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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Paul S
Non classifié
70
Piano & claviers
Piano seul
50
2 Pianos, 4 mains
2
Orgue
2
Piano, Voix
1
Clavecin
1
Guitares
Guitare notes et tablatures
6
Basse electrique
4
Guitare
2
Ukulele
1
Voix
Chorale SATB
12
Chorale TTBB
11
Chorale SSAA
8
Chorale SSATB
2
Chorale 3 parties
2
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
Chorale
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone Alto
7
Quatuor de Saxophones: 4 saxophones
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone (partie séparée)
5
Clarinette et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor et Piano
3
Flûte traversière et Piano
3
3 Clarinettes (trio)
2
Hautbois (partie séparée)
2
Ensemble de saxophones
2
Saxophone Alto et Piano
2
Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violon (duo)
1
Clarinette Basse, Piano
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Piano (duo)
1
Ensemble de Flûtes
1
2 Flûtes traversières (duo)
1
+ 18 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor
3
Trombone (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium
2
Trombone
2
Trombone et Piano
2
Trompette, Piano
2
Cor (partie séparée)
2
Tuba et Piano
2
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violoncelle
4
Violon et Piano
3
Contre Basse
2
2 Violons (duo)
2
Harpe
2
Violon (partie séparée)
2
Violoncelle, Piano
2
Violon
2
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Alto seul
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Trio à Cordes: violon, alto, violoncelle
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
13
Orchestre
13
Orchestre d'harmonie
10
Ensemble de cuivres
8
Ensemble Jazz
6
Orchestre de chambre
5
Percussion (partie séparée)
2
Batterie
1
Fanfare
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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OLD TIME - EARLY ROC…
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POP ROCK - ROCK CLAS…
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Partitions à imprimer
70 partitions trouvées
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51
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Paul Wehage - L'Aube Spirituelle
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Contemporain
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, à l’immortel Soleil !
$25.95
Paul Wehage: Les Rendez-vous Manqués for narrator and mixed ensemble
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Paul Wehage
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Paul Wehage: Les Rendez-vous M
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Multi-Percussion,Trumpet,Voice - Level 5 - SKU: A0.534393 Composed by Paul Wehage. Contemporary,Holiday,Lov...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Multi-Percussion,Trumpet,Voice - Level 5 - SKU: A0.534393 Composed by Paul Wehage. Contemporary,Holiday,Love. Score and parts. 128 pages. Musik Fabrik Music Publishing #3400115. Published by Musik Fabrik Music Publishing (A0.534393). !wrutteb as a companion piece for Walton's Facade, the piece consists of an overture, thrteen French poems by Jean-Thierry Boisseau and two encores. Scored for narrator with flute, Bb clarinet, alto saxophone, C trumpet, percussion (snare drum, castagnettes, triangle, bass drum, suspended cymbale, 3 temple blocks and 2 wood blocks) and violoncello. The poems speak of famous couples and what might have happened if their meetings had been different.
$38.95
Mendelssohn: Be thou faithful unto death (from St. Paul) arr. for tenor, cello, and organ
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Classique
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Felix Bartholdy Mendelssohn
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Brenda Portman
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Mendelssohn: Be thou faithful
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Brenda Portman
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SheetMusicPlus
Small Ensemble Cello,High Voice,Organ - Level 5 - SKU: A0.753189 Composed by Felix Bartholdy Mendelssohn. Arranged by Brenda Portman. Christian,Classica...
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Small Ensemble Cello,High Voice,Organ - Level 5 - SKU: A0.753189 Composed by Felix Bartholdy Mendelssohn. Arranged by Brenda Portman. Christian,Classical,Concert,Romantic Period,Sacred. Score and parts. 10 pages. Brenda Portman #6476217. Published by Brenda Portman (A0.753189). From St. Paul, Op. 36 by Felix Mendelssohn-BartholdyNo. 39. Cavatina. Tenore Solo. Sei getreu bis in den Tod (Be thou faithful unto death)Arrangement for tenor solo, cello, and continuo organ - organ reduction created from full conductor's scoreIncludes both English and German text.
