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Crossing Jordan: Three Spirituals for flute, piano and cello

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download (+)

$30.00 27.52 € #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spirituals for flute, piano and cello #Maria Thompson Corley #SheetMusicPlus

"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …(+)

$15.00 13.76 € #Spiritual #Maria Thompson Corley #"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello #Maria Thompson Corley #SheetMusicPlus

Crossing Jordan: Three Spirituals for clarinet, piano and cello

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …(+)

$30.00 27.52 € #Maria Thompson Corley #Maria Thompson Corley #Crossing Jordan: Three Spirituals for clarinet, piano and cello #Maria Thompson Corley #SheetMusicPlus

A Game of Hearts, Vocal Score

Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.938580 Composed by Douglas Pe…(+)

$29.99 27.51 € #Douglas Pew #A Game of Hearts, Vocal Score #Blue Shore Music #SheetMusicPlus

Vistas (score - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861811 Composed by…(+)

$7.50 6.88 € #Mark Oâ€™Connor

Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical

Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Records

#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

Vistas (viola part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861809 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202313. Published by Mark O'Connor Musik International (A0.861809). Vistas (viola â€“ vln, vla, cel) MO143CViola Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO143CCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.13 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

Vistas (violin part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861810 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202307. Published by Mark O'Connor Musik International (A0.861810). Vistas (violin part â€“ vln, vla, cel) MO143BViolin Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO143BCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.13 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

Vistas (cello part - vln, vla, cel)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861812 Composed by…(+)

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6202317. Published by Mark O'Connor Musik International (A0.861812). Vistas (cello â€“ vln, vla, cel) MO143DCello Part (score and parts available)Music by Mark Oâ€™Connor8 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark Oâ€™Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark Oâ€™Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1999 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony ClassicalCatalogue Number MO143DCopyright Â© 1999 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 4.13 € #Mark Oâ€™Connor
Originally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Records
#Mark O'Connor #Vistas #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …(+)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score â€“ piano, vln, cel) MO160APiano Score (parts available)Music by Mark Oâ€™Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50 20.64 € #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Prophets" #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …(+)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part â€“ piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark Oâ€™Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00 13.76 € #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Prophets" #Mark O'Connor Musik International #SheetMusicPlus

Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …(+)

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part â€“ piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark Oâ€™Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, Iâ€™m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark Oâ€™Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. Oâ€™Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadnâ€™t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark Oâ€™Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00 13.76 € #Mark O'Connor #Johnny Cash #Piano Trio No. 1 "Poets and Prophets" #Mark O'Connor Musik International #SheetMusicPlus

Sync

Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747…(+)

Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99 18.33 € #Will Phillips #the final sync point.
#Sync #Will Phillips Music #SheetMusicPlus

Mwiche Khumufumie

Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson…(+)

Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world. Â With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa.Â Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style. Â We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected. Â The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music. Â We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation.Â This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance. Â Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music. Â Â Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99 11 € #Wilson Shitandi #Mwiche Khumufumie #Songburd Music #SheetMusicPlus

1809 - The Solent

Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Leve…(+)

Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.948672 Composed by J Farrow. Contemporary. Score and parts. 66 pages. Jamie Farrow #5983915. Published by Jamie Farrow (A0.948672). Turnerâ€™s The Sun Setting Through Vapour was my inspiration because of the different layers and zones of interest which influenced my compositionâ€™s structure. The central focus of the painting is the setting sun in the central background of the work. The reflection of the sun draws the eye into the foreground and the market scene in the front right zone. This created the first section of my composition, the idea of the sun setting through the vapour before revealing a market scene which then fades back into the atmospheric sun setting through the vapour. The second section moves to the story of the Napoleonic War ships in the middle and backgrounds of the painting using percussion. Reflecting this the section centres around the narrative of a naval battle; the manoeuvring into position and flexing of strength; the pre-battle planning; the calm before and finally the battle itself. The third section draws together two aspects: the sun setting and the prison ship, drawing us from the aftermath of the battle to the journey back to shore showing the juxtaposing emotions of the imagined victorious British (the piccolo) and French prisoners (the cello). Closer to shore the vapour descends and we hear inflections of the market before returning to the sun setting through the vapour with the harbour clock (Tubular Bells) grounding us in real time.
$3.99 3.66 € #J Farrow #1809 - The Solent #Jamie Farrow #SheetMusicPlus

Winter Love

Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed b…(+)

