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Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.12 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
I'm Gonna Live Till I Die
Rhythm Section Voice (SATB divisi) - Level 5 - Digital Download SKU: A0.1271191 Com…
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Rhythm Section Voice (SATB divisi) - Level 5 - Digital Download SKU: A0.1271191 Composed by Al Hoffman, Manny Kurtz, and Walter Kent. Arranged by Kerry Marsh. Jazz. Vocal Jazz Ensemble. 61 pages. Kerry Marsh #863585. Published by Kerry Marsh (A0.1271191). Important: This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)This is Kerry Marsh's vocal jazz arrangement of I'm Gonna Live Till I Die, written for SSATB vocal jazz ensemble with fully-notated piano and bass parts and drums. The arrangement is inspired by the arrangement by John Clayton written for Queen Latifah's jazz vocal album with big band. An SA soloist is featured throughout with a lyric solo, and an exciting shout/soli section propels the ensemble to a strong finish!Â
$50.00
45.71 €
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Al Hoffman, Manny Kurtz, and Walter Kent
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Kerry Marsh
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I'm Gonna Live Till I Die
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Kerry Marsh
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SheetMusicPlus
sway romance
Small Ensemble Hand Percussion,Handbell,Harmonica,Xylophone - Level 5 - Digital Download
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Small Ensemble Hand Percussion,Handbell,Harmonica,Xylophone - Level 5 - Digital Download SKU: A0.1015424 Composed by Godce Christopher m fry. Arranged by Godce Christopher m fry. Jazz. Score and parts. 3 pages. Godce Christopher Fry #4775059. Published by Godce Christopher Fry (A0.1015424). when it comes to swing this one will sway
$100.00
91.42 €
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Godce Christopher m fry
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Godce Christopher m fry
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sway romance
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Godce Christopher Fry
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SheetMusicPlus
Romance de la luna, luna (Ballad of the moon, moon)
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1285226 Composed by Luis E…
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1285226 Composed by Luis Enrique Téllez. 21st Century,A Cappella,Multicultural,World. 4 pages. Luis Enrique Téllez #876342. Published by Luis Enrique Téllez (A0.1285226). Work for mixed choir, tenor and mezzo solos dedicated to the 49 child victims of the fire at the ABC Nursery in Hermosillo, Sonora, México, with a text by the spanish poet Federico GarcÃa Lorca. Premiered in 2017 at the International Choir Festival of Tlaxcala, México.
$6.00
5.49 €
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Luis Enrique Téllez
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Romance de la luna, luna
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Luis Enrique Téllez
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SheetMusicPlus
I'm A Believer
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.925055
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.925055 By Smash Mouth. By Neil Diamond. Arranged by Edward Neeman. Contemporary. Score and parts. 13 pages. Edward Neeman #6272647. Published by Edward Neeman (A0.925055). The Neeman Piano Duo presents this exciting and virtuosic arrangement of the pop rock classic I'm a Believer. A barnstorming tour de force for advanced piano duet teams. 13 pages, 2 1/2 minutes.
$9.99
9.13 €
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Smash Mouth
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Edward Neeman
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I'm A Believer
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Edward Neeman
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SheetMusicPlus
Y.M.C.A.
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.925052
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.925052 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Edward Neeman. Oldies. Score and parts. 12 pages. Edward Neeman #4969269. Published by Edward Neeman (A0.925052). A concert arrangement for piano duet.
$9.99
9.13 €
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The Village People
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Edward Neeman
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Y.M.C.A.
