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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Let It Be
Non classifié
94
Piano & claviers
Piano seul
70
Orgue
6
Accordéon
4
Piano, Voix et Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano, Voix
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
7
Ukulele
2
Guitare notes et tablatures
1
Voix
Chorale SATB
12
Voix Soprano, Piano
3
Voix duo
1
Chorale TTBB
1
Voix, Guitare
1
Voix haute
1
+ 1 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
14
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Clarinette
10
Hautbois (partie séparée)
9
Quintette de Saxophone: 5 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte traversière et Piano
4
Ensemble de Clarinettes
4
Saxophone
3
Ensemble de saxophones
3
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Flûtes
2
Hautbois, Piano (duo)
1
Saxophone Alto
1
Saxophone Tenor
1
Saxophone Tenor et Piano
1
Clarinette, Guitare (duo)
1
Saxophone Alto et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte traversière
1
3 Clarinettes (trio)
1
+ 19 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Ensemble de Trompettes
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone et Piano
6
Trompette
5
Cor
4
Euphonium, Piano (duo)
4
Trompette, Piano
3
Trombone
3
Ensemble de Trombones
3
Cor et Piano
3
Tuba et Piano
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba
2
Euphonium
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon et Piano
7
2 Violons (duo)
6
Violoncelle, Piano
4
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon, Alto (duo)
2
Alto, Piano
2
Ensemble d'Altos
2
2 Altos (duo)
2
Violoncelle
2
Violon, Violoncelle (duo)
2
Violon
2
Harpe, Violon (duo)
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
22
Orchestre d'harmonie
15
Orchestre de chambre
10
Ensemble Jazz
8
Ensemble de Percussions
6
Orchestre à Cordes
4
Piano et Orchestre
1
Ensemble de cuivres
1
Jazz combo
1
Cloches
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Let It Be
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Partitions à imprimer
94 partitions trouvées
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76
Let It Be Me (Je T'appartiens)
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The Everly Brothers
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Christopher Taylor
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Let It Be Me
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Christopher J Taylor
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SheetMusicPlus
Brass Band Baritone Horn TC,Trumpet,Tuba - Level 5 - SKU: A0.1374904 By The Everly Brothers. By Gilbert Becaud, Mann Curtis, and Pierre Delanoe. Arrange...
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Brass Band Baritone Horn TC,Trumpet,Tuba - Level 5 - SKU: A0.1374904 By The Everly Brothers. By Gilbert Becaud, Mann Curtis, and Pierre Delanoe. Arranged by Christopher Taylor. 21st Century,Blues,Jazz,R & B,Spiritual. 10 pages. Christopher J Taylor #959465. Published by Christopher J Taylor (A0.1374904). A real classic, A Jim Ott inspired music piece that was transformed from a transcription of the original 1979 spirit of atlanta closer, let it be me. Dont get ahead of yourself, the transcirption itself has all the details and motifs Jim Ott wrote for spirit in 1979. Here's the real kicker, its not in Bb, and its not meant for G bugles, wild right? the best part is it was moderised to be even harder and more expressive than the orignial and it was done completly intentionally and its only designed in a Drum Corps format. Wanna test your drum corps's gusto? you found the piece.
$25.00
Let It Go
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Comédie Musicale
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Idina Menzel
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Bill Swick
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Let It Go
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Bill Swick
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.810618 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Bill Swick. Musical/Show. Score and p...
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Small Ensemble - Level 5 - SKU: A0.810618 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Bill Swick. Musical/Show. Score and parts. 38 pages. Bill Swick #6549473. Published by Bill Swick (A0.810618). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Let it Go may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms are advanced level. The range also puts this into the advanced level. This is ideal for Year 3, Quarter 3.
$40.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Piano Score (Reduced Score)
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 14...
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Small Ensemble Hand Percussion,Piano Duet - Level 5 - SKU: A0.730491 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 140 pages. James Nathaniel Holland #4717661. Published by James Nathaniel Holland (A0.730491). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. Piano Score with Story. Full Orchestral Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$15.95
Mozart: Balletmuzik zur Pantomine “Les petits riens” Nos. 6 to 13 - wind dectet/bass
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Balletmuzik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Cl...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 55 pages. RayThompsonMusic #6328785. Published by RayThompsonMusic (A0.553948). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.An arrangement for wind dectet of movts. 6 to 13. (Overture available separately)6 Gavotte 7 Adagio 8.Gigue 9.Gavotte Gracieuse 10.Pantomine 11.Passepied 12.Gavotte 13.AndanteHorn parts are for Natural Horns in F, D, A and Bb basso
$19.95
The Nutcracker complete ballet for Chamber Ensemble, Op. 71 - Score Only
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Pyotr Ilyich Tchaikovsky / Ð
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Yoon Jae Lee
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The Nutcracker complete ballet
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Ondine Press
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SheetMusicPlus
Level 5 - SKU: A0.866116 Composed by Pyotr Ilyich Tchaikovsky / Пётр ИльиÌч ЧайкоÌвÑкиÐ...