Small Ensemble,Strings Piano - Level 5 - Digital Download SKU: A0.873039 Composed by Sally Whitwell. Contemporary. Score and parts. 22 pages. Sally Whitwell #3875723. Published by Sally Whitwell (A0.873039). I first met the Acacia Quartet a couple of years back, playing in a show I put together for Sydney Philharmonia Choirs, Tâ€‹ he Beatles Unpluggedâ€‹. What a joy to discover a quartet of such expert musicians who are also so open to playing such a wide variety of music, from The Beatles to Brahms! I wrote this piece â€‹Winter Loveâ€‹ for us to perform together.Composing a piece for specific performs is, I imagine, something like tailoring a bespoke suit. I wanted to give them something with which they could show off their unique versatility; creating rich, warm, blended sounds one minute and fiery, energetic, even whimsical tones the next. I didnâ€™t want to write just a quartet at the time because, perhaps selfishly, I simply wanted to be a part of it!The title makes it seem like the work is programmatic, but itâ€™s not. I just couldnâ€™t think of a title for it. My partner Glennda came up with that, and I dedicate the piece to her.-- Sally Whitwell
$9.99 9.16 € #Sally Whitwell #Winter Love #Sally Whitwell #SheetMusicPlus

Tiny Shattered Pieces

Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By…(+)

Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later â€“ I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.Â Â Â The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it â€“ war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each otherâ€™s thoughts, propelling them and eventually bringing them to conclusion.Â Â Â Â It should be noted that by the time I was reaching the end of the compositional process â€“ a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.Â Â Â The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.Â Â The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00 22.93 € #Evelyn Glennie #Tiny Shattered Pieces #EAMUSIC #SheetMusicPlus

In-spira (arr. for 3 guitars)

Small Ensemble Guitar - Level 5 - Digital Download SKU: A0.1022548 Composed by Guid…(+)

Small Ensemble Guitar - Level 5 - Digital Download SKU: A0.1022548 Composed by Guido Mallardi. Contemporary. Score and parts. 7 pages. Guido Mallardi #2034553. Published by Guido Mallardi (A0.1022548). Spiral is present at any level in the universe (galaxies, dna, nautilus, inner ear, etc.), also in the generative musical cell of this piece. That is the reason of that title. This music has been conceived also with the electron structure in mind. Electrons are made of 3 quarks each. In this piece the 3 quarks are the 3 notes of the musical cell. Germination composition technique is also used to create the form from the cell itself. Moreover, the specific guitar tuning used being unstable leads to a progressive 'alteration' of the music until the end; and this archetype of 'alteration' or 'evolution' can be found in the modification of several parameters, as well as in the style and form. 'In the spiral' is the meaning of that latin title. In-spira is also a pun on the italian verb 'Inspira' that means 'to inhale', but conjugated in the second person singular imperative. Multiple entendres of this two concepts arise when they are combined together, and this suggests many kind of images.
$4.99 4.58 € #Guido Mallardi #In-spira #Guido Mallardi #SheetMusicPlus

Mary Had A Little Lamb

Instrumental Solo - Level 5 - Interactive Download SKU: A0.1491472 Composed by Trad…(+)

Instrumental Solo - Level 5 - Interactive Download SKU: A0.1491472 Composed by Traditional. Arranged by James Baker. This edition: Interactive Download. Folk,Jazz. Individual part. 3 pages. Duration 241. Wicked Keys #4vGrN8NVSxPWUkjm4cbwRO. Published by Wicked Keys (A0.1491472). Key: C major.Kay, we had some FUN with this one! Forget what you know about Mary Had A Little Lamb, listen to this track, and let the gospel goodness take you in. Jam packed with some common jazz chord voicings, and a few gospel passing chords, together with an original intro and interlude featuring a 4 minor chord (at Wicked Keys we LOVE a 4 minor chord). Impress your friends and wow the crowd with this beautiful take on a kids classic.
$5.99 5.49 € #Traditional #James Baker #Mary Had A Little Lamb #Wicked Keys #SheetMusicPlus

Hallelujah Chorus (treble Bb instrument duet)

Instrumental Duet,Piano B-Flat instrument,Instrumental Duet,Piano - Level 5 - Digital Down…(+)

Instrumental Duet,Piano B-Flat instrument,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.712171 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. Sandra dee zylstra #2837441. Published by sandra dee zylstra (A0.712171). Handel's Hallelujah Chorus is one of the most well known pieces of Baroque music performed by Christians all over the world! Enjoy playing this treble Bb instrument duet with piano accompaniment and separate instrument parts. You may purchase any duet combinations together to fit your needs. Instrument duet parts are available for Treble C, Bass C, Bb, Eb, and F instruments. You may also purchase the piano accompaniment part separately. (Approximately 4 minutes, 12 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.75 5.27 € #George Frideric Handel #Sandra Zylstra #Hallelujah Chorus #sandra dee zylstra #SheetMusicPlus

Hallelujah Chorus (treble C instrument duet, parts only)

Instrumental Duet,Piano C Instrument,Instrumental Duet,Piano,Treble Clef Instrument - Leve…(+)

