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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ending
Non classifié
118
Piano & claviers
Piano seul
123
Piano, Voix
14
Orgue
10
1 Piano, 4 mains
4
Piano, Voix et Guitare
3
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
10
Basse electrique
2
2 Guitares (duo)
2
Guitare notes et tablatures
2
Voix
Chorale SATB
22
Chorale TTBB
4
Chorale 3 parties
2
Chorale SSAATTBB
2
Chorale SSAA
2
Voix Soprano, Piano
2
Voix haute
1
Chorale Unison
1
Voix Tenor
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix seule
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
13
Quatuor de Saxophones: 4 saxophones
5
Ensemble de saxophones
3
Hautbois, Piano (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violon, Piano
2
Saxophone Alto et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Tenor
1
3 Clarinettes (trio)
1
Clarinette
1
Quintette de Flûte : 5 flûtes
1
Flûte traversière, Orchestre
1
Flûte, Saxophone (duo)
1
Clarinette et Piano
1
Saxophone Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
Ensemble de Clarinettes
1
Hautbois (partie séparée)
1
Flûte traversière
1
2 Saxophones (duo)
1
+ 19 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
3
Trombone
3
Cor
2
Euphonium, Piano (duo)
2
Trompette, Piano
2
Tuba et Piano
1
Trombone et orchestre
1
Trompette
1
Tuba
1
2 Tubas (duo)
1
3 Trombones (trio)
1
2 Euphoniums et 2 Tubas
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
5
Violon
4
Harpe
3
Violoncelle, Piano
3
Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 violins
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Violoncelle (duo)
1
Alto seul
1
Alto et Harpe
1
Violon, Alto (duo)
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre
39
Orchestre à Cordes
18
Orchestre d'harmonie
16
Ensemble Jazz
14
Ensemble de cuivres
8
Fanfare
5
Cloches
4
Batterie
3
Ensemble de Percussions
3
Orchestre de chambre
2
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Partitions à imprimer
118 partitions trouvées
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101
Impending Waves
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Cameron Duncan
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Impending Waves
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Cameron Duncan
#
SheetMusicPlus
Guitar,Harp,Instrumental Duet - Level 5 - SKU: A0.1449947 Composed by Cameron Duncan. 21st Century,Chamber,Classical,Contemporary,Rock. 25 pages. Camero...
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Guitar,Harp,Instrumental Duet - Level 5 - SKU: A0.1449947 Composed by Cameron Duncan. 21st Century,Chamber,Classical,Contemporary,Rock. 25 pages. Cameron Duncan #1029677. Published by Cameron Duncan (A0.1449947). Impending Waves is a duo for harp and classical guitar. It heavily features knocking on the body of the instruments, extended techniques, and tight rhythmic coordination. The groovy, undulating piece is a true showstopper, showing off the depth of these instruments well.Length: 4 minutes.
$9.99
With A Little Help From My Friends
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Blues
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Jazz
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The Beatles
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Michael Pilley
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With A Little Help From My Fri
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Michael Pilley Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.746229 By The Beatles. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Blues,Jazz. Brass Band. 93 pages. Michael Pilley Music #5302441. Published by Michael Pilley Music (A0.746229). As performed by Tredegar Town Band at Brass In Concert 2014 in their 3rd place winning program, With A Little Help From My Friends is a transcription/arrangement of the ProBrass version. This arrangement helped Dewi Griffiths secure the Best Principal Cornet prize and requires a soloist that can either improvise, or capable of playing Thomas Gansch style blues licks as in the original solo, which is also included with the parts. This arrangement begins with a piccolo trumpet duo (also playable on Soprano and Bb Cornet) in a baroque style, then building to a massive 6/8 power ballad entrance, followed by a bluesy solo trumpet feature. More building to a big section requiring the soloist to unleash their inner rock god follows, then back down to a sedate blues where a solo trombonist joins in the antics. The ending is a tricky metric modulation, where the 6/8 turns into a rock 4/4 and brings in the big guns (the bass section) with some hard hitting lines. Feel free to allow your drummer to ad lib. as much of this piece as you dare! Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Quintet for Trombone and Saxophone Quartet
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Contemporain
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Albam, Manny
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Quintet for Trombone and Saxop
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Gordon Cherry
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone - Level 5 - SKU: A0.810744 Composed by Albam, Manny. Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone - Level 5 - SKU: A0.810744 Composed by Albam, Manny. Contemporary. Score and parts. 90 pages. Gordon Cherry #2151213. Published by Gordon Cherry (A0.810744). Manny Albam's Quintet for solo Trombone and Saxophone Quartet in four movements is a work for virtuoso performers about 14 minutes in length. Movement one is fast and contains sharp rhythms and contrasting undulating scales ending in mysterious quiet. Movement two is slow and soft using offset and layered tone clusters in the saxes under a lyrical and non-tonal Trombone line. Later, the saxes are given long lines of soft clashing 1/16th note non-tonal scales. Movement three is for Piccolo, Flute, Clarinet and Bassoon as the saxes move to the their studio doubles. There are sax parts supplied for non-doublers. This movement is fast and mixes up slurred and staccato chromatic licks. Movement four is also fast and features long quasi-chromatic ascending scales. Manny composed this work in 2001 for Trombonist Jim Pugh and The American Saxophone Quartet.
