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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Purpose
Non classifié
26
Piano & claviers
Piano seul
34
Piano, Voix et Guitare
2
Orgue
2
1 Piano, 4 mains
1
Guitares
Voix
Chorale SATB
15
Chorale
2
Chorale 2 parties
1
Voix Baryton, Piano
1
Chorale SSAA
1
Chorale TTBB
1
Chorale 3 parties
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
3
Clarinette
3
Flûte traversière
3
Saxophone Alto
2
Hautbois (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Flute (partie séparée)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Piano (duo)
1
2 Saxophones (duo)
1
Saxophone Alto et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trombone et Piano
1
Trombone
1
Cor
1
Tuba
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 3 instrumentations
Retracter
Cordes
Violon
25
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon et Piano
6
2 Altos (duo)
2
Alto seul
1
2 Violons (duo)
1
Contre Basse
1
Violon, Violoncelle (duo)
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre
8
Orchestre de chambre
4
Ensemble de cuivres
2
Orchestre à Cordes
1
Ensemble Jazz
1
Orchestre d'harmonie
1
+ 1 instrumentations
Retracter
Autres
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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26 partitions trouvées
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1
26
Riding the Wave
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Jake Juliano
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Riding the Wave
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Jake Juliano
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Horn,Violin - Level 5 - SKU: A0.1504230 Composed by Jake Juliano. 21st Century,Chamber,Contemporary,Instructional. 3...
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Small Ensemble Cello,Clarinet,Flute,Horn,Violin - Level 5 - SKU: A0.1504230 Composed by Jake Juliano. 21st Century,Chamber,Contemporary,Instructional. 31 pages. Jake Juliano #1079688. Published by Jake Juliano (A0.1504230). A unique storytelling of the procession of waves in the ocean; this contemporary chamber work challenges players to combine technical ability intricately with lyrical expression. Special effects are considered such as the tapping of of the cello like a drum or the upper altissimo of the flute to give a sense of strangle rather than using the midrange of a piccolo.This chamber piece was written for a composition class that I took in my first year of college. The purpose was to write a piece for this instrumentation that utilized various compositional techniques discussed throughout the course.
$14.85
Brünnhildes Schlussgesang (Immolation scene from "Götterdämmerung")
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Richard Wagner
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Tim Winkelhöfer
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Brünnhildes Schlussgesang
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Tim Winkelhöfer
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Percussion,Piano,Soprano voice,Trombone,Violin - Level 5 - SKU: A0.1493032 Composed by Richard Wagner. Arrange...
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Small Ensemble Alto Saxophone,Double Bass,Percussion,Piano,Soprano voice,Trombone,Violin - Level 5 - SKU: A0.1493032 Composed by Richard Wagner. Arranged by Tim Winkelhöfer. 19th Century,Chamber,Classical,Opera,Romantic Period. 142 pages. Tim Winkelhöfer #1069722. Published by Tim Winkelhöfer (A0.1493032). This is an arrangement of the final scene of Richard Wagner's Götterdämmerung. It is also called Brünnhildes Schlussgesang. Instead of having a huge orchestra this arrangement can be performed with chamber ensemble, consisting of at least one piano, violin, double bass, alto saxophone (or trumpet) and trombone (or tuba). Percussion can be added as well as a second piano. The part of Brünnhilde can be sung by a dramatic soprano but also played by any instrument of your choice. As you see, this arrangement can easily be adjusted to any purpose. The main part has the first piano. It is difficult. The other parts can also be adjusted in difficulty.
$19.99
Mwiche Khumufumie
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Pub...
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Choral Choir,Choral - Level 5 - SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
In The Bleak Midwinter SSAT + Lead Vocal
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Noël
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Gustav Holst
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Matt Lammin
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In The Bleak Midwinter SSAT +
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Matthew Lammin
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.787089 Composed by Gustav Holst. Arranged by Matt Lammin. Christmas,Pop. Octavo. 8 pages. Matthew Lammin #3591501. Publ...
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Choral Choir - Level 5 - SKU: A0.787089 Composed by Gustav Holst. Arranged by Matt Lammin. Christmas,Pop. Octavo. 8 pages. Matthew Lammin #3591501. Published by Matthew Lammin (A0.787089). An original and re-harmonised interpretation of a classic Christmas carol. It is for advanced vocal groups.This piece should be accompanied by piano and/or guitar; chords are included above the stave for this purpose. The arrangement is written out in open score.Arranged by Matt Lammin (mattlammin.com).