$5.99
Ole Bull The Herdgirl's Sunday for Cello Octet
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Classique
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Ole Bull
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Paul Wood
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Ole Bull The Herdgirl's Sunday
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MyMusicScores.com
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.736714 Composed by Ole Bull. Arranged by Paul Wood. Romantic Period. Score and parts. 11 pages. MyMusicScores....
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String Ensemble Cello - Level 5 - SKU: A0.736714 Composed by Ole Bull. Arranged by Paul Wood. Romantic Period. Score and parts. 11 pages. MyMusicScores.com #3028719. Published by MyMusicScores.com (A0.736714). Johan Svendsen orchestration of Ole Bull's The Herdgirl's Sunday is the basis of this arrangement for cello octet.
$9.99
Sgt. Pepper's Lonely Hearts Club Band
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Rock
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The Beatles
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Bill Swick
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Sgt. Pepper's Lonely Hearts Cl
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Bill Swick
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.810653 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Rock. Score and parts. 28 pages. Bi...
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Small Ensemble - Level 5 - SKU: A0.810653 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Swick. Rock. Score and parts. 28 pages. Bill Swick #6603551. Published by Bill Swick (A0.810653). This arrangement of Sgt. Pepper’s Lonely Hearts Club Band is written for 4 acoustic guitars, 2 electric guitars, violin, viola, cello, bass, drums and optional back-up singers. This may be performed with a small ensemble or a large ensemble. It is a great way to demonstrate collaboration amongst areas of the music department by including orchestra and choir students. The range, rhythms, and tempo suggest this is an advanced level arrangement ideal for Year 3, Quarter 3.
$25.00
Paul's Steeple
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Classique
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Anonymous
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Anon
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Paul's Steeple
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AXTELL MUSIC
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SheetMusicPlus
Violin - Level 5 - SKU: A0.1201440 Composed by Anonymous. Arranged by Anon. Classical. Accompaniment. Duration 242. AXTELL MUSIC #800065. Published by A...
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Violin - Level 5 - SKU: A0.1201440 Composed by Anonymous. Arranged by Anon. Classical. Accompaniment. Duration 242. AXTELL MUSIC #800065. Published by AXTELL MUSIC (A0.1201440). Solo Violin Music for Advanced players.
$1.99
Quelle est cette odeur agréable? (What Is This Lovely Fragrance?) for Brass Quintet
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Paul S
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Paul S
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Quelle est cette odeur agr&eac
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Paul S. Jones
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SheetMusicPlus
Small Ensemble Percussion - Level 5 - SKU: A0.871060 Composed by Paul S. Jones. Arranged by Paul S. Jones. Christian,Christmas,Sacred,World. Score and p...
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Small Ensemble Percussion - Level 5 - SKU: A0.871060 Composed by Paul S. Jones. Arranged by Paul S. Jones. Christian,Christmas,Sacred,World. Score and parts. 10 pages. Paul S. Jones #3556617. Published by Paul S. Jones (A0.871060). A brass quintet setting of the lovely French carol, Quelle est cette odeur agreable? For 2 trumpets, horn, trombone, tuba (or bass trombone) and optional percussion (one player covering triangle, bells, chimes and suspended cymbal). Perfect for Advent, Christmas, a concert or a traditional/classical church service. Lots of imitative writing. Medium difficulty. 3 minutes.
$15.00
Andante from Violin Sonata No. 2 (Bach) [Trombone, Cello or Bassoon]
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Classique
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Johann Sebastian Bach
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Paul S
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Andante from Violin Sonata No.
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Paul S. Jones
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SheetMusicPlus
Instrumental Solo,Piano,Tenor Trombone - Level 5 - SKU: A0.1474659 Composed by Johann Sebastian Bach. Arranged by Paul S. Jones. Baroque,Classical. Scor...
