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--INSTRUMENTS--
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44
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41
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31
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14
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1
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68
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44
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41
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14
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11
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7
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5
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5
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3
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2 Trompettes (duo)
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65
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37
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13
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10
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9
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5
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4
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Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
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Alto, Guitare (duo)
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Contre Basse
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2 Altos (duo)
2
2 Contrebasses (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
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Harpe
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1
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4 Violoncelles
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Jazz combo
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251
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Blues
#
Jazz
#
Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
#
SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
Que Garota Linda (Bb leadsheet)
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Jazz
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Latin/Musique du monde
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica A...
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99
Vocalise Op. 34 for clarinet/sax in Bb, cello and piano (orchestra version)
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Classique
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Sergei Rachmaninoff
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Klas Krantz
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Vocalise Op. 34 for clarinet/s
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Amadeus Music
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.532248 Composed by Sergei Rachmaninoff. Arranged by Klas Krantz. 20th...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.532248 Composed by Sergei Rachmaninoff. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. 7 pages. Amadeus Music #4349795. Published by Amadeus Music (A0.532248). Piano part is based on the composer own orchestra arrangement and the voice piano version. Sergei Rachmaninoff (1873–1943) was a Russian-born composer, pianist, and conductor. He is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
$13.95
Linus And Lucy
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The Vince Guaraldi Trio
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Lillian Green
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Linus And Lucy
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Lillian Green
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SheetMusicPlus
Strings Multi-Percussion,Piano - Level 4 - SKU: A0.1336686 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Lillian Green. 20th Century,Christ...
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Strings Multi-Percussion,Piano - Level 4 - SKU: A0.1336686 By The Vince Guaraldi Trio. By Vince Guaraldi. Arranged by Lillian Green. 20th Century,Christmas,Jazz. 21 pages. Lillian Green #922459. Published by Lillian Green (A0.1336686). This arrangement is for a pianist, two percussionists, and advanced student strings. The pianist plays the familiar main theme, with strings layered overtop; in the middle sections, the pianist gets a break, while the strings take over and play featured written-out solos.
$24.99
Interchange for Vibraphone and Piano
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Contemporain
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Aris Carastathis
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Interchange for Vibraphone and
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Phorminx Editions
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SheetMusicPlus
Small Ensemble Hand Percussion,Piano Accompaniment,Vibraphone - Level 4 - SKU: A0.1015867 Composed by Aris Carastathis. Contemporary. Score and parts. 1...
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Small Ensemble Hand Percussion,Piano Accompaniment,Vibraphone - Level 4 - SKU: A0.1015867 Composed by Aris Carastathis. Contemporary. Score and parts. 13 pages. Phorminx Editions #4984273. Published by Phorminx Editions (A0.1015867). Interchange for Vibraphone and Piano (2010) Program Notes Interchange is a highly contrapuntal work in which the two instruments engage in a continuous flow of thematic material. Often phrases start by one player and are completed by the other player in a very tightly knit musical fabric. Extended technique by the pianist portrays the percussive qualities of the piano, while the percussionist uses the piano as a percussion instrument as well. Vocal sounds by the pianist allude to the contemplative nature of this work. Interchange was composed especially for pianist-composer Diana McIntosh and percussionist Ben Reimer, who gave the premiere performance on May 12, 2011.
$15.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
Bass Flute
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructiona...
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Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 61 pages. Jmsgu3 #5306289. Published by jmsgu3 (A0.551495). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 â??1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ?ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ??s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Remembrance
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Contemporain
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Dennis Bell
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Remembrance
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Mark of Aries Music
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 4 - SKU: A0.926262 Composed by Dennis Bell. Contemporary. Score and parts. 138 pages. Mark of Aries Music (BMI) #2...
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Piano Quintet,String Ensemble - Level 4 - SKU: A0.926262 Composed by Dennis Bell. Contemporary. Score and parts. 138 pages. Mark of Aries Music (BMI) #2618703. Published by Mark of Aries Music (BMI) (A0.926262). Remembrance, for String Quartet and Piano, commissioned by The American Music Center's LIVE MUSIC FOR DANCE initiative. Score debuted for Sidra Bell Dance NY's (SBDNY) SHRINES at The Baruch Performing Arts Center in NYC in 2011 with the Purchase Conservatory String Quartet and composer Dennis Bell as pianist. Re-staged and performed by SBDNY with the Boston Public Quartet and pianist Joy Cline Phinney, as part of the Boston Jewish Arts Collaborative's dynamic season 2016. Video clip of dress rehearsal on youtube https://youtu.be/hXJRyiotkes.