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Level 5 - SKU: A0.866116 Composed by Pyotr Ilyich Tchaikovsky / Пётр ИльиÌч ЧайкоÌвÑкий. Arranged by Yoon Jae Lee. 19th Century,Christmas,Holiday,Romantic Period,Traditional. 355 pages. Ondine Press #3629599. Published by Ondine Press (A0.866116). Instrumentation: 1d1. 1d1. 1. 1 – 1. 1. 0. 0 – 1 perc. pno. (hrp. ad lib.) – str (single players) This is a full score to Yoon Jae Lee's unabridged arrangement of Tchaikovsky's famous ballet, The Nutcracker. Scored for a mixed chamber ensemble of 13 (or 14) instruments with top quality engraving, this arrangement captures all of the essence of the original orchestration. It is also one of the only known reductions of the entire ballet that uses single strings, unlike the myriad of other reduced orchestrations available. Additional string players may be added at the discretion of the performers. Ideally suited for small theaters and ballet companies, this arrangement allows for staged performances of this masterpiece with live music which would otherwise not be possible. To allow for greater flexibility and practical use of instrumentation, the harp part is cross-cued into the piano and part. The Suite and the Waltz of the Flowers are also available for the same instrumentation. Performance material available for hire; please contact ondinepress@gmail.com for all inquiries. Perusal score: https://bit.ly/36pcV77 Performance Video of Suite: https://youtu.be/U9RjtdaHGPc Performance excerpts: https://clyp.it/user/3iaxh4xg.
$100.00
Tchaikovsky: Casse-Noisette (Nutcracker Suite)(Complete) Op.71a - symphonic wind
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Classique
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Peter Ilyich Tchaikovsky
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Ray Thompson
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Tchaikovsky: Casse-Noisette
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553716 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. Christmas,Romantic Period,Standards. Score and...
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Large Ensemble - Level 5 - SKU: A0.553716 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. Christmas,Romantic Period,Standards. Score and parts. 166 pages. RayThompsonMusic #3564037. Published by RayThompsonMusic (A0.553716). This complete arrangement is based on both the orchestral score and Tchaikovsky's own piano arrangement.Ideal for those Christmas Gigs.The movements are:Overture MiniatureMarchDance of Sugar Plum FairyTrepak (Russian Dance): Chinese Dance (with piccolo)Arabian Dance Dance of the Reed Flutes Waltz of the Flowers:: Abridged (slightly)(The original version of the Waltz of the Flowers as written for orchestra is quite long, and if transcribed fully would be bit of an endurance test for the wind player. I have removed some of the reprises of the main theme, and also removed the opening harp arpeggio. All the original melodies are still there. I have in certain sections omitted the relentless oom pah pah of the waltz., which can sound quite heavy on wind instruments. I have attempted to give all the players places to breath, and have not transcribed it for tutti all the way through. (It is still quite a blow, but is now more manageable)Some of the movements are available separately, or in different combinations.Also available arranged for wind quintet.This arrangement is for double wind quintet and double bass/tuba.It will work without the double bass, as a stand alone wind dectet.There are 2 clarinet parts..... one is noted Clarinet 1 & 2 (this part is for Bb and A clts, as in the original) and the other 2 parts are noted Clarinet 1 & 2 in Bb (they are entirely in Bb)
$19.95
It's The Hard-Knock Life
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Comédie Musicale
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Charles Strouse
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Mike Hyziak
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It's The Hard-Knock Life
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Voice - Level 5 - SKU: A0.846300
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Drum Set,Flute,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Voice - Level 5 - SKU: A0.846300 Composed by Charles Strouse. Arranged by Mike Hyziak. Broadway,Musical/Show. 54 pages. MPH Holding #5008283. Published by MPH Holding (A0.846300). CONCERT BAND. A vocal feature accompanied by concert band. Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$43.00
COMPLETE Mozart Clarinet Concerto in A (K.622) - clarinet quintet
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Classique
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Wolfgang Amadeus Mozart
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Austin Ralphson
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COMPLETE Mozart Clarinet Conce
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Austin Ralphson
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.1489060 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 182 pages. Aust...
