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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S.-Kaspin
Non classifié
2 040
Piano & claviers
Piano seul
1 682
Piano, Voix
211
Orgue
113
1 Piano, 4 mains
43
2 Pianos, 4 mains
40
Piano, Voix et Guitare
34
Piano Trio: piano, violon, violoncelle
27
Instruments en Do
25
Accordéon
21
Piano Facile
17
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
9
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon, Corde(s)
2
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Accordéon et Orchestre
1
+ 15 instrumentations
Retracter
Guitares
Guitare
243
Guitare notes et tablatures
92
Basse electrique
58
2 Guitares (duo)
15
Ukulele
11
Banjo
5
4 Guitares (Quatuor)
5
Mandoline
4
Ensemble de guitares
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
2
Guitare, Quatuor à cordes
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
393
Chorale TTBB
356
Chorale SSAA
122
Voix Soprano, Piano
44
Chorale 3 parties
33
Voix haute
17
Voix Baryton, Piano
11
Voix basse, Piano
10
Chorale
8
Chorale SSAATTBB
8
Voix seule
7
Voix Tenor, Piano
7
Voix Alto, Piano
6
Voix Mezzo-Soprano, Piano
5
Voix duo
5
Voix duo, Piano
4
Chorale 2 parties
4
Chorale SSATB
3
Chorale Unison
3
Voix basse
2
Chorale SSATTB
2
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix duo, Orgue
1
Voix Baryton
1
+ 22 instrumentations
Retracter
Vents
Saxophone (partie séparée)
360
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
182
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Flute (partie séparée)
114
Saxophone
113
Flûte traversière
103
Quatuor de Saxophones: 4 saxophones
102
Clarinette
98
Flûte traversière et Piano
81
Quatuor de Clarinettes: 4 clarinettes
77
Flûte, Hautbois, Clarinette, Basson
57
Saxophone Alto
47
Clarinette et Piano
44
Saxophone Alto et Piano
39
Ensemble de Clarinettes
37
2 Flûtes traversières (duo)
33
3 Saxophones (trio)
30
Quintette de Saxophone: 5 saxophones
30
2 Clarinettes (duo)
27
Hautbois, Piano (duo)
27
3 Clarinettes (trio)
23
Saxophone Tenor
22
Quintette de Clarinettes: 5 clarinettes
21
Quatuor de Flûtes : 4 flûtes
20
Ensemble de saxophones
20
2 Saxophones (duo)
18
Saxophone Tenor et Piano
18
Ensemble de Flûtes
15
Saxophone Soprano et Piano
14
Cor anglais, Piano
9
Trio de Flûtes: 3 flûtes
8
Saxophone Baryton, Piano
8
Flûte à Bec
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
7
Saxophone Soprano
7
Hautbois
6
Flûte, Clarinette (duo)
5
Flûte et Guitare
4
Flûte, Violon
4
Flûte, Clarinette et Basson
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
3
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
Cor Anglais
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes à bec
3
Clarinette, Orgue
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson et Piano
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone, Clarinette (duo)
2
Flûte, Violoncelle, Guitare
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Basson
2
2 Saxophones, Piano
2
3 Hautbois
2
Hautbois, Flûte
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Piccolo
1
Harmonica
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Piano
1
4 Hautbois
1
Flûte irlandaise
1
Clarinette et Alto
1
Cornemuse
1
Saxophone et violoncelle
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte traversière, Orgue (duo)
1
Hautbois, Clarinette (duo)
1
+ 83 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
313
Cor (partie séparée)
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trombone et Piano
100
Trompette
98
Trombone
87
Ensemble de Trombones
74
Tuba et Piano
59
Cor
55
Quatuor de cuivres: 4 trombones
53
Euphonium, Piano (duo)
47
Cor et Piano
40
Trompette, Piano
33
Tuba
27
Quatuor de cuivres: 4 cors
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba (partie séparée)
17
Euphonium
13
Trombone basse
12
Quatuor de Cuivres
12
Cor anglais, Piano
9
2 Trombones (duo)
8
2 Cors (duo)
8
Ensemble de Trompettes
8
Ensemble de Cors
7
4 Tubas
7
Trombone basse et Piano
6
2 Trompettes (duo)
6
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
2 Tubas (duo)
4
Euphonium (partie séparée)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trombone, Orgue
3
3 Trompettes (trio)
3
3 Euphoniums
3
Cor Anglais
3
Trompette, Trombone (duo)
3
Trompette, violon (duo)
3
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trombone et orchestre
2
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
3 Tubas (trio)
1
2 Euphoniums (duo)
1
Trompette, Saxophone (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
331
Violon
139
Violon et Piano
132
Violoncelle
86
Violoncelle, Piano
77
Alto (partie séparée)
61
Trio à Cordes: violon, alto, violoncelle
48
Violon (partie séparée)
44
Alto seul
42
Violon, Violoncelle (duo)
42
Harpe
42
2 Violons (duo)
33
Alto, Piano
31
Violon, Alto (duo)
21
Contrebasse (partie séparée)
17
Contre Basse
16
Alto, Violoncelle (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Harpe, Violon (duo)
10
Violoncelle (partie séparée)
10
2 Violoncelles (duo)
10
4 Violoncelles
8
Harpe, Flûte (duo)
8
2 Altos (duo)
8
Trio à cordes: 3 violins
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violon, Guitare (duo)
6
4 Contrebasses
6
Contrebasse, Piano (duo)
5
Violoncelle, Contrebasse (duo)
5
Quatuor à cordes: 4 violons
4
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes : 4 altos
3
Harpe, Violoncelle (duo)
3
Ensemble d'Altos
2
Alto et Harpe
2
Violoncelle, Orchestre
2
Violon, Orgue
2
2 Altos, Piano
1
Harpe (partie séparée)
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
Trio à cordes: 3 altos
1
Violon, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre
371
Orchestre d'harmonie
321
Ensemble Jazz
172
Ensemble de cuivres
163
Orchestre à Cordes
145
Orchestre de chambre
118
Percussion (partie séparée)
99
Batterie
