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I've Got My Love To Keep Me Warm
Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1510396 By Be…
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Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1510396 By Benny Goodman. By Irving Berlin. Arranged by Bryan Kidd. Christmas,Jazz,Standards. 5 pages. BryanKiddMusic.com #1085589. Published by BryanKiddMusic.com (A0.1510396). Jazz Vocal Ensemble parts (SSATB) to go with Bryan Kidd's big band and strings arrangement of I've Got My Love to Keep Me Warm. NOTE: The SSATB chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus (includes chord symbols). For the letter-size full ensemble set of parts and score*, click here. *A letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) full score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer / Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$3.00
2.74 €
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Benny Goodman
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Bryan Kidd
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I've Got My Love To Keep Me Warm
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BryanKiddMusic.com
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SheetMusicPlus
Let Me Go
Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655
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Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.
$7.00
6.4 €
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Holiyo
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Let Me Go
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Holyone Tombari Dodoh
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
4.12 €
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331…
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
13.72 €
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Poltrie
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Novel Soundtrax
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SheetMusicPlus
I Saw Her Standing There
Large Ensemble - Level 5 - Digital Download SKU: A0.1124429 By The Beatles. By John…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1124429 By The Beatles. By John Lennon and Paul McCartney. Arranged by Andrew Will. 20th Century,Pop. Score and parts. 55 pages. Andrew Will #725174. Published by Andrew Will (A0.1124429). I Saw Her Standing There by the Beatles is an arrangement for the professional band. It is a large scale production number that your audience would love to hear. Instrumentation - Score, Lead Vocal (Harmony Lead included), SATB (Choir), Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Keyboard (Optional), Guitar 1, Guitar 2, Bass Guitar, Drum Kit and Percussion. A great arrangement for next large scale production. To listen to this arrangement, go to https://www.youtube.com/watch?v=KJ_eBwRYrEA (1:38:30sec). Enjoy!
$45.00
41.16 €
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The Beatles
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Andrew Will
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I Saw Her Standing There
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Andrew Will
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SheetMusicPlus
A Quiet Place
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.875871 By Take 6. By R…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.875871 By Take 6. By Ralph Carmichael. Arranged by Jim Fieldhouse. A Cappella,Gospel. Score and parts. 16 pages. Nefarious Music Publications #4410775. Published by Nefarious Music Publications (A0.875871). A quiet Place was written in 1967 but it was the 1988 recording, by American a cappella group, Take 6, that has gone on to become the most well loved version. This arrangment for four trombones (or three trombones and tuba) is based on that recording.In order to bring this beautiful setting of Ralph Carmichael's music & lyrics to life, sensitive phrasing and legato playing is paramount. A very strong upper register is required for parts 1 & 2 This quartet is scored for three tenors and bass trombone. Treble clef B flat parts and a treble clef E flat tuba transposition of part 4 are included for brass bands and alternative parts 1 and 2 in tenor clef are available.There is a quiet placeFar from the rapid paceWhere God can soothe my troubled mindSheltered by tree and flowerThere in my quiet hourWith Him my cares are left behindWhether a garden smallOr on a mountain tallNew strength and courage there I find Then from this quiet placeI go prepared to faceA new day with love for all mankindDifficulty Rating : advanced plus
$20.00
18.29 €
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Take 6
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Jim Fieldhouse
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A Quiet Place
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Nefarious Music Publications
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.02 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By J…
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Guitar Ensemble - Level 5 - Digital Download SKU: A0.1453659 By Joseph Davila. By Joseph Davila. Christmas,Classical,Contemporary,Holiday,Multicultural,World. Score and Parts. 17 pages. JaGlo Music #1032873. Published by JaGlo Music (A0.1453659). This is a guitar quartet Christmas piece that I wrote earlier this year. It is for advanced players and is perfect for Holiday Concerts, Christmas parties or recitals. The theme is based on the legend of the Pukwudgie and is the soundtrack to the story below. © Copyright 2024 JaGlo Music. In the quaint village of Hollybrook, Christmas was a time of joy and togetherness. But this year, a malicious pukwudgie named Bramble planned to spread fear and chaos. On Christmas Eve, as villagers gathered around the grand tree for the annual lighting ceremony, Bramble struck. He made the lights flicker and go out and twisted the ornaments into grotesque shapes. He snuck into homes, swapping sugar for ashes and hiding stockings in unreachable places, casting a dark spell over the village. By morning, Hollybrook was in disarray. Children found their stockings missing, cookies ruined, and the tree ominous in the square. Fear gripped the town. Amidst the chaos, a brave girl named Lucy refused to let fear win. She gathered her friends and ventured into the forest, following eerie footprints. They found Bramble muttering dark incantations under a gnarled tree. Caught in a trap made from holly and mistletoe, Bramble hissed his intentions to spread fear. Lucy, with steely resolve, offered him a chance at redemption. Reluctantly, Bramble agreed. They returned to the village, and with Bramble’s help, dispelled the dark enchantments. The ornaments returned to their beautiful forms, sugar replaced the ashes, and the stockings were found. That night, the tree lit up, and Bramble felt warmth in his heart for the first time. The villagers, initially wary, accepted him as he helped create beautiful ice sculptures, adding magic to the festivities. From that year on, Bramble became part of Hollybrook. His dark nature slowly transformed under the light of friendship and acceptance. Every Christmas, his magic brought extra sparkle to the celebrations, reminding everyone that even the darkest hearts could find redemption through kindness and love.
$12.00
10.98 €
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Joseph Davila
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A Pukwudgie Christmas: A Tale of Mischief, Mayhem and Redemption
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JaGlo Music
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SheetMusicPlus
Modern Dinosaur
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Downl…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00
45.74 €
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Tiny Shattered Pieces
Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By…
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Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later – I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.   The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it – war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each other’s thoughts, propelling them and eventually bringing them to conclusion.    It should be noted that by the time I was reaching the end of the compositional process – a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.   The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00
22.87 €
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Evelyn Glennie
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Tiny Shattered Pieces
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EAMUSIC
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SheetMusicPlus
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