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6 partitions trouvées
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Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classique
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Classique
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Voss on the Rocks
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Lars Ek
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Lars Ek
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Voss on the Rocks
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Level 5 - SKU: A0.904291 By Lars Ek. By Lars Ek. Arranged by Lars Ek. Folk,Multicultural,World. 4 pages. Lars Ek Cosmos Music c/o Musik & Underhållni...
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Level 5 - SKU: A0.904291 By Lars Ek. By Lars Ek. Arranged by Lars Ek. Folk,Multicultural,World. 4 pages. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1910945. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.904291). Lars Ek är en av Sveriges bästa dragspelare, och bland annat känd för sina fina tolkningar av Pietro Frosini, Nisse Lind och även sina egna mer än 100 kompositioner! Lars Ek är från Stockholm och började spela dragspel som 5-åring och ett år senare - 1953 gjorde han radiodebut! TV-debut 1958! Lars arbetar som dragspelare i olika sammanhang, bland annat har han arbetat som lärare, ackompanjatör för ett flertal artister och turnerat mycket i Sverige och utomlands. Han har även turnerat med sin populära Hot-trio och som solodragspelare i Europa, Asien och Nordamerika! Lars har genom åren spelat in flera skivor, som han faktiskt lyckats spegla de gamla dragspelsmästarnas kompositioner! Lars Ek är initiativtagare till Frosinisociety som grundades 1985 och som ska bevara den gamla dragspelsmusiken. Lars är nu ordförande i Internationella Frosinisällskapet och är en av grundarna till The World Accordion Music Expo i Ransäter! Det internationella Frosinisällskapet som han gör genom sajten www.frosinisociety.org ett enormt fint jobb med att främja dragspelens utveckling och popularitet både i Sverige och utomlands. Lars arbetar vid sidan av musiken på artistagenturen Music & Underhållningsskrädderiet AB, som han driver tillsammans med familjen sedan starten 1980.
$3.99
Quoniam tu solus sanctus from Mass in B Minor, BWV 232
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Classique
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Johann Sebastian Bach
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Alan Saldaña-Silva
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Quoniam tu solus sanctus from
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Alan Saldaña-Silva
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SheetMusicPlus
Horn,Low Voice,Organ,Piano - Level 5 - SKU: A0.1446996 Composed by Johann Sebastian Bach. Arranged by Alan Saldaña-Silva. Baroque,Chamber,Early Music,R...
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Horn,Low Voice,Organ,Piano - Level 5 - SKU: A0.1446996 Composed by Johann Sebastian Bach. Arranged by Alan Saldaña-Silva. Baroque,Chamber,Early Music,Religious,Sacred. 18 pages. Alan Saldaña-Silva #1026768. Published by Alan Saldaña-Silva (A0.1446996). For Voice, Horn in F, and Piano.This excerpt of the Mass in B Minor is a wonderful aria that has been adapted from the Full Score of said work. Now with piano accompaniment and the French Horn obligato alongside the Bass Voice part can be used for Professional and Student alike, a easy to read piano reduction for the accompanist as well.
$15.99
Sonata for Multiple Woodwinds and Piano
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the same token, the pianist is
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Brett L
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Sonata for Multiple Woodwinds
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major. The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
$27.95
Murray - Piano Trio - Violin, Cello & Piano
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Contemporain
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Piano Trio - Violin,
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TK
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) Murray #4762457. Published by TK (Tim) Murray (A0.823987). This Piano Trio is a 3 mvt work describing a journey.The 1st. mvt. Prelude (Setting off) is in a minimalist style depicting the mesmerising nature of travel. The 2nd. mvt. Meditation (Taking stock) shows the wide range and depth of thoughts and emotions that can come when you are still and let your mind wander. The Finale (Going home) is a moto perpetuo full of the excitement at heading back renewed and energised. This Piano Trio was commissioned by Margaret Lewissohn and premiered by The Isis Piano Trio. It has been recorded by The Fujita Trio.(c. 21 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$15.95
Cadence
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Jean-Paul Lépine
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Cadence
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Lépine Jean-Paul
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SheetMusicPlus
Small Ensemble Drum Set,Drums,Piano Accompaniment - Level 5 - SKU: A0.992290 Composed by Jean-Paul Lépine. Concert,Contemporary,Musical/Show,Standard...
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Small Ensemble Drum Set,Drums,Piano Accompaniment - Level 5 - SKU: A0.992290 Composed by Jean-Paul Lépine. Concert,Contemporary,Musical/Show,Standards,World. Score and parts. 11 pages. Lépine Jean-Paul #4304001. Published by Lépine Jean-Paul (A0.992290). - Dexterity, speed, flexibility are the qualities required for both percussionist and accompanist.
$4.99
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The Accompanist