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Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.38 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Concerto in C major, K. 503
Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by W…
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Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.
$15.99
14.62 €
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in C major, K. 503
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Mastery for Strings Press
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SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
18.24 €
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David Warin Solomons
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David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann S…
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Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20
12.98 €
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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ACORDO Sheet Music
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.43 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.71 €
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.43 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
The Passage
Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 C…
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Small Ensemble Alto Flute,Piano,Viola - Level 5 - Digital Download SKU: A0.886653 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 26 pages. Panagiotis Theodossiou #3048999. Published by Panagiotis Theodossiou (A0.886653). The Passage, for alto flute, viola and piano (2010) Introduction I.Ten Minutes II.I have something to tell you! III.Do you remember the river? The work is based on the three, one act, theatrical plays by Greek writer and doctor Harry Candiloros, published under the same name by Dodoni editions in 2010. The story is about the passage between this life and life after death. The 1st is about a cosmological end which never happens. The 2nd about the death of two friends under a collapsed building after an earthquake. The 3d about an afterlife dialogue between the persons of a family. Each of the three parts of the work is written respectively after the reading of the three parts of the book. First performance by Meteora Ensemble (Julia Barnett: alto flute, Kathryn Christensen:piano) with Andrea Hemmenway: viola as guest artist at Palisades Lutheran Church, Los Angeles, California in 2010. The work was transcribed for violin, baritone saxophone and piano in 2012.https://www.youtube.com/watch?v=vdgtmkkiOg0 https://www.youtube.com/watch?v=ObO_CZZmI_c https://www.youtube.com/watch?v=bBlN9FeyYHw
$19.99
18.28 €
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Panagiotis Theodossiou
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The Passage
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Panagiotis Theodossiou
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SheetMusicPlus
Concerto N° 5 "Le Roi Arthur"
Tr. · Flügelhr. (oder Tr.) · Hr. · Pos. · Tb. organ and brass instruments-Q…
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Tr. · Flügelhr. (oder Tr.) · Hr. · Pos. · Tb. organ and brass instruments-Quintett - difficult - Digital Download SKU: S9.Q23949 Pour orgue avec quintette de cuivres. Composed by Jean Guillou. This edition: score and parts. Downloadable, Score and parts. Op. 35. Duration 18 minutes. Schott Music - Digital #Q23949. Published by Schott Music - Digital (S9.Q23949). Although the organ clearly represents the centre of the musical action in Jean Guillou's Concerto No. 5 'Le Roi Arthur', the accompanying brass quintet has an important role. Like the noble knights at the legendary Round Table of King Arthur, horn, trumpet, fluegelhorn, trombone and tuba group themselves musically around the 'King of the Instruments'. In the brass sound, both soft and dynamic, they lay the harmonic foundation, with the music written for them developing into fanfare-like figures. They always make a caesura when the organ is about to play its imaginative and virtuoso sound passages. Precision and technical assurance are required to orchestrate this picturesque sound puzzle effectively from a seemingly mythical time.
$55.99
51.19 €
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Jean Guillou
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Concerto N° 5 "Le Roi Arthur"
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Schott Music - Digital
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SheetMusicPlus
SONGLETS: 18 Haiku Songs on Haiku by Kobayashi Issa, for Soprano, Bb Clarinet & Piano
Small Ensemble Clarinet,Piano,Voice - Level 5 - Digital Download SKU: A0.939782 Com…
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Small Ensemble Clarinet,Piano,Voice - Level 5 - Digital Download SKU: A0.939782 Composed by Richard St. Clair. 20th Century,Concert,Graduation,Holiday,Wedding. Score and parts. 30 pages. Richard St. Clair #3636459. Published by Richard St. Clair (A0.939782). This cycle for coloratura soprano accompanied by B-flat clarinet and piano, lasting about 10 minutes, showcases eighteen 3-line/17-syllable poems called haiku, written by the beloved poet Kobayashi Issa of Japan (1763-1828). Many of the songs are just a few seconds long, a few are somewhat longer in the spirit of these precious poetic miniatures. Listeners familiar with the chamber repertoire will recognize the reference in these songs to Schubert's The Shepherd on the Rock, also for Soprano, Clarinet and Piano. The download consists of both the full score with the clarinet part appended.
$20.99
19.19 €
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Richard St
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SONGLETS: 18 Haiku Songs on Haiku by Kobayashi Issa, for Soprano, Bb Clarinet & Piano
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Richard St. Clair
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SheetMusicPlus
Festival of Hymns for Four Pianos -Digital Download
Piano Ensemble - Advanced - Digital Download SKU: LX.70-2258L Arranged by Mark Haye…
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Piano Ensemble - Advanced - Digital Download SKU: LX.70-2258L Arranged by Mark Hayes. Sacred, Concert. Church Piano. 92 pages. Lorenz Publishing - Digital Sheet Music #e70/2258L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2258L). ISBN 9780787769451.For this impressive concert piece from the pen of Mark Hayes, you'll need four pianos--and pianists. Featuring four well-known hymn tunes, this six-and-a-half-minute medley is a truly festive work with virtuosic passages in all parts. Contains the full score and parts for each player.
