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Crtitères actifs :
Encore Music
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Partitions à imprimer
27 partitions trouvées
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26
Bizet - Je Crois Entendre Encore (Aria from Les Pêcheurs de Perles) for Tenor & Piano - Advanced
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Classique
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Georges Bizet
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Piacere Music Sheets
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Bizet - Je Crois Entendre Enco
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Piacere Music Sheets
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SheetMusicPlus
Instrumental Solo,Piano,Tenor Voice - Level 5 - SKU: A0.1034357 Composed by Georges Bizet. Arranged by Piacere Music Sheets. Classical,Film/TV,Opera,Rom...
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Instrumental Solo,Piano,Tenor Voice - Level 5 - SKU: A0.1034357 Composed by Georges Bizet. Arranged by Piacere Music Sheets. Classical,Film/TV,Opera,Romantic Period,Standards. Score and individual part. 13 pages. Piacere Music Sheets #575158. Published by Piacere Music Sheets (A0.1034357). Opus/Catalog Number: GB 4; WD 13 Key/Tone: Am Year/Date of Composition: 1863 Voice: Tenor Difficulty: Grade 11/12 (Advanced) Obs.: The aria Je crois entendre encore is a romance written over a barcarole rhythm. In this aria, Nadir, a young fisherman, sings his love for Leïla, a priestess of Brahma. Included: Full score and separated parts for each instrument.
$4.95
The Hostile Neighbours
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Wilfried Hiller
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The Hostile Neighbours
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Schott Music - Digital
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SheetMusicPlus
Cello solo (and speakers ad libitum) - advanced - SKU: S9.Q6546 Or The Consequences of Music. Composed by Wilfried Hiller. This edition: Sheet mu...
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Cello solo (and speakers ad libitum) - advanced - SKU: S9.Q6546 Or The Consequences of Music. Composed by Wilfried Hiller. This edition: Sheet music. Cello Library. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6546. Published by Schott Music - Digital (S9.Q6546). German • English.Who does not remember the humorous stories by Wilhelm Busch from childhood days? Or, worse even, has not met 'hostile neighbours' once in his/her life as a musician? With subtle irony, Wilfried Hiller portrays the events described by Busch for the violoncello. The striking piece is ideal as an encore or for youth concerts - or just invite your neighbours for a private concert!
$12.99
The Poet and Peasant Overture
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Shawn Postell
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Shawn Postell
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The Poet and Peasant Overture
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Encore Music LLC
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.1249448 By Shaw...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.1249448 By Shawn Postell. By Franz von Suppe. Arranged by Shawn Postell. 19th Century,Classical,Contest,Festival. 110 pages. Encore Music LLC #843882. Published by Encore Music LLC (A0.1249448). The Poet and Peasant Overture has been arranged for an advanced woodwind choir! The parts are challenging, the reward - the satisfaction on performance day when all the work that went into preparing this outstanding Classical composition receives thunderous applause and the cheers from a an appeciative audience at it's conclusion.
$30.00
a reedy Double
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Heinz Holliger
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a reedy Double
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Schott Music - Digital
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SheetMusicPlus
Oboe solo or 2 oboes (ad libitum also oboe solo with a Bordun of 2 horns or 2 clarinets or 2 strings) - difficult - SKU: S9.Q6637 (a double reading f...
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Oboe solo or 2 oboes (ad libitum also oboe solo with a Bordun of 2 horns or 2 clarinets or 2 strings) - difficult - SKU: S9.Q6637 (a double reading for Doublereeder). Composed by Heinz Holliger. This edition: Sheet music. Oboe Library. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6637. Published by Schott Music - Digital (S9.Q6637). Originally, Heinz Holliger wrote this humorous, yet demanding study not as an independent showpiece or encore, but as a component of his Concerto für Orchester with the meaningful subtitle 'con soli per tutti'. It is effective as a solo piece or can be performed by an oboe duo - or even be combined with the drone of other instruments indicated in the musical text.
$11.99
Swinging Fugue
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Alexander Rosenblatt
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Swinging Fugue
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Schott Music - Digital
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SheetMusicPlus
Violin - advanced - SKU: S9.Q21609 Composed by Alexander Rosenblatt. This edition: Sheet music. Violin Library. Downloadable. Duration 4:30. Schott Musi...
