements with bass or alto flute taking the bottom line) The pdf file contains score and parts. The sound sample is an electronic preview.
$9.00
8.42 €
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David Warin Solomons
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The Earwig song flute trio
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David Warin Solomons
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SheetMusicPlus
Samba De Janeiro
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Vario…
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
12.15 €
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Various Artists
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Des McNutty
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Samba De Janeiro
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Des Press
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SheetMusicPlus
Stille Trilogie
Horn Quintet - Level 4 - Digital Download SKU: A0.1254282 Composed by Various. Arra…
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Horn Quintet - Level 4 - Digital Download SKU: A0.1254282 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 34 pages. Pentharmonics #847855. Published by Pentharmonics (A0.1254282). Christmas Carols - Version for French Horn Grade 3.5 - Total Duration 8:10 min.The Silent Trilogy is a compilation of three traditional European Advent and Christmas carols arranged for various quintet ensembles (brass-, saxophone- and horn-quintet) and finally also for wind band. The trilogy consists of the songs Alle Jahre wieder, Es wird scho 'glei' dumpa and Stille Nacht. The colorful arrangements represent harmonic variations around the ever-present melody of the original songs.Compared to the versions for brass- and saxophone quintett, the version for horn is more advanced, in particular in the first and the fifth horn due to the range of notes. The parts are provided for F and for E flat horns.Alle Jahre wieder (Every year again, Audio-Demo from the beginning) is a well-known Christmas carol from the German-speaking area. The melody comes from Friedrich Silcher, the text was written by Wilhelm Hey in 1837.Es wird scho 'glei' dumpa (It will be dark soon, Audio-Demo from minute 2:15) is an Austrian nativity scene song based on the melody of a traditional Marian song. The text was written by Anton Reidinger in relation to a historical nativity play in Bad Ischl and published around 1884.Stille Nacht (Silent Night, Audio-Demo from minute 4:55) is one of the most famous Christmas carols. It was performed for the first time on December 24, 1818 with the melody by Franz Xaver Gruber and the text by Joseph Mohr in Salzburg. Since then, the song has been translated into countless languages and sung all over the world.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$24.99
23.38 €
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Various
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Helmut Kogler
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Stille Trilogie
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Pentharmonics
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SheetMusicPlus
Bach BWV847 - Fugue in C Minor. Brass band arrangement.
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.864947 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Brass Band. 30 pages. RT Music Ltd #2183. Published by RT Music Ltd (A0.864947). This is the first brass band arrangement ever (I think!) of not the best known but perhaps underplayed J.S.Bach Fugue from The Well-tempered Clavier collection. The original composition is transcribed to various instruments in the brass band. The fugue consists of at most 3 distinct musical lines at one time, played by various combinations of the brass band instruments.
$24.99
23.38 €
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Johann Sebastian Bach
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Rhodri Tomos
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Bach BWV847 - Fugue in C Minor. Brass band arrangement.
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RT Music Ltd
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SheetMusicPlus
Bach BWV847 - Prelude in C Minor. Brass band arrangement.
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.864945 Composed by Johann Sebastian Bach. Arranged by Rhodri Tomos. Baroque. Brass Band. 43 pages. RT Music Ltd #2181. Published by RT Music Ltd (A0.864945). This is the first brass band arrangement ever (I think!) of not the best known but perhaps underplayed J.S.Bach Prelude in C minor from The Well-tempered Clavier collection. The original composition is transcribed to various instruments in the band with some additions here and there by the arranger, to deepen the musical impact with the various colours possible with a brass band.
$24.99
23.38 €
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Johann Sebastian Bach
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Rhodri Tomos
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Bach BWV847 - Prelude in C Minor. Brass band arrangement.
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RT Music Ltd
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SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
15.9 €
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David Warin Solomons
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE only)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
9.36 €
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David Warin Solomons
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.86 €
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
Tiananmen
Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (å…四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.
$14.99
14.02 €
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Xiaowei Cao
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Xiaowei Cao
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Tiananmen
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ShallV
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SheetMusicPlus
I Am The Walrus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 10 pages. RayThompsonMusic #379309. Published by RayThompsonMusic (A0.771667). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Transposed into Ab Arranged brass quartet: 2 tpt, tbn and tuba. Alt horn in F part for tbn. You tube link is the clarinet quartet arrangement, but will give you an idea as to how the wq will sound.