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Instrumental Solo,Piano,Tenor Trombone - Level 5 - SKU: A0.1474659 Composed by Johann Sebastian Bach. Arranged by Paul S. Jones. Baroque,Classical. Score and individual part. 7 pages. Paul S. Jones #1052237. Published by Paul S. Jones (A0.1474659). An arrangement for tenor trombone, cello or bassoon of Bach's gorgeous slow movement from the Violin Sonata No. 2, accompanied by piano or harpsichord (if trombone or bassoon is used as solo, bass line could be doubled by a cello as continuo). Requires a skilled trombonist with a great high range. Part is included with the score.
$7.50
How High The Moon
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Contemporain
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Les Paul & Mary Ford
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Bill Swick
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How High The Moon
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Bill Swick
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SheetMusicPlus
Guitar Ensemble Guitar - Level 5 - SKU: A0.1034971 By Les Paul & Mary Ford. By Morgan Lewis. Arranged by Bill Swick. Contemporary. Score and parts. 18 p...
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Guitar Ensemble Guitar - Level 5 - SKU: A0.1034971 By Les Paul & Mary Ford. By Morgan Lewis. Arranged by Bill Swick. Contemporary. Score and parts. 18 pages. Bill Swick #2347285. Published by Bill Swick (A0.1034971). The arrangement was written for 5 guitars by Bill Swick as a tribute to Les Paul. There is a soli section in the middle that is a transcription of Les Paul's solo when he recorded it with his wife and singer Mary Ford. Guitar 1 goes up to a high G at the fifthteenth fret. This arrangement may be performed with a quartet by eliminating the guitar 4 part. The soli is challenging along with the extended range making this an Advanced level piece. Here is a link to a performance of this arrangement as performed by the Las Vegas Academy of the Arts intermediate guitar class. https://youtu.be/qB-XHuD3N84
$12.99
You Were Once Darkness
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Robert Myers
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You Were Once Darkness
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WheatMyer Music
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SheetMusicPlus
String Trio - Level 5 - SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published...
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String Trio - Level 5 - SKU: A0.1115501 Composed by Robert Myers. Chamber,Christmas,Classical,Contemporary. 33 pages. WheatMyer Music #717270. Published by WheatMyer Music (A0.1115501). You Were Once Darkness is written for advanced string trio being full of extended techniques, cross rhythms, and challenging harmonies. It is well suited for string trio recitals and chamber concerts. The music follows a redemptive arc, a journey from dark to light, from chaos to repose. It’s not meant to be auto-biographical but to be meaningful to anyone who has known the sweetness of overcoming personal brokenness, whether it might be addiction, self-destruction, religious deliverance, or other crisis. It approaches the topic from the perspective of overcoming self. The harmonies, rhythms, and timbres of the piece strive to portray this transition. The age-old metaphors of darkness for ill and light for good are featured characters in the music. In particular, the title refers to a line from the Apostle Paul’s letter to the church in Ephesus, “You were once darkness but now you are light in the Lord. Walk as children of light, for the fruit of the light consists in all goodness, righteousness, and truth.†“You Were Once Darkness†uses the melody from a very familiar Christmas carol but it is highly camouflaged and difficult to distinguish. Although it forms the backbone of the music it also, as our own backbones do, remains mostly unobserved. Clues do peak through the darkness, so to speak, from time to time so the attentive listener may discern the melody by the end. The music sounds edgy and unfamiliar even though it only uses the notes of the C-major scale (all the white keys on the piano). This is achieved using techniques developed by Estonian composer Arvo Pärt which employ rules-based writing, typically using a simple scale over a single major or minor accompanying chord. The concept sounds simple but that does not make it easy to write or to play. The technique produces an interplay of dissonance and consonance that creates a fascinating variation of sound much as a kaleidoscope does with color. Robert Myers S.D.G. wheatmyermusic.com.