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Violin - advanced - SKU: S9.Q21609 Composed by Alexander Rosenblatt. This edition: Sheet music. Violin Library. Downloadable. Duration 4:30. Schott Music - Digital #Q21609. Published by Schott Music - Digital (S9.Q21609). Rosenblatt's work is characterised by an elegant virtuosity. This is a rewarding concert and encore piece, reminiscent of Bach's contrapuntal skills and combines traditional stylistic elements with new music and jazz to form a colourful mixture.
$7.99
Arietta
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Aribert Reimann
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Arietta
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Schott Music - Digital
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SheetMusicPlus
Bassettclarinet in A - advanced - SKU: S9.Q6712 For basset clarinet in A. Composed by Aribert Reimann. This edition: Sheet music. Clarinet Librar...
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Bassettclarinet in A - advanced - SKU: S9.Q6712 For basset clarinet in A. Composed by Aribert Reimann. This edition: Sheet music. Clarinet Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q6712. Published by Schott Music - Digital (S9.Q6712). Wolfgang Amadeus Mozart originally composed his famous piano concerto for the deeper-toned basset clarinet. The famous clarinettist Sabine Meyer has faithfully performed Mozart's work for a long time. It was for her that Aribert Reimann wrote the current 'Arietta' as an encore which brings out impressively the characteristic timbre of the basset horn. Together with other clarinet works by Reimann, including the concert piece 'Cantus', the first recording with Jörg Widmann produced by the WDR is released on CD.
$5.99
Amethyst Deceiver
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John Casken
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Amethyst Deceiver
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Schott Music - Digital
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SheetMusicPlus
Oboe - difficult - SKU: S9.Q7091 For solo oboe. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Musi...
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Oboe - difficult - SKU: S9.Q7091 For solo oboe. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q7091. Published by Schott Music - Digital (S9.Q7091). 'Amethyst Deceiver' is a short piece inspired by the idea of a mysterious woodland setting in which strange things come to life. 'Amethyst deceivers' are tiny purple mushrooms, rarely seen, but when found, picked and cooked have an intense flavour. Casken's 2007 work for solo oboe was written for a student recital and is required to be played 'freely, and with an air of mischief'. This lively, energetic work would be a perfect audition piece or encore.
$12.99
Petit quatour
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Jean Francaix
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Sebastian Manz
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Petit quatour
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Schott Music - Digital
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SheetMusicPlus
2 oboes, 2 clarinets, 2 horns and 2 bassoons - advanced to difficult - SKU: S9.Q47745 Arranged for wind octet by Sebastian Manz (2016). Composed ...
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2 oboes, 2 clarinets, 2 horns and 2 bassoons - advanced to difficult - SKU: S9.Q47745 Arranged for wind octet by Sebastian Manz (2016). Composed by Jean Francaix. Arranged by Sebastian Manz. This edition: score and parts. Ein Stück arrangiert für Blasoktett von Sebastian Manz. Downloadable, score and parts. Duration 10 minutes. Schott Music - Digital #Q47745. Published by Schott Music - Digital (S9.Q47745). The clarinetist and winner of the ARD music competition, Sebastian Manz, presents, with this arrangement, a virtuosic and varied expansion of the repertoire for wind quartet. The work by the only 23-year-old Jean Françaix, fascinating with its irony, is ideal as a charming opening piece or as an effective encore. In this arrangement with its multi-faceted instrumentation, each instrument can distinguish itself in an effective and varied way.
$51.99
Postlude
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Huw Watkins
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Postlude
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Schott Music - Digital
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SheetMusicPlus
Flute, clarinet, harp and string quartet - difficult - SKU: S9.Q7058 For flute, clarinet, harp and string quartet. Composed by Huw Watkins. This ...
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Flute, clarinet, harp and string quartet - difficult - SKU: S9.Q7058 For flute, clarinet, harp and string quartet. Composed by Huw Watkins. This edition: score and parts. Downloadable, score and parts. Duration 3 minutes. Schott Music - Digital #Q7058. Published by Schott Music - Digital (S9.Q7058). 'Postlude' was one of 10 birthday candles written for Mobius' 10th anniversary and is scored for flute, clarinet, harp and string quartet. At just 3 minutes in length and with a lento tempo marking, 'Postlude' could be programmed perfectly as an intelligent alternative to the stereotypically flashy encore or even as an unusual concert opener. The music begins with some beautiful choral-like chords from the string quartet before a number of virtuosic flashes are injected by a flute line which gains prominence throughout the work.
$33.99
Das kleine Irgendwas
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Heinz Holliger
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Das kleine Irgendwas
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Schott Music - Digital
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SheetMusicPlus
Soprano and violin - advanced - SKU: S9.Q50646 (Eine kleine Geschichte von Alice). Composed by Heinz Holliger. This edition: single sheet. Violin...