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Edward Neeman
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SheetMusicPlus
I'm Not In Love
Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Intera…
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Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.479738 By Will To Power. By Eric Stewart and Graham Gouldman. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 140. Deke Sharon #1Z8ZxwrK4OiFtqOCh8kjcR. Published by Deke Sharon (A0.479738). Key: E major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.82 €
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Will To Power
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Deke Sharon
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I'm Not In Love
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Deke Sharon
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.01 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
März
Speakers and bassflute - advanced - Digital Download SKU: S9.Q3124 Nach einem Te…
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Speakers and bassflute - advanced - Digital Download SKU: S9.Q3124 Nach einem Text von Günter Grass. Composed by Aribert Reimann. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q3124. Published by Schott Music - Digital (S9.Q3124). German.Very few texts by the famous German writer and winner of the Nobel Prize, Grass, have been set to music. The present example juxtaposes a speaking voice and the distinctive sound of the bass flute, conceived during the build-up to the political unrest of 1968 it was premièred by Günter Grass and Aurèle Nicolet.
$15.99
14.62 €
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Aribert Reimann
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März
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Schott Music - Digital
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SheetMusicPlus
Fantasypiece (Downloadable)
Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed …
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Violoncello and double bass - Difficult - Digital Download SKU: MQ.8409-E Composed by Stanley M. Hoffman. Secular, 21st century. Score. 14 pages. E. C. Schirmer Music Company - Digital #8409-E. Published by E. C. Schirmer Music Company - Digital (MQ.8409-E). UPC: 600313484094.The duet version of Fantasypiece for violoncello and double bass was composed in 2001, an arrangement for chamber orchestra was completed in 2002. The title has multiple meanings. The musical language, what I regard as free tonality, is one that I had always wanted to employ but never found occasion to use. By free, I mean employing unusual dissonances in a controlled manner within a tonal framework.
$16.00
14.63 €
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free, I mean employing unusual dissonances in a controlled manner within a tonal framework
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Stanley M
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Fantasypiece
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Once upon a time...
Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces…
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Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 Stücke im Märchenton für Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like ‘Once upon a time …’ and ‘… they all lived happily ever after’. Fairy tales were however also a source of unrest for me as a seismograph of mankind’s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann’s Märchenerzählungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work – despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal … [Once upon a time …] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jörg Widmann.
$46.99
42.96 €
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Joerg Widmann
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Once upon a time...
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Schott Music - Digital
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.85 €
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petro…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
30.12 €
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
I'm A Man
Small Ensemble - Level 5 - Digital Download SKU: A0.747849 By Chicago. By Jimmy Mil…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747849 By Chicago. By Jimmy Miller and Steve Winwood. Arranged by Patrick Sheehan. Contemporary. Score and parts. 154 pages. Patrick Sheehan #4968507. Published by Patrick Sheehan (A0.747849). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Claves, Cowbell, Tambourine, Maracas, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The eighth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. In full score, this transcription contains the verbatim parts played by the entire band, including Danny Seraphine’s extended drum solo. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.28 €
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Chicago
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Patrick Sheehan
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I'm A Man
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Patrick Sheehan
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SheetMusicPlus
Nocturne for Nine Players
Large Ensemble B-Flat Clarinet,Bassoon,Cymbals,Flute,Glockenspiel,Horn,Oboe,Percussion,Sna…
