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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
27.37 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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DoReMi Edition
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
18.24 €
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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DoReMi Edition
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.73 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.73 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
O My Father—High-Range Vocal Solo and Piano
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel…
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Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
4.55 €
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Daniel Carter
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Daniel Carter
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O My Father—High-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
Introduction, Theme and Variations
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Dig…
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
17.33 €
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Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variations
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bl_music
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SheetMusicPlus
Give Me a Reason to Stay
Autoharp,Cello,Drums,Piano,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1307…
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Autoharp,Cello,Drums,Piano,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.1307644 By Bill Robertson, Osso String Ensemble, Stephen Barnett, and Tania Taylor Powers. By Matthew Stevens and Stephen Matthew Barnett. Arranged by Stephen Barnett. Broadway,Contemporary,Musical/Show,Pop,Rock. Full Performance. Duration 279. Stephen Matthew Barnett Music #896905. Published by Stephen Matthew Barnett Music (A0.1307644). From the song cycle “Adultolescence,†produced in 2013 in New York City, NY.
$1.99
1.82 €
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Bill Robertson, Osso String Ensemble, Stephen Barnett, and Tania Taylor Powers
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Stephen Barnett
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Give Me a Reason to Stay
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Stephen Matthew Barnett Music
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SheetMusicPlus
Elegy for the Lost
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.796778 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.796778 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 19 pages. DR GARY D BELSHAW #6439053. Published by DR GARY D BELSHAW (A0.796778). Advanced. FULL SCORE and Parts For String Quintet. Duration: 7 minutes.A New Adagio.An Adagio for 2021.An Adagio for all who grieve for any reason, for every reason.A new Adagio for Remembering 9/11 Twenty Years LaterHONORABLE MENTION: The original String Orchestra version, in a PARMA Recordings Call for Scores, Fall 2020.NOTE: These pages are formatted for printing on 9x12 paper. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$20.00
18.25 €
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Gary D
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https://www
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Elegy for the Lost
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DR GARY D BELSHAW
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SheetMusicPlus
Give Me One Reason
Choral Alto Voice,Soprano voice - Level 5 - Interactive Download SKU: A0.479745 By …
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Choral Alto Voice,Soprano voice - Level 5 - Interactive Download SKU: A0.479745 By Tracy Chapman. By Tracy Chapman. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 282. Deke Sharon #1TFCOonV955tL8jPeAC9Qp. Published by Deke Sharon (A0.479745). Key: F# major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.82 €
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Tracy Chapman
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Deke Sharon
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Give Me One Reason
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Deke Sharon
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SheetMusicPlus
The Fire of Innocence in the Darkness of the World
Soloists (CtTTBB), men's choir and organ - difficult - Digital Download SKU: S9.Q22589
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Soloists (CtTTBB), men's choir and organ - difficult - Digital Download SKU: S9.Q22589 Symphonic Poem for Solo Singers (CtTTBB), Male Choir and Organ. Composed by Enjott Schneider. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22589. Published by Schott Music - Digital (S9.Q22589). English.William Blake was a highly versatile universal genius – poet, painter, copper engraver and philosopher – who in the face of the rationally based Enlightenment put the worship of ecstasy, energy, intuition and imagination above all reason. He was inspired by a vision of the prophet Ezekiel as a child and went on to construct a creative cosmos consisting of myths, opposing forces and uninhibited psychic painting. Misunderstood by his contemporaries, he only began to be rediscovered at the beginning of the twentieth century, for example by W. B. Yeats, and subsequently also during the 1960s by various figures including the “beat poets†associated with Allen Ginsberg, filmmakers and numerous modern poets. Enjott Schneider.
$29.99
27.37 €
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Enjott Schneider
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The Fire of Innocence in the Darkness of the World
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Schott Music - Digital
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SheetMusicPlus
Rain and Flowers (for violin and piano)
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.9…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
$10.00
9.13 €
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Paul SanGregory
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Rain and Flowers
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Distant Engraver Music
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SheetMusicPlus
Advanced Trombone Long Tones - Nov '23
Tenor Trombone - Level 5 - Digital Download SKU: A0.1317720 Composed by Michele For…
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Tenor Trombone - Level 5 - Digital Download SKU: A0.1317720 Composed by Michele Fortunato. Folk,Funk,Instructional,Pop,Reggae. Educational Exercises. 6 pages. Trombonhero #906400. Published by Trombonhero (A0.1317720). Trombone exercises by TrombonheroAdvanced level long tones released on Nov '23Grade 5: advanced.Instrument: trombone (no valves needed).Range: lowest note is A4; highest note is A4 (above the middle C).Adding long tones to our trombone routines is extremely helpful: it strengthens our air stream, our lips and our body!On the other hand, it can be very boring, though! For this reason, I've composed a bounce of new trombone long tone exercises that will bring our trombone practice to a funnier level!Inside this PDF, you will find 5 original trombone long tones exercises that you can add to your daily (or weekly!) practice.Each exercise has a length of 1 minute and it develops the note approach behind the classical long tone exercises into a slide approach through glissandos and different slide positions.I've also prepared 5 different backing tracks that we can use as a play-along (as I said, we're heading to having some fun here!).Reminder: playing all the trombone exercises of a book won't help you being a better trombone player. Practicing the trombone with fun and consciousness, it will. Be aware and just breathe!