$40.00
Skyfall
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Pop musique
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Adele
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Alistair Vennart
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Skyfall
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Ali Vennart
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.922156 By Adele. By Adele Adkins and Paul Epworth. Arranged by Alistair Vennart. Pop,R & B. Score and parts. 92 pages...
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Small Ensemble - Level 5 - SKU: A0.922156 By Adele. By Adele Adkins and Paul Epworth. Arranged by Alistair Vennart. Pop,R & B. Score and parts. 92 pages. Ali Vennart #5355857. Published by Ali Vennart (A0.922156). Duration C. 10 MinutesFor Small Mixed Ensemble - Strings 3.3.2.2.1, Flute/Picc, Oboe/Cor, Bass Clarinet, Horn, Harp, Piano (or Keyboard) and Percussion. James Bond Main Title Theme, Goldfinger, and Skyfall. Skyfall can be played as a separate arrangement, with an alternate (1st) ending. Otherwise the 2nd ending is probably best. Intended for Concert Performances.
$79.99
Message In A Bottle
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Rock
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The Police
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Jeff Perholtz
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Message In A Bottle
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Fab Forward Entertainment
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SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.930114 By The Police. By Sting. Arranged by Jeff Perholtz. Pop,Rock. ...
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.930114 By The Police. By Sting. Arranged by Jeff Perholtz. Pop,Rock. Score and parts. 14 pages. Fab Forward Entertainment #5213955. Published by Fab Forward Entertainment (A0.930114). This arrangement of Message In A Bottle by The Police is great for rock bands that want to perform with a 3 piece horn section. Note that the sax part has been transcribed for either Alto or Tenor. This arrangement should be used to accompany a band performing the song as it was originally recorded. Instead of fading out the ending, measure 157-161 follows the ending used by the Police when performing the song live.
$12.99
Goldfingers
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Neille Williams
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Goldfingers
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Neille Williams
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1518374 Composed by Neille Williams. 21st Century,Classical,Contemporary,Contest,Festival. Saxophone ...
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Alto Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1518374 Composed by Neille Williams. 21st Century,Classical,Contemporary,Contest,Festival. Saxophone Duet. 5 pages. Neille Williams #1092474. Published by Neille Williams (A0.1518374). Duet for alto saxophone and tenor saxophone. Advanced. This neat little duet features sparkling lines of staccato notes and octave leaps which outline a catchy little melody. The alto and tenor saxes share the tune and explore their high and low registers before settling together on a neat and tidy ending.
$9.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Ai Dao Wu Lu Ke Tui
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Julia Peng
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Tommy Setiawan
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Ai Dao Wu Lu Ke Tui
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Tommy Setiawan
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1474405 By Julia Peng. By Chang De Xu and Zhong Ping Ji. Arranged by Tommy Setiawan. Contemporary,Jazz,...
