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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
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TROMBONE
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VIOLON
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System Of A Down
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15
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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System Of A Down
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Partitions à imprimer
11 partitions trouvées
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1
The Sacred Magic of Abramelin the Mage
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Brandon Nelson
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The Sacred Magic of Abramelin
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Brandon Nelson
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.912928 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 11...
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Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.912928 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 11 pages. Brandon Nelson #2082127. Published by Brandon Nelson (A0.912928). This work is based on the book by the same title. In it, one Abraham of Wurzburg, an aspiring medieval mage and devout Jew, describes a tour that he made of points in Europe and the Middle East, searching for a mentor who would not turn out to be a charlatan (or worse). Abraham eventually finds such a figure in a small town on the banks of the Nile. Here he meets the great magician Abramelin, whose system of magic Abraham sets out in detail. What results is the present volume, which puts forth a complete course in ceremonial magic (both white and black). In Abramelin’s system, after a lengthy period of self-purification and prayer, one may call upon one’s Holy Guardian Angel, who will then instruct one further on how to conjure up the princes and demons of Hell to do your bidding. The crux of this involves using certain special squares of anagrammatic words that would compel the conjured demon to perform specified tasks. In this piece, I take five of these squares and depict them in colorful, virtuosic tone paintings. (Learn more about me at bnelsonmusic.wordpress.com).
$9.99
Chop Suey!
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System of a Down
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Matthew Nunes
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Chop Suey!
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Tuba - Level 5 - SKU: A0.491837 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Matthew Nunes. Chamber,Film/TV,Rock,Video...
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Euphonium,Tuba - Level 5 - SKU: A0.491837 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Matthew Nunes. Chamber,Film/TV,Rock,Video Game. 20 pages. Matthew Nunes Music #107353. Published by Matthew Nunes Music (A0.491837). A Tuba-Euphonium Quartet arrangement of Chop Suey! by System of a Down. Not for the faint of heart - this is on of my more difficult arrangements.
$19.99
Out Of My System
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Jamie Lidell
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Benedikt Perse
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Out Of My System
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Benedikt Perse
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.1157763 By Jamie Lidell. By Dominic Mocky Salole and Jamie Lidderdale. Arranged by Benedikt Perse. A Cappella,Funk. Oct...
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Choral Choir - Level 5 - SKU: A0.1157763 By Jamie Lidell. By Dominic Mocky Salole and Jamie Lidderdale. Arranged by Benedikt Perse. A Cappella,Funk. Octavo. 15 pages. Benedikt Perse #758098. Published by Benedikt Perse (A0.1157763). Funky SMATBarB choir arrangement, where the difficulty level rises with every verse.
$5.00
Ambrosia 140 for Percussion a Voce
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Celebrity Chamber Players
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Ambrosia 140 for Percussion a
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.1083597 By Celebrity Chamber Players. By Marshall Thomas. This ed...
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Small Ensemble Percussion,Vibraphone,Xylophone - Level 5 - Interactive Download SKU: A0.1083597 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. 8 pages. Duration 50. Father Ambrose Press #169R9UezoiFtIH6rMhpfuB. Published by Father Ambrose Press (A0.1083597). Key: Eb major.A Rube Goldberg device captured in musical sequences of time... the workings of an AFR breakfast system that delivered without me having so much as to order a meal... a lovely, savory confection for the senses...
$16.00
The Spirits of Cahuachi - Score Only
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Contemporain
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Antonio Gervasoni
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The Spirits of Cahuachi - Scor
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Antonio Gervasoni
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Gervasoni #692676. ...
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Large Ensemble - Level 5 - SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Gervasoni #692676. Published by Antonio Gervasoni (A0.1088411). Single-movement work for 10 musicians. This piece is inspired by the reading of the book 'Behind the Silence: Music in the Nasca Culture', by the Polish scientist Anna Gruszczyńska-Ziółkowska, which describes the discovery, in 1994, of several antaras (Andean pan flutes) made of clay in a temple in the city of Cahuachi, the political and cultural center of the Nasca culture. The book includes tables with the exact tones that each tube is capable of producing. The Spirits of Cahuachi uses these tones, i.e. their approximate counterpart in our modern tuning system, treating them in different ways, sometimes as chords, sometimes as scales, sometimes as pitch-class sets, fragmenting the sets, and then overlapping the resulting groups, etc. Of course, there is no intention to produce something that resembles the music of the ancient Nasca inhabitants. We don't know anything about their music. None of it has survived with the exception of these tones, these 'spirits' contained in the pipes of the antaras discovered in Cahuachi.
$6.99
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
Pharmacopoeia: One (for solo bassoon and bassoon quartet)
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Brandon Nelson
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Pharmacopoeia: One
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Brandon Nelson
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contes...