$9.99
9.12 €
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Michele Fortunato
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Advanced Trombone Long Tones - Nov '23
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Trombonhero
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SheetMusicPlus
In-spira (arr. for 3 guitars)
Small Ensemble Guitar - Level 5 - Digital Download SKU: A0.1022548 Composed by Guid…
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Small Ensemble Guitar - Level 5 - Digital Download SKU: A0.1022548 Composed by Guido Mallardi. Contemporary. Score and parts. 7 pages. Guido Mallardi #2034553. Published by Guido Mallardi (A0.1022548). Spiral is present at any level in the universe (galaxies, dna, nautilus, inner ear, etc.), also in the generative musical cell of this piece. That is the reason of that title. This music has been conceived also with the electron structure in mind. Electrons are made of 3 quarks each. In this piece the 3 quarks are the 3 notes of the musical cell. Germination composition technique is also used to create the form from the cell itself. Moreover, the specific guitar tuning used being unstable leads to a progressive 'alteration' of the music until the end; and this archetype of 'alteration' or 'evolution' can be found in the modification of several parameters, as well as in the style and form. 'In the spiral' is the meaning of that latin title. In-spira is also a pun on the italian verb 'Inspira' that means 'to inhale', but conjugated in the second person singular imperative. Multiple entendres of this two concepts arise when they are combined together, and this suggests many kind of images.
$4.99
4.55 €
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Guido Mallardi
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In-spira
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Guido Mallardi
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SheetMusicPlus
Birthday Suit
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122…
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
1.83 €
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Mwiche Khumufumie
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson…
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
10.94 €
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Coro in C Major "Avifauna"
Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1456689 By Reas…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.1456689 By Reason G. Colburn. By -R.G.C. This edition: Interactive Download. Classical. 36 pages. Duration 778. Reason G. Colburn #15i6SONuMNJwpM9YDXieXU. Published by Reason G. Colburn (A0.1456689). Key: C major.A piece for upper intermediate and advanced brass quintets. Take adequate breaks between movements to allow the players to rest unless marked otherwise. The movements aren't depicting birds but are instead inspired and are written after them.
$2.99
2.73 €
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Reason G
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Coro in C Major "Avifauna"
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Reason G. Colburn
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SheetMusicPlus
Ambrosia 67 for Harp, Strings & Glock.
Small Ensemble Cello,Harp,Percussion,Viola - Level 5 - Interactive Download SKU: A0.108…
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Small Ensemble Cello,Harp,Percussion,Viola - Level 5 - Interactive Download SKU: A0.1086161 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. 10 pages. Duration 78. Father Ambrose Press #4MheF9dKCa2wrbWmNhsdBD. Published by Father Ambrose Press (A0.1086161). Key: F major.A favorite confection... accompanying a Barzun quotation: Artistic institutions are not only not exempt from the ordinary hatreds and disorder, they are peculiarly liable to them by reason of the special sensibilities and energies of the participants..
$19.00
17.34 €
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Celebrity Chamber Players
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Ambrosia 67 for Harp, Strings & Glock.
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Father Ambrose Press
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SheetMusicPlus
Hamlet V
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tub…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 60. Sina Babajani-Feremi #IogDEcbq8TZJtlcGrObE4. Published by Sina Babajani-Feremi (A0.923239). Key: C major.This work is very abstract, as in the last act of hamlet this work is specifically focused on the last part of the last act where we can see many of the characters dying one by one in a grand amalgamation of death, we can see here that there is no rhyme or reason to the parts being played, they are all independent, remincant of the lack of reason to the deaths in the final act and also a reminder that as they are independent voices with seperate stories journies and goals as with everyone who died in the final act, they slowly fade away and there remains the timpani, drumming out a repetative marching tune as homage to the militaristic tradition that rought the bodies of elsinore cold, followed by at last 3 notes played on a harp as a church bell to the funerary service of those who died in this act.
