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ACCORDEON
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5456
PIANO & CLAVIERS
Piano seul
5810
Piano, Voix
506
Orgue
256
Piano, Voix et Guitare
125
Accordéon
124
1 Piano, 4 mains
118
Instruments en Do
84
2 Pianos, 4 mains
83
Piano Trio: piano, violon, violoncelle
61
Clavecin
38
Piano Facile
22
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Quintette: piano, 2 violons, alto, violoncelle
13
Accompagnement Piano
10
2 Pianos, 8 mains
8
Orgue, Trompette (duo)
8
Orgue, Piano (duo)
8
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
1 Piano, 6 mains
4
Accordéon et Orchestre
3
Concertina
1
2 Orgues (duo)
1
Ensemble d'Accordéons
1
Ensemble de Pianos
1
Orgue et Orchestre
1
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GUITARES
Guitare
690
Guitare notes et tablatures
401
Basse electrique
200
2 Guitares (duo)
47
Ukulele
31
Ligne De Mélodie, (Paroles) et Accords
19
Mandoline
8
Dulcimer
8
4 Guitares (Quatuor)
8
Banjo
6
Ensemble de guitares
5
Piano, Guitare (duo)
4
Luth
3
3 Guitares (trio)
3
Guitare, Flûte, Clarinette
1
Guitare, Quatuor à cordes
1
Paroles et Accords
1
Mandoline, Piano (duo)
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Orchestre à Plectres
1
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950
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285
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125
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64
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61
Voix haute
43
Chorale SSAATTBB
28
Voix Baryton, Piano
23
Voix Tenor, Piano
21
Voix basse, Piano
18
Voix seule
18
Chorale
16
Voix Alto, Piano
15
Chorale 2 parties
13
Voix duo, Piano
11
Voix Mezzo-Soprano, Piano
8
Voix moyenne, Piano
8
Voix duo
8
Chorale Unison
5
Chorale SSATB
4
Chorale SSATTB
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Voix Soprano
2
Voix basse
2
Voix Tenor
2
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1
Voix duo, Orgue
1
Voix, Guitare
1
Voix Baryton
1
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1
Soli, choeur mixte et accompagnement
1
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Saxophone
1127
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Clarinette
564
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
322
Flûte traversière et Piano
258
Quatuor de Saxophones: 4 saxophones
229
Quatuor de Clarinettes: 4 clarinettes
144
Clarinette et Piano
136
Saxophone Alto
129
Flûte, Hautbois, Clarinette, Basson
126
Saxophone Alto et Piano
108
Ensemble de Clarinettes
97
Hautbois, Piano (duo)
92
Saxophone (partie séparée)
87
Saxophone Tenor
78
Quintette de Saxophone: 5 saxophones
65
Ensemble de saxophones
63
Hautbois (partie séparée)
60
Saxophone Soprano et Piano
56
Saxophone Tenor et Piano
50
Quintette de Clarinettes: 5 clarinettes
47
3 Clarinettes (trio)
44
2 Saxophones (duo)
42
Quatuor de Flûtes : 4 flûtes
41
2 Flûtes traversières (duo)
39
2 Clarinettes (duo)
37
Clarinette (partie séparée)
33
Hautbois
31
Ensemble de Flûtes
31
3 Saxophones (trio)
30
Saxophone Baryton, Piano
28
Flute (partie séparée)
27
Clarinette Basse, Piano
23
Saxophone Soprano
23
Flûte et Guitare
21
2 Flûte à bec (duo)
18
Trio de Flûtes: 3 flûtes
15
Flûte à Bec, Piano
13
Cor anglais, Piano
13
Harmonica
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Violon, Piano
12
Flûte à Bec
11
Quintette de Flûte : 5 flûtes
9
2 Hautbois (duo)
8
Quatuor de Flûtes à bec
8
Flûte, Violoncelle, Piano (trio)
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Clarinette, Piano (trio)
7
Flûte à bec Alto, Piano
6
Flûte, Clarinette et Basson
6
Flûte, Violon
6
Hautbois, Flûte
6
Clarinette, Guitare (duo)
6
Flûte, Clarinette (duo)
5
Flûte à bec Alto, Basse continue
5
Flûte, Hautbois, Basson
5
Clarinette, Violoncelle (duo)
5
Cor Anglais
5
3 Hautbois
4
Hautbois, Basson (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Clarinette, Violon (duo)
4
3 Flûtes à bec (trio)
4
2 Clarinettes, Piano
3
Flûte, Violon, Violoncelle et Piano
3
2 Saxophones, Piano
