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Contrapunctus IX - J. S. Bach - for Trumpet Quintet - Score and Parts
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Classique
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Johann Sebastian Bach
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Gerson Arrais
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Contrapunctus IX - J. S. Bach
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Gerson Arrais
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SheetMusicPlus
Brass Ensemble Trumpet - Level 5 - SKU: A0.494880 Composed by Johann Sebastian Bach. Arranged by Gerson Arrais. Baroque,Jazz,Standards,Traditional. Scor...
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Brass Ensemble Trumpet - Level 5 - SKU: A0.494880 Composed by Johann Sebastian Bach. Arranged by Gerson Arrais. Baroque,Jazz,Standards,Traditional. Score and parts. 16 pages. Gerson Arrais #109472. Published by Gerson Arrais (A0.494880). Arranged for 5 trumpets. One more instrument was added to create more confort to the first voice. (D trumpet). Sonority is better that way. D trumpet 2 C trumpets 2 Bb Trumpets Advanced Level.
$7.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Alexander's Ragtime Band
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Irving Berlin
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Jörg Richter
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Alexander's Ragtime Band
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Jörg Richter
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1075720 Composed by Irving Berlin. Arranged by Jörg Richter. 20th Century,J...
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Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1075720 Composed by Irving Berlin. Arranged by Jörg Richter. 20th Century,Jazz,Standards,Traditional. Score and parts. 12 pages. Jörg Richter #679909. Published by Jörg Richter (A0.1075720). Irving Berlin's famous song and Jazz standard Alexander's Ragtime Band in an arrangement for 2 Marimbas.
$17.99
Ain't Misbehavin'
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Jazz
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Hank Williams Jr
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Jörg Richter
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Ain't Misbehavin'
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Jörg Richter
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117085 By Hank Williams Jr. By Andy Razaf, Harry Brooks, and Thomas Fats Wall...
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Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117085 By Hank Williams Jr. By Andy Razaf, Harry Brooks, and Thomas Fats Waller. Arranged by Jörg Richter. 20th Century,Broadway,Jazz,Musical/Show,Standards,Traditional. Score and parts. 6 pages. Jörg Richter #718672. Published by Jörg Richter (A0.1117085). Ain't Misbehavin' is a 1929 stride jazz/early swing song. Andy Razaf wrote the lyrics to a score by Thomas Fats Waller and Harry Brooks for the Broadway musical comedy play Connie's Hot Chocolates (From: Wikipedia.org). Here is an arrangement of that famous Jazz standard for 2 Marimbas.
$17.99
Basin Street Blues
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Jazz
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Spencer Williams
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Jörg Richter
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Basin Street Blues
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Jörg Richter
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117095 Composed by Spencer Williams. Arranged by Jörg Richter. 20th Centur...
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Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117095 Composed by Spencer Williams. Arranged by Jörg Richter. 20th Century,Blues,Jazz,Standards,Traditional. Score and parts. 5 pages. Jörg Richter #718683. Published by Jörg Richter (A0.1117095). Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong (From: Wikipedia.org). Here is an arrangement of that Jazz standard for 2 Marimbas.
$17.99
Moonglow
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Jazz
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George Cates
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Jörg Richter
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Moonglow
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Jörg Richter
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117133 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arr...
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Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117133 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Jörg Richter. 20th Century,Jazz,Standards. Score and parts. 6 pages. Jörg Richter #718721. Published by Jörg Richter (A0.1117133). Moonglow, also known as Moonglow and Love is a 1933 popular song. The music was by Will Hudson and Irving Mills and the words were by Eddie DeLange (From: Wikipedia.org). Here is an arrangement of that Jazz standard for 2 Marimbas.
$17.99
Fantasiestücke
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Robert Schumann
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Aribert Reimann and Robert Sch
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Aribert Reimann
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Fantasiestücke
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Schott Music - Digital
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SheetMusicPlus
Clarinet in A, flute, harp and 2 violas - advanced - SKU: S9.Q6709 By Robert Schumann. Composed by Aribert Reimann and Robert Schumann. Arranged ...
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Clarinet in A, flute, harp and 2 violas - advanced - SKU: S9.Q6709 By Robert Schumann. Composed by Aribert Reimann and Robert Schumann. Arranged by Aribert Reimann. This edition: score and parts. Eines der Standardwerke der Klarinettenliteratur in einer Bearbeitung für Klarinette, Flöte, Harfe und zwei Bratschen, bei der Reimann die originale Solostimme gänzlich unangetastet lässt. Downloadable, Score and parts. Op. 73. Duration 11 minutes. Schott Music - Digital #Q6709. Published by Schott Music - Digital (S9.Q6709). In the run-up to the Schumann Year 2010, Reimann now presents one of the standard works of clarinet literature in a tonally sublime arrangement for clarinet, flute, harp and two violas in which Reimann has left the original solo part completely unchanged. Reimann wrote the arrangement for the clarinettist Jörg Widmann as a proof of their joint admiration of Schumann. The world premiere took place at the renowned chamber music festival Spannungen in Heimbach in June 2009.