$3.00
2.74 €
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Sina Babajani-Feremi
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Hamlet V
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Sina Babajani-Feremi
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Ri…
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.34 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richa…
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.34 €
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Fugue No. 22 In B Flat Minor, Bwv 867
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.5460…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
3.65 €
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Johann Sebastian Bach
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Nathan Wollmann
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Fugue No. 22 In B Flat Minor, Bwv 867
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Nathan Wollmann
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SheetMusicPlus
SPANISH DANCE OP 12, NO1 – BRASS QUARTET
Level 5 - Digital Download SKU: A0.834028 Composed by Moritz Moszkowski. Arranged b…
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Level 5 - Digital Download SKU: A0.834028 Composed by Moritz Moszkowski. Arranged by BRIAN W. COPPING. Romantic Period. 32 pages. EMK Music #6082521. Published by EMK Music (A0.834028). Scored for two Trumpets, Trombone/Euphonium and Tuba. There are alternative parts for F and Eb Horn (Trombone), Bb Trombone/Euphonium in Bass and Treble clefs (Trombone) and Eb and Bb Bass in Treble and Bass clefs. Moritz Moszkowski (1854- 1925), a cosmopolitan European, proud of his Jewish heritage, was born in Breslau, Prussia (now Poland). His set of Spanish Dances have been arranged for different Chamber combinations, including The Spanish Dance No 5 (Bolero) which was used in David Lean's film, Brief Encounter (1945). This piece, Spanish Dance, Op.12, No 1, has also, for good reason, retained its popularity in a number of different musical settings.
$14.00
12.78 €
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Moritz Moszkowski
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BRIAN W
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SPANISH DANCE OP 12, NO1 – BRASS QUARTET
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EMK Music
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SheetMusicPlus
Sinuhe
Oboe - difficult - Digital Download SKU: S9.Q6433 Sonata for Oboe. Composed …
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Oboe - difficult - Digital Download SKU: S9.Q6433 Sonata for Oboe. Composed by Olli Mustonen. This edition: Sheet music. Oboe Library. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6433. Published by Schott Music - Digital (S9.Q6433). The bestselling novel 'Sinuhe the Egyptian' by the Finnish writer Mika Waltari was the source of inspiration for the Finnish pianist, composer and conductor Olli Mustonen. In this piece which closely follows the classical sonata form slow-fast-slow, the performer can pull out all the stops. Not without good reason is 'Sinuhe' a compulsory piece of this year's ARD Competition. Experimental playing techniques are nowhere to be found; instead, this piece calls for virtuosity and tonal culture in the traditional sense of the word from the performer which never fail to work with the audience.
$11.99
10.94 €
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Olli Mustonen
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Sinuhe
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Schott Music - Digital
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SheetMusicPlus
Water - Duet for Marimba & Vibraphone
Percussion Duet - Level 5 - Digital Download SKU: A0.1216474 Composed by William Sm…
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Percussion Duet - Level 5 - Digital Download SKU: A0.1216474 Composed by William Smith. Chamber,Classical,Contemporary,Contest,Festival,Wedding. Score. 14 pages. William Smith #813070. Published by William Smith (A0.1216474). Water is an advanced duo composed for Marimba & Vibraphone. It is inspired by well - water, and the many places it can be found. This is a very impressionistic work so interpretation and ideas are up to the player. This leaves alot of lee-way for you to play this in your own way giving your performance a unique twist. For this reason it is an essential work for anyone looking for a modern duet for Marimba and Vibraphone.  Please Note:Included recording is a MIDI meaning it was played by a computer, this does not fully represent the work but still gives a decent idea as to what to expect.Score + Separate parts are included.
$15.00
13.69 €
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William Smith
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Vibraphone
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Water - Duet for Marimba & Vibraphone
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William Smith
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SheetMusicPlus
Violin Concerto
2 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - 2 P. - Str. violin and orchestra - diffi…
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2 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - 2 P. - Str. violin and orchestra - difficult - Digital Download SKU: S9.Q7251 Concerto for Violin and Orchestra in D minor. Composed by Robert Schumann. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. WoO 1. Duration 32 minutes. Schott Music - Digital #Q7251. Published by Schott Music - Digital (S9.Q7251). Key: D minor.New performance material of this 19th-century key work is now published as part of the complete critical edition of the works by Robert Schumann, in an excellent notation and with a high editorial standard. For reasons that we still cannot comprehend today, Clara Schumann, supported by Joseph Joachim and Johannes Brahms, suppressed the late works of Robert Schumann and even destroyed some of them. It was not until 1937 that the Violin Concerto in D minor, Schumann's last major work, was brought to the public's attention. With its very own mixture of neo-Baroque style and ambiguous virtuosity, it stands for the unfathomable sides of German Romanticism and already portends the concert aesthetics of the 20th century. Christian Tetzlaff's note on his bowings and fingerings are included in both, the piano redution and the solo part.
$21.99
20.07 €
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Robert Schumann
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
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