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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
prof
Non classifié
643
Piano & claviers
Piano seul
2 935
Piano, Voix
45
Instruments en Do
19
Piano, Voix et Guitare
17
Orgue
13
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
3
Accordéon
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Facile
1
+ 8 instrumentations
Retracter
Guitares
Basse electrique
235
Guitare
227
Guitare notes et tablatures
84
Piano, Guitare (duo)
38
2 Guitares (duo)
9
Ukulele
3
3 Guitares (trio)
1
Banjo
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 4 instrumentations
Retracter
Voix
Voix seule
2 367
Chorale SATB
91
Chorale SSAA
7
Chorale 3 parties
7
Voix Soprano, Piano
5
Voix duo, Piano
5
Chorale TTBB
5
Chorale 2 parties
4
Voix haute
4
Voix Tenor, Piano
3
Voix duo
2
Chorale
2
Voix Soprano
2
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
538
Flûte traversière
532
Clarinette
442
Saxophone Tenor
152
Saxophone Alto
143
Clarinette et Piano
79
Flûte traversière et Piano
78
Hautbois
78
Hautbois, Piano (duo)
72
Ensemble de saxophones
62
Saxophone Soprano
58
Saxophone Tenor et Piano
53
Saxophone Alto et Piano
51
Quintette de Saxophone: 5 saxophones
49
2 Saxophones (duo)
44
Flûte à Bec
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Ensemble de Clarinettes
30
Quatuor de Clarinettes: 4 clarinettes
23
Quatuor de Saxophones: 4 saxophones
19
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de Flûtes
12
Saxophone Soprano et Piano
11
Quintette de Flûte : 5 flûtes
9
Quatuor de Flûtes : 4 flûtes
9
Saxophone Baryton, Piano
8
Hautbois (partie séparée)
6
2 Flûtes traversières, Piano
4
Flûte, Clarinette (duo)
4
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Saxophone (partie séparée)
3
2 Flûtes traversières (duo)
2
Flûte et Guitare
2
2 Hautbois (duo)
2
Clarinette, Violon (duo)
2
Clarinette et Alto
2
Saxophone Baryton
2
Trio de Flûtes: 3 flûtes
2
Cor anglais, Piano
2
Flûte, Clarinette et Basson
2
Flûte, Violon
1
Flûte et Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
5 Flûtes à bec
1
Flûte, Trompette (duo)
1
Clarinette, Trompette (duo)
1
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
3 Saxophones (trio)
1
Quatuor de Flûtes à bec
1
+ 53 instrumentations
Retracter
Cuivres
Trompette
370
Trombone
285
Trombone et Piano
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Cor
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Trompette, Piano
37
Euphonium
25
Ensemble de Trombones
21
Tuba
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Ensemble de Trompettes
16
Quatuor de Cuivres
14
Cor et Piano
9
Quatuor de cuivres: 4 trombones
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Trompette (partie séparée)
5
Tuba et Piano
5
Quatuor de cuivres: 4 cors
3
Trio de Cuivres
3
2 Trombones (duo)
3
Euphonium, Piano (duo)
3
2 Trompettes (duo)
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
2
Cor et Orgue
1
+ 22 instrumentations
Retracter
Cordes
Violon
353
Violoncelle
338
Quatuor à cordes: 2 violons, alto, violoncelle
307
Alto seul
110
Violon et Piano
108
Violoncelle, Piano
67
Alto, Piano
58
Violon, Violoncelle (duo)
58
Trio à Cordes: violon, alto, violoncelle
46
Trio à Cordes: 2 violons, violoncelle
37
Contre Basse
30
Harpe
24
2 Violons (duo)
12
Ensemble de Violons
11
2 Violoncelles (duo)
11
Ensemble d'Altos
10
Violon, Alto (duo)
7
Contrebasse, Piano (duo)
6
4 Violoncelles
5
2 Altos (duo)
5
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 violins
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
Harpe, Flûte (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Batterie
340
Orchestre
183
Ensemble Jazz
73
Orchestre à Cordes
49
Ensemble de cuivres
34
Orchestre d'harmonie
32
Jazz combo
26
Orchestre de chambre
20
Percussion
8
Ensemble de Percussions
5
Fanfare
4
Cloches
2
Vibraphone
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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SYNTHETISEUR
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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643 partitions trouvées
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626
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
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Blues
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Jazz
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Mark S
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Professor M & M's Jive Det
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Geofonica Artistworks
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SheetMusicPlus
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 ...