$51.99
Air on the G String, for 4 solo contrabasses
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Classique
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Johann Sebastian Bach
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Air on the G String, for 4 sol
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Distant Engraver Music
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SheetMusicPlus
Small Ensemble Double Bass - Level 5 - SKU: A0.977047 Composed by Johann Sebastian Bach. Arranged by Paul SanGregory ï¼ˆæ¡‘ç£Šæ ¢ï¼‰. B...
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Small Ensemble Double Bass - Level 5 - SKU: A0.977047 Composed by Johann Sebastian Bach. Arranged by Paul SanGregory ï¼ˆæ¡‘ç£Šæ ¢ï¼‰. Baroque. Score and parts. 9 pages. Distant Engraver Music #5723341. Published by Distant Engraver Music (A0.977047). In this arrangement of J. S. Bach’s famous Air, the four parts of the original string orchestra are played by four solo contrabasses. The two upper bass parts take turns playing the soaring primary melody while the two lower parts alternate in playing the famous bass line. With only slight modifications and an occasional omission, all of Bach’s original counterpoint is used in a way that preserves clarity and lightness even though the overall range has been compressed for the basses. Both the 1st and 2nd bass parts require performers to play in the high solo register, playing up to high Eb and D respectively. The original key of D major has been transposed to F major for this arrangement.
$5.00
Yo Yo
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The Osmonds
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J
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Yo Yo
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.942328 By The Osmonds. Arranged by J. Randolph Hall. This edition: Int...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.942328 By The Osmonds. Arranged by J. Randolph Hall. This edition: Interactive Download. Blues,Country,Folk,Hip-Hop,Pop,Rock. Score and parts. 14 pages. Duration 180. J. Randolph Hall #5DEYGOVixW8mZK82dDoD5S. Published by J. Randolph Hall (A0.942328). Key: F major.Joe South was born in Atlanta, GA. This song was featured by the Osmonds. The last chord in the arrangement is s blues chord as the singer talks about a persons constant changing of heart.
$4.00
Test Drive
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John Powell
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David J
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Test Drive
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Sterling Music Editions
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1508797 By John Powell. By John Powell. Arranged by David J. ...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1508797 By John Powell. By John Powell. Arranged by David J. Miller. 21st Century,Celtic,Classical,Contemporary,Film/TV,Irish. 43 pages. Sterling Music Editions #1084032. Published by Sterling Music Editions (A0.1508797). John Powell's film score for How To Train Your Dragon was an instant success when the film was released in 2010. The soundtrack is an integral part of the film, as Powell uses leitmoteifs in the style of John Williams' soundtrack to Star Wars. Test Drive is the exciting scene where Hiccup and Toothless perfect their ability to fly together, taking us with them on their emotional journey from breathless moments to soaring triumph. To hear how this arrangement works live, click on the link below!For more brass arrangements by David J. Miller, visit the Barclay Brass YouTube Channel at https://www.youtube.com/@TheBarclayBrass/videos.
$75.00
Once upon a time...
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Joerg Widmann
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Once upon a time...
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Schott Music - Digital
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SheetMusicPlus
Clarinet, viola, piano - difficult - SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. Thi...
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Clarinet, viola, piano - difficult - SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 Stücke im Märchenton für Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like ‘Once upon a time …’ and ‘… they all lived happily ever after’. Fairy tales were however also a source of unrest for me as a seismograph of mankind’s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann’s Märchenerzählungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work – despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal … [Once upon a time …] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jörg Widmann.
$46.99
Fanfare from Le Martyre de Saint Sebastien for Brass Band
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Classique
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Claude Debussy
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Charles Decker
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Fanfare from Le Martyre de Sai
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.817136 Composed by Claude Debussy. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Standards,World. Brass Band. 50 pages. Charles Decker Music Press #3636893. Published by Charles Decker Music Press (A0.817136). This sophisticated and brilliant orchestral brass fanfare by French master Claude Debussy, from his music for the 1911 mystery play The Martyrdom of Saint Sebastian, is arranged for traditional British Brass Band (E-flat and B-flat cornets, flugelhorn, E-flat alto horns, baritone horns, trombones, euphoniums, E-flat and B-flat bass and timpani and includes a complete set of alternate parts for standard wind band brass (substitute B-flat trumpet for E-flat cornet, F horns for E-flat alto horns, and bass clef parts for all low brass).  This masterpiece would be an exciting opening number for your concert band's brass section at your next concert. The audio file is of the complete edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$23.95
Chroniques de Thamyris
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Atanas Ourkouzounov
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Chroniques de Thamyris
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1531 Composed by Atanas Ourkouzounov. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1531. Published by Les E...
