English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Variation
Non classifié
58
Piano & claviers
Piano seul
64
Orgue
7
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
2
Guitares
Guitare
5
4 Guitares (Quatuor)
1
Voix
Chorale SATB
5
Chorale TTBB
1
Voix Tenor, Piano
1
Vents
Flûte traversière et Piano
10
2 Clarinettes (duo)
6
Flûte traversière
6
Clarinette et Piano
5
Saxophone Alto et Piano
3
Hautbois, Piano (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Soprano et Piano
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
2 Flûtes traversières (duo)
1
Ensemble de Clarinettes
1
Flûte à bec Tenor
1
Hautbois
1
Clarinette
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Saxophone Baryton, Piano
1
Flûte à bec Alto, Piano
1
Saxophone Tenor et Piano
1
+ 17 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Tuba et Piano
4
Trompette, Piano
2
Cor et Piano
2
Trombone et Piano
2
Cor
2
Trompette
2
Quatuor de cuivres: 4 trombones
2
Tuba
1
Ensemble de Trombones
1
Trombone
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
2 Euphoniums et 2 Tubas
1
2 Tubas (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
10
Violon
6
Alto, Piano
5
Violoncelle, Piano
5
Violoncelle
2
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Quatuor à cordes : 4 altos
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre
11
Orchestre d'harmonie
4
Orchestre à Cordes
2
Batterie
1
Ensemble de Percussions
1
Cloches
1
Orchestre de chambre
1
+ 2 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
58
Librairie
Musicale
280
Matériel
de Musique
1 554
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Variation
expert
Partitions à imprimer
58 partitions trouvées
<
1
26
51
Variation on the Tristan Chord (Love and Death)
Small Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Viola,Violin - …
(+)
Small Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Trombone,Trumpet,Viola,Violin - Level 5 - Digital Download SKU: A0.576114 Composed by David Warin Solomons. Contemporary. Score and parts. 68 pages. David Warin Solomons #2030947. Published by David Warin Solomons (A0.576114). This version of my variation on the famous Tristan chord is for a large orchestra (wind, brass, timpani and strings). After a quick reminder of Wagner's original sequence the composition revolves around a 7/8 melodic theme which climbs up the tonalities as suggested by that chord sequence, and a 3/8 counter melody which also fits into the scheme. The sound sample is an electronic preview, created by Ravel Virtual Studio. The pdf file contains score and parts The timpani part has markings assuming 4 timpani, but it is also possible with three pedal timpani A version for guitar quartet is also available.
$30.00
27.53 €
#
David Warin Solomons
#
Variation on the Tristan Chord
#
David Warin Solomons
#
SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Tenor Horn and Piano - Advanced Le
Horn in E-Flat,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.760688 …
(+)
Horn in E-Flat,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.760688 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and individual part. 10 pages. Raymond Fenech #5775849. Published by Raymond Fenech (A0.760688). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
4.13 €
#
FRANCIS WADE
#
Raymond Fenech
#
#
O Come All Ye Faithful
#
Raymond Fenech
#
SheetMusicPlus
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Bb Baritone and Piano - Advanced L
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 5 - Digital Download SKU: …
(+)
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 5 - Digital Download SKU: A0.760684 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and parts. 11 pages. Raymond Fenech #5775837. Published by Raymond Fenech (A0.760684). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
4.13 €
#
FRANCIS WADE
#
Raymond Fenech
#
#
O Come All Ye Faithful
#
Raymond Fenech
#
SheetMusicPlus
Introduction and Variation
Organ (4 hands) - advanced - Digital Download SKU: S9.Q6233 Nun bitten wir den h…
(+)
Organ (4 hands) - advanced - Digital Download SKU: S9.Q6233 Nun bitten wir den heiligen Geist. Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6233. Published by Schott Music - Digital (S9.Q6233). Two new works composed by the great organ composer Harald Genzmer, including a piece for the rare instrumentation of 'organ four-hands'.
$22.99
21.1 €
#
Harald Genzmer
#
Introduction and Variation
#
Schott Music - Digital
#
SheetMusicPlus
Canon Variation (Jazz & Hard Version)
Quintet (Flute, Clarinet, Drum Set, Double Bass, Piano) - Advanced - Digital Download S…
(+)
Quintet (Flute, Clarinet, Drum Set, Double Bass, Piano) - Advanced - Digital Download SKU: P5.CL-BAR-25962 Composed by Johann Pachelbel. Baroque Period. Score and Parts. 35 pages. SheetmusicLAB #CL-BAR-25962. Published by SheetmusicLAB (P5.CL-BAR-25962). 8.3 x 11.7 inches.