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
De Profundis Psalm 130 of David - Score Only
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Musique Sacrée
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Roar Kvam
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De Profundis Psalm 130 of Davi
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KVAMusic Edition
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SheetMusicPlus
Level 4 - SKU: A0.1310029 Composed by Roar Kvam. 21st Century,Chamber,Praise & Worship,Religious,Sacred. 53 pages. KVAMusic Edition #899155. Published b...
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Level 4 - SKU: A0.1310029 Composed by Roar Kvam. 21st Century,Chamber,Praise & Worship,Religious,Sacred. 53 pages. KVAMusic Edition #899155. Published by KVAMusic Edition (A0.1310029). Baritone (Bass) solo, SATB choir, organ, harp and timpani.
$20.00
フラマン語
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Prof
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Manuel Gago Fernandez
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フラマンèª
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Manuel Gago Fernandez
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SheetMusicPlus
Percussion,Piano Accompaniment - Level 4 - SKU: A0.1155045 By Prof.Manuel Gago. By Manuel Gago Fernandez. Arranged by Manuel Gago Fernandez. 20th Centur...
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Percussion,Piano Accompaniment - Level 4 - SKU: A0.1155045 By Prof.Manuel Gago. By Manuel Gago Fernandez. Arranged by Manuel Gago Fernandez. 20th Century,A Cappella,Chamber,Folk,Instructional. Full Performance. Duration 30. Manuel Gago Fernandez #755326. Published by Manuel Gago Fernandez (A0.1155045). フラマン語 – Performance by Prof.Manuel Gago.
$13.89
Systematische Violintechnik
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Systematische Violintechnik
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Schott Music - Digital
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SheetMusicPlus
Violin - intermediate to advanced - SKU: S9.Q54316 Die Bausteine des Violinspiels. This edition: Sheet music. Articulation - basis - polyrhythmic...
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Violin - intermediate to advanced - SKU: S9.Q54316 Die Bausteine des Violinspiels. This edition: Sheet music. Articulation - basis - polyrhythmic. Downloadable. Op. 2. Schott Music - Digital #Q54316. Published by Schott Music - Digital (S9.Q54316). German.Die sechsbändige „Systematischen Violintechnik“ behandelt alle Aspekte des Violinspiels und ermöglicht damit eine umfassende Grundlage für lernende, lehrende und ausübende Musiker. Die Bände enthalten reichhaltige Anregungen für vernünftige und einwandfreie Aufbereitung von technisch anspruchsvollen Passagen in Meisterwerken der Musik. Die einfache Idee, die Violintechnik auf der Kombination von Bogenwechseln, Saitenwechseln, Fingerwechseln und Lagenwechseln aufzubauen, wird systematisch entwickelt und stellt – vergleichbar einer „Hausapotheke für Geiger“ – ein Konzentrat zielgerichtet anwendbarer Übungen zur Verfügung. Gleichzeitig verschafft diese Systematische Violintechnik einen vollständigen und unverzichtbaren Überblick über alle Bestandteile der Technik und ihrer Zusammenhänge. Wohldurchdachtes und praxiserprobtes Übungsmaterial aus der Feder von Prof. Helmut Zehetmair (Mozarteum Salzburg) und Prof. Benjamin Bergmann (Johannes Gutenberg Universität Mainz). Band 2 behandelt den direkten Lagenwechsel.
$19.99
Dora PejaÄević "Sieben Lieder (op. 23)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević "Si
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - SKU: A0.1033844 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Con...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - SKU: A0.1033844 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert,Romantic Period,Standards. 64 pages. Edition les bons concerts #6664631. Published by Edition les bons concerts (A0.1033844). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$28.70
Toccata et fugue en ré mineur (BWV 565)
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Classique
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Johann Sebastian Bach
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Sam Bateman
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Toccata et fugue en ré
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Sam Bateman
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts....