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Large Ensemble B-Flat Clarinet,Bassoon,Cymbals,Flute,Glockenspiel,Horn,Oboe,Percussion,Snare Drum,Vibraphone - Level 5 - Digital Download SKU: A0.924834 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913101. Published by stanleymhoffman.com (A0.924834). A Dissertation Musical Composition Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Music In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy byStanley M. Hoffman 12/92. This nocturne features lyrical melodic writing and a chromatic musical language. The tone colors are exquisite. Duration: 20:00
$67.50
61.71 €
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Stanley M
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Nocturne for Nine Players
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stanleymhoffman.com
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SheetMusicPlus
Dentro de Mí (reduced version)
A Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1335619 By Roberto PÃ…
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A Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1335619 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Chamber,Classical,Contemporary. 30 pages. Roberto Pálmer Music #921456. Published by Roberto Pálmer Music (A0.1335619). Version for flute, clarinet and piano.Inside of me and inside of you there are strong emotions that we try to control and manage in a good way, just to live with others. But inside us, inside us just care us…Web
$20.00
18.28 €
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Roberto Pálmer
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Dentro de Mí
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Roberto Pálmer Music
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SheetMusicPlus
Dentro de Mí
A Clarinet,Bass Clarinet,Flute,Piano,Piccolo - Level 5 - Digital Download SKU: A0.13395…
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A Clarinet,Bass Clarinet,Flute,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1339569 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Chamber,Classical,Contemporary. 44 pages. Roberto Pálmer Music #925270. Published by Roberto Pálmer Music (A0.1339569). Inside of me and inside of you there are strong emotions that we try to control and manage in a good way, just to live with others. But inside us, inside us just care us…Web
$20.00
18.28 €
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Roberto Pálmer
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Dentro de Mí
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Roberto Pálmer Music
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SheetMusicPlus
Step In Time
Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.1134643 Composed by …
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Small Ensemble High Voice - Level 5 - Digital Download SKU: A0.1134643 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by David Wright. A Cappella,Barbershop. Score and parts. 7 pages. David Wright #734691. Published by David Wright (A0.1134643). This arrangement is for women's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99
11.88 €
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Richard M
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David Wright
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Step In Time
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David Wright
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SheetMusicPlus
Chim Chim Cher EE
Instrumental Solo - Level 5 - Interactive Download SKU: A0.1357087 By New Christy M…
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.1357087 By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Daniel Nicholson. This edition: Interactive Download. Classical,Film/TV,Musical/Show. Individual part. 5 pages. Duration 150. Daniel Nicholson #4QMgu7LRCh8UXLIAHypNTU. Published by Daniel Nicholson (A0.1357087). Key: Eb major.An advanced piano arrangement of one of the most played songs from Mary Poppins. This is heavily inspired by Rachmaninov and features a Fughetto section in the middle!
$6.99
6.39 €
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New Christy Minstrels
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Daniel Nicholson
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Chim Chim Cher EE
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Daniel Nicholson
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SheetMusicPlus
Pierrot, or Harlequin?
Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Scor…
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Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.
$9.95
9.1 €
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Stephen Goss
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Pierrot, or Harlequin?
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Les Editions Doberman-Yppan
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SheetMusicPlus
Movement for Mallet Quartet
Small Ensemble Glockenspiel,Marimba,Vibraphone,Xylophone - Level 5 - Digital Download S…
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Small Ensemble Glockenspiel,Marimba,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.924831 Composed by Stanley M. Hoffman. Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913069. Published by stanleymhoffman.com (A0.924831). Composed in a chromatic musical language, this piece features striking contrasts of musical materials and textures running the gamut from homophonic to fughetta. Duration: 4:23.