$45.45
41.71 €
#
Johann Pachelbel
#
Canon Variation
#
SheetmusicLAB
#
SheetMusicPlus
Jingle Bells Variation (Rock)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harp,Marimba,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Digital Download SKU: A0.976630 Composed by Jie Han. Baroque,Children,Christmas,Classical,Holiday. Score and parts. 2 pages. Jie Han #3079451. Published by Jie Han (A0.976630). For All Single Players. Happy.
$1.99
1.83 €
#
Jie Han
#
Jingle Bells Variation
#
Jie Han
#
SheetMusicPlus
"Spring of Home Country" for Viola and Strings.
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.126…
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1263445 Composed by Nan-Pa Hong. Arranged by Han-Ki Kim. Chamber,Instructional,Romantic Period,Standards,Traditional. 33 pages. Han-Ki Kim #856407. Published by Han-Ki Kim (A0.1263445). For Solo Viola and String Orchestra. Spring of Home Country Op.159 Viola Concerto “Spring in Hometown†can be said to be a variational concerto in a word. It is a concerto composed with the theme of the melody of Nan-pa Hong, who played an important role in spreading Western music in Korea. Children’s song “Spring in Hometown†was composed in 1929 and is a familiar melody to all Koreans, young and old. The content of the poem is about the beautiful and nostalgic nostalgia of the village where he lived as a child. Following the lively ensemble in 4/4 time, a solo viola that seems to read a poem plays the theme, followed by the first variation composed of a splendid broken chord. Variations 2 and 3 are played by soloists and ensembles, crossing the traditional Korean rhythms “Jajinmori†and “Kutkoriâ€. In Variation 4, the slowly expanded theme is played by the ensemble with a consoldino (played using a muted instrument), and the solo viola adorns the theme of the ensemble with up and down notes. Then, the solo viola’s cadenza, the final variation of a majestic personality, and a short coda decorate the end. Attached YouTube Link is played by Violin and Strings, it's just for a reference.
$24.90
22.85 €
#
Nan-Pa Hong
#
Han-Ki Kim
#
"Spring of Home Country" for Viola and Strings.
#
Han-Ki Kim
#
SheetMusicPlus
Five Short Variations on Shenandoah, Revised
Instrumental Solo - Level 5 - Digital Download SKU: A0.493772 Composed by American …
(+)
Instrumental Solo - Level 5 - Digital Download SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual part. 23 pages. Tuaimanu Byron Petaia #108580. Published by Tuaimanu Byron Petaia (A0.493772). As a disclaimer: This piece is best suited to pianists with larger hands. It is common to find the left hand playing a tenth with the perfect fifth above the bass in between (i.e. C-G-E). In general, the fast movements are very technically demanding, and while lyricism dominates the first two movements, the large chords definitely add a couple layers of difficulty! I still hope you enjoy them!I wrote my set of variations as a way to explore a variety of ways by which I could accompany the folk tune, Shenandoah. With the first two variations, I chose to stick to the decidedly lyrical disposition of the original tune, while the last three variations are recast in a more boisterous and upbeat light. In all variations, I did my best to write in a way that evoked the feeling of Americana (I tried not to limit myself to stereotypical depictions of Shenandoah, and yet I wanted to ensure I maintained a respect for the source material). Thus, one variation, I attempted to transplant the melody into the vast openness of the unexplored West (variation three). In another, I tried to utilize harmonies that were reminiscent of Jazz (variation two). The final variation's intended affect is one of general optimism that characterizes America's trajectory from infancy to today.
$6.99
6.41 €
#
American Folk Song
#
Tuaimanu Byron Petaia
#
Five Short Variations on Shenandoah, Revised
#
Tuaimanu Byron Petaia
#
SheetMusicPlus
Christmas Duet No. 1: Here We Come A-wassailing, Variations for 4-Hand Piano
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Com…
(+)
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,Contemporary,Holiday. Score and parts. 13 pages. Graham Yates #6133301. Published by Graham Yates (A0.887982). C. 3:30. Suitable for a teacher/advanced student(s) feature in a holiday recital, or a spotlight performance in a traditional church Christmas service. A short, wild introduction leads to a humoreske statement of the melody, unadorned. Variation 1 is a play on blocked triads and stilted rhythm. Variation 2 is a free, fantasy-like interpretation of the theme. Variation 3 is a slow ragtime that leads into Variation 4, a Charleston. The writing for each player is not particularly challenging, but putting it together will require some advanced skills, including the way primo and secondo share the keyboard. Performing Rights Organization: ASCAP.