$1.99
What Do You Mean?
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Pop musique
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Justin Bieber
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Patrick Sheehan
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What Do You Mean?
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble Rhythm Instrument - Level 5 - SKU: A0.747864 By Justin Bieber. By Jason Boyd, Justin Bieber, and Mason Levy. Arranged by Patrick Sheehan....
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Small Ensemble Rhythm Instrument - Level 5 - SKU: A0.747864 By Justin Bieber. By Jason Boyd, Justin Bieber, and Mason Levy. Arranged by Patrick Sheehan. Pop. Score and parts. 80 pages. Patrick Sheehan #4968565. Published by Patrick Sheehan (A0.747864). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Piano, Shawm Synthesizer, Marimba Synthesizer, Calliope Synthesizer, Synthesizer Bass, Melodic Toms, Conga Drums, Hi-Hat, Drumset. The hit song transcribed from the Purpose album in 2015. Full score and parts included. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$15.00
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporain
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
La Révolte des Orgues
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Jean Guillou
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La Révolte des Orgues
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Schott Music - Digital
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SheetMusicPlus
9 organs (8 positivorgans and 1 big organ) and percussion (3 player: 2 Crotales, 5 Wood Blocks, 5 Temple Blocks, 5 Toms, 4 gongs, Tam Tam) - difficult - SKU...
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9 organs (8 positivorgans and 1 big organ) and percussion (3 player: 2 Crotales, 5 Wood Blocks, 5 Temple Blocks, 5 Toms, 4 gongs, Tam Tam) - difficult - SKU: S9.Q6650 Revolt of the organs. Composed by Jean Guillou. This edition: set of parts. Downloadable, Set of parts. Op. 69. Duration 30 minutes. Schott Music - Digital #Q6650. Published by Schott Music - Digital (S9.Q6650). This work with its unusual instrumentation originates in Guillou's conceptual design of the organ for the new concert hall in Tenerife. The composition project came into being when he determined the specifications of this organ, its scales, the distribution of the organ pipes among eight cases and the arrangement around the audience as well as the design with eight additional manuals. In contrast to its original purpose, the world premiere of the work took place at the parish church of Landsberg near Munich on 12 May 2007.
$88.99
Aahed 83
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Celebrity Chmber Players
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Aahed 83
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Harp,Percussion,Piccolo - Level 5 - Interactive Download SKU: A0.1175635 By Celebrity Chmber Players. By Marshall Thomas. This edition: In...
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Small Ensemble Harp,Percussion,Piccolo - Level 5 - Interactive Download SKU: A0.1175635 By Celebrity Chmber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. 6 pages. Duration 39. Father Ambrose Press #3avQYgXi7iRaKGeOyPMMiU. Published by Father Ambrose Press (A0.1175635). Key: C major.Introverts serve a special purpose... served through music. A confection for small chamber ensemble.
$16.00
Firefly Elegy
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Contemporain
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Gilad Cohen
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Firefly Elegy
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Gilad Cohen
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohe...
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Small Ensemble Cello,Clarinet,Harp,Viola,Violin - Level 5 - SKU: A0.898932 Composed by Gilad Cohen. Contemporary. Score and parts. 148 pages. Gilad Cohen #4286339. Published by Gilad Cohen (A0.898932). Firefly Elegy uses a 12-note melodic theme, which through the course of the piece undergoes a series of transformations - mirroring the metamorphosis that takes place over a firefly's brief life span. The piece comprises four sections that reflect the four life stages of the firefly. During the motionless egg stage, some types of fireflies glow dimly; the opening section of the piece (following a short fanfare of flashing-light) is likewise static and calm, while at the same time features an internal motion hinting at subdued energy. The following groovy section is at times aggressive, not unlike the firefly during its larva stage, when it is hunting and digesting insects using special enzymes. The firefly hibernates through the pupa stage - reflected in the third section of the piece by seemingly everlasting sustained chords in the strings. Like a flash of light, each new phrase begins with an ascending scale, while the harp provides groups of repeated notes, recalling the synchronized flashes that are found in groups of tropical fireflies. Firefly Elegy ends with an elegy in which the now mature firefly looks back at its life. It has gone through such an extensive journey but only long enough to mate and lay eggs, sometimes without feeding during its adult stage. In the summertime, I often watch the firefly in his lonely flutter, flashing about and looking for a mate so he can complete the sole purpose of his short life before dying away. He must sometimes look back and wonder: was it all worth it?