Instrumental Duet,Piano C Instrument,Instrumental Duet,Piano,Treble Clef Instrument - Level 5 - Digital Download SKU: A0.712175 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Sandra dee zylstra #2837463. Published by sandra dee zylstra (A0.712175). Handel's Hallelujah Chorus is one of the most well known pieces of Baroque music performed by Christians all over the world! Enjoy playing this treble C instrument duet. You may purchase any duet combinations together to fit your needs. Instrument duet parts are available for Treble C, Bass C, Bb, Eb, and F instruments. You may also purchase the piano accompaniment part separately. (Approximately 4 minutes, 4 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$3.50 3.21 € #George Frideric Handel #Sandra Zylstra #Hallelujah Chorus #sandra dee zylstra #SheetMusicPlus

Hallelujah Chorus (bass C instrument duet)

Instrumental Duet,Piano Bass Clef Instrument,C Instrument,Instrumental Duet,Piano - Level …(+)

Instrumental Duet,Piano Bass Clef Instrument,C Instrument,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.712170 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. Sandra dee zylstra #2837439. Published by sandra dee zylstra (A0.712170). Handel's Hallelujah Chorus is one of the most well known pieces of Baroque music performed by Christians all over the world! Enjoy playing this bass C instrument duet in the Key of D with piano accompaniment and separate instrument parts. You may purchase any duet combinations together to fit your needs. Instrument duet parts are available for Treble C, Bass C, Bb, Eb, and F instruments. You may also purchase the piano accompaniment part separately. (Approximately 4 minutes, 12 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.75 5.27 € #George Frideric Handel #Sandra Zylstra #Hallelujah Chorus #sandra dee zylstra #SheetMusicPlus

Hallelujah Chorus (bass C instrument duet, parts only)

Instrumental Duet,Piano Bass Clef Instrument,C Instrument,Instrumental Duet,Piano - Level …(+)

Instrumental Duet,Piano Bass Clef Instrument,C Instrument,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.712176 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 4 pages. Sandra dee zylstra #2837467. Published by sandra dee zylstra (A0.712176). Handel's Hallelujah Chorus is one of the most well known pieces of Baroque music performed by Christians all over the world! Enjoy playing this bass C instrument duet. You may purchase any duet combinations together to fit your needs. Instrument duet parts are available for Treble C, Bass C, Bb, Eb, and F instruments. You may also purchase the piano accompaniment part separately. (Approximately 4 minutes, 4 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.50 3.21 € #George Frideric Handel #Sandra Zylstra #Hallelujah Chorus #sandra dee zylstra #SheetMusicPlus

Hallelujah Chorus (treble F instrument duet)

Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 5 - Digital Download SKU: …(+)

Instrumental Duet,Piano Horn,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.712173 Composed by George Frideric Handel. Arranged by Sandra Zylstra. Baroque,Christian,Christmas,Easter,Sacred. Score and parts. 13 pages. Sandra dee zylstra #2837445. Published by sandra dee zylstra (A0.712173). Handel's Hallelujah Chorus is one of the most well known pieces of Baroque music performed by Christians all over the world! Enjoy playing this treble F instrument duet with piano accompaniment and separate instrument parts. You may purchase any duet combinations together to fit your needs. Instrument duet parts are available for Treble C, Bass C, Bb, Eb, and F instruments. You may also purchase the piano accompaniment part separately. (Approximately 4 minutes, 12 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.75 5.27 € #George Frideric Handel #Sandra Zylstra #Hallelujah Chorus #sandra dee zylstra #SheetMusicPlus

Trio for Clarinet, Violin, and Piano

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Violin - Level 5 - Digital Downlo…(+)

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.973024 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score and parts. 60 pages. Francis Kayali #5048159. Published by Francis Kayali (A0.973024). The trio opens with a nightmarish response to Debussyâ€™s piano prelude ...des pas dans la neige. (Footsteps in the snow.) Although it borrows its short melodic and rhythmic motif from Debussyâ€™s still and calm work, its mood is diametrically opposed â€“ in truth, an appropriate title for this movement might well be blood in the snow! After the texture unwinds, shatters, and disintegrates, the three instruments feel their way in the dark and gradually attempt to piece things back together. Nevertheless, the piano concludes with a muffled, resigned version of its introductory gesture, suggesting that nothing has been resolved. The second movement oscillates between contemplative and playful moods. This ambivalence is present from the start, when the searching violin solo of the opening is punctuated by playful bird-like comments from the piano. The clarinet ushers in a faster middle section during which the three instruments have a dialogue and both the bird idea and the violinâ€™s rising
$12.00 11.01 € #Francis Kayali #Trio for Clarinet, Violin, and Piano #Francis Kayali #SheetMusicPlus

Jacqui

B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283261 By Clifford Brown. By R…(+)

B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283261 By Clifford Brown. By Richard Richie Powell Powell. Arranged by Leo Maxey. Jazz. 6 pages. Leo Maxey #874456. Published by Leo Maxey (A0.1283261). Clifford Brown's trumpet solo on Jacqui harmonized fort trumpet section features and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized arrangements for trumpet!Â Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording.Â Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results.Â The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight nit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble.Â In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99 11.91 € #Clifford Brown #Leo Maxey #Jacqui #Leo Maxey #SheetMusicPlus

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