3
Flûte, Saxophone (duo)
3
5 Flûtes à bec
3
Clarinette, Orgue
3
Clarinette, Basson, Piano (trio)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Violoncelle
3
Hautbois, Basson et Piano
3
Flûte, Alto et Piano
3
Flûte traversière, Orgue (duo)
2
Saxophone et Orgue
2
Flûte, Basson et Piano
2
Saxophone, Clarinette (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette et Alto
2
2 Flûtes traversières, Piano
2
Flûte à bec Soprano
2
Flûte à bec Tenor
2
4 Hautbois
2
Saxophone et Guitare
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Flûte, Violoncelle, Guitare
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Piccolo
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Clarinette, Basson (duo)
2
Flûte, alto et harpe
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Flûte à bec Alto
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Flûte traversière, Basse continue
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Hautbois, Violin, Alto et Violoncelle (Quatuor)
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Flute, harpe et violon
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Flûte, Clarinette, Cor, Basson (Quartet)
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Harmonica, Piano
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Flûte et Trio à cordes
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Flûte, Alto (duo)
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Flûte irlandaise
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Clarinette Basse
1
Flûte et Quatuor à Cordes
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Piccolo, Piano
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Hautbois, Violoncelle
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Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Guitare (duo)
1
Cornemuse
1
Flûte, Trombone (duo)
1
Flûte traversière, Orchestre
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
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1
Hautbois et Orchestre
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
542
Trompette
532
Trombone
467
Quatuor de Cuivres : 2 trompettes, trombone, tuba
221
Trombone et Piano
182
Ensemble de Trombones
128
Cor et Piano
104
Cor
102
Tuba et Piano
97
Euphonium, Piano (duo)
93
Trompette, Piano
90
Trompette (partie séparée)
85
Quatuor de cuivres: 4 trombones
84
Trombone (partie séparée)
65
Quatuor de cuivres: 4 cors
52
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
Quatuor de Cuivres
43
Cor (partie séparée)
42
Tuba
41
2 Euphoniums et 2 Tubas
31
2 Trombones (duo)
26
2 Cors (duo)
26
2 Trompettes (duo)
22
Euphonium
20
Ensemble de Cors
19
Ensemble de Trompettes
16
Trombone basse
16
3 Trombones (trio)
13
Cor anglais, Piano
13
4 Tubas
11
Trompette, Trombone (duo)
10
Trombone basse et Piano
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Quatuor de cuivres: 4 trompettes
7
2 Tubas (duo)
5
Cor Anglais
5
Trombone, Orgue
4
Trombone et orchestre
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, violon (duo)
3
3 Euphoniums
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba (partie séparée)
2
Trompette, Orchestre
2
2 Euphoniums (duo)
2
3 Cors (trio)
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
Instruments en Sib
2
3 Trompettes (trio)
2
Ensemble de Tubas
1
Trombone, Cor (duo)
1
Trompette, Saxophone (duo)
1
Clarinette, Cor (duo)
1
Trio de Cuivres
1
Cor, Violoncelle (duo)
1
Cor et Harpe
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
934
Violon et Piano
416
Violon
386
Violoncelle
224
Violoncelle, Piano
204
Violon, Violoncelle (duo)
145
Alto seul
129
Trio à Cordes: violon, alto, violoncelle
121
Alto, Piano
119
Harpe
106
Violon, Alto (duo)
66
2 Violons (duo)
54
Trio à Cordes: 2 violons, violoncelle
47
Contre Basse
39
2 Violoncelles (duo)
29
Contrebasse, Piano (duo)
24
4 Violoncelles
22
Alto (partie séparée)
21
Alto, Violoncelle (duo)
21
2 Altos (duo)
20
Harpe, Violon (duo)
18
Violoncelle, Contrebasse (duo)
17
Violon, Guitare (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Harpe, Flûte (duo)