62
Cloches
38
Fanfare
29
Jazz combo
26
Timbales (partie séparée)
16
Ensemble de Percussions
15
Batterie (partie séparée)
8
Marimba
6
Vibraphone
3
Xylophone
3
Orchestre, Violon
2
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Xylophone (partie séparée)
1
Marimba, Piano (duo)
1
2 Marimbas
1
Caisse Claire
1
Quintette à Vent
1
Voix Mezzo-Soprano, Orchestre
1
+ 22 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
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BATTERIE
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COR ANGLAIS
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DOBRO - GUI…
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FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
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DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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2026
Butterfly's Day Out (viola part - mandolin/misc. instr., vla, cel)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861882 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.861882 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205031. Published by Mark O'Connor Musik International (A0.861882). Butterfly’s Day Out (viola part – mandolin/misc instr., vla, cel) MO111BViola Part (score - cel/bs, parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (cello part - mandolin/misc. instr., vla, cel)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861884 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.861884 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205037. Published by Mark O'Connor Musik International (A0.861884). Butterfly’s Day Out (cello part – mandolin/misc instr., vla, cel) MO111CCello Part (score - cel/bs, parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (mandolin part - mandolin/misc. instr., cel, bs)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861878 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.861878 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205023. Published by Mark O'Connor Musik International (A0.861878). Butterfly’s Day Out (mandolin part – mandolin/misc instr., cel, bs) MO110BMandolin Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50
Butterfly's Day Out (score - mandolin/misc. instr., cel, bs)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861877 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861877 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6205021. Published by Mark O'Connor Musik International (A0.861877). Butterfly’s Day Out (score – mandolin/misc instr., cel, bs) MO110AScore (parts available)Music by Mark O’Connor8 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50
The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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The Poet's Pen for Tenor, Oboe
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Judith Cloud
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SheetMusicPlus
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 page...
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporain
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Wedding March from “A Mi
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BitNotes.jp
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida....
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
$12.00
There's Gotta Be Something Better Than This
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Contemporain
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Cy Coleman
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W
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There's Gotta Be Something Bet
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Diamond S Music
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music ...
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Large Ensemble - Level 5 - SKU: A0.790049 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 89 pages. Diamond S Music #3554303. Published by Diamond S Music (A0.790049). THERE’S GOTTA BE SOMETHING BETTER THAN THIS from the musical SWEET CHARITY. VOCAL TRIO with 9 Part Band accompaniment in KEY of A (original show key) - FULL SCORE & PARTS. This exuberantly energetic song from the hit musical SWEET CHARITY by Cy Coleman and Dorothy Fields is arranged in a style that is true to the original Broadway version of the song. Even the dialogue that happens within the song is in the music. All the Dance breaks have been omitted, although there is a few instrumental transitions to show of your musicians. This will be an audience pleaser. The 9 Piece accompaniment is scored for: REED 1 (Flute, Piccolo, Bb Clarinet, Alto Sax), REED 2 (Clarinet, Flute, Tenor Sax), Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion. Sweet Charity opened on Broadway in 1966 starring Gwen Verdon. The 1969 film starred Shirley MacLaine. The 1986 Broadway revival starred Debbie Allen and the 2005 Broadway revival starred Christina Applegate. There’s Gotta Be Something Better is a trio for three girls. The song is about 3 girls that yearn for a better job and a better than life and decide to go in search for their dreams, Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$43.99
Aase's Death from Peer Gynt for 5-part Trombone Ensemble
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Classique
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Edvard Grieg
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Hayes, Edward
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Aase's Death from Peer Gynt fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.810866 Composed by Edvard Grieg. Arranged by Hayes, Edward. Romantic Period. Score and parts. 9 pages. Gordo...