$17.95
16.79 €
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Book 2 - Another 34 Hardbop Classics for Trumpet
C Instrument - Level 4 - Digital Download SKU: A0.1451103 By Various HardBop. By Va…
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C Instrument - Level 4 - Digital Download SKU: A0.1451103 By Various HardBop. By Var. Arranged by Buddy Blanco. Jazz. Lead Sheet / Fake Book. 48 pages. Brian White #1030557. Published by Brian White (A0.1451103). Arranged for TrumpetFrom the original trumpet linesOptimised for Forscore on iPadArranged for Trumpet from the original Trumpet lines, or Trumpet friendly lines. Optimised forForscore on iPad.This book is a collection of Hard Bop tunes written in a lead sheet format. Designed for practice withthe original recording.IndexBill HardmanPolitely, from the Art Blakey and the Jazz messengers album The Big BeatCedar WaltonUgetsu, from The Art Blakey Album UgetsuDonald ByrdThe Cat Walk, from his album “The Cat Walk”Eddie HigginsExpoobident, from the Lee Morgan Album “Expoobident”Freddie HubbardBlues Function, from the Jackie Mclean album “Bluesnik”Hank MobleyHigh Voltage, from the album “High Voltage”High and Flighty, from his album “Peckin’ Time”A Baptist Beat, from his album “Roll Call“Chain Reaction, from his album “Straight No Filter”The Feelin's Good, from his album “Straight No Filter”Third Time Around, from his album “Straight No Filter”Soft Impressions,, from his album “Straight No Filter”Horace SilverDoodlin’, from the album “Horace Silver & the Jazz messengersHorace Scope, from his album “Horace Scope”Jackie McLeanBluesnik, from his album “Bluesnik”Torchin’, from his album “Bluesnik”Kenny DorhamHigh Seas, from the Art Taylor Album A.T.'s DelightKenny DrewFunk-Cosity, from his album “Undercurrent”Lee MorganThese Are Soulful Days, from his album “lee-Ways”Venus Di Mildew, from Hank Mobley’s album “A Caddy for Daddy”Sneaky Pete, from his album “Sonic Boom”Sonny ClarkSomethin' Special, from his album Leapin & LopinBlue Minor, from his album “Cool Struttin’“Cool Struttin’, from his album “Cool Struttin’”Melody For C, from his album Leapin & LopinBlues Blue, from his album “My Conception“Junka, from his album “My Conception“Voodoo, from his album Leapin & LopinStanley TurrentineMinor ChantStolen Sweets, from his album Comin your Way”.
$15.00
14.03 €
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Various HardBop
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Buddy Blanco
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Book 2 - Another 34 Hardbop Classics for Trumpet
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Brian White
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SheetMusicPlus
This Is Berk
B-Flat Trumpet,Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.1451638 …
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B-Flat Trumpet,Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.1451638 By Various. By John Powell. Arranged by Andrew Merideth. 21st Century,Film/TV. 23 pages. Andrew Merideth #1030941. Published by Andrew Merideth (A0.1451638).
$4.99
4.67 €
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Various
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Andrew Merideth
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This Is Berk
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Andrew Merideth
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SheetMusicPlus
Ricordi di Bari (sonata per chitarra sola)
Solo Guitar - Level 4 - Digital Download SKU: A0.1453812 Composed by Socrates Arvan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1453812 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 5 pages. Socrates Arvanitakis #1033061. Published by Socrates Arvanitakis (A0.1453812). Ricordi Del Contrabbando is a series of binary or ternary form sonatas for solo guitar depicting various Mediterranean ports in the great 20th century era (c. 1960-1980) of smuggling cigarettes and whiskey between Italy and the Black Sea.This sonata, written in chromatic minor and Lydian chromatic modes, refers to the port of Bari, a city in eastern coast of Italy.
$3.00
2.81 €
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Socrates Arvanitakis
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Ricordi di Bari
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Socrates Arvanitakis
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SheetMusicPlus
Fantasia and Fugue BWV 542 (arranged for woodwind quintet)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1453968 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber. 55 pages. Daniel Kaplan #1033157. Published by Daniel Kaplan (A0.1453968). Bach's Great Fantasia and Fugue in G minor, BWV 542, is a monumental work for organ, first performed by Bach (according to some scholars, possibly improvised on the spot!) in Hamburg in 1720. Over the years it has been arranged for various ensembles, including full orchestra, but this is the first arrangement I'm aware of for woodwind quintet. The character of the piece is somewhat changed, becoming livelier and more dance-like, but it remains a wonderful flight of fancy (arguably the original meaning of fugue), and by the end the attentive listener may be quite carried away.This is part of Kaplan's project to enhance and broaden the woodwind-quintet repertoire with both great classics and beautiful lesser-known works. The varied timbres of the woodwind instruments add clarity to contrapuntal writing, allowing the individual parts to be more clearly perceived and followed by the listener. (Kaplan has made many other woodwind-quintet arrangements, for most of which the sheet music is available on this website.).
$9.95
9.31 €
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Johann Sebastian Bach
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Daniel Kaplan
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Fantasia and Fugue BWV 542
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Daniel Kaplan
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SheetMusicPlus
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