14
Trio à cordes: 3 violins
14
4 Contrebasses
11
Trio à Cordes: 2 violons, alto
10
Trio à Cordes: 3 violoncelles
9
Trio à cordes
8
2 Contrebasses (duo)
7
Violoncelle , Guitare (duo)
7
Violon (partie séparée)
7
Quatuor à cordes: 4 violons
7
Violon, Orgue
5
Trio à cordes: 3 altos
4
Quatuor à cordes : 4 altos
4
Ensemble de Violoncelles
4
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
3
Harpe, Quatuor à cordes
3
Harpe, Violoncelle (duo)
3
Violoncelle, Orchestre
3
Violoncelle, Orgue
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Alto et Harpe
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Ensemble d'Altos
2
Alto, Guitare (duo)
2
2 Violons, Piano
2
Violon, Clarinette, Piano (trio)
2
Harpe, Violon, Violoncelle
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Violon, Basse continue
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2 Harpes (duo)
1
Flûte, Contrebasse (duo)
1
Ensemble de Violons
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Violon, Violoncelle, Clarinette
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Violoncelle (partie séparée)
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4 Harpes
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Orchestre
886
Orchestre d'harmonie
779
Batterie
467
Ensemble Jazz
462
Jazz combo
393
Orchestre à Cordes
324
Ensemble de cuivres
310
Orchestre de chambre
298
Cloches
66
Fanfare
64
Ensemble de Percussions
52
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23
Marimba
17
Big band
8
Vibraphone
6
Piano et Orchestre
5
Orchestre, Violon
4
Batterie (partie séparée)
2
Timbales (partie séparée)
2
Percussion
1
Marimba et Orgue
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Xylophone
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Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
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Formation musicale - Solfège
5
Théorie de la musique
4
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5451
The Oboe
Piano Quartet - Level 5 - Digital Download SKU: A0.1329920 Composed by James E. And…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1329920 Composed by James E. Andersson. 19th Century,21st Century,Classical,Comedy,Contemporary. 35 pages. Sahale Studios #917904. Published by Sahale Studios (A0.1329920). Once there was an oboist who was a member of a chamber ensemble consisting of flute, oboe, cello, and, piano. The oboist was highly skilled; a virtouoso who could ornament without the slighest effort. They were notorious for doing so.One day during dress rehearsal, the oboist, familiar enough with the music began ornamenting and adding stylistic flourishes, becoming increasingly carried away with their part. It finally reaches a point where the others stop playing and let the oboe go completely overboard with a full cadenza. Not far into the solo, the oboe realizes everyone else has stopped playing and stops themself and the rehearsal continues. However, not much farther along, the oboist becomes carried away in their part again, resulting in the other musicians pausing again as the oboist proceeds into another cadenza passage before realizing the others have stopped again.The rehearsal continues, and they all get further along (due to the oboe simply not playing), but when the oboe plays the melody, the ornaments and finesse return in full display, and finally the piano cuts the oboe off. At the slightest hint of an ornament all the other musicians in the ensmeble join in and cut off the oboe. From this, the oboist sinks into low spirits.The rehearsal continues unabated through the next section, and when the oboist enters, they play their part as written, but the ornamentations begin creeping in again. But rather than admonish the oboist the others instead speed the music up into the recapitulation section and for the remainder of the piece and rehearsal they all go wild with flourishes and ornamentations of their own, bringing the piece to a rollicking and lively conclusion.