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Brass Ensemble Trombone - Level 5 - SKU: A0.810866 Composed by Edvard Grieg. Arranged by Hayes, Edward. Romantic Period. Score and parts. 9 pages. Gordon Cherry #3664487. Published by Gordon Cherry (A0.810866). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px Helvetica; min-height: 10.0px} Grieg’s incidental music to Henrik Ibsen’s play became his most popular work, premiering in 1876 along with the play. Aase’s death is an elegy depicting the death of Peer Gynt’s mother dying alone on a mountain. It is simple and powerful. Ed Hayes and Frank Harmantas have score this work for 5-part Trombone Ensemble. This 4-minute work is playable by moderately advanced performers except the top part which goes up to a couple high d’s and need some endurance.
$20.00
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
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Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
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Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Jimbo’s Lullaby from the "Children’s Corner"
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Classique
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Claude Debussy
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Sauer, Ralph
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light in character.
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Jimbo’s Lullaby from the
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811041 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Contemporary. Score and parts. 10 ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.811041 Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Contemporary. Score and parts. 10 pages. Gordon Cherry #4764311. Published by Gordon Cherry (A0.811041). Jimbo's Lullaby is the second in a series of six pieces from Debussy's Children's Corner Suite. They are simple in style & light in character. The work is a depiction of a lullaby sung to a stuffed Elephant. This little gem of 3 1/2 minutes has been beautifully edited for advanced performers by Ralph Sauer for four Trombones. The bottom part, which features a great Elephant style solo, can be performed on Tuba, Contrabass or Bass Trombone.
$20.00
Debussy 1908 Children's Corner Doctor Gradus ad Parnassum Clarinet Study
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Rainer's Rainbow
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R G Roth
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Debussy 1908 Children's Corner
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Rainer's Rainbow
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 5 - SKU: A0.1092930 By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G ...
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A Clarinet Solo,B-Flat Clarinet Solo,E-Flat Clarinet Solo - Level 5 - SKU: A0.1092930 By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G Roth. 20th Century,Baroque,Classical,Instructional,Romantic Period. Individual part. 17 pages. Rainer's Rainbow #697021. Published by Rainer's Rainbow (A0.1092930). Debussy wrote his Children's Corner Suite for Piano in1908. It has been transcribed here to be performed as an unaccompanied clarinet solo. It is meant more as a technical study or exercise. Chords are included in case the soloist finds a piano or guitar player to improvise an accompaniment. Alternative Bb C A or Eb clarinet parts are included. Learn them all.
$2.99
St. Matthew Passion (Composer's Demo)
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Christian contemporain
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Musique Sacrée
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William Hawley
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St. Matthew Passion
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William Hawley
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SheetMusicPlus
Level 5 - SKU: A0.1127546 By William Hawley. By William Hawley. Contemporary,Sacred. Full Performance. Duration 2625. William Hawley #728157. Published ...
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Level 5 - SKU: A0.1127546 By William Hawley. By William Hawley. Contemporary,Sacred. Full Performance. Duration 2625. William Hawley #728157. Published by William Hawley (A0.1127546). This is the Full Composer's Virtual Instruments Demo of William Hawley's The Passion of Our Lord Jesus Christ According to St. Matthew, Part I. The Full Score, the Vocal Score with Piano Reduction, and the Libretto in the Composer's Edition are also available for download from this site. The oratorio is for Soprano, Mezzo-Soprano, Tenor, Baritone, and Bass Vocal Soloists, Mixed Choir, Mixed Chorus, and Orchestra with Organ. Instrumentation: 2 Flutes 2 Oboes 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones 1 Bass Trombone Timpani Harp Organ Strings The audio clip comprises the first four minutes of the Composer's Demo Recording, followed by the final three minutes of the demo. Approximate performance duration of Part I: 44' ASCAP https://williamhawley.net.
$2.99
Hallelujah Chorus from Handel's Messiah
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Classique
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Bla...
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Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
President Garfield's Inauguration March
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John Philip Sousa
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Matthew Nunes
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President Garfield's Inaugurat
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1172320 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1172320 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 24 pages. Matthew Nunes Music #772546. Published by Matthew Nunes Music (A0.1172320). Written for and performed at Garfield’s March 4, 1881 inauguration. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. President Garfield’s Inauguration March was composed in 1881, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 1, No. 12.