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Guitar - Advanced - SKU: ZY.DO-1531 Composed by Atanas Ourkouzounov. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1531. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1531). The piece Chronicles of Thamyris was written at the request of Greek guitarist Sotiris Athanasiou for his recording project with pieces based on Greek mythology.I chose the myth of Thamyris who was a musician of Thracian origin. In each movement I imagined an episode of this myth. The first movement is composed as a narrative. The second, as the title indicates, is the episode of the competition between Thamyris and the Muses. In the third, according to the myth, Thamyris will become blind and will break his lyre. The last movement is an imaginary dance from his native Thrace.La pièce «Chroniques de Thamyris» a été écrite à la demande du guitariste grec Sotiris Athanasiou pour son projet d’enregistrement avec des pièces basées sur la mythologie grecque.J’ai choisi le mythe de Thamyris qui était un musicien d’origine Thrace. Dans chaque mouvement j’ai imaginé un épisode de ce mythe. Le premier mouvement est composé comme un narratif. Le deuxième comme le titre l’indique, est l’épisode de la compétition entre Thamyris et les Muses. Dans le troisième, selon le mythe,Thamyris va devenir aveugle et va briser sa lyre. Le dernier mouvement est une danse imaginaire de son pays natal la Thrace.
$9.95
AMÉ
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Ludovic SELMI
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AMÉ
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D-Project Co., Ltd.
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SheetMusicPlus
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. ...
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Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00
Malaguena
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Jazz
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Latin/Musique du monde
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Ernesto Lecuona and Marian Ban
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Matthew J Rudy
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Malaguena
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Matt Rudy
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SheetMusicPlus
Large Ensemble B-Flat Trumpet,B-Flat instrument - Level 5 - SKU: A0.490034 Composed by Ernesto Lecuona and Marian Banks. Arranged by Matthew J Rudy. Jaz...
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Large Ensemble B-Flat Trumpet,B-Flat instrument - Level 5 - SKU: A0.490034 Composed by Ernesto Lecuona and Marian Banks. Arranged by Matthew J Rudy. Jazz,Latin. Score and parts. 29 pages. Matt Rudy #106074. Published by Matt Rudy (A0.490034). An arrangement of Ernesto Lecuona's 'Malaguena' for a 10 person enesmble. The arrangement is heavily based on the Stan Kenton big band version with the ending taking inspiration from Boston Brass. This energetic piece is an advanced arrangement for high level groups.
$19.99
Bang Bang (my Baby Shot Me Down)
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Contemporain
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Nancy Sinatra
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Patrick Sheehan
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Bang Bang
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748201 By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and p...
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Small Ensemble - Level 5 - SKU: A0.748201 By Nancy Sinatra. By Sonny Bono and Wendell J. Yuponce. Arranged by Patrick Sheehan. Contemporary. Score and parts. 18 pages. Patrick Sheehan #6070283. Published by Patrick Sheehan (A0.748201). From the album Tango & Ballroom, as used on HBO’s curb your enthusiasmINSTRUMENTATION: Tenor Saxophone (Bb), Accordion, Piano, Electric Bass, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales
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Jorg Richter
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Daily Routine and Warm-ups for
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry ...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry #825979. Published by Gordon Cherry (A0.1230258). Here is what Jörg Richter, Bass Trombonist of the Elbland Philharmonic Orchestra says about his special Daily Routine and Warm-ups.The Daily Routine and Warm-ups for Bass Trombone: Extended Slurs and Major Scales is part of my complete personal daily routine and reflects some of the most important areas that I need to practice for my own technique. The Extended Slurs and Major Scales are some of the necessary basics every brass player must practice, and it can really help to improve the skills for playing in the low (and high) register. These two areas are only part of my overall routine and warm-up. I would be happy if other bass trombonists could benefit from what I have gathered and written down over the years. At the moment this book is only a snapshot and I plan to continue writing new chapters.This method book is one part of a series of his complete method for Bass Trombone and is appropriate for advanced performers and can even be used by Tenor Trombonists wishing to increase their proficiency in the low register.
$32.50
Cadenzas
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Joerg Widmann
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This ed...
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Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This edition: single sheet. Cadenza. Downloadable, Separate edition. Op. 12. Duration 2 minutes. Schott Music - Digital #Q46796. Published by Schott Music - Digital (S9.Q46796). In 2006, Jörg Widmann composed these noble, deliberately simple cadenzas for Mozart's Violin Concerto as a commission from the Schleswig-Holstein Music Festival and violinist Isabelle van Keulen. In this series, unique in classical music literature, cadenzas are presented of well-known classical and romantic instrumental concertos, written by important composers and soloists of our time.