$22.99
21.06 €
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James E
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The Oboe
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Sahale Studios
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SheetMusicPlus
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331…
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
13.74 €
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Poltrie
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Novel Soundtrax
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SheetMusicPlus
... And Together We'll Find the Treasure
Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digit…
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Instrumental Duet B-Flat Bass Clarinet,B-Flat Clarinet,Instrumental Duet - Level 5 - Digital Download SKU: A0.529310 Composed by Caelan Chan. Contemporary. Score and parts. 15 pages. Caelan Chan Music #139709. Published by Caelan Chan Music (A0.529310). Duration: ca. 5'30 … And Together We’ll Find the Treasure is a duet for soprano clarinet and bass clarinet that musically depicts a story of my own creation. Each instrument represents two friends who go on an adventure to find treasure. Due to increasing irritation with each other, they fall out and end their friendship. While one of them finds the treasure, he cannot truly celebrate due to lingering sadness. Realizing how friendship is important to them both, they find each other again, reconcile, and share the treasure. This piece was an opportunity for me to depict a story through musical aspects and ideas like leitmotifs, key centers, and dialogue. Two principal themes appear in this piece: the Treasure Theme, which represents its namesake, as well as the Friendship Theme, which represents the bond between the two main characters. These two themes appear, twist and turn throughout the piece as our two main characters go through obstacles. Key centers also change as the friendship between the two main characters crumble and recover again.
$11.99
10.98 €
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Caelan Chan
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... And Together We'll Find the Treasure
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Caelan Chan Music
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SheetMusicPlus
The Girl In The Green Bandanna
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Chamber,Contemporary. 39 pages. Franklyn Grace Creative Arts #769302. Published by Franklyn Grace Creative Arts (A0.1169176). The Girl In the Green Bandanna is a contemporary woodwind quintet for flute, oboe, clarinet, bass clarinet, and bassoon. It is based upon the classical Rondo Form, with this particular pattern of the form being ABACBA. These six sections that comprise the piece all focus in some capacity on two individual themes: the first, slower theme of the A Section and the contrastingly more lively theme that follows immediately afterward in the B Section.Below is a theoretical analysis of the parts and how they each have their own unique nod, whether big or small, to these two main themes. A1 (mm. 1-9): The opening section of the piece, which introduces Theme 1.B1 (mm. 10-22): Directly following the opening, this section introduces Theme 2.A2 (mm. 23-58): After a brief interlude from the bassoon part, the main motif from Theme 1 returns, presented as motivic manipulation in the clarinet part of this section, underneath the flute melody.C (mm. 59-123): A new, more jaunty section not yet heard in the piece, though which still contains occasional traces of the main motif from Theme 2.B2 (mm. 124-144): Theme 2 in a modulated key and with a more majestic energy. Here, the two themes merge together momentarily, as Theme 1 can be heard briefly in the Clarinet part during the first eight measures of this section, much akin to A2.A3 (mm. 145-149): The outro of the piece, which is a polytonal rendering of the modulated key from B2 and the original opening key.
$9.99
9.15 €
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Franklyn Grace
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The Girl In The Green Bandanna
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Franklyn Grace Creative Arts
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
27.48 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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DoReMi Edition
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
18.31 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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DoReMi Edition
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SheetMusicPlus
The Emotional Lives of Colors (for trumpet, piano, and percussion)
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Compos…
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99
27.48 €
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.78 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.78 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartho…
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Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
41.23 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bar…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
41.23 €
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1103955
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Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1103955 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 19th Century,Baroque,Classical,Contemporary,Jazz. 32 pages. Uwe Roessler #707239. Published by Uwe Roessler (A0.1103955). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version (hence the video link), and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition. There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
27.49 €
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Other Echoes Inhabit the Garden
Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Compo…
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Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download SKU: A0.982536 Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536). Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time. I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powersof music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN
$35.00
32.07 €
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William Grosvenor Neil
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Other Echoes Inhabit the Garden
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Othello Suite, Op. 79 for Brass Choir
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Dow…
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
36.64 €
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
The Cold Comfort of Toys