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Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.1489060 Composed by Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. Classical. 182 pages. Austin Ralphson #1065906. Published by Austin Ralphson (A0.1489060). I have arranged Mozart's ground-breaking Clarinet Concerto (K.622) for clarinet quintet in order to facilitate a clarinet-based performance of this amazing composition. I have transposed it in to concert B flat for ease of performance in all clarinet parts. The solo part should be performed on a B flat clarinet instead of the original in A. This pack contains the complete concerto - all 3 movements.The soloist is invited to add their own personal touch via their choice of dynamics and other expressive choices.Scored for 4 B flat clarinets and 1 bass clarinet in B flat.
$21.99
Let Me Go
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Holiyo
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Let Me Go
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Holyone Tombari Dodoh
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SheetMusicPlus
Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Ja...
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Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.
$7.00
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classique
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Design...
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Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Brass Sextet - Allegro Spiritoso
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Contemporain
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Servic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
Piano Trio No 1
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Contemporain
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
BUKAN PENJARA SEHARAPAN
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SR
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Liric : SR
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BUKAN PENJARA SEHARAPAN
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SR.Pakpahan,SST
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SheetMusicPlus
Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - SKU: A0.990761 Composed by SR.Pakpahan,S...
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Large Ensemble Bass Guitar,Cello,Drums,Glockenspiel,Harmonica,Harp,Piano,Trumpet,Viola,Violin,Voice - Level 5 - SKU: A0.990761 Composed by SR.Pakpahan,SST. Arranged by Liric : SR.Pakpahan,SST. Contemporary,Musical/Show,New Age,Pop,Sacred. Score and parts. 63 pages. SR.Pakpahan,SST #5213461. Published by SR.Pakpahan,SST (A0.990761). Solo Pop Song of SACRED MUSIC.A Song for COMPOSITION COMPETITION SMPPRESS Contest 2020.Yesus Kristus sebagai Dasar Konstruksi Pekerjaan,(1 Kor 3:10 - 15)3:10 Sesuai dengan kasih karunia Allah, yang dianugerahkan kepadaku, aku sebagai seorang ahli bangunan yang cakap telah meletakkan dasar, dan orang lain membangun terus di atasnya. Tetapi tiap-tiap orang harus memperhatikan, bagaimana ia harus membangun di atasnya. 3:11 Karena tidak ada seorangpun yang dapat meletakkan dasar lain dari pada dasar yang telah diletakkan, yaitu Yesus Kristus. 3:12 Entahkah orang membangun di atas dasar ini dengan emas, perak, batu permata, kayu, rumput kering atau jerami, 3:13 sekali kelak pekerjaan masing-masing orang akan nampak. Karena hari Tuhan akan menyatakannya, sebab ia akan nampak dengan api dan bagaimana pekerjaan masing-masing orang akan diuji oleh api itu. 3:14 Jika pekerjaan yang dibangun seseorang tahan uji, ia akan mendapat upah. 3:15 Jika pekerjaannya terbakar, ia akan menderita kerugian, tetapi ia sendiri akan diselamatkan, tetapi seperti dari dalam api.Jesus Christ as the foundation of Job Construction,(1 Cor 3, 10 -15}:3:10 According to the grace of God given to me, like a skilled master-builder I laid a foundation, but someone else builds on it. And each one must be careful how he builds. 3:11 For no one can lay any foundation other than what is being laid, which is Jesus Christ. 3:12 If anyone builds on the foundation with gold, silver, precious stones, wood, hay, or straw, 3:13 each builder’s work will be plainly seen, for the Day will make it clear, because it will be revealed by fire. And the fire will test what kind of work each has done. 3:14 If what someone has built survives, he will receive a reward. 3:15 If someone’s work is burned up, he will suffer loss. He himself will be saved, but only as through fire.
$33.00
Cortigiani vil razza dannata (cello solo part and baritone)
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Giuseppe Verdi
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Kovats Istvan
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Cortigiani vil razza dannata
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Kovats Istvan
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SheetMusicPlus
Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan...
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Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan #1018283. Published by Kovats Istvan (A0.1438245). Hi cellists,I made this score for myself, when I was practicing this solo part.It's has the cello solo (which is in fact accompaniment) and Rigoletto's line. I think the biggest challenge of this piece is to follow the singer, for me it was much easier with this score, I hope it will be useful for you, too.I wrote the fingerings and bowings exactly how I played.TIPS: If you don't like the bowings you can try the original bowing of the group of sixteens: down-down (legato) - up-up (staccato) - down (stacc) - up (stacc) in the bar 13, in the the second group of sixteens the octaves could be slured two by two. It could be VERY HELPFUL to listen to the aria, without playing, just with this score in your hand. Good luck!
$4.99
Adagio for Trombone and Strings
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Classique
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Tomaso Giovanni Albinoni
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Biehn, Sean F
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Adagio for Trombone and String
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Gordon Cherry
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SheetMusicPlus
Large Ensemble Bass Trombone - Level 5 - SKU: A0.792126 Composed by Tomaso Giovanni Albinoni. Arranged by Biehn, Sean F. Baroque. Score and parts. 17 pa...