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Soprano and violin - advanced - SKU: S9.Q50646 (Eine kleine Geschichte von Alice). Composed by Heinz Holliger. This edition: single sheet. Violin Library. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digital #Q50646. Published by Schott Music - Digital (S9.Q50646). German.Das kleine Irgendwas is a short humorous and surrealist story written by the six-year-old daughter of Patricia Kopatchinskaja. Heinz Holliger made it into an adorable virtuoso encore piece for violin which is to be played while singing and dancing.
$4.99
Allegro
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Nikolai Kapustin
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Allegro
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Schott Music - Digital
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SheetMusicPlus
Piano, violin and cello - advanced - SKU: S9.Q41662 Composed by Nikolai Kapustin. This edition: score and parts. Downloadable, Score and parts. Op. 155....
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Piano, violin and cello - advanced - SKU: S9.Q41662 Composed by Nikolai Kapustin. This edition: score and parts. Downloadable, Score and parts. Op. 155. Duration 4 minutes. Schott Music - Digital #Q41662. Published by Schott Music - Digital (S9.Q41662). Nikolai Kapustin’s Allegro is a thrilling single-movement work for piano trio, bursting with energy and replete with additive rhythms and characteristic jazz-inspired dissonances. It would make a great encore to any accomplished trio’s recital programme and joins a growing series of this Russian composer-pianist’s works newly published in the Edition Schott series.
$22.99
Souvenir de Newcastle
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Heinz Holliger
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Souvenir de Newcastle
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Schott Music - Digital
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SheetMusicPlus
Violin - advanced - SKU: S9.Q50647 For violin solo. Composed by Heinz Holliger. This edition: single sheet. Violin Library. Von einem kurzen Happ...
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Violin - advanced - SKU: S9.Q50647 For violin solo. Composed by Heinz Holliger. This edition: single sheet. Violin Library. Von einem kurzen Happy-Birthday-Zitat ausgehend wendet es sich schnell zum torkelnden Finale von Franz Schuberts Sinfonie Nr. 6, als anekdotisches Andenken an ein gemeinsames Konzert in Newcastle. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digital #Q50647. Published by Schott Music - Digital (S9.Q50647). Heinz Holliger composed this short encore piece for the birthday of the famous Austrian violinist Thomas Zehetmair. Starting from a brief 'Happy Birthday' quotation, it soon turns towards the 'staggering' finale of Franz Schubert's Symphony No. 6 as an anecdotal memory of a joint concert in Newcastle.
$4.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Over The Rainbow
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Comédie Musicale
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Film/TV
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Judy Garland
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Susie Winkworth winkmusic
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Over The Rainbow
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winkmusic.co.uk
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SheetMusicPlus
String Ensemble - Level 5 - SKU: A0.1114342 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Susie Winkworth winkmusic.co.uk. 20th Cen...
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String Ensemble - Level 5 - SKU: A0.1114342 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Susie Winkworth winkmusic.co.uk. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Wedding. Score and parts. 18 pages. Winkmusic.co.uk #716273. Published by winkmusic.co.uk (A0.1114342). The iconic Over The Rainbow as sung by Judy Garland in the Wizard of Oz, in the ultimate version for string orchestra. With lush harmonies that get even scrunchier as the piece goes on, this is really satisfying to play for each instrument. Perfect for weddings, events, performances and encores, it features solo moments for viola and cello as well as an extended virtuosic solo violin line. Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$20.00
Triumphal Procession from "Aida"
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Opera
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Classique
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Giuseppe Verdi
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Stephen Levintow
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Triumphal Procession from &quo
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Cypress Publishing
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SheetMusicPlus
Cello,Trumpet,Viola,Violin - Level 5 - SKU: A0.1333802 Composed by Giuseppe Verdi (1813-1901). Arranged by Stephen Levintow. 19th Century,Opera,Romantic...
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Cello,Trumpet,Viola,Violin - Level 5 - SKU: A0.1333802 Composed by Giuseppe Verdi (1813-1901). Arranged by Stephen Levintow. 19th Century,Opera,Romantic Period. 45 pages. Cypress Publishing #920076. Published by Cypress Publishing (A0.1333802). Verdi's Aida has been a repertory favorite since it was first presented in 1871. This arrangement of the ballet music and finale from Act II, for string quartet with obbligato B-flat trumpet, was prepared for a wedding of two opera lovers, where it was encored.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$10.00
Paul Wehage - L'Aube Spirituelle
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Contemporain
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95
All About Raymond
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Benedikt Brydern
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All About Raymond
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ConSordino Music Publishing
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - SKU: A0.1350278 Composed by Benedikt Brydern. 20th Century,21st Century,Chamber,...
