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David Ross
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--INSTRUMENTS--
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ALTO
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Vous avez sélectionné:
David Ross
expert
Partitions à imprimer
11 partitions trouvées
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Beneath The Cross Of Jesus
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Elizabeth C
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Rich Heffler
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Beneath The Cross Of Jesus
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Alto sax solo - Level 5 - SKU: DX.W29136AX Composed by Elizabeth C. Clephane. Arranged by Rich Heffler. Sacred instrumental music. Easter. Score and par...
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Alto sax solo - Level 5 - SKU: DX.W29136AX Composed by Elizabeth C. Clephane. Arranged by Rich Heffler. Sacred instrumental music. Easter. Score and parts. Composed 2007. 5 pages. Duration 3'00. Published by David E. Smith - Digital Sheet Music (DX.W29136AX). Key: C.A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by.
$5.95
Beneath The Cross Of Jesus
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Elizabeth C
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Rich Heffler
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Beneath The Cross Of Jesus
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Tenor sax solo - Level 5 - SKU: DX.W29136TX Composed by Elizabeth C. Clephane. Arranged by Rich Heffler. Sacred instrumental music. Easter. Score and pa...
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Tenor sax solo - Level 5 - SKU: DX.W29136TX Composed by Elizabeth C. Clephane. Arranged by Rich Heffler. Sacred instrumental music. Easter. Score and parts. Composed 2007. 5 pages. Duration 3'00. Published by David E. Smith - Digital Sheet Music (DX.W29136TX). Key: C.A Rich Heffler Music arrangement. The piano begins the piece with an augmented statement of the tune. It is joined by the soloist using a gently modified rendition of the tune. The final section is a rather ornate variation of the theme while grounded by.
$5.95
Hey There
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Jerry Ross and Richard Adler
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David Wright
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Hey There
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David Wright
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SheetMusicPlus
Small Ensemble High Voice - Level 5 - SKU: A0.512596 Composed by Jerry Ross and Richard Adler. Arranged by David Wright. A Cappella,Contemporary. Score ...
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Small Ensemble High Voice - Level 5 - SKU: A0.512596 Composed by Jerry Ross and Richard Adler. Arranged by David Wright. A Cappella,Contemporary. Score and parts. 2 pages. David Wright #6135247. Published by David Wright (A0.512596). This arrangement is for women's a cappella quartet. The price entitles the purchaser to four copies.
$12.99
Hey There
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Jerry Ross and Richard Adler
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David Wright
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Hey There
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David Wright
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SheetMusicPlus
Small Ensemble Low Voice - Level 5 - SKU: A0.512599 Composed by Jerry Ross and Richard Adler. Arranged by David Wright. A Cappella,Contemporary. Score a...
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Small Ensemble Low Voice - Level 5 - SKU: A0.512599 Composed by Jerry Ross and Richard Adler. Arranged by David Wright. A Cappella,Contemporary. Score and parts. 2 pages. David Wright #6135253. Published by David Wright (A0.512599). This arrangement is for men's a cappella quartet. The price entitles the purchaser to four copies.
$12.99
Shake Me Like A Monkey
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Folk Rock
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Rock
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Dave Matthews Band
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Patrick Sheehan
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rock selections
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Shake Me Like A Monkey
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Patrick Sheehan
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1203634 By Dave Matthews Band. By Boyd Tinsley, Carter Beauford, David Matthews, Leroi Moore, Rashawn Ross, and Stefa...
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Large Ensemble - Level 5 - SKU: A0.1203634 By Dave Matthews Band. By Boyd Tinsley, Carter Beauford, David Matthews, Leroi Moore, Rashawn Ross, and Stefan Lessard. Arranged by Patrick Sheehan. Folk,Pop,Rock. Score and parts. 53 pages. Patrick Sheehan #802209. Published by Patrick Sheehan (A0.1203634). Transcribed as recorded by The Dave Matthews Band, Live in Europe 2009.INSTRUMENTATION: Â Lead Vocal, Background Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Electric Violin,Acoustic Guitar, Electric Guitar, Electric Bass, Drumset.ABOUT THE ARRANGER: Â Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. Â His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. Â For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Introduction, Theme and Variations
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Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variat
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bl_music
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SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
Twin Polarities for Brass Band
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David Woodcock
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Twin Polarities for Brass Band
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David Woodcock
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1488809 Composed by David Woodcock. 21st Century,Classical,Contemporary. Brass Band. 110 pages. David Woodcock #1065660. Published by David Woodcock (A0.1488809). Twin PolaritiesThis work challenges the audience from a musicological perspective. It residescomfortably in two worlds: that of the diatonic system, which is key-centric andhas harmonic parameters, as distinct from the world of chromaticism, whichtranscends the harmonic boundaries of the diatonic playing field. Combined,these two polarities create an inherent pervading ambiguity.The work’s structure could be loosely defined as ABA, with A being spikey andfrenetic using many compositional devices in a unified manner, with powerfulrhythmic motifs. The use of accents on the off beats, the use of slurs, staccato andtenuto and the use of syncopation both within and across the bar, all adds to themaelstrom and energy that pervades this piece. This frenetic energy is enhancedby motifs which are rhythmically augmented. Amongst all the chromaticism, therepeated semiquaver is arresting, simply because it is not chromatic and providesa brief aural respite. The B section has essentially long melodic legato phrases,which are a counterweight to the opening, and the return of the energy of A. Theseemingly innocuous repeated semiquaver ultimately has the final word.One is left with the impression that diatonic or chromatic, legato or staccato, thatsyncopation and accents, are all so much a part of the language of music that theyare both a unifying and fragmenting force which create inseparable polarities.
$74.99
Livin' On A Prayer
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Glee Cast
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Sarah Cellobat Chaffee
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Livin' On A Prayer
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.526260 By Glee Cast (Mashup With 782170). By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sara...
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String Ensemble Cello - Level 5 - SKU: A0.526260 By Glee Cast (Mashup With 782170). By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 22 pages. Sarah Cellobat Chaffee #6248797. Published by Sarah Cellobat Chaffee (A0.526260). *INSTRUMENTATION: FOUR CELLOS*Livin' On A Prayer is one of the most iconic rock songs of the 80's and it is still beloved by millions to this day - and people just can't help singing along! With as much energy and hair-metal passion as the original, this arrangement is a ton of fun to play and to listen to. An equal-opportunity chart, this arrangement for cello quartet divides the melodies and solos among all four players so everyone gets a chance to shine. Rated advanced for some upper thumb position and a few tricky rhythms - it's pretty much sightreadable for adult professionals, but for everyone else I recommend to work on it before performing. Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click Watch near the item details at the top of the page for full video of Livin' On A Prayer. Crowd pleasing guaranteed. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
Zap!
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Contemporain
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Christine Southworth
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Zap!
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th...
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00
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