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Large Ensemble Bass Trombone - Level 5 - SKU: A0.792126 Composed by Tomaso Giovanni Albinoni. Arranged by Biehn, Sean F. Baroque. Score and parts. 17 pages. Gordon Cherry #3664891. Published by Gordon Cherry (A0.792126). The Adagio in G minor for Trombone and String Quartet is a wonderful arrangement of the work attributed to Tomaso Albinoni (1671-1751). The work is about 7 minutes in length for advanced performers.Below is a short article about the Adagio by the arranger, Sean F. Biehn:There is much controversy as to who wrote the Adagio for Strings in G minor and whether it was a stolen idea or embellished from a piece of a manuscript. The piece is considered to be a fragment of Tomaso Albinoni's (1671-1751) original manuscript with a few measures of the melodic material and the basso continuo. During World War II, the bombings of Dresdon, which is where the Saxon State Library resided, was destroyed and Remo Giazotto (1910-1998) evacuated most of its documents, being that he was a musicologist-and an Albinoni biographer. Giazotto took the fragment of manuscript and completed what he thought would be the completed piece which in turn makes his completed piece an original composition. In 1958, Giazotto finalized the piece under the title of Adagio in G minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni. Remo Giazotto never shared the manuscript and after his death in 1998, there has never been a record of the missing manuscript fragment. To this day, the string ensemble with organ is popularly performed. There have been numerous and recent alterations in instrumentation for this piece due to the fact that other soloists wanted to perform the beautiful piece. This particular version of the piece contains a string quartet accompanying a trombone soloist.
$35.00
You Were Once Darkness
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Robert Myers
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You Were Once Darkness
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WheatMyer Music
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SheetMusicPlus
String Trio - Level 5 - SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published...
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String Trio - Level 5 - SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published by WheatMyer Music (A0.1115501). You Were Once Darkness is written for advanced string trio being full of extended techniques, cross rhythms, and challenging harmonies. It is well suited for string trio recitals and chamber concerts. The music follows a redemptive arc, a journey from dark to light, from chaos to repose. It’s not meant to be auto-biographical but to be meaningful to anyone who has known the sweetness of overcoming personal brokenness, whether it might be addiction, self-destruction, religious deliverance, or other crisis. It approaches the topic from the perspective of overcoming self. The harmonies, rhythms, and timbres of the piece strive to portray this transition. The age-old metaphors of darkness for ill and light for good are featured characters in the music. In particular, the title refers to a line from the Apostle Paul’s letter to the church in Ephesus, “You were once darkness but now you are light in the Lord. Walk as children of light, for the fruit of the light consists in all goodness, righteousness, and truth.†“You Were Once Darkness†uses the melody from a very familiar Christmas carol but it is highly camouflaged and difficult to distinguish. Although it forms the backbone of the music it also, as our own backbones do, remains mostly unobserved. Clues do peak through the darkness, so to speak, from time to time so the attentive listener may discern the melody by the end. The music sounds edgy and unfamiliar even though it only uses the notes of the C-major scale (all the white keys on the piano). This is achieved using techniques developed by Estonian composer Arvo Pärt which employ rules-based writing, typically using a simple scale over a single major or minor accompanying chord. The concept sounds simple but that does not make it easy to write or to play. The technique produces an interplay of dissonance and consonance that creates a fascinating variation of sound much as a kaleidoscope does with color. Robert Myers S.D.G. wheatmyermusic.com.
$19.99
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #10535...
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Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Bird Oratorio
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Indra Rise
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Bird Oratorio
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Indra Riše
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.977568 Composed by Indra Rise. 20th Century,Contemporary,Standards. Score and parts. 41 pages. Indra RiÅ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.977568 Composed by Indra Rise. 20th Century,Contemporary,Standards. Score and parts. 41 pages. Indra Riše #4404902. Published by Indra Riše (A0.977568). Bird Oratorio for violin, cello and piano, commissioned by Pēteris Vasks Foundation; 2017, duration ca 14, Bird Oratorio in three parts. I. From a Dawn to the Light; II. Trouble at the Bird-table; III. Fight for the Territory. Programm note :this is a story about Birds, Nature and its rough rules. It is dedicated to people, who emigrate and look for good luck in foreign countries. This music is just reminder, that Nature is not just a nice view, flowers, birds or animals, and it is not just a beauty and harmony. Nature can be also rough and in fact it is our Great Teacher. Nature is teaching belonging, care and love to the place, where we are born. Nature is teaching struggle for survival and fight for our homeland. Let's listen to it!
$20.95
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
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Let It Be