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Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Oboe - Level 5 - SKU: A0.1350278 Composed by Benedikt Brydern. 20th Century,21st Century,Chamber,Classical,Contemporary. 41 pages. ConSordino Music Publishing #935067. Published by ConSordino Music Publishing (A0.1350278). Inspired by the great composer and innovator Raymond Scott, this quirky piece evolved through many different orchestrations. Jazzy, whimsical and occasional frantic it pays hommage to his great musical style. This version is for windquintet and will be an effective encore or program closer. Note:This is for Oboe, Clarinet (Bb), Alto Saxophone, Bassoon and Bass Clarinet (Bb), not the standard wind quintet formation.
$14.99
Bass Soonest (Low brass quartet)
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Contemporain
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Mike Lyons
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Bass Soonest
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767027 Composed by Mike Lyons. Contemporary. Score and parts. 26 pages. Lyons Music Services #45759. P...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767027 Composed by Mike Lyons. Contemporary. Score and parts. 26 pages. Lyons Music Services #45759. Published by Lyons Music Services (A0.767027). A transcription, for low brass, of my bassoon quartet of the same name. All 4 parts have equal interest and the music can be quite challenging to play. At 2 minutes long, it is a great finale or an encore as it is not too long and shows off all four instruments to great effect. A fun piece to listen to and to play, this would also be a great piece to include in a quartet competition programme. Parts in Bass Clef are available on request for all instruments.
$10.00
Silent Night for 8 Trombones
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Noël
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Franz Xaver Gruber
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Benedict, Les
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Silent Night for 8 Trombones
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792289 Composed by Franz Xaver Gruber. Arranged by Benedict, Les. 20th Century,Christian,Christmas,Contempor...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792289 Composed by Franz Xaver Gruber. Arranged by Benedict, Les. 20th Century,Christian,Christmas,Contemporary,Jazz. Score and parts. 21 pages. Gordon Cherry #4803905. Published by Gordon Cherry (A0.792289). Trombonist & arranger Les Benedict is a big name in the L.A. music world. His arrangement of Franz Gruber's immortal Silent Night is inspired by Dave Steinmeyer's performance with Airmen of Note Band. Jazz inspired, this work for advanced performers brings an incredible peace to listeners wherever it is performed. Use it as an encore for your Christmas program. This arrangement comes with some alternate notes at the end, just in case your lead bone doesn't have Dave Steinmeyer's super high Bb!!!
$20.00
Interlude 2.1 to The Unassuming Muse for Percussion
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Celebrity Chamber Players
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Interlude 2.1 to The Unassumin
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.497732 By Celebrity Chamber Players. By Marshall Thomas. This edition: Inte...
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Small Ensemble Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.497732 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical. Score and parts. Duration 53. Father Ambrose Press #6iyD8KQBQp8P2wdtHd6SGd. Published by Father Ambrose Press (A0.497732). Key: C major.Literally, a spirited encore work, a brief interlude for chamber music trio, in canon form...
$13.00
Trio for Harp, Pitched Percussion, Op. 101. No.1
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Celebrity Chamber Players
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Trio for Harp, Pitched Percuss
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Harp,Percussion,Xylophone - Level 5 - Interactive Download SKU: A0.491736 By Celebrity Chamber Players. By Marshall Thomas. This edition: ...
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Small Ensemble Harp,Percussion,Xylophone - Level 5 - Interactive Download SKU: A0.491736 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical. Score and parts. 23 pages. Duration 62. Father Ambrose Press #7c11Ogd0eyZ7VPmjPefeD0. Published by Father Ambrose Press (A0.491736). Key: G major.Brief encore or incidental work for chamber music quartet...
$16.00
AFR 163: Xylophone, Vibraphone, 'cello & Glockenspiel
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Classique
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Celebrity Chamber Players
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AFR 163: Xylophone, Vibraphone
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Cello,Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.491883 By Celebrity Chamber Players. By Marshall Thomas. Th...
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Small Ensemble Cello,Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.491883 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical. Score and parts. Duration 22. Father Ambrose Press #3ESXUgyCSRSbLy7tszIWrE. Published by Father Ambrose Press (A0.491883). Key: Eb major.Encore or brief interlude for chamber music quartet...
$9.00
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Encore Music