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Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 38 pages. Brandon Nelson #800345. Published by Brandon Nelson (A0.1201729). In this piece (the first of an open-ended series of pieces), I explore four pharmaceutical agents, imagining how their effects on one’s body might be translated into sounds.The work opens with a prelude, which exhibits the primary melodic materials the rest of the piece is built upon.Ciprofloxacin is one of the most commonly prescribed antibiotics. I envision a “battle†between the drug and the offending bacterium, much as it occurs in the course of treating respiratory tract infections and urinary infections.In Albuterol, I begin the movement with rather “breathless†figures that gradually calm and end in wide open respite. Albuterol is best known for treating exacerbations of asthma, which relaxes bronchi that have become inflamed.When blood pressure becomes too high, this can cause a number of life-threatening conditions. One drug commonly used to bring blood pressure under control is Metoprolol, which acts on a number of bodily systems to “slow things down.†In this movement, I depict this gradual releasing of tension both in rhythmic figuration and in tempo.The final movement presents Modafinil, part of a relatively new class of drugs known as eugeroics. Essentially a stimulant, modafinil promotes wakefulness and is claimed by some to increase energy level and mental clarity. In this closing movement, I depict one of the less pleasant side effects of this stimulation: the jitters.
$12.99
Twin Polarities for Brass Band
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David Woodcock
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Twin Polarities for Brass Band
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David Woodcock
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1488809 Composed by David Woodcock. 21st Century,Classical,Contemporary. Brass Band. 110 pages. David Woodcock #1065660. Published by David Woodcock (A0.1488809). Twin PolaritiesThis work challenges the audience from a musicological perspective. It residescomfortably in two worlds: that of the diatonic system, which is key-centric andhas harmonic parameters, as distinct from the world of chromaticism, whichtranscends the harmonic boundaries of the diatonic playing field. Combined,these two polarities create an inherent pervading ambiguity.The work’s structure could be loosely defined as ABA, with A being spikey andfrenetic using many compositional devices in a unified manner, with powerfulrhythmic motifs. The use of accents on the off beats, the use of slurs, staccato andtenuto and the use of syncopation both within and across the bar, all adds to themaelstrom and energy that pervades this piece. This frenetic energy is enhancedby motifs which are rhythmically augmented. Amongst all the chromaticism, therepeated semiquaver is arresting, simply because it is not chromatic and providesa brief aural respite. The B section has essentially long melodic legato phrases,which are a counterweight to the opening, and the return of the energy of A. Theseemingly innocuous repeated semiquaver ultimately has the final word.One is left with the impression that diatonic or chromatic, legato or staccato, thatsyncopation and accents, are all so much a part of the language of music that theyare both a unifying and fragmenting force which create inseparable polarities.
$74.99
Scriabin: Five Preludes, Op. 74 for Saxophone Choir - Score Only
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Alexander Scriabin
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James M
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Scriabin: Five Preludes, Op. 7
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1400369 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,H...
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Woodwind Ensemble - Level 5 - SKU: A0.1400369 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Instructional. 42 pages. Jmsgu3 #983552. Published by jmsgu3 (A0.1400369). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$49.95
Nibiru for violoncello and baritone saxophone
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Contemporain
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Eugene Astapov
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Nibiru for violoncello and bar
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EAMUSIC
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SheetMusicPlus
Small Ensemble Baritone Saxophone,Cello - Level 5 - SKU: A0.930385 Composed by Eugene Astapov. Contemporary. Score and parts. 8 pages. EAMUSIC #5361. Pu...
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Small Ensemble Baritone Saxophone,Cello - Level 5 - SKU: A0.930385 Composed by Eugene Astapov. Contemporary. Score and parts. 8 pages. EAMUSIC #5361. Published by EAMUSIC (A0.930385). Scored for baritone saxophone and violoncello, this piece was inspired by the fictional theory of the Galactic Alignment on December 21, 2012, which by some was considered to be the day of the end of the world and the switch into another dimension. According to this story, all planets of the solar system would align into one axis and that would signal the beginning to a new era. A new planet that was invisible before called Nibiru would emerge bringing new life.Certainly these ideas are fictional science, but it was fun imagining them and composing a sound track for the planet Nibiru.
$9.99
Drohungen
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Benjamin Schweitzer
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Drohungen
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Schott Music - Digital
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SheetMusicPlus
Clarinet (also bassclarinet), violin and cello - difficult - SKU: S9.Q6244 Composed by Benjamin Schweitzer. This edition: performance score. Downloadabl...
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Clarinet (also bassclarinet), violin and cello - difficult - SKU: S9.Q6244 Composed by Benjamin Schweitzer. This edition: performance score. Downloadable, performance score. Duration 14 minutes. Schott Music - Digital #Q6244. Published by Schott Music - Digital (S9.Q6244). The cycle of 27 lithographs on the Apocalypse of St. John created by Max Beckmann in his Dutch exile in 1941 inspired Benjamin Schweitzer to compose 27 musical ‘sheets’ as well. ‘The pictures are filled with an immediate aggressiveness and, at the same time, often with a strangely reserved symbolism.’ Some of the parts can be played in varying order, ‘almost like one can look at a cycle of pictures in chronological, systematic or random order.’ (Benjamin Schweitzer).
$11.99
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