$19.99
Single and double in 2 movements
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Lépine Jean-Paul
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Single and double in 2 movemen
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Lépine Jean-Paul
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.992287 Composed by Lépine Jean-Paul. Contemporary,Instructional,Musical/Show,Standards. Individual part. ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.992287 Composed by Lépine Jean-Paul. Contemporary,Instructional,Musical/Show,Standards. Individual part. 3 pages. Lépine Jean-Paul #3456611. Published by Lépine Jean-Paul (A0.992287). Cette étude peut être jouée dans un concert, audition ou dans le cadre d'un cours de timbales.Ce morceau est difficile et s'adresse à des musiciens avancés.--------------------------------------------------------------------------------------------------------------------------------------This study can be played in a concert, audition or as a part of a timpani course.This piece is difficult and is aimed at advanced musicians.
$3.99
Bender In The Big Easy (jazz font)
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John Paul Kayne
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John Paul Kayne
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Bender In The Big Easy
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John P. Kayne
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SheetMusicPlus
Large Ensemble,Mixed Percussion B-Flat Trumpet,B-Flat trombone,Bodhran Drum,Cabasa,Drums,Electric Bass Guitar,Electric Guitar,Maracas,Piano and Keyboard,Timpani...
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Large Ensemble,Mixed Percussion B-Flat Trumpet,B-Flat trombone,Bodhran Drum,Cabasa,Drums,Electric Bass Guitar,Electric Guitar,Maracas,Piano and Keyboard,Timpani,Tubular Bells - Level 5 - SKU: A0.1122367 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. Blues,Film/TV,Jazz,Latin,Multicultural,World. Score and parts. 34 pages. John P. Kayne #723526. Published by John P. Kayne (A0.1122367). A driving uptempo (Allegro) thematic instrumental arrangement in B natural 4/4 for Jazz/Rock Ensemble with Latin, Arabic & Orchestral percussion. It features extensive trumpet and trombone articulations such as bends, slurs & growls as originally composed in Notion for ios. Stylistically, a fanfare reminiscent of marachi band brass with fast bongo work similar to Beledi Arabic rythm’s. The outro drops to halftime for a New Oreans style funeral march/dirge with vaudevillian like horn work. Originally scored 10/24/18, first publishing October 25,2022 Allegro 130 Bpm 4/4, B natural Instrumentation: 2 Jazz trumpet’s, Jazz trombone, electric piano, bass, guitar, tympani, drums, tubular bells, bongos, vibraslap, maracas, cabasa, & bodhran.
$2.99
Bender In The Big Easy
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John Paul Kayne
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John Paul Kayne
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Bender In The Big Easy
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John P. Kayne
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SheetMusicPlus
Large Ensemble,Mixed Percussion B-Flat Trumpet,B-Flat trombone,Bodhran Drum,Bongos,Cabasa,Drums,Electric Bass Guitar,Electric Guitar,Maracas,Piano and Keyboard,...
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Large Ensemble,Mixed Percussion B-Flat Trumpet,B-Flat trombone,Bodhran Drum,Bongos,Cabasa,Drums,Electric Bass Guitar,Electric Guitar,Maracas,Piano and Keyboard,Timpani,Tubular Bells - Level 5 - SKU: A0.1122365 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. Contemporary,Film/TV,Jazz,Latin,Multicultural,World. Score and parts. 31 pages. John P. Kayne #723524. Published by John P. Kayne (A0.1122365). A driving uptempo (Allegro) thematic instrumental arrangement in B natural 4/4 for Jazz/Rock Ensemble with Latin, Arabic & Orchestral percussion. It features extensive trumpet and trombone articulations such as bends, slurs & growls as originally composed in Notion for ios. Stylistically, a fanfare reminiscent of marachi band brass with fast bongo work similar to Beledi Arabic rythm’s. The outro drops to halftime for a New Oreans style funeral march/dirge with vaudevillian like horn work. Originally scored 10/24/18, first publishing October 25,2022 Allegro 130 Bpm 4/4, B natural Instrumentation: 2 Jazz trumpet’s, Jazz trombone, electric piano, bass, guitar, timpani, drums, tubular bells, bongos, vibraslap, maracas, cabasa, & bodhran.