$20.00
Symphony No. 4 Finale for 12-part Trombone Choir
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Classique
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Johannes Brahms
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Bob Burnham
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Symphony No. 4 Finale for 12-p
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. ...
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. Gordon Cherry #858080. Published by Gordon Cherry (A0.1265234). The Finale to Brahms Symphony No. 4 is written in the form of an 8-bar Baroque-style Passacaglia with thirty variations in a 3/4 meter in the key of E minor. The contrast between the rich, powerful harmonies and rhythms and soft, delicate, transparent musings is almost too much emotional strain for the listener...a purposeful compositional device by the composer. The movement careens like this to an inevitable tragic ending where the powerful and tragic wins out in the end.This 9-minute magnificent arrangement for advanced performers by Bob Burnham is scored for a 12-part Trombone Choir of 8 Tenor Trombones (top two parts are optional for altos) and 4 Bass Trombones.
$45.00
Waltz III
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Classique
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Lauré Lussier
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Waltz III
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Drum Pub
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SheetMusicPlus
Instrumental Solo,Vibraphone - Level 5 - Interactive Download SKU: A0.1253580 Composed by Lauré Lussier. This edition: Interactive Download. Classical...
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Instrumental Solo,Vibraphone - Level 5 - Interactive Download SKU: A0.1253580 Composed by Lauré Lussier. This edition: Interactive Download. Classical. Individual part. 6 pages. Duration 195. Drum Pub #4ECp3JEUybyORJdI6wlDk6. Published by Drum Pub (A0.1253580). Key: C major.Waltz III is the third of a three-part mini-series of Waltzes for 4-mallet solo vibraphone. Challenging enough for the advanced vibraphonist while remaining accessible to the audience. Pedal instructions have been purposely omitted to give the performer the entire freedom of interpretation. This piece fits in very well in a recital context. You can enjoy Waltz III in a longer and remixed electronic version, called Trans(Dis)figured Waltz III, along with my other compositions, on my YouTube channel: https://www.youtube.com/@LaureLussier Hope you enjoy! L.
$9.00
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
A Million Pennies (Bb Instruments)
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Chris Kelsey
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A Million Pennies
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Chris Kelsey Publishing, BMI
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SheetMusicPlus
Small Ensemble Soprano Saxophone,Tenor Saxophone,Trumpet - Level 5 - SKU: A0.1007319 Composed by Chris Kelsey. Contemporary,Instructional,Jazz. Score an...
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Small Ensemble Soprano Saxophone,Tenor Saxophone,Trumpet - Level 5 - SKU: A0.1007319 Composed by Chris Kelsey. Contemporary,Instructional,Jazz. Score and parts. 1 pages. Chris Kelsey Publishing, BMI #3112049. Published by Chris Kelsey Publishing, BMI (A0.1007319). A jazz line in the tradition of Ornette Coleman, in which the harmonies are irregular and provisional, not specified. For performance purposes, it can be interpreted loosely. Tempo can be as slow or as fast as desired. Time signatures are included for purposes of phrasing and are not necessarily meant to be strictly adhered to. If used as an etude, it may be helpful to treat the time in a stricter manner and work to play as fast as possible. The work is in large party built on unpredictable and/or unusual intervallic and chordal relationships, the mastery of which can only strengthen the player's technique. For performance cues listen to such Ornette compositions as Change of the Century and Moon Inhabitants..
$1.99
A Millions Pennies (Concert)
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Chris Kelsey
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A Millions Pennies
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Chris Kelsey Publishing, BMI
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SheetMusicPlus
Large Ensemble Flute,Guitar,Marimba,Oboe,Piano,Vibraphone,Violin,Xylophone - Level 5 - SKU: A0.1007315 Composed by Chris Kelsey. Contemporary,Instructio...