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Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1474405 By Julia Peng. By Chang De Xu and Zhong Ping Ji. Arranged by Tommy Setiawan. Contemporary,Jazz,Pop,Singer/Songwriter,Wedding. 6 pages. Tommy Setiawan #1052030. Published by Tommy Setiawan (A0.1474405). Ai Dao Wu Lu Ke Tui is one of the hit/signature Mandarin/Chinese songs from singer Julia Peng.It is included in her 1997 album The Essential/Jue Dui Shou Zang.Julia Peng herself is a famous Taiwanese singer since the 90s.She won the Best Mandarin Female Singer Award at the 27th Golden Melody Awards in 2016.The song arrangement of Ai Dao Wu Lu Ke Tui this time is different from the original version/what is mostly often streamed in the Popular Music Channel such as You Tube,etc.In general,it is started with an Intro,Verse I-II,Chorus I,has 1 Bridge,Verse III (Last Verse),Chorus II,Chorus III (intiated with 1 transposition,from 4# to 6#),Chorus IV (2nd transposition,from 6# to 6b),Chorus V (Overtone/raised 1 octave above) and Ending (still in a High Voice).So from the Chorus V to the end of the song is the part that has the most distinguished feature that differentiate this type of arrangement from what's common we listen daily.
$6.20
AMÉ
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Ludovic SELMI
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AMÉ
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D-Project Co., Ltd.
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SheetMusicPlus
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. ...
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Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00
Symphony No. 4 Finale for 12-part Trombone Choir
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Classique
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Johannes Brahms
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Bob Burnham
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Symphony No. 4 Finale for 12-p
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. ...
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1265234 Composed by Johannes Brahms. Arranged by Bob Burnham. 19th Century,Romantic Period. 110 pages. Gordon Cherry #858080. Published by Gordon Cherry (A0.1265234). The Finale to Brahms Symphony No. 4 is written in the form of an 8-bar Baroque-style Passacaglia with thirty variations in a 3/4 meter in the key of E minor. The contrast between the rich, powerful harmonies and rhythms and soft, delicate, transparent musings is almost too much emotional strain for the listener...a purposeful compositional device by the composer. The movement careens like this to an inevitable tragic ending where the powerful and tragic wins out in the end.This 9-minute magnificent arrangement for advanced performers by Bob Burnham is scored for a 12-part Trombone Choir of 8 Tenor Trombones (top two parts are optional for altos) and 4 Bass Trombones.
$45.00
One
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Metallica
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David Oosse
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One
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David Oosse
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SheetMusicPlus
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. T...
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Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica.- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
Heart Riddle #1 from "Grasping Water"
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Maria Thompson Corley
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Heart Riddle #1 from "Gra
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Maria Thompson Corley
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SheetMusicPlus
Vocal Solo,Voice - Level 5 - SKU: A0.845909 Composed by Maria Thompson Corley. Concert,Contemporary. 4 pages. Maria Thompson Corley #4625013. Published ...
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Vocal Solo,Voice - Level 5 - SKU: A0.845909 Composed by Maria Thompson Corley. Concert,Contemporary. 4 pages. Maria Thompson Corley #4625013. Published by Maria Thompson Corley (A0.845909). Part of a cycle that was included in the curriculum for classes on African American Art Song taught at University of Michigan, Ann Arbor, and Jackdaws Music Education Trust, U.K. The text for Three Heart Riddles is about confusion regarding the hot and cold behavior of the object of the writer's affection. Each one begins with a question. The first is agitated, rhapsodic, and dissonant. The second is a tango. The third begins contemplative, then revisits the first and second riddles before ending in a devil-may-care manner.
$9.99
Missa Brevis
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Christian contemporain
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Musique Sacrée
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Dale Warland Singers, Dale War
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Missa Brevis
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William Hawley
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SheetMusicPlus
Level 5 - SKU: A0.1117897 By Dale Warland Singers, Dale Warland, Conductor. By William Hawley. Contemporary,Sacred. Full Performance. Duration 953. Will...
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Level 5 - SKU: A0.1117897 By Dale Warland Singers, Dale Warland, Conductor. By William Hawley. Contemporary,Sacred. Full Performance. Duration 953. William Hawley #719394. Published by William Hawley (A0.1117897). This is the live recording of the World Premiere Performance of William Hawley's Missa Brevis, which was commissioned by The Dale Warland Singers and premiered by them, with Dale Warland conducting, in Wooddale Church, Minneapolis, Minnesota, on May 18, 1991. Movement Timings: I. Kyrie 00:00-3:28, II. Gloria 3:33-5:30, Qui Tollis 5:31-8:40, Cum Sancto Spiritu 8:43-10:33, III. Sanctus 10:37-12:01, Pleni Sunt Caeli 12:01-12:55, Benedictus 12:55-14:02, IV. Agnus Dei 14:08-1550. The audio sample contains the opening of the Kyrie followed by the ending of the Agnus Dei. The score of this work in PDF is also available at Sheet Music Plus and at Sheet Music Direct. Performance time of the Missa is ca. 16 minutes. ASCAP https://williamhawley.net.