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
Lithuanian Nonet for winds & strings
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Contemporain
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds &am
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
Serenade for Viola and Trombone
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P
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Serenade for Viola and Trombon
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Pete Strohm Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Viola - Level 4 - SKU: A0.928184 Composed by P. F. Strohm. 20th Century,Classical,Contemporary,Contest,Fest...
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Instrumental Duet Instrumental Duet,Trombone,Viola - Level 4 - SKU: A0.928184 Composed by P. F. Strohm. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 16 pages. Pete Strohm Music #6794711. Published by Pete Strohm Music (A0.928184). Serenade for Viola and Trombone, from American composer P. F. Strohm, was written for and dedicated to Katherine Lewis and Mark Babbitt, professors of music at Illinois State University. This piece is a true duet throughout, with equal roles for both parts of this unique pairing. After a dramatic introduction, the work features a moderate, courante-like first half, followed by rapid skirmishes and resolutions and a peaceful ending. Serenade for Viola and Trombone is excellent for recitals and contests. Performance time is 4:50. Difficulty is Medium-Advanced. Member, ASCAP
$9.95
When Peace Like a River (It Is Well - 2 Horns/Piano)
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Paul S
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Paul S
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When Peace Like a River
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Paul S. Jones
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.871117 Composed by Paul S. Jones. Arranged by Paul S. Jones. Christian,Concert,...
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 4 - SKU: A0.871117 Composed by Paul S. Jones. Arranged by Paul S. Jones. Christian,Concert,Contemporary,Sacred. Score and parts. 8 pages. Paul S. Jones #5020491. Published by Paul S. Jones (A0.871117). A short piece of sacred chamber music on the well-loved hymn as recorded by the Penn State music professors Lisa Bontrager, and Timothy Shafer, along with Grace Salyards on the 2018 disc Abide with Me / Great Hymns in New Settings. Perfect for church, a wedding, a funeral, or a sacred concert. (There is also a duo piano version, a piano trio version, and a piano/wind trio version on this site. Additionally, there is a solo version for generic instrument available in the collection O Praise Him, Alleluia! also by Paul S. Jones on the Paul Jones Music, Inc. website).
$8.50
When I Survey the Wondrous Cross (Voice, 2 Horns, Piano)
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Christian contemporain
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Musique Sacrée
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Paul S
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Paul S
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When I Survey the Wondrous Cro
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Paul S. Jones
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SheetMusicPlus
High Voice,Horn,Piano - Level 4 - SKU: A0.871118 Composed by Paul S. Jones. Arranged by Paul S. Jones. Contemporary,Sacred. 7 pages. Paul S. Jones #5020...
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High Voice,Horn,Piano - Level 4 - SKU: A0.871118 Composed by Paul S. Jones. Arranged by Paul S. Jones. Contemporary,Sacred. 7 pages. Paul S. Jones #5020475. Published by Paul S. Jones (A0.871118). A short piece of sacred chamber music on the well-loved hymn as recorded by the Penn State music professors Lisa Bontrager, and Timothy Shafer, with Sarah Shafer and Grace Salyards on the 2018 disc Abide with Me / Great Hymns in New Settings. Emotionally gripping, particularly at the transition between minor and major at the end of stanza 3. .
$9.50
Djelem djelem - Äelem, Ä‘elem - for band - Score Only
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Saban Bajramovic, Esma Redzepo
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Zoran Radanovic
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Djelem djelem - Äelem, Ä
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Zoran Radanovic
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SheetMusicPlus
Level 4 - SKU: A0.1265731 By Saban Bajramovic, Esma Redzepova. By Romani Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Standards,...