Instrumental Duet Instrumental Duet,Marimba,Violin - Level 5 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Marimba,Violin - Level 5 - Digital Download SKU: A0.1004160 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 25 pages. Matthew Scott Phillips #6213101. Published by Matthew Scott Phillips (A0.1004160). Inspired by David Levinthal’s photography and esthetic, The Cold Comfort of Toys presents a musical look into the use of toys, dolls, and action figures to attempt to come to grips with aspects of the human psyche that are traumatic, uncomfortable, or emotionally exhausting. This piece, like these toys, is not innately any of those things, but seeks rather, to stylize their portrayal in a way that makes these aspects relatable, and capable of being endured.www.matthewscottphillips.comhttps://www.youtube.com/channel/UCkFS1PbS7oXOdM22kwII36A
$4.99
4.57 €
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Matthew Scott Phillips
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The Cold Comfort of Toys
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Matthew Scott Phillips
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SheetMusicPlus
The Gathering Clouds
Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download …
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Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.917387 Composed by Simeon Goode. 20th Century,Contemporary. Score and parts. 19 pages. Simeon Goode #4764285. Published by Simeon Goode (A0.917387). This piece for Piano Quintet evokes several feeling before it's ending. It depicts a tumultuous storm with a melody that begins simply minor, and grows into a flurry of confusion by the end of the first section. The middle section is much calmer, with slow and methodical excerpts derived from the first section and some new material, depicting the eye of the storm. Finally, the third section features a return to the beginning, albeit heavily reharmonized.The piece makes use of several keys, as well as some more complex scales. For example, near the end of the first section, the piano part features the octatonic scale, otherwise known as the diminished scale. The piece is tricky at times, and particularly challenges an ensembles ability to stay together in the transition to the third and final section, but is rewarding to the players who weather the storm with a truly evocative and gripping experience.
$9.99
9.15 €
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Simeon Goode
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The Gathering Clouds
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Simeon Goode
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SheetMusicPlus
O My Father—High-Range Vocal Solo and Piano
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel…
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
4.57 €
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Daniel Carter
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Daniel Carter
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O My Father—High-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
Pantheon for Horn, Violin and Piano
Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Compo…
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Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
41.23 €
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Elizabeth Raum
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Pantheon for Horn, Violin and Piano
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Gordon Cherry
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SheetMusicPlus
Luthermania
Organ with 2 players - advanced - Digital Download SKU: S9.Q21629 Composed by Enjot…
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Organ with 2 players - advanced - Digital Download SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q21629. Published by Schott Music - Digital (S9.Q21629). This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. An organ with three manuals is required.
$23.99
21.98 €
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Enjott Schneider
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Luthermania
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Schott Music - Digital
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.49 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Spirits of Cahuachi - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Ger…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1088411 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 20 pages. Antonio Gervasoni #692676. Published by Antonio Gervasoni (A0.1088411). Single-movement work for 10 musicians. This piece is inspired by the reading of the book 'Behind the Silence: Music in the Nasca Culture', by the Polish scientist Anna Gruszczyńska-Ziółkowska, which describes the discovery, in 1994, of several antaras (Andean pan flutes) made of clay in a temple in the city of Cahuachi, the political and cultural center of the Nasca culture. The book includes tables with the exact tones that each tube is capable of producing. The Spirits of Cahuachi uses these tones, i.e. their approximate counterpart in our modern tuning system, treating them in different ways, sometimes as chords, sometimes as scales, sometimes as pitch-class sets, fragmenting the sets, and then overlapping the resulting groups, etc. Of course, there is no intention to produce something that resembles the music of the ancient Nasca inhabitants. We don't know anything about their music. None of it has survived with the exception of these tones, these 'spirits' contained in the pipes of the antaras discovered in Cahuachi.
$6.99
6.4 €
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Antonio Gervasoni
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The Spirits of Cahuachi - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Toccata, Theme and Variations on Two National Anthems
Instrumental Solo - Level 5 - Digital Download SKU: A0.1349364 Composed by Christop…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1349364 Composed by Christopher Wilson. Arranged by Christopher Wilson. 21st Century,Contest,Festival,Instructional,Traditional. Individual part. 4 pages. Christopher Wilson #934114. Published by Christopher Wilson (A0.1349364). Here is a fresh, fun and entertaining Theme and Variations on Two National Anthems - New Zealand and United Kingdom to challenge Grade 8+ players. It commences with a whizzy Toccata to get the audience in the mood before announcing the Themes. These lead to a set of Variations, which includes one where the player will need a plunger mute along with ad libitum pitch bends and growling to create a somewhat inebriated feel, all leading to the last energetic movement. When entertaining children or in a less formal setting, the composer has often described each variation, such as Pagliacci (Clown), Jumping Bean, Tarantella and Late for Dinner. The composer invites the player to play straight through or be as entertaining as you want.This piece serves as a great concert or audition item. Enjoy!