$3.99
Sonata dell'Arte
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Yuri Povolotsky
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Sonata dell'Arte
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Forton Music - Digital
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SheetMusicPlus
Tba. Pft. - Advanced - SKU: F2.FM484 Composed by Yuri Povolotsky. Tuba and Piano. Score and part. 31 pages. Forton Music - Digital #FM484. Published by ...
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Tba. Pft. - Advanced - SKU: F2.FM484 Composed by Yuri Povolotsky. Tuba and Piano. Score and part. 31 pages. Forton Music - Digital #FM484. Published by Forton Music - Digital (F2.FM484). ISBN 9790570483839.The name itself immediately submerges the piece in an atmosphere of buffoonery and theatricality; a kaleidoscopic changing of masks, rhythms and moods. The themes of a comic march and arias in the 'lamento' spirit are intertwined in the sonata form of the first movement. The waltz-like second movement imitates a brass band, with a pastoral theme in a Siciliano rhythm in the middle section, suddenly ending with a few bars of a funeral procession. The positive movement and energy of the classically inspired finale, with it's small, meditative cadenza for the soloist, affirm the joyful aspect of the whole piece.
$9.95
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
Fanfare for Tony (Score and parts)
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Contemporain
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Gordon Thornett
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Fanfare for Tony
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Gordon John Thornett
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SheetMusicPlus
Small Ensemble Timpani - Level 5 - SKU: A0.821197 Composed by Gordon Thornett. Contemporary. Score and parts. 60 pages. Gordon John Thornett #2033367. P...
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Small Ensemble Timpani - Level 5 - SKU: A0.821197 Composed by Gordon Thornett. Contemporary. Score and parts. 60 pages. Gordon John Thornett #2033367. Published by Gordon John Thornett (A0.821197). Fanfare for Tony was written for the inaugural conference of the British Association for Music Therapy, and first performed on 21st February 2014 by students of Birmingham Conservatoire of Music, and this is a slightly shortened version. The piece, scored for ten brass instruments and timpani, was written in memory of Prof. Tony Wigram, a leading figure in the world of music therapy, who died in 2011. It contains a number of passing references to music therapy songs, and quotations from music strongly associated with Tony's family, including a Danish folksong (introduced by the four trombones), and a theme from the Organ Symphony by Saint-Saens. A short fugato section leads to a triumphant ending, featuring the German hymn tune Nun danker alle Gott.
$19.99
Americana 2 - Theme and Hymn - Full Score
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Nicholas Palmer
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Americana 2 - Theme and Hymn -
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Nicholas D Palmer
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.782797 Composed by Nicholas Palmer. Contemporary,Folk,Holiday,Patriotic,Standards. Score and parts. 9 pages. Ni...
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Large Ensemble Choir - Level 5 - SKU: A0.782797 Composed by Nicholas Palmer. Contemporary,Folk,Holiday,Patriotic,Standards. Score and parts. 9 pages. Nicholas D Palmer #3382725. Published by Nicholas D Palmer (A0.782797). Americana 2 - Theme and Hymn is a concert piece for orchestra and chorus. The piece has a thrilling fanfare and upbeat melody in the strings at the opening, followed by a beautiful hymn for wordless chorus, and ending with the thrilling opening music. Uses: concert opening for pops, American holiday concerts, festive occasional concerts.
$5.99
Americana 2 - Theme and Hymn
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Nicholas Palmer
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Americana 2 - Theme and Hymn
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Nicholas D Palmer
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.782798 Composed by Nicholas Palmer. Folk,Holiday,Patriotic. Score and parts. 47 pages. Nicholas D Palmer #33827...