$14.99
For Beauty's Sake - parts
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Contemporain
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Emily Misner
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For Beauty's Sake - parts
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Mis...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041909. Published by Emily Misner (A0.991542). This file contains the individual parts for flute, clarinet, violin, cello, and piano, rather than the conductor's score. For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line.One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
For Beauty's Sake
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Contemporain
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Emily Misner
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For Beauty's Sake
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Emily Misner
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Mis...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041907. Published by Emily Misner (A0.991541). For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line. One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00
The Big Book of Pentatonics & Fourths
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Eric Bolvin
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The Big Book of Pentatonics &a
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
Grieg: Peer Gynt Suite Complete for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructio...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 62 pages. Jmsgu3 #5306343. Published by jmsgu3 (A0.551506). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Pop Goes the Weasel - Orchestra Version
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Paul Enguana
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Pop Goes the Weasel - Orchestr
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Superenguanapianist
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Horn,Piano,Timpani,Trombone,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 4 - SKU: A0.1027422 Composed by Paul Enguana...
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Large Ensemble Cello,Double Bass,Horn,Piano,Timpani,Trombone,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 4 - SKU: A0.1027422 Composed by Paul Enguana. Children,Classical,Contemporary. Score and parts. 38 pages. Superenguanapianist #5805571. Published by Superenguanapianist (A0.1027422). This is my orchestra arrangement/composition of the famous nursery rhyme Pop Goes the Weasel.
$25.99
Pennsylvania Polka
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Small Ensemble High Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.1509061 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra ...
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Small Ensemble High Voice,Piano Accompaniment,Violin - Level 4 - SKU: A0.1509061 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. 13 pages. Standard Time #1084312. Published by Standard Time (A0.1509061). The polka is arranged here for voice, piano, and violin, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Small Ensemble Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1509070 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Ste...
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Small Ensemble Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1509070 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. 13 pages. Standard Time #1084321. Published by Standard Time (A0.1509070). The polka is arranged here for voice, piano, and flute, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Small Ensemble Clarinet,High Voice,Piano Accompaniment - Level 4 - SKU: A0.1509053 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debr...
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Small Ensemble Clarinet,High Voice,Piano Accompaniment - Level 4 - SKU: A0.1509053 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. 13 pages. Standard Time #1084304. Published by Standard Time (A0.1509053). The polka is arranged here for voice, piano, and B-flat clarinet, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - SKU: A0.1509044 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by ...
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Small Ensemble Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - SKU: A0.1509044 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. 13 pages. Standard Time #1084282. Published by Standard Time (A0.1509044). The polka is arranged here for voice, piano, and soprano saxophone, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Dialogues With Ancestors
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Rafael Montero
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Dialogues With Ancestors
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C8 Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1517601 By Rafael Montero. By Dominic McGonigal. 21st Century,Classical,Contemporary. Score. 25 pages. C8 Music #1...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1517601 By Rafael Montero. By Dominic McGonigal. 21st Century,Classical,Contemporary. Score. 25 pages. C8 Music #1091762. Published by C8 Music (A0.1517601). Dialogues With Ancestors is the result of working with tenor Rafael Montero, a native Latin American who founded El Parnasso to celebrate indigenous South American music. Dialogues With Ancestors is a dialogue between pre-colonial South American culture and contemporary Europe. The song cycle, for tenor and piano, takes us from Nature, through Love, Loss and Justice to Peace. Eleven indigenous songs are the starting point for an evocative duo between tenor and piano, beginning with Wik'unita, marking the wild exuberance of the South American lama, ending with the beautiful serenity of Kkochus al Espíritu Santo. The climax comes with Kkochu al Machula de Tuana, the angry god who seeks vengeance, met with the powerful plainchant Dies Irae. Dialogues With Ancestors will be premiered in Cologne on 4 October 2024, by tenor Rafael Montero and Ukrainian pianist Anastasiia Haisiuk. Duration 20'. Scored for voice and piano. More at www.dominic.mcgonigal.com or search McGonigal on www.SheetMusicDirect.com.
$5.99
Liebestraum No.3 - Flute and Piano (Full Score)
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Flute and P
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1495384 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Contemporary,Multicultural,Romantic Pe...