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Level 4 - SKU: A0.1265731 By Saban Bajramovic, Esma Redzepova. By Romani Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Standards,Wedding,World. 19 pages. Zoran Radanovic #858509. Published by Zoran Radanovic (A0.1265731). This romani folk song arrangement with improvisation is for professional musicians. SETS OF PARTS !Diese Romani Volkslied Arrangement mit Improvisation ist für professionele Musikern.
$6.59
Finale - Presto (Mvt. 4) from Beethoven Trio in C Major, Op. 87, for Oboe, English horn, and Bassoon
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Classique
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Ludwig van Beethoven
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Stephanie Daige
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Finale - Presto
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.796881 Composed by Ludwig van Beethoven. Arranged by Stephanie Daige. Clas...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.796881 Composed by Ludwig van Beethoven. Arranged by Stephanie Daige. Classical,Concert,Romantic Period,Standards. 30 pages. Stephanie Daige #3507683. Published by Stephanie Daige (A0.796881). The Trio in C Major, Op. 87 for Two Oboes and English horn is one of Beethoven’s greatest pieces of chamber music for wind instruments. Experienced oboists are sure to be familiar with this work, and likely have studied it and performed it many times. Beethoven wrote so beautifully and brilliantly for woodwinds. Audiences always love to hear it performed, and I never tire of performing or teaching it. Now, with my transcription for oboe, English horn, and bassoon, you can invite a bassoonist friend to join in the fun!This Finalemovement (the last of four movements) is technically challenging (but not toodifficult), and enjoyable to play and listen to, suitable for advanced studentsor professionals. Students will learn so much aboutphrasing, articulation, dynamics, balance, and expression from studying thispiece; and the level of musicality in this work is suitable for a professionalperformance. It would work well in achamber music recital or student recital. Duration is approximately 5 minutes.In order to facilitate page turns, I have made surethat a rest appears at the end of each page whenever possible.Thank you for considering purchasing my arrangement! I hope you will enjoy playing it as much as I have enjoyed arranging it. Please checkout my other arrangements at Sheet Music Plus.
$14.99
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
The Town Musicians
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Benedikt Brydern
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the Wolf) is profound
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The Town Musicians
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ConSordino Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin,Voice - Level 4 - SKU: A0.751125 Composed by Benedikt Brydern. Children,Contemporary. Score and parts. 122 pages...
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Small Ensemble Cello,Flute,Viola,Violin,Voice - Level 4 - SKU: A0.751125 Composed by Benedikt Brydern. Children,Contemporary. Score and parts. 122 pages. ConSordino Music Publishing #4297265. Published by ConSordino Music Publishing (A0.751125). In 2015 Mount Vernon Music commissioned a piece for children from composer Benedikt Brydern for use in outreach performances in East Texas schools. Based on the Grimm’s fairy tale The Bremen Town Musicians, the work was made even more accessible to children by the addition of illustrations by artist Madeline Crist. Brydern’s The Town Musicians, A Musical Adventure for narrator, flute, violin, viola and cello was premiered in June 2015. Since then MVM has taken it into many schools, performing it for thousands of young listeners. The impression this piece makes on children who otherwise have no opportunity to see orchestra productions (e.g. Peter & the Wolf) is profound. In order to share this delightful music with as many children as possible, MVM created a bilingual book and CD in English and Spanish, and a version in German and English. These recordings pair Mount Vernon Music’s own Orchard Ensemble with narration by professional Hollywood actors Will Ryan, Elke Sommer and Jordi Caballero. This sheet music edition contains a score, individual parts ( Flute,Violin,Viola and Violoncello) and Narration Parts ( in 3 languages: English,Spanish and German). Performance time is 20 minutes.
$49.99
Jubilation, Op. 27
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Contemporain
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Chris Knapp
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Jubilation, Op. 27
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Chris Knapp
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SheetMusicPlus
Brass Ensemble Euphonium - Level 4 - SKU: A0.883635 Composed by Chris Knapp. Contemporary. Score and parts. 57 pages. Chris Knapp #6355501. Published by...