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Large Ensemble Flute,Guitar,Marimba,Oboe,Piano,Vibraphone,Violin,Xylophone - Level 5 - SKU: A0.1007315 Composed by Chris Kelsey. Contemporary,Instructional,Jazz. Score and parts. 1 pages. Chris Kelsey Publishing, BMI #3112039. Published by Chris Kelsey Publishing, BMI (A0.1007315). A jazz line in the tradition of Ornette Coleman, in which the harmonies are irregular and provisional, not specified. For performance purposes, it can be interpreted loosely. Tempo can be as slow or as fast as desired. Time signatures are included for purposes of phrasing and are not necessarily meant to be strictly adhered to. If used as an etude, it may be helpful to treat the time in a stricter manner and work to play as fast as possible. The work is in large party built on unpredictable and/or unusual intervallic and chordal relationships, the mastery of which can only strengthen the player's technique. For performance cues listen to such Ornette compositions as Change of the Century and Moon Inhabitants..
$1.99
Grandfather's Clock - Advanced Euphonium or Cornet Solo
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John van Gulik
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John van Gulik
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Grandfather's Clock - Advanced
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1462635 By John van Gulik. By Henry Clay Work (1832 -1884). Arranged by John van Gulik. Contest,Festival,Folk,Standards,Traditional. Brass Band. 59 pages. John van Gulik #1041394. Published by John van Gulik (A0.1462635). A new challenging extended solo for euphonium or cornet of Grandfather's Clock with full brass band accompaniment.Standard Instrumentation :SoloistSoprano, Solo, Repiano, 2nd, 3rd CornetsFlugel, Solo, 1st, and 2nd Horn1st, 2nd Baritone1st, 2nd, Bass TromboneEuphoniumEb and Bb BassPercussionThis and many other arrangements can be found at https://jvgmusiconline.com. Solos are supplied with accompaniment MP3 tracks for rehearsal purposes. Parts for custom clefs or other instrumentation is available on request with any purchase. See the website for contact information.
$39.99
Presto for Early Advanced Recorder
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Melissa Blanton
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Presto for Early Advanced Reco
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Melissa Blanton
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SheetMusicPlus
Instrumental Solo - Level 5 - Interactive Download SKU: A0.519030 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Contest. Ind...
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Instrumental Solo - Level 5 - Interactive Download SKU: A0.519030 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Contest. Individual part. 1 pages. Duration 60. Melissa Blanton #1GsGEhJxhAAKmiQUeBf13J. Published by Melissa Blanton (A0.519030). Key: F major.A great piece for contest or personal enjoyment! If you need permission to use this for contest( some contest rules state you cannot use self published music without the composer's consent) , on You Tube, or for any other purposes, please email mrsblantonsmusicnotes@gmail.com thats, mrs blantons music notes with no spaces.
$2.99
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
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Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
Sunflower Slow Drag for Woodwind Duo and Piano
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Ragtime
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Scott Joplin and Scott Hayden
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Nancy J
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Sunflower Slow Drag for Woodwi
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Nancy Brammer
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.945625 Composed by Scott Joplin and Scott Hayden. Arranged by Nancy J. Brammer. 20th Century,Ragtime. 17 pages. Na...
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Woodwind Ensemble - Level 5 - SKU: A0.945625 Composed by Scott Joplin and Scott Hayden. Arranged by Nancy J. Brammer. 20th Century,Ragtime. 17 pages. Nancy Brammer #5999823. Published by Nancy Brammer (A0.945625). A delightful rag from Scott Joplin and one of his students, Scott Hayden. It is also called a Rag-Time Two Step. Instrumentation includes Oboe (or Flute), Clarinet, Piano and Bass. The bass is optional but lends a nice color to the piece. In concerts where we have included this rag, it has been a favorite of the audience. It is technically a little difficult for the woodwinds and it takes some practice even for advanced players. But once mastered, it is great fun to play. It is shorter than the original with less repeats for endurance purposes.