$2.99
Gimme That Wine
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Blues
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Jazz
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Jon Hendricks
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Paul William Stewart
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Gimme That Wine
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Paul William Stewart
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SheetMusicPlus
Choral Baritone Saxophone,Bass Clarinet,Tenor Drum (TTBB) - Level 5 - Interactive Download SKU: A0.1129323 Composed by Jon Hendricks. Arranged by Paul Wi...
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Choral Baritone Saxophone,Bass Clarinet,Tenor Drum (TTBB) - Level 5 - Interactive Download SKU: A0.1129323 Composed by Jon Hendricks. Arranged by Paul William Stewart. This edition: Interactive Download. Blues,Jazz. Octavo. 9 pages. Duration 189. Paul William Stewart #1QNn1na58djzUVOhig7wBU. Published by Paul William Stewart (A0.1129323). Key: F major.From the 1959 Lambert, Hendricks & Ross album Everybody's Boppin', this arrangement will be a blast for your collegiate/adult men's chorus or a cappella group. Listen to the original recording recording in order to learn the style and overall vibe of this hip, fun song, and then make it your own!
$1.99
Bossa Bravado; Allegretto in Bb Minor; for 3 cellos & Jazz Ensemble
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John Paul Kayne
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John Paul Kayne
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Bossa Bravado; Allegretto in B
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John P. Kayne
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SheetMusicPlus
Large Ensemble Acoustic Guitar,B-Flat Trumpet,B-Flat trombone,Bass Trombone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tambourine - Leve...
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Large Ensemble Acoustic Guitar,B-Flat Trumpet,B-Flat trombone,Bass Trombone,Cello,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Piano,Tambourine - Level 5 - SKU: A0.879841 By John Paul Kayne. By John Paul Kayne. Arranged by John Paul Kayne. Contemporary,Film/TV,Jazz,Latin,Multicultural,World. Score and parts. 35 pages. John P. Kayne #486251. Published by John P. Kayne (A0.879841). Bossa Nova style instrumental for Jazz Ensemble featuring Trumpet’s, Trombone & Bass Trombone and Cello solo’s. Originally scored in Notion for iPad using jazz brass samples & techniques including a fair amount of mute and plunger articulations.
$49.99
Kleinste Nachttopfmusik
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Classique
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Paul Dessau
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Kleinste Nachttopfmusik
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Schott Music - Digital
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SheetMusicPlus
Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - SKU: S9.Q6262 Smallest chamber pot music, roughly based ...
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Flute (also Piccolo), piano,  triangles and 2 Nachttöpfchen (Cis and Pis) - advanced - SKU: S9.Q6262 Smallest chamber pot music, roughly based on Mozart's Eine kleine Nachtmusik. Composed by Paul Dessau. This edition: score and parts. Downloadable, Score and parts. Duration 6 minutes. Schott Music - Digital #Q6262. Published by Schott Music - Digital (S9.Q6262). Everybody who loves Eine kleine Nachtmusik by Wolfgang Amadeus Mozart will get sheer pleasure out of this amusing little work which includes - as the title suggests - two small glass chamber pots used as percussion instruments. Paul Dessau dedicated his Kleinste Nachttopfmusik to Bertold Brecht's granddaughter Johanna Stephanie Brecht.
$16.99
Lorenz, the Seagull, the Butterfly, the Storm
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Contemporain
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Paul Burnell
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Lorenz, the Seagull, the Butte
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Paul Burnell
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SheetMusicPlus
Instrumental Duet Darbuka,Hand Percussion,Instrumental Duet - Level 5 - SKU: A0.835889 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages....