$34.95
31.95 €
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Mark Hayes
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Festival of Hymns for Four Pianos -Digital Download
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Concerto for Eb Clarinet and Clarinet Choir from Vivaldi Piccolo Concerto RV 443
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by…
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.1425377 Composed by Antonio Vivaldi. Arranged by Alan Edgar. Baroque. 86 pages. Alan Edgar Ted Moon #1006198. Published by Alan Edgar Ted Moon (A0.1425377). VIVALDI RV 443 PICC CONCERTO ARR FOR EB CLARINET AND CLARINET CHOIR. Essential: Eb soloist, Bb1,2,3 or Alto, Bass. Optional Contra-alto, Contrabass. This Concerto in C Major for flautino RV443 dates from1728-29. It was probably composed for the Ospedale della Pietà in Venice, the convent/orphanage with which he was affiliated.. The girls of the Pietà were famous throughout Europe for their musical performances. . Since the term “flautino” was not generally used in Vivaldi’s day, scholars have speculated ever since about what instrument Vivaldi had in mind. The leading candidate is the sopranino recorder. However, later in the 18th century the transverse flute replaced the recorder in general use, and a new edition of RV 443 was published for the piccolo, a member of the flute family.There are several passages with only the bass line accompanying, and no figures, so I have realised some of these. Some of the accompaniment rhythm patterns, originally for strings, seem too heavy-footed on clarinets, so I have made a few tiny modifications in them. The cadenza, all the articulations and dynamics are mine. 9 minutes if the soloist is very agile.
$40.00
36.57 €
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Antonio Vivaldi
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Alan Edgar
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Concerto for Eb Clarinet and Clarinet Choir from Vivaldi Piccolo Concerto RV 443
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Alan Edgar Ted Moon
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SheetMusicPlus
Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553821 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Concert. Score and parts. 24 pages. RayThompsonMusic #4801954. Published by RayThompsonMusic (A0.553821). La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy’s first of two volumes of twelve piano preludes each. It is characteristic of Debussy in its form, harmony, and content.Arranged double wind quintet.Debussy indicates a meter of 6/4=3/2 on his piano original. His own recording plays all the quarter notes/crotchets in the 6/4 passages at exactly the same length as the half notes/minims in the 3/2 passages.I have done the same in this arrangement.In other words the beat/pulse remains the same throuhout the piece.
$14.95
13.67 €
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Divertimento a7
Small Ensemble Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1005650 C…
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Small Ensemble Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.1005650 Composed by Rudy Volkmann. 20th Century,Concert,Contemporary. Score and parts. 146 pages. Rudy Volkmann #6114339. Published by Rudy Volkmann (A0.1005650). This is a highly accessible piece for audiences and advanced players alike, A classical Divertimento with classical forms, listenable melodies, and modern harmonic structures. With seven players and seven movements, each one member of the ensemble has one movement in which they are featured. The divertimento, nachtmusik, or cassation (all the same form) was one of the main formats of the Enlightenment (classical period). It was the perfect party piece for roving musicians - a march by which to enter, an allegro as entertainment, a minuet for the guests to dance, a slow movement to catch their breaths and find another partner for the next piece, another minuet, one more piece to listen to for entertainment, and a final march by which to leave. Removing the outside movements (the marches) and one of the minuets gave us the classical sonata form for symphonies.
$45.00
41.14 €
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Rudy Volkmann
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Divertimento a7
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Rudy Volkmann
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SheetMusicPlus
Brass Sextet - Allegro Spiritoso
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
22.86 €
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Mike Lyons
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Brass Sextet - Allegro Spiritoso
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Lyons Music Services
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.18 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Brass - Horn Piece
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.767606 Composed …
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Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music Services #6703123. Published by Lyons Music Services (A0.767606). Originally a horn quartet inspired by a conversation about writing for horns. There are three movements. The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the lower tuba at the end.Enjoy.This is a really enjoyable and exciting new addition to the low brass quartet repertoire.