$7.00
6.41 €
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Christopher Wilson
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Christopher Wilson
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Toccata, Theme and Variations on Two National Anthems
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Christopher Wilson
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SheetMusicPlus
Ring of the Nibelung compilation of Excerpts for Low Brass
Large Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792335
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Large Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792335 Composed by Richard Wagner. Arranged by Fissel, Stephen. 20th Century,Opera,Romantic Period,Standards. Score and parts. 129 pages. Gordon Cherry #4804647. Published by Gordon Cherry (A0.792335). This collection of orchestral excerpts from Der Ring des Nibelungen by Stephen Fissel represents some of the major portions of this great music that Richard Wagner composed for low brass. The selection of these excerpts comes from Mr. Fissel's own experience in preparing and performing the Ring Cycle with Seattle Opera. In conjunction with Ring performances in Seattle, he and his colleagues would often rehearse these sections and present them in a concert along with commentary to explain their importance, either elucidating a musical aspect or an element of plot narrative, or from the standpoint of the development of the low brass instruments of the orchestra. For the serious orchestral low brass performer, Mr. Fissel's compilation is a wonderful way to experience the highlights of Wagner's operatic genius embodied in the four Ring Cycle operas: Das Rheingold, Die Walkyrie, Siegfried and Gotterdammerung. There are 22 major excerpts from the four operas for Bass Trumpet (part supplied for original keys and transposed version in C or may be played by a Tenor Trombone), 2 Tenor Trombones, Bass Trombone, Contrabass Trombone (can be performed on a Bass Trombone as well), Tuba and a coil bound full score. Included in the 22 excerpt Fissel compilation are the following famous excerpts: Ride of the Walkyrie, Entrance of the Gods into Valhalla, Wotan's Farewell, Dragon Scene from Siegfried, Siegfried's Rhine Journey, Siegfried's Funeral Music and Walhalla, Spear and Immolation Scene (finale).
$40.00
36.65 €
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Richard Wagner
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Fissel, Stephen
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Ring of the Nibelung compilation of Excerpts for Low Brass
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Gordon Cherry
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SheetMusicPlus
Around the Cauldron
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #4367110. Published by Gilad Cohen (A0.898935). Around the Cauldron was inspired by the three witches from Shakespeare’s play Macbeth. With a nod to multi-movement pieces such as Schumann's Scenes From Childhood and Mussorgsky's Pictures At An Exhibition, Around the Cauldron is comprised of seven short scenes, each of which evokes a mood that resonates with an image of three witches gathered around a cauldron in a dark forest, muttering spells, and adding selected creatures to a bubbling stew. The movements carry individual titles: In Dusk, Pounce, Transmutation, Boiling, Witches Waltz, Newts’ Lament, and Sacrificial. Most of the melodies in the piece were tailored to fit lines from the original Shakespearean text and were also arranged as songs for a production of Macbeth at Ramapo College of New Jersey. Thus, the main theme sets the play’s immortal opening words: Fair is foul and foul is fair / Hover through the fog and filthy air. Honoring the three witches, the piece reflects the number three in its rhythms, which highlight groups of three beats; in its themes, which are constructed of three phrases; and in its instrumentation, which suggests that each instrument represents a different witch. Around the Cauldron was commissioned by Concert Artists Guild with support from the Adele and John Gray Endowment Fund for Lysander Piano Trio, which is fittingly named after another Shakespearean character.
$18.95
17.36 €
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Gilad Cohen
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Around the Cauldron
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Gilad Cohen
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SheetMusicPlus
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 7
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876539 Composed by Ludwi…
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876539 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 24 pages. JoeCopio Music LLC #2101561. Published by JoeCopio Music LLC (A0.876539). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
9.15 €
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Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 7
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JoeCopio Music LLC
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SheetMusicPlus
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