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Instrumental Duet Darbuka,Hand Percussion,Instrumental Duet - Level 5 - SKU: A0.835889 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #6519741. Published by Paul Burnell (A0.835889). One of the movements from ‘Mathematician Suite’ - four pieces for solo frame drum player which are based on an aspect of the life or work of different mathematicians.The titles of the four movements are Pascal’s Carriage (riq),The Nightingale March-Past (bendir), The Feynman Point (tar or pandeiro), Lorenz, the Seagull, the Butterfly, the Storm (darbuka)All four movements are dedicated to Chris Brannick who gave the first performances.
$1.99
The Feynman Point
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Contemporain
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Paul Burnell
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The Feynman Point
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Paul Burnell
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SheetMusicPlus
Small Ensemble Hand Percussion - Level 5 - SKU: A0.835888 Composed by Paul Burnell. Contemporary. Score and parts. 10 pages. Paul Burnell #6519737. Publ...
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Small Ensemble Hand Percussion - Level 5 - SKU: A0.835888 Composed by Paul Burnell. Contemporary. Score and parts. 10 pages. Paul Burnell #6519737. Published by Paul Burnell (A0.835888). One of the movements from ‘Mathematician Suite’ - four pieces for solo frame drum player which are based on an aspect of the life or work of different mathematicians.The titles of the four movements are Pascal’s Carriage (riq),The Nightingale March-Past (bendir), The Feynman Point (tar or pandeiro), Lorenz, the Seagull, the Butterfly, the Storm (darbuka)All four movements are dedicated to Chris Brannick who gave the first performances.
$1.99
Euphonia
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Jean-Paul Lépine
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Euphonia
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Lépine Jean-Paul
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.992291 Composed by Jean-Paul L...
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Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.992291 Composed by Jean-Paul Lépine. Concert,Contemporary,Film/TV,Musical/Show. Score and parts. 54 pages. Lépine Jean-Paul #4580955. Published by Lépine Jean-Paul (A0.992291). This music was specially written to serve as a call sign for a brass band or a harmony / fanfare.The file contains the conductive part as well as all the separate instrumental parts for each instrument, which justifies it's price.
$20.00
American Tune
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Rock
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Paul Simon
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David Wright
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American Tune
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David Wright
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SheetMusicPlus
Small Ensemble Low Voice - Level 5 - SKU: A0.512611 By Paul Simon. By Paul Simon. Arranged by David Wright. Pop,Rock. Score and parts. 5 pages. David Wr...
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Small Ensemble Low Voice - Level 5 - SKU: A0.512611 By Paul Simon. By Paul Simon. Arranged by David Wright. Pop,Rock. Score and parts. 5 pages. David Wright #6264537. Published by David Wright (A0.512611). This arrangement is for men's barbershop quartet, suitable for contest. The price entitles the purchaser to four copies.
$12.99
No Other Love
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Paul Weston & His Orchestra
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David Wright
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No Other Love
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David Wright
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SheetMusicPlus
Small Ensemble High Voice - Level 5 - SKU: A0.1187142 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappel...
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Small Ensemble High Voice - Level 5 - SKU: A0.1187142 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappella,Barbershop. Score and parts. 4 pages. David Wright #786778. Published by David Wright (A0.1187142). This arrangement is for women's barbershop quartet, suitable for contest. Â The pricce entitles the performer to four copies.
$12.99
No Other Love
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Paul Weston & His Orchestra
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David Wright
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No Other Love
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David Wright
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.1187136 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappella,Barbersh...
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Small Ensemble - Level 5 - SKU: A0.1187136 By Paul Weston & His Orchestra. By Bob Russell and Paul Weston. Arranged by David Wright. A Cappella,Barbershop. Score and parts. 4 pages. David Wright #786770. Published by David Wright (A0.1187136). This arrangement is for men's barbershop quartet, suitable for contest. Â The pricce entitles the performer to four copies.
$12.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
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