$8.99
8.25 €
#
English Christmas Carol & New Year Song
#
Graham Yates
#
Christmas Duet No. 1: Here We Come A-wassailing, Variations for 4-Hand Piano
#
Graham Yates
#
SheetMusicPlus
It Is Well With My Soul
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29116AX Composed by Horati…
(+)
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29116AX Composed by Horatio G. Spafford. Arranged by Rich Heffler. Key of G. Traditional. Score and part. 4 pages. David E. Smith - Digital Sheet Music #W29116AX. Published by David E. Smith - Digital Sheet Music (DX.W29116AX). Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
$5.50
5.05 €
#
Horatio G
#
Rich Heffler
#
It Is Well With My Soul
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
O God, Our Help....Passacaglia /Fugue
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29111AX Composed by Isaac …
(+)
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29111AX Composed by Isaac Watts. Arranged by Rich Heffler. Key of C, Ab, Bb. Traditional. Score and part. 9 pages. David E. Smith - Digital Sheet Music #W29111AX. Published by David E. Smith - Digital Sheet Music (DX.W29111AX). Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
$5.50
5.05 €
#
Isaac Watts
#
Rich Heffler
#
O God, Our Help....Passacaglia /Fugue
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
The Holy City
Instrumental Solo,Piano,Trombone/Baritone B.C. - Level 5 - Digital Download SKU: A0.143…
(+)
Instrumental Solo,Piano,Trombone/Baritone B.C. - Level 5 - Digital Download SKU: A0.1435171 Composed by F.E. Weatherly/Stephen Adams. Arranged by Marc Donatelle. 19th Century,Chamber,Classical,Praise & Worship,Religious. Score and individual part. 15 pages. Marc Donatelle #1015268. Published by Marc Donatelle (A0.1435171). The Holy City is a Victorian religious-ballad composed in 1892 by Michael Maybrick (aka Stephen Adams) with lyrics by Frederic Weatherly. It was sung by Jeanette MacDonald in the 1936 hit movie San Francisco.This is the first solo (and performance) I played at 9 years old and a favorite of my mother. She likely knew it from the movie. I always was a fan of theme and variations, a la Arthur Pryor. A bit autobiographical, the theme is like I would have played at 9 years old, Variation 1 like High School, Variation 2 like University, and the finale like a professional.The audio sample is a small taste of the theme and each variation.
$20.00
18.35 €
#
F
#
Marc Donatelle
#
The Holy City
#
Marc Donatelle
#
SheetMusicPlus
Sonata for tuba and guitar
Instrumental Duet Guitar,Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.98…
(+)
Instrumental Duet Guitar,Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.985327 Composed by Jeremiah Lawson. Contemporary. Score and parts. 26 pages. Jeremiah Lawson #6013895. Published by Jeremiah Lawson (A0.985327). This is the full score and parts for a chamber sonata in two movements for tuba and guitar. The guitar does not require amplification although you may use an amplified guitar if you like. The work is about 10 minutes long, beginning with a variation movement and closing with a lively sonata form. The sonata was premiered by myself and Jameson Bratcher July 26, 2013 at the Seattle Classic Guitar Society open mic.While I hadn't heard Tampa Red's work with guitar and tuba from the 1920s while I was working on this sonata from about 2009 to 2012 I have drawn inspiration from 1920s era blues in a number of my works. The opening variation form is not exactly blues but draws inspiration from blues. The closing sonata form has a thinly disguised blues theme as the first theme in the exposition, while the second theme is a retrograde inversion of the theme from the opening variation form. The sonata is dedicated to Jameson Bratcher. The complete sonata was filmed in 2013 by Scott Stephan. .
$10.00
9.18 €
#
Jeremiah Lawson
#
Sonata for tuba and guitar
#
Jeremiah Lawson
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.8 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.8 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.05 €
#
Giorgio Mirto
#
Suite No. 1
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472379 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472379 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 15 pages. Tommy Setiawan #1050084. Published by Tommy Setiawan (A0.1472379). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in Indonesian.
$6.45
5.92 €
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472380 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472380 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 13 pages. Tommy Setiawan #1050085. Published by Tommy Setiawan (A0.1472380). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in Chinese (中文).
$6.45
5.92 €
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
The First Noel
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472375 Composed …
(+)
Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1472375 Composed by Traditional Old English Carol/17th Century English Carol. Arranged by Tommy Setiawan. Children,Christian,Classical,Contest,Festival,Religious. 15 pages. Tommy Setiawan #1050080. Published by Tommy Setiawan (A0.1472375). The First Noel was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both were edited by William Sandys.The song also was arranged,edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God.Originally the First Noel melody consists of one musical phrase repeated twide,followed by a refrain which is a variation on that phrase.Also,the First Nowell is usually performed in a 4-part hymn arrangement by the English composer John Stainer.first published in his Carols,New and Old in 1871.Today,this public domain work type of musical arrangement makes possible to include 9 repeated but uniquely different among each other of variations in total in the whole song with the difficulty level and intensity increased as the number of variation is passed over one by one.The song format now is offered for Singing in English.