$16.00
14.63 €
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Stanley M
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Movement for Mallet Quartet
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stanleymhoffman.com
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SheetMusicPlus
Der Josa mit der Zauberfiedel
3 P. S. (Xyl. · Trgl. · h. Bong. · Tamb. · 2 gr. Tr. · Clav. · 3 Tempelb…
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3 P. S. (Xyl. · Trgl. · h. Bong. · Tamb. · 2 gr. Tr. · Clav. · 3 Tempelbl. · 3 Holzbl. · Mark-Tree · Glashfe. [od. gestimmte Weingläser]) (1 Spieler) - Klav. - Solo-Vl. Narrator, Violin, Percussion and Piano - advanced - Digital Download SKU: S9.Q3002 Tänze auf dem Weg zum Mond. Composed by Wilfried Hiller. This edition: performance score. Downloadable, Performance score. Duration 40 minutes. Schott Music - Digital #Q3002. Published by Schott Music - Digital (S9.Q3002). German.Der kleine Josa ist viel zu klein und schwach, um Köhler wie sein Vater zu werden. Ein Vogel schenkt ihm eine Zauberfiedel: wenn man darauf eine Melodie vorwärts spielt, werden alle, die sie hören, größer – wenn man sie rückwärts spielt, werden alle kleiner ... Josa begibt sich auf eine lange Wanderschaft zum Mond; er will durch sein Spiel erreichen, dass der Mond ebenfalls größer und kleiner wird. Auf dem Weg dorthin erlebt er viel Elend, kann aber mit seinem Spiel helfen; den gierigen König kann er mit seiner Geige besiegen. Schließlich kommt er bis ans Ende der Welt. „Dort blieb er. Und wenn der Mond vorbeiwandert, dann spielt der Josa. Dann wird der Mond groß und klein. Das sieht der alte Köhler Jeromir in seinem Wald und weiß, das ist der Josa, sein Sohn, der das kann. Manchmal in der Nacht, wenn es ganz still ist und der Wind aus dieser Richtung kommt, dann kannst du ein, zwei oder drei wunderbare Töne hören, wie Musik. (aus: Janosch, Der Josa mit der Zauberfiedel) Der Josa mit der Zauberfiedel ist ein schönes Stück für Kinder- und Jugendkonzerte und bietet für Kinder und Jugendliche aller Altersstufen darüber hinaus reizvolle Möglichkeiten der szenischen Umsetzung (beispielsweise durch Schattenspiel, Puppenspiel oder Pantomime). Wenn ein technisch sehr versierter Sologeiger zur Verfügung steht, ist auch eine Aufführung mit Schulorchester möglich. Wilfried Hiller.
$35.99
32.9 €
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Wilfried Hiller
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Der Josa mit der Zauberfiedel
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Schott Music - Digital
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SheetMusicPlus
La suite de El cascanueces - 8. Vals de las flores
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.948155 Composed by Piotr Chaikovski. Arranged by Sam Bateman y Laura Newey. Children,Christmas,Contemporary,Romantic Period,World. Score and parts. 60 pages. Sam Bateman #3471551. Published by Sam Bateman (A0.948155). Disfrute toda belleza maravillosa de esta suite de música clásica de uno de los mejores compositores del perÃodo de Romanticismo – Piotr Chaikovski! Ahora, usted puede comprar su propia copia de la suite de El cascanueces, por ejecutar con el resto de su cuarteto de saxofones. Y por fin, aquà está el octavo y último movimiento, el Vals de las flores, con arreglista invitada especial, Laura Newey. ¡Disfrútelo! Si usted quiera oÃr algunos mis otros arreglos, no dude en mirar mi canal de YouTube, Sam Bateman’s Music. Si usted quiera contactarme para pregunta o solicitud, no dude en enviar un correo electrónico a sambateman.music@gmail.com, y responderé a usted lo antes posible.
$22.95
20.98 €
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Piotr Chaikovski
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Sam Bateman y Laura Newey
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La suite de El cascanueces - 8. Vals de las flores
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Sam Bateman
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SheetMusicPlus
La suite de El cascanueces
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone -…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.948156 Composed by Piotr Chaikovsky. Arranged by Sam Bateman (y Laura Newey para el último movimiento). Children,Christmas,Contemporary,Romantic Period,World. Score and parts. 165 pages. Sam Bateman #3471631. Published by Sam Bateman (A0.948156). Disfrute toda belleza maravillosa de esta suite de música clásica de uno de los mejores compositores del perÃodo de Romanticismo – Piotr Chaikovski! Ahora, usted puede comprar su propia copia de la suite de El cascanueces, por ejecutar con el resto de su cuarteto de saxofones.Si usted quiera oÃr algunos mis otros arreglos, no dude en mirar mi canal de YouTube, Sam Bateman’s Music. Si usted quiera contactarme para pregunta o solicitud, no dude en enviar un correo electrónico a sambateman.music@gmail.com, y responderé a usted lo antes posible.
$51.70
47.27 €
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Piotr Chaikovsky
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La suite de El cascanueces
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Sam Bateman
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SheetMusicPlus
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