$15.00
13.71 €
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Mike Lyons
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Low Brass - Horn Piece
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Lyons Music Services
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SheetMusicPlus
Introduction, Theme and Variations
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Dig…
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
17.36 €
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Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variations
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bl_music
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SheetMusicPlus
Band Of Brothers (tv Ser - Incidental Music)
Trombone - Level 5 - Digital Download SKU: A0.1243669 Composed by Michael Arnold Ka…
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Trombone - Level 5 - Digital Download SKU: A0.1243669 Composed by Michael Arnold Kamen. Arranged by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival,Film/TV. 100 pages. Pete Strohm Music #838634. Published by Pete Strohm Music (A0.1243669). Fantasia on Themes from Band of Brothers, is a concert work for trombone choir, derived from Michael Kamen's brilliant cues for the 2001 HBO series Band of Brothers. American composer P. F. Strohm has explored and developed cues from the original score, creating a beautiful, compelling work for trombone choirs and their audiences. The result is a memorable and moving musical essay on the nature of war, in five movements entitled Despair, Relief, Valor, Grief, and Hope. The work is both challenging and rewarding, with an Advanced level of difficulty. Performance time 19:30. Member, ASCAP.
$25.00
22.86 €
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Michael Arnold Kamen
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P
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Band Of Brothers
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Pete Strohm Music
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SheetMusicPlus
Corant - trio- xylophone/acoustic guitar/electric bass guitar
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.139…
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Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - Digital Download SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
7.3 €
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- xylophone/acoustic guitar/electric bass guitar
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Phil Beaman
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SheetMusicPlus
Concertino
Trp. solo – 0 · 0 · 1 · Bassklar. · 1 · Kfg. – 1 · 1 · …
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Trp. solo – 0 · 0 · 1 · Bassklar. · 1 · Kfg. – 1 · 1 · 0 · 1 Trumpet with 7 Solo-Instruments (Clarinet in B flat, BassClarinet in B flat, Bassoon, Contrabassoon, French Horn in F, Trumpet in C, Tuba) - difficult - Digital Download SKU: S9.Q16433 Composed by Karl Amadeus Hartmann. This edition: piano reduction with solo part. La Tromba. Downloadable, Piano reduction with solo part. Duration 19 minutes. Schott Music - Digital #Q16433. Published by Schott Music - Digital (S9.Q16433). This piece, previously considered lost since its first performance, was described thus in reviews of that concert: ... The composition is modern and the humour appears to be that of the composer himself. Michel Nicolay, who has extraordinary technical skill and fabulous breathing control, leads this difficult work by the Munich composer Hartmann and is supported by the accompaniment of seven wind instruments. The bassoon provides rather a humorous bass line in the first section, with the whole work tending somewhat towards the burlesque. The second section contains some really astonishing passages..
$27.99
25.59 €
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Karl Amadeus Hartmann
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Concertino
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Schott Music - Digital
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SheetMusicPlus
Sea Songs
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mix…
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
11.88 €
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Horn Trio
Horn in F, violin and piano - difficult - Digital Download SKU: S9.Q19147 Composed …
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Horn in F, violin and piano - difficult - Digital Download SKU: S9.Q19147 Composed by Huw Watkins. This edition: score and parts. Downloadable, score and parts. Duration 13 minutes. Schott Music - Digital #Q19147. Published by Schott Music - Digital (S9.Q19147). The idea to write a horn trio came to the composer (also an acclaimed pianist) after giving a concert with a horn player from the Nash Ensemble, which included the Ligeti and the Brahms horn trios. When the Nash commissioned Watkins to write a new piece, he knew he would write something for horn. The result is an inventive 12-minute work for horn, violin, and piano that alternates driving rhythmic passages with slower, contemplative music. The trio is both lyrical and impelling, typifying Watkins' clear sound. Cast in a single movement, the music maintains a subtle tension throughout, finally building to a climactic finish. A fantastic piece for ambitious players.
$33.99
31.08 €
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Huw Watkins
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Horn Trio
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Schott Music - Digital
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SheetMusicPlus
Tundra
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1489850 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. 119 pages. Ulrich Lehensteiner #1066723. Published by Ulrich Lehensteiner (A0.1489850). Chamber-music-arrangement of the original work for piano and string orchestra.Tundra is a miniature piano concerto with reduced orchestra-setup (strings only) in one continuous movement. Programmatically depicting a lone wanderer's walk through an icy wasteland by switching between description of the scene's hostile environment and introspection of the wanderer's inner wasteland of emotions, the piece features brilliantly virtuosic piano-passages and strong multi-layered rhythms.
$41.99
38.39 €
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Ulrich Lehensteiner
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Tundra
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Ulrich Lehensteiner
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SheetMusicPlus
MONDAY MOJITO - String Trio
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.740613 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.740613 Composed by Ellen Macpherson. Concert,Holiday,Latin,Wedding. Score and parts. 9 pages. Ellen Macpherson #3553671. Published by Ellen Macpherson (A0.740613). MONDAY MOJITO - String Trio. New Original composition for two violins and cello in a Bossa grooveParts and Score includedViolin 1, Violin 2, Cello
$1.99
1.82 €
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Ellen Macpherson
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MONDAY MOJITO - String Trio
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Ellen Macpherson
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SheetMusicPlus
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