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Brass Ensemble Euphonium - Level 4 - SKU: A0.883635 Composed by Chris Knapp. Contemporary. Score and parts. 57 pages. Chris Knapp #6355501. Published by Chris Knapp (A0.883635). This Euphonium Solo accompanied by Brass Band was written to commemorate the achievements and actions of Professor Jon Clare, Head of Department of Electrical & Electronic Engineering and Professor of Power Electronics, Faculty of Engineering at the University of Nottingham. This solo features different moods as well as a variety of technical demands on all players but especially the soloist, an excellent entertainment item.
$30.99
Hey Jude
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The Beatles
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Jim Farley
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2, Trombones 1 &
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Hey Jude
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1514411
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Drums,Guitar,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1514411 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jim Farley. R & B,Rock,Standards. 38 pages. Jim Farley arrangementsone.com #1088897. Published by Jim Farley arrangementsone.com (A0.1514411). Arranged for 9-12 piece Brass Ensemble, including: Directors Score, Guitar, Tenor Sax, Clarinet (identical to Tenor), Soprano Sax (identical to Tenor), Alto Sax, Baritone Sax (identical to Alto), Trumpets 1 & 2, Trombones 1 & 2 and Tuba.You can hear the full arrangement here.ABOUT THE ARRANGER: Jim Farley has been a profesional musician, composer and arranger since the mid 1970's and has thousands of works in his catalogue: Musical Theater, College and High school Pep Band, Orchestra and Show Choir, Las Vegas & Cruise Ship perfomers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If You need any additional arranging, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$149.99
Ja zagrizoh šareniku jabuku - for band
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sevdalinka
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Zoran Radanovic
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Ja zagrizoh šareniku ja
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Zoran Radanovic
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SheetMusicPlus
Small Ensemble Bass Voice,Guitar,Violin - Level 4 - SKU: A0.1507575 Composed by sevdalinka. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Tr...
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Small Ensemble Bass Voice,Guitar,Violin - Level 4 - SKU: A0.1507575 Composed by sevdalinka. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 17 pages. Zoran Radanovic #1082978. Published by Zoran Radanovic (A0.1507575). This very famous bosnian folk song (sevdalinka) arrangement is for profi band (2 voice with bigger lyrics for easy singing, violin, bas guitar with TAB, classical guitar with TAB and chords. SET OF PARTS.Sevdalinka
$9.99
Giovanna D'Arco
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Giuseppe Verdi
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Vittorio Tamburrano
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Giovanna D'Arco
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Vittorio Tamburrano
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1490900 Composed by Giuseppe Verdi. Arranged by Vittorio Tambu...
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1490900 Composed by Giuseppe Verdi. Arranged by Vittorio Tamburrano. 19th Century,Classical,Opera,Romantic Period. 52 pages. Vittorio Tamburrano #1067685. Published by Vittorio Tamburrano (A0.1490900). La trascrizione per quintetto di fiati della sinfonia Giovanna d'Arco nasce dall'esigenza di adattare l'opera per una formazione cameristica, mantenendo l'essenza drammatica e l'intensità dell'originale orchestrale. La sinfonia è stata trascritta per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento è stato scelto per le sue capacità espressive e tecniche, permettendo una riproduzione fedele delle linee melodiche e armoniche. - *Flauto*: assegnato alle parti più leggere e agili, mantiene la brillantezza delle melodie principali e aggiunge colore nelle sezioni più drammatiche.- *Oboe*: utilizzato per il suo timbro caldo e penetrante, prende spesso le parti liriche e sostenute, evocando la forza interiore di Giovanna.- *Clarinetto*: grazie alla sua estensione e flessibilità, il clarinetto copre un ampio range, passando dalle tonalità più gravi e scure alle più acute e brillanti.- *Fagotto*: il fagotto dona profondità e gravità, spesso impiegato per sottolineare i momenti più cupi e solenni della sinfonia.- *Corno*: essenziale per ricreare la potenza e il carattere eroico della musica, il corno fornisce supporto armonico e contrappuntistico, oltre a enfatizzare i momenti più epici.La trascrizione tiene conto delle peculiarità timbriche di ciascuno strumento, adattando le dinamiche originali per sfruttare al meglio le caratteristiche del quintetto di fiati. Ad esempio, passaggi che nell'orchestra originale coinvolgono sezioni intere di archi sono stati ridistribuiti tra gli strumenti a fiato per garantire chiarezza e equilibrio sonoro. Una delle principali sfide è stata quella di mantenere l'intensità orchestrale nella riduzione per soli cinque strumenti. Questo è stato raggiunto attraverso l'uso di contrappunti interni, dinamiche ben calibrate e l'attenta gestione delle articolazioni, che permettono di ricreare l'impatto emotivo dell'originale. La trascrizione per quintetto di fiati della sinfonia Giovanna d'Arco offre una nuova prospettiva sull'opera, mettendo in luce dettagli e sfumature che nella versione orchestrale possono passare inosservati. La scelta del quintetto di fiati non solo rende la sinfonia accessibile a un gruppo più ristretto di musicisti, ma permette anche di esplorare le potenzialità espressive di ciascuno strumento.