$11.99
Sarabande and Satire
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Contemporain
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Krystal J
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Sarabande and Satire
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Krystal Folkestad
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.957834 Composed by Krystal J. Grant. Contemporary. Score and parts. 2...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 5 - SKU: A0.957834 Composed by Krystal J. Grant. Contemporary. Score and parts. 21 pages. Krystal Folkestad #3619613. Published by Krystal Folkestad (A0.957834). We are scurrying about, yet the problems of the world are bigger than those of our day- to-day lives. When we pause to listen to the suffering of another person--in conversation, on the news, in a book, through a documentary--our emotional response may be as important to cultivate as our actions. In this piece, sarabande is a form of lament through its slow tempo and melodic fall into the second beat of a three-beat meter. In contrast, satire twists the same melody into a playful march. Shedding tears and taking steps are two of several ways to react to others’ suffering. 5.5 minutes
$10.00
Tremors - Full Score and Reproducible Instrumental Parts
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Michael J Glasgow
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Tremors - Full Score and Repro
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Chorister's Guild - Digital
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SheetMusicPlus
Percussion - Level 5 - SKU: C7.CGB618 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, Christmas, General. With Congregat...
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Percussion - Level 5 - SKU: C7.CGB618 With Fear and Trembling Stand. Composed by Michael J Glasgow. Ascension, Christmas, General. With Congregation, Percussion. Score and parts. 28 pages. Chorister's Guild - Digital #CGB618. Published by Chorister's Guild - Digital (C7.CGB618). UPC: 749193014257.Level 5 • Tremors was commissioned for the Bellissimo ensemble of Redlands Adventist Academy. The school's proximity to the San Andreas Fault was the inspiration for this composition, which features a rumbling chromatic ostinato and intense, energized polyphony. The piece ends calmly with a shimmering glimmer of peace. An ideal concert opener, churches with advanced bell choirs will also find it a great postlude for Advent or Lent. Instrumentation: 5, 6 or 7 octaves handbells, with optional 7th octave bass chimes, orchestral chimes, tam tam, and bass drum.
$15.95
Christ is Coming Back Again
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Ramseyer Radio Ministry
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J
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Christ is Coming Back Again
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1496994 By Ramseyer Radio Ministry. By D. B. Towner. Arranged by J. Ra...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1496994 By Ramseyer Radio Ministry. By D. B. Towner. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 8 pages. Duration 172. J. Randolph Hall #4ir8HboVxLvqOlHc40xRLV. Published by J. Randolph Hall (A0.1496994). Key: Ab major.Towner was a 19th century hymnist and music department chairman from Pennsylvania. His song shares the joy and anticipation of the promised return of Christ. Section A is the verese. Sections B and C are the chorus. Repeats are optional. This piece should be played in both a martial and majestic manner.
$4.00
When I can Read My Title Clear
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J
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When I can Read My Title Clear
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1464873 By ... By Joseph C. Lowry. Arranged by J. Randolph Hall. This edition: Intera...
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Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1464873 By ... By Joseph C. Lowry. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Folk,Pop,Praise & Worship,Standards,World. 9 pages. Duration 96. J. Randolph Hall #HVV3zwKYKG7VReHvR9jmD. Published by J. Randolph Hall (A0.1464873). Key: F major.Watts was a 17th/18th Century pastor, writer, composer,and hymnist from England. Lowry was a late 18th/early 19th Century hymnist from Kentucky. He contributed many songs to the Kentucky Harmony. Aka Pisgah, this Scottish tune/early American song was used by Lowry and Isaac Wattst in conveying the hope of Heaven and eternal peace. A modulation to a new key occurs towards the end of B section with the use of a French augmented sixth chord. Section C then introduces a descant by yours truly.
$4.00
Ring The Bells Of Heaven
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George Frederick Root
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J
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Ring The Bells Of Heaven
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1452041 Composed by George Frederick Root. Arranged by J. Randolph Hall. This edition...
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Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1452041 Composed by George Frederick Root. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Classical,Pop,Praise & Worship,Standards,World. 10 pages. Duration 86. J. Randolph Hall #52JftqWUqbwXe1AJhiaTRv. Published by J. Randolph Hall (A0.1452041). Key: Ab major.Root was a 19th Century teacher, composer, and hymnist from Massachusetts. This song was meant to be sung with much joy. Sections A and C are the verse. Sections B and D are the refrain. A modulation to a new key occurs at the end of B section with the help of an Italian augmented sixth chord. Section C then introduces a descant by yours truly.
$4.00
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