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Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
29.63 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
17.94 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
58.4 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
29.63 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download …
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
23.33 €
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano
Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU…
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Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3029121. Published by Musik Fabrik Music Publishing (A0.533585). Polpis Dreaming (2002) for contrabass saxophone and piano was commissioned for and isdedicated to Jay C. Easton. The work was inspired by Easton's championing of the more unusual members of the saxophone family, particularly the contrabass with its incredibly powerful and deep sound. This work is recorded on Easton's SoLow CD.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabass saxophone's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the saxophone's opening gesture, which moves upwardfrom the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabass saxophone are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, there is a return to the mood of the opening, although the material of the middle section also appears in transformation.
$11.95
10.75 €
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Carson Cooman
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Carso Cooman: Polpis Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
70.09 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Jaunts (2001) for mandolin quintet
Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Com…
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Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #3035635. Published by Musik Fabrik Music Publishing (A0.533658). Jaunts (2001) for mandolin quintet (2 mandolins, mandola, guitar and bass guitar) was written for and is dedicated to the Sydney Mandolins,with much admiration.The work is about travel -- not long journeys or voyages -- but rather jaunts which thedictionary defines as short trips or excursions, usually for pleasure. The work exploresdiverse textures within a short time-span. The piece is in four general sections: It begins witha slow and unfolding opening leading to a moderate jaunt. This proceeds into a much fasterand driving section which ends very abruptly. The moderate pace begins again to themoderate pace which leads finally the opening spare textures again.The seeds of the musical material for the entire work come from the first mandolin's openinggesture.Aspects of the color and textures of the mandolin ensemble have been utilized by thecomposer in the work, inspired very much from the hearing of countless recordings of theSydney Mandolins in the performance of contemporary music.
$25.95
23.33 €
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Carson Cooman
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Carson Cooman: Jaunts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
22.44 €
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Carson Cooman
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
26.93 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.
$38.95
35.02 €
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Carson Cooman
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Carson Cooman : Quartet for Piano and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
29.18 €
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Frequent Flyer (2005) for alto saxophone, marimba, and piano
Small Ensemble Alto Saxophone,Marimba,Piano Accompaniment - Level 5 - Digital Download …
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Small Ensemble Alto Saxophone,Marimba,Piano Accompaniment - Level 5 - Digital Download SKU: A0.533627 Composed by Carson Cooman. Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033827. Published by Musik Fabrik Music Publishing (A0.533627). Frequent Flyer (2005) for alto saxophone, marimba, and piano was written for the OregonBach Festival Composers Symposium and Fireworks, the festival ensemble-in-residence.The principal material for the work is presented in the opening fast and aggressive ritornello,which returns throughout the work between other sections. Every time it reappears, itsorchestration is changed slightly.Between the ritornelli, variations of contrasting character are presented, based on the principalmaterial. The work has an overall fast-slow-fast shape, generally maintaining a flyingenergy throughout.Carson
$19.95
17.94 €
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Carson Cooman
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Carson Cooman: Frequent Flyer
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Where All the Ladders Start (2008) for trumpet (in C) and vibraphone
Instrumental Duet Instrumental Duet,Trumpet,Vibraphone - Level 5 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.533575 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 6 pages. Musik Fabrik Music Publishing #3024989. Published by Musik Fabrik Music Publishing (A0.533575). Where All the Ladders Start (2008) for trumpet and vibraphone was written for and is dedicated toLouis Ranger. The work is an energetic dialogue, in which a darkly lyrical discourse is coloredthrough the interaction of the two instruments. The title is taken from a line of W. B. Yeats.
$11.95
10.75 €
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Carson Cooman
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Carson Cooman: Where All the Ladders Start
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooma: Just Now for SATB chorus and orchestra, chorus part with piano reduction
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535386 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535386 Composed by Carson Cooman. Contemporary. Octavo. 15 pages. Musik Fabrik Music Publishing #3038763. Published by Musik Fabrik Music Publishing (A0.535386). This is the vocal score for this work for chorus and orchestra. The full score is for the sale. The orchestral parts are on rental.
$3.50
3.15 €
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Carson Cooman
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Carson Cooma: Just Now for SATB chorus and orchestra, chorus part with piano reduction
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, flu
Small Ensemble Flute - Level 5 - Digital Download SKU: A0.533722 Composed by Carson…
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Small Ensemble Flute - Level 5 - Digital Download SKU: A0.533722 Composed by Carson Cooman. Contemporary. Score and parts. 4 pages. Musik Fabrik Music Publishing #3041157. Published by Musik Fabrik Music Publishing (A0.533722). The first flute part for this work by Carson Cooman
$3.99
3.59 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, tro
Small Ensemble Trombone - Level 5 - Digital Download SKU: A0.533734 Composed by Car…
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Small Ensemble Trombone - Level 5 - Digital Download SKU: A0.533734 Composed by Carson Cooman. Contemporary. Score and parts. 3 pages. Musik Fabrik Music Publishing #3041831. Published by Musik Fabrik Music Publishing (A0.533734). The second trombone part for this work by Carson Cooman.
$3.99
3.59 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, obo
Small Ensemble Oboe - Level 5 - Digital Download SKU: A0.533729 Composed by Carson …
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Small Ensemble Oboe - Level 5 - Digital Download SKU: A0.533729 Composed by Carson Cooman. Contemporary. Score and parts. 3 pages. Musik Fabrik Music Publishing #3041821. Published by Musik Fabrik Music Publishing (A0.533729). The second oboe part in this work by Carson Cooman.
$3.99
3.59 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble,oboe
Small Ensemble Oboe - Level 5 - Digital Download SKU: A0.533728 Composed by Carson …
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Small Ensemble Oboe - Level 5 - Digital Download SKU: A0.533728 Composed by Carson Cooman. Contemporary. Score and parts. 3 pages. Musik Fabrik Music Publishing #3041819. Published by Musik Fabrik Music Publishing (A0.533728). The first oboe part for this work by Carson Cooman
$3.99
3.59 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, Eb soprano cornet part
Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533758 Composed by Cars…
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Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533758 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 3 pages. Musik Fabrik Music Publishing #3042557. Published by Musik Fabrik Music Publishing (A0.533758). This is the Eb soprano cornet part for this piece by Carson Cooman
$3.99
3.59 €
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Carson Cooman
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Carson Cooman: Pittsburgh Rhapsody
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, repiano cornet part
Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533754 Composed by Cars…
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Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533754 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 5 pages. Musik Fabrik Music Publishing #3042499. Published by Musik Fabrik Music Publishing (A0.533754). This is the repiano cornet part for this work by Carson Cooman
$3.99
3.59 €
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Carson Cooman
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Carson Cooman: Pittsburgh Rhapsody
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, 3rd cornet part
Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533751 Composed by Cars…
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Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.533751 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 4 pages. Musik Fabrik Music Publishing #3042493. Published by Musik Fabrik Music Publishing (A0.533751). This is the third cornet part for this work by Carson Cooman.
$3.99
3.59 €
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Carson Cooman
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Carson Cooman: Pittsburgh Rhapsody
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Musik Fabrik Music Publishing
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SheetMusicPlus
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