$10.00
Transformation
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Alan Menken
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Helen Douthwaite-Teasdale
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Transformation
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Helen Douthwaite-Teasdale
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1478094 Composed by Alan Menken. Arranged by Helen Douthwaite-Teasdale. Broadway,Film/TV,Musical/Show. Brass Band. 54 pages. Helen Douthwaite-Teasdale #1055494. Published by Helen Douthwaite-Teasdale (A0.1478094). Transformation and Final from Walt Disney's Beauty and the Beastarranged for brass bandapprox 5 minsMenken's score as Belle tearfully professes her love to a dying Beast as the last petal falls, which undoes the curse, reviving the Beast and restoring him and his servants to their human forms.
$30.00
Take A Deep Breath
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Marian Fernandez
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Take A Deep Breath
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Marian Fernandez
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SheetMusicPlus
Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Violin - Level 4 - SKU: A0.1466288 Composed by Marian Fernandez....
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Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Violin - Level 4 - SKU: A0.1466288 Composed by Marian Fernandez. 21st Century,Film/TV. Accompaniment. Duration 174. Marian Fernandez #1044869. Published by Marian Fernandez (A0.1466288). Take a Deep Breath es una pieza musical que nace de un momento de introspección y necesidad de calma. Esta composición refleja la travesía emocional de atravesar periodos de oscuridad y estrés. A través de una rica orquestación instrumental, la pieza guía al oyente desde la sensación de agobio y desesperanza hacia un renacer de esperanza y motivación. El objetivo principal de Take a Deep Breath es representar ese viaje transformador, cómo nos sentimos atrapados en la oscuridad para luego, al detenernos un momento y respirar profundamente, encontrar la fuerza para emerger hacia nuestra mejor versión. Esta obra es ideal para acompañar escenas emotivas, de naturaleza, de motivación o de superación, proporcionando una banda sonora que resuena con la experiencia universal de buscar claridad y esperanza en tiempos difíciles, y celebrar la transición hacia un estado de renovación y fuerza interior.
$50.00
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performan...
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Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
Eine kleine Nachtmusik - I. Allegro for Two Violas
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Classique
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Wolfgang Amadeus Mozart
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Aled Jones
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Eine kleine Nachtmusik - I. Al
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Aled Jones
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.742899 Composed by Wolfgang Amadeus Mozart. Arranged by Aled Jones. Classical,Concert,Graduation,Standards,Wedding. ...
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String Ensemble - Level 4 - SKU: A0.742899 Composed by Wolfgang Amadeus Mozart. Arranged by Aled Jones. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 12 pages. Aled Jones #3446195. Published by Aled Jones (A0.742899). One of Mozart's most famous works, Eine kleine Nachtmusik is arrranged here for 2 violas.This score is ideal for performance as well as as a teaching aid for more proficient students. Many of my more advanced students have enjoyed playing this arrangement in lessons and there is interest in both parts to keep both players entertained!Duration ~5'30 (with repeat)If you have suggestion of pieces/songs you would like to see arranged for two violas please get in touch at www.quartetvolute.com
$9.99
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