$8.50
Martyrs Of The Arena (arr. for Euphonium Quartet)
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Laurent de Rillé
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Andrew Lamb
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Martyrs Of The Arena
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Andrew Lamb
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1306858 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 4...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1306858 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 41 pages. Andrew Lamb #896192. Published by Andrew Lamb (A0.1306858). Introducing Laurent de Rillé's Martyrs of the Arena for Euphonium Quartet! 🎶🌟 Elevate your musical repertoire with this extraordinary arrangement by Andrew Lamb of Martyrs of the Arena, a timeless composition by the renowned French composer, Laurent de Rillé.🎵 This arrangement has been meticulously crafted for four euphoniums, providing both bass clef and treble clef parts for versatility and convenience. Whether you're a seasoned euphonium ensemble or a group of skilled musicians up for a challenge, this arrangement is tailored for the advanced level, pushing your musical abilities to new heights.🎓 Unlock the potential of this arrangement in various settings – from captivating concert performances that will leave your audience in awe to mesmerizing recitals that showcase your ensemble's expertise. Moreover, it's a valuable resource for educational purposes, making it an excellent addition to your library for music instruction and ensemble training.🔥 Immerse your audience in the emotive and powerful world of Martyrs of the Arena. This composition beautifully captures the essence of the Orphéonist movement, led by Laurent de Rillé, which sought to democratize music and bring it to the masses. 🎼💫 Dive into the history and passion of the Orphéon movement, where names like Hector Berlioz and Charles Gounod converged to inspire the creation of male choir associations, fostering a deeper appreciation of music among all. Laurent de Rillé played a pivotal role, composing and arranging music for these societies and authoring insightful books on choir organization and training.🌄 While many of de Rillé's compositions may have faded into obscurity, Martyrs of the Arena remains a cherished gem among male choir societies. Its enduring power and emotional resonance continue to captivate audiences, and now, this arrangement brings its grandeur to the euphonium ensemble world.✨ Don't miss the opportunity to bring this exquisite piece of music into your repertoire. Whether you're a seasoned ensemble or a teacher looking to inspire the next generation, this arrangement is a treasure.Like and subscribe to our channel to stay updated with more exciting musical content, and don't forget to explore our other exceptional arrangements. 🎉🎶🔔.
$5.00
Omaggio a Vivaldi
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Enjott Schneider
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Omaggio a Vivaldi
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Schott Music - Digital
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SheetMusicPlus
Str. (mind. 3 · 3 · 3 · 3 · 1) recorder (sopranoino-, alto-, tenor- and bass recorder), strings and harpsichord - advanced - SKU: S9.Q19105 ...
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Str. (mind. 3 · 3 · 3 · 3 · 1) recorder (sopranoino-, alto-, tenor- and bass recorder), strings and harpsichord - advanced - SKU: S9.Q19105 Concerto for recorder, strings and harpsichord. Composed by Enjott Schneider. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q19105. Published by Schott Music - Digital (S9.Q19105). With his 'Omaggio a Vivaldi' Enjott Schneider drew a musical portrait of the Italian Baroque master. Whereas the first movement illuminates the topic of Vivaldi's scandalous relationship with the prima donna Anna who was his junior by 25 years, the second movement focuses on the composer of magical dream worlds who was far ahead of his time. The final virtuoso picture characterizes Vivaldi in the way that many of his contemporaries saw him: as a manically composing eccentric. The Concerto for recorder, strings and harpsichord is dedicated to the virtuoso flutist Stefan Temmingh. Created by the composer himself, the piano score now makes this interesting piece accessible for chamber music purposes.
$21.99
As times go bye...
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Enjott Schneider
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As times go bye...
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Schott Music - Digital
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SheetMusicPlus
Saxophone-Trio (ATBar) - advanced - SKU: S9.Q48157 Suite in memory J. S. Bach. Composed by Enjott Schneider. This edition: score and parts. Downl...
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Saxophone-Trio (ATBar) - advanced - SKU: S9.Q48157 Suite in memory J. S. Bach. Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 14 minutes. Schott Music - Digital #Q48157. Published by Schott Music - Digital (S9.Q48157). As times go bye... is a title with several possible meanings. In one sense it is a nostalgic reference to the long period of time that has elapsed since the days of J. S. Bach. In another sense, though, it refers to the musical concept of time which is a principal element of this composition: As time goes by and Playing with time are taken as themes, with each movement dealing with a particular aspect of time in conjunction with musical motifs from Bach's Well-tempered Clavichord. A rewarding piece for the saxophone ensemble repertoire - suitable for competitions, concert performance and teaching purposes.
$23.99
Quintet
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Joerg Widmann
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Quintet
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Schott Music - Digital
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SheetMusicPlus
Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widm...
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Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q6559. Published by Schott Music - Digital (S9.Q6559). Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann composed 18 short miniatures some of which bear evocative titles while others bear musical-theoretical titles (e.g. 'Verwunschener Garten' (Enchanted Garden) or 'Kontrapunktische Studie' (Contrapuntal Study]). Traditional and contemporary playing techniques alternate in the musical texture. Therefore, in conjunction with the pointed style, this piece is also suitable for demanding educational purposes.
$57.99
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