$1.99
Two Settings from "Finnegan's Wake"
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Harry Partch
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Two Settings from "Finneg
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Schott Music - Digital
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SheetMusicPlus
Voice Part (Sopran) and 2 Flutes - difficult - SKU: S9.Q46265 Text by James Joyce. Composed by Harry Partch. This edition: performance score. The...
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Voice Part (Sopran) and 2 Flutes - difficult - SKU: S9.Q46265 Text by James Joyce. Composed by Harry Partch. This edition: performance score. The Harry Partch Edition. Downloadable, Performance score. Duration 3 minutes. Schott Music - Digital #Q46265. Published by Schott Music - Digital (S9.Q46265). English.Harry Partch met soprano Ethel Luening in 1942 and two years later composed this work for her. Initial performances featured Luening as soprano with Partch playing his kithara, and composer Henry Brant playing double flageolet; Partch would eventually replace the double flageolet with two flutes. The use of the complex text from James Joyce’s Finnegan’s Wake contrasts strongly with Partch’s other works at the time, which used texts from Partch’s experiences as a transient or from authors like Thomas Wolfe.
$7.99
Ave Maria, D.839 ; Op.52, No.6 (Mix with Franz Liszt’s 12 Lieder von Franz Schubert, S.558 No.12)
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Classique
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Franz Schubert, Franz Liszt
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Teo Barry Vincent
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Ave Maria, D.839 ; Op.52, No.6
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Givnology Wellness Arts, Canada
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SheetMusicPlus
Small Ensemble Bass Guitar,Double Bass,Piano,Violin - Level 5 - SKU: A0.913579 Composed by Franz Schubert, Franz Liszt. Arranged by Teo Barry Vincent. C...
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Small Ensemble Bass Guitar,Double Bass,Piano,Violin - Level 5 - SKU: A0.913579 Composed by Franz Schubert, Franz Liszt. Arranged by Teo Barry Vincent. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 7 pages. Givnology Wellness Arts, Canada #3227815. Published by Givnology Wellness Arts, Canada (A0.913579). This clever arrangement includes: Franz Liszt’s 12 Lieder von Franz Schubert, S.558 No.12 Piano part! Optionally can be for Duo of Pianist and Multi-Instrument Keyboardist.
$2.49
Let's Go
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William Hawley
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Let's Go
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William Hawley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1514783 Composed by William Hawley. Classical,Contemporary. Score. 4 pages. William Hawley #1089274. Published by ...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1514783 Composed by William Hawley. Classical,Contemporary. Score. 4 pages. William Hawley #1089274. Published by William Hawley (A0.1514783). This is the score of William Hawley's Let's Go, for Voice and Piano, setting a text by Patti Smith. The Audio Sample is the complete Composer's Demo recording. Performance duration: 2 minutes. ASCAP https://williamhawley.net.
$5.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Bass Trombone
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjam...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1018890 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056111. Published by Benjamin Sajo (A0.1018890). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Devil's Tango
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Trace Bails
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Devil's Tango
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T.U.X. People's Music
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SheetMusicPlus
A Clarinet,B-Flat Clarinet,E-Flat Clarinet,Piano - Level 5 - SKU: A0.1252834 Composed by Trace Bails. 21st Century,Contemporary,Contest,Festival,Instruc...
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A Clarinet,B-Flat Clarinet,E-Flat Clarinet,Piano - Level 5 - SKU: A0.1252834 Composed by Trace Bails. 21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 12 pages. T.U.X. People's Music #846633. Published by T.U.X. People's Music (A0.1252834). Devilish extended techniques are abound in Trace Bails's virtousic tango for clarinet and piano! The technical capabilities of this piece allows the player to use Eb, Bb, or A clarinet.
$25.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Timpani
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018893 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056117. Published by Benjamin Sajo (A0.1018893). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Shepherd's Song from Tristan & Isolde for Unaccompanied Bass Trombone
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Classique
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Richard Wagner
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Sauer, Ralph
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Shepherd's Song from Tristan &
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810784 Composed by Richard Wagner. Arranged by Sauer, Ralph. Opera,Romantic Period. Individual part....
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.810784 Composed by Richard Wagner. Arranged by Sauer, Ralph. Opera,Romantic Period. Individual part. 3 pages. Gordon Cherry #3025585. Published by Gordon Cherry (A0.810784). Shepherd's Song is heard in the prelude to the Finale, Act 3 of Wagner's great opera, Tristan & Isolde. It is a bleak and doleful lament played mostly unaccompanied by a shepherd boy keeping watch for Isolde's ship to arrive. The melody is later heard throughout scene 1. Ralph Sauer, has done a beautiful job in arranging this music (originally played offstage on the English Horn) for Bass Trombone It is about 2 1/2 minutes in length and appropriate for advanced performers.
$5.00
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