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Piano,Soprano Flute - Level 4 - SKU: A0.1495384 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Contemporary,Multicultural,Romantic Period,Wedding,World. Score and part. 7 pages. Sheet Music To Play Editions #1071897. Published by Sheet Music To Play Editions (A0.1495384). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only. Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Liebestraum No.3 - Flute and Piano (Full Score and Parts)
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Flute and P
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1495381 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedd...
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Piano,Soprano Flute - Level 4 - SKU: A0.1495381 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1071894. Published by Sheet Music To Play Editions (A0.1495381). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Brahms: 4 Ballades Op.10 No.1 Ballade in D minor - symphonic wind dectet/bass
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Classique
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Johannes Brahms
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Ray Thompson
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Brahms: 4 Ballades Op.10 No.1
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1486677 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Pe...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1486677 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 17 pages. RayThompsonMusic #1063742. Published by RayThompsonMusic (A0.1486677). The Ballades, Op. 10, are lyrical piano pieces written by Johannes Brahms during his youth. They were dated 1854 and were dedicated to his friend Julius Otto Grimm. Their composition coincided with the beginning of the composer's lifelong affection for the pianist and composer Clara Schumann, who was helping Brahms launch his career. Frédéric Chopin had written the last of his famous ballades only 12 years earlier, but Brahms approached the genre differently from Chopin, choosing to take its origin in narrative poetry more literally.Brahms's ballades are arranged in two pairs of two, the members of each pair being in parallel keys. The first ballade was inspired by a Scottish poem Edward found in a collection Stimmen der Völker in ihren Liedern compiled by Johann Gottfried Herder. It is also one of the best examples of Brahms's bardic or Ossianicstyle; its open fifths, octaves, and simple triadic harmonies are supposed to evoke the sense of a mythological past.This is my arrangement of no.1 in D minor for symphonic wind dectet (decet/double wind quintet) and bass.
$19.95
Cinema Paradiso
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Andrea Morricone and Ennio Mor
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ElysiumSoundscapes
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Cinema Paradiso
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ElysiumSoundscapes
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1446548 Composed by Andrea Morricone and Ennio Morricone. Arranged b...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1446548 Composed by Andrea Morricone and Ennio Morricone. Arranged by ElysiumSoundscapes. 20th Century,Chamber,Contemporary,Film/TV,Instructional. 8 pages. ElysiumSoundscapes #1026346. Published by ElysiumSoundscapes (A0.1446548). An exquisite and heartfelt arrangement for Violin and Piano of Ennio Morricone's famous film score from the movie Cinema Paradiso. This arrangement is written in a very accessible way for both the pianist and the violinist. A delicate blending of the most lyrical and beautiful moments is magically portrayed as a duet for two late-intermediate performers.
$6.99
Percussion Suite (& Ballet): The Vampire Suite
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JC Cro
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Percussion Suite
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JC Croyle
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 ...
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Percussion Ensemble Bass Marimba,Bell (or Triangle),Boomwhackers,Claves,Glockenspiel,Snare Drum,Tom Tom,Woodblock,Xylophone - Level 4 - SKU: A0.1427368 By JC Cro. By JC Croyle. Classical,Contemporary,Contest,Festival. 350 pages. JC Croyle #1008094. Published by JC Croyle (A0.1427368). The Vampire Suite is a percussion suite of four Act's, each having anywhere from six to ten parts. It is aproximately 60 minutes long. It can be performed as a percussion suite or can be performed with dance to tell the 4 distinct stories. Each Act is based on a short story written between 1800 and 1920. The stories are The Vampire Maid by Hume Nisbit, Dracula's Guest by Bram Stroker, Clarimonde by Theophile Gautier and Wake Not the Dead by Ernst Raupach.It would take 4-6 percussionists of an intermediate to advanced level. The Marimba parts, being the most difficult, could also be played by a pianist on piano. Included: Full Score Each Part Individually The storyboards for the Ballet Instrument List Bio's of each character Instrumentation: Bass Drum (Concert) Bongos Boom Whackers Claves Concert Toms Conga Cowbell Djembe Drum-Set Glockenspiel (Bells) Marimba Snare Drum (Concert) Triangle Tubular Bells Vibraphone Wood Blocks Xylophone The mp3 here is a sampling of the pieces.The music can be heard in full at https://jccroylepercussion.bandcamp.com/album/the-vampire-suite-for-percussion
$39.99
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