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Large Ensemble Choir - Level 5 - SKU: A0.782798 Composed by Nicholas Palmer. Folk,Holiday,Patriotic. Score and parts. 47 pages. Nicholas D Palmer #3382727. Published by Nicholas D Palmer (A0.782798). Americana 2 - Theme and Hymn is a concert piece for orchestra and chorus. The piece has a thrilling fanfare and upbeat melody in the strings at the opening, followed by a beautiful hymn for wordless chorus, and ending with the thrilling opening music. Uses: concert opening for pops, American holiday concerts, festive occasional concertsPermission is granted to reproduce the parts as needed within the purchasing organization.
$49.99
Transformations for Bb Trumpet and Percussion
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Contemporain
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Sy Brandon
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Transformations for Bb Trumpet
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Sy Brandon
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SheetMusicPlus
Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and par...
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Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 5 pages. Sy Brandon #3534951. Published by Sy Brandon (A0.755234). Transformations is a five-movement composition for trumpet and percussion. The title is derived from the way the organic material of the first movement is altered during the ensuing movements. Movement two mainly explores the sixteenth note material that is presented during the first movement and is at a faster tempo. The slow third movement is at a slow tempo and is very coloristic. The muted trumpet presents material reminiscent of the opening motivic cell, but it is highly decorated through the use of half-step trills. A sextuplet section has a similar contour to the second germ cell used in the first movement. The lyrical ending to this movement also has its roots in the first movement. The fourth movement is very fast with shifting odd meters and represents the climax of the composition. Hints of motivic cells from the first movement can be heard throughout. The last movement serves as an epilogue by being more closely related to the material of the first movement but it has a characteristic of reflection rather than an exposition. The percussion part serves many roles by imitating the trumpet, adding color and punctuation, and serving as an equal voice in the presentation and development of material. Both musicians perform from the score.
$9.99
As
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Pop musique
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Soul/R&B
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Stevie Wonder
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Christopher William Palmer
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As
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Christopher William Palmer
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 5 - SKU: A0.799772 By Stevie Wonder. By Stevie Wonder. Arranged by Christopher William Palmer. Pop,Soul. ...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 5 - SKU: A0.799772 By Stevie Wonder. By Stevie Wonder. Arranged by Christopher William Palmer. Pop,Soul. Score and parts. 35 pages. Christopher William Palmer #3536865. Published by Christopher William Palmer (A0.799772). Stevie Wonder's As arranged for trombone/low brass quartet. Transposed to B flat Major/G minor. Includes optional open improvisation section. Ending has been shortened instead of repeating forever, however feel free to repeat the last section as desired. Great for almost any occasion!2018 New ArrangeMe Song Contest Entry
$19.99
Two Fantasy Pieces, Op. 2 for Tuba or Bass Trombone
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Carl August Nielsen
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Sauer, Ralph
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Two Fantasy Pieces, Op. 2 for
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Tuba - Level 5 - SKU: A0.810923 Composed by Carl August Nielsen. Arranged by Sauer, Ralph. 20th...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Tuba - Level 5 - SKU: A0.810923 Composed by Carl August Nielsen. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and parts. 16 pages. Gordon Cherry #3904341. Published by Gordon Cherry (A0.810923). Two gorgeous movements by Carl Nielsen have been arranged by Ralph Sauer for Tuba or Bass Trombone and Piano for advanced performers. The first movement is an Andante in a late Romantic style full of deep expression. Movement II is a Humoresque, light and bouncy with challenging technique, ending in a whisper. The length of the work is about 8 minutes.
$15.00
Heart Riddle #2 from "Grasping Water"
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Maria Thompson Corley
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Heart Riddle #2 from "Gra
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Maria Thompson Corley
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.845911 Composed by Maria Thompson Corley. Concert,Contemporary,Latin. Score and parts. 8 pages. Maria Thompson Corley...
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Small Ensemble - Level 5 - SKU: A0.845911 Composed by Maria Thompson Corley. Concert,Contemporary,Latin. Score and parts. 8 pages. Maria Thompson Corley #4630091. Published by Maria Thompson Corley (A0.845911). Part of a cycle that was included in the curriculum for classes on African American Art Song taught at University of Michigan, Ann Arbor, and Jackdaws Music Education Trust, U.K. The text for Three Heart Riddles is about confusion regarding the hot and cold behavior of the object of the writer's affection. Each one begins with a question. The first is agitated, rhapsodic, and dissonant. The second is a tango. The third begins contemplative, then revisits the first and second riddles before ending in a devil-may-care manner.
$9.99
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