$6.45
5.92 €
#
Traditional Old English Carol/17th Century English Carol
#
Tommy Setiawan
#
The First Noel
#
Tommy Setiawan
#
SheetMusicPlus
Arirang (For Piano Trio)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.511808 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90
6.33 €
#
Han-Ki Kim
#
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
Arirang (For Violin, Cello and S.Orchestra)
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.120…
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 26 pages. Han-Ki Kim #799067. Published by Han-Ki Kim (A0.1200264). Arirang for Violin, Cello and String Orchestra “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€.Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$15.90
14.59 €
#
Han-Ki Kim
#
Han-Ki Kim
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
Caprice No. 24 a minor / Caprice Nr. 24 a-Moll Swing version
Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.12255…
(+)
Piano Quintet Cello,Double Bass,Piano,Violin - Level 5 - Digital Download SKU: A0.1225529 Composed by Nicolo Paganini. Arranged by Uwe Rössler Roessler Rassler. Baroque,Classical,Jazz,Multicultural,Standards,World. 23 pages. Uwe Roessler #821602. Published by Uwe Roessler (A0.1225529). This is a driving Swing version / Gipsy Swing version of Paganini´s famous Caprice 24. Starts with the original theme + first variation in violin. Swing rhythm is then established, followed with the theme being played by the cello. Violin takes over for a swinging chorus (written out). Chorus (with optional repeats ad lib) gives room for improvisations by others. A semi-baroque Fugato is then introduced. After the Fugato the theme is repeated by violin1 including a highly virtuoso variation.Voices for violin1, violin2, and cello are written out. Piano and bass have chord symbols for their individual voicings - except when their voices play a consistent part of the arrangement.Comes with full score and all individual parts. Professional sheet material!
$20.00
18.35 €
#
Nicolo Paganini
#
Caprice No. 24 a minor / Caprice Nr. 24 a-Moll Swing version
#
Uwe Roessler
#
SheetMusicPlus
Prelude and Variations
Acoustic Guitar,C Trumpet,Marimba,Piano - Level 5 - Digital Download SKU: A0.1309875
(+)
Acoustic Guitar,C Trumpet,Marimba,Piano - Level 5 - Digital Download SKU: A0.1309875 Composed by Igor Korneitchouk. 20th Century,Baroque,Chamber,Contemporary. 59 pages. Studio at the Post #899016. Published by Studio at the Post (A0.1309875). Duration: 10 - 13 minutes, piano score and parts (32 pp, parts 6-10 pp). Description: A lively romp in classic sonata-allegro form. This piece consists of an arrangement of the very well known first Prelude, in C major, from The Well-Tempered Clavier, Book I by Johann Sebastian Bach followed by two variations, the second quite long, utilizing only the notes and patterns supplied in the original. The first variation rearranges the sequence of patterns from the right hand of the clavier part in relation to the sequence of patterns from the left hand. The second variation very gradually stretches the voice-leading of individual pitches out of context with the unfolding harmonies, thus revealing a new side of Bach as an early minimalist composer!
$5.02
4.61 €
#
Igor Korneitchouk
#
Prelude and Variations
#
Studio at the Post
#
SheetMusicPlus
Partita on the theme "In Dulci Jubilo"
Small Ensemble Guitar,Organ - Level 5 - Digital Download SKU: A0.961290 Composed by…
(+)
Small Ensemble Guitar,Organ - Level 5 - Digital Download SKU: A0.961290 Composed by James Sclater. 20th Century,Blues,Christmas,Concert,Contemporary. Score and parts. 40 pages. James S Sclater #6009563. Published by James S Sclater (A0.961290). This work was commissioned by the Miric Guitar Duo and organist Jacob Benda. The guitars state the theme and are joined by the organ for the variations. Duration is ca. 12 '. For advanced performers. Included with the score and parts is a ossia version of Variation 3. The tune is usually associated with Christmas but could easily be incorporated into any organ recital. There is a bluesy variation which seems especially fun for the audience.
$19.95
18.31 €
#
James Sclater
#
Partita on the theme "In Dulci Jubilo"
#
James S Sclater
#
SheetMusicPlus
Desconcertante
Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1450932 By Antonio …
(+)
Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1450932 By Antonio Monteiro. By Antonio Monteiro. Arranged by Antonio Monteiro. Baroque,Classical,Film/TV,Sacred,Spiritual. Full Performance. Duration 297. Antonio Quixada #1030382. Published by Antonio Quixada (A0.1450932). Powerful and melodic rich Baroque style song for string orchestra using counterpoint, fugue and variation technics, useful for several musical scenarios like film intros, epic secnes, background music for ads or video games etc. Because of its theme and rich melodic texture may be divided into sections and used as pleased. Also, of course, may be enjoyed the way it is, from the beginning to the end, providing a relax and meditative ambience.
$9.99
9.17 €
#
Antonio Monteiro
#
Antonio Monteiro
#
Desconcertante
#
Antonio Quixada
#
SheetMusicPlus
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
