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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for KING
Non classifié
372
Piano & claviers
Piano seul
4 126
Accordéon
254
Piano, Voix
189
Orgue
29
Instruments en Do
25
Clavecin
14
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
8
1 Piano, 4 mains
7
Piano, Voix et Guitare
4
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Facile
1
Orgue, Trompette (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
353
Guitare notes et tablatures
261
Basse electrique
224
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
3
Mandoline
2
Ukulele
2
+ 2 instrumentations
Retracter
Voix
Chorale SATB
79
Voix seule
25
Chorale SSAA
13
Voix Soprano, Piano
11
Chorale TTBB
10
Chorale 3 parties
7
Voix Baryton, Piano
5
Chorale
2
Voix Mezzo-Soprano, Piano
2
Voix Alto, Piano
2
Chorale Unison
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix duo
1
Voix Tenor
1
+ 12 instrumentations
Retracter
Vents
Saxophone
3 177
Flûte traversière
1 334
Clarinette
1 262
Saxophone Alto
177
Saxophone Tenor
168
Saxophone Soprano
118
Hautbois
50
Flûte à Bec
38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte traversière et Piano
25
Quatuor de Saxophones: 4 saxophones
24
2 Flûtes traversières (duo)
17
Quatuor de Clarinettes: 4 clarinettes
17
Clarinette et Piano
15
Hautbois (partie séparée)
14
Saxophone Alto et Piano
14
Saxophone Soprano et Piano
13
Hautbois, Piano (duo)
13
Quintette de Saxophone: 5 saxophones
11
Saxophone Tenor et Piano
11
Saxophone Baryton, Piano
7
Flûte, Hautbois, Clarinette, Basson
7
Ensemble de Clarinettes
6
Ensemble de saxophones
6
2 Saxophones (duo)
5
Quatuor de Flûtes : 4 flûtes
5
3 Saxophones (trio)
4
Flute (partie séparée)
4
Ensemble de Flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Clarinette, Piano (trio)
3
Trio de Flûtes: 3 flûtes
3
2 Clarinettes (duo)
3
Clarinette Basse, Piano
2
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Clarinette, Violoncelle, Piano (trio)
1
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1
Clarinette, Basson (duo)
1
2 Clarinettes, Basson
1
Cor anglais, Piano
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1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Piano
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1
Saxophone et Orgue
1
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1
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1
2 Clarinettes, Piano
1
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1
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1
Flûte, Hautbois (duo)
1
+ 49 instrumentations
Retracter
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Trompette
1 184
Trombone
1 137
Cor
46
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor et Piano
17
Trompette, Piano
15
Tuba et Piano
14
Euphonium
13
Ensemble de Trombones
12
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12
Tuba
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Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres
4
2 Trompettes (duo)
3
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3
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3
2 Trombones (duo)
3
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3
2 Cors (duo)
3
Ensemble de Trompettes
2
3 Trombones (trio)
2
Trombone basse
2
Instruments en Sib
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette (partie séparée)
1
Cor anglais, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trio de Cuivres
1
3 Euphoniums
1
Trombone et orchestre
1
+ 28 instrumentations
Retracter
Cordes
Violon
570
Violoncelle
324
Alto seul
193
Quatuor à cordes: 2 violons, alto, violoncelle
104
Contre Basse
38
Violon et Piano
36
Harpe
20
Violoncelle, Piano
11
Alto, Piano
11
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
7
Violon, Violoncelle (duo)
7
Violon, Alto (duo)
5
2 Altos (duo)
3
2 Violoncelles (duo)
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon (duo)
2
Violon (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, alto
2
Ensemble d'Altos
2
4 Violoncelles
1
Harpe, Violon, Violoncelle
1
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Alto et Harpe
1
+ 29 instrumentations
Retracter
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Batterie
1 054
Orchestre
205
Orchestre d'harmonie
69
Ensemble Jazz
44
Orchestre de chambre
39
Ensemble de cuivres
22
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19
Percussion
15
Jazz combo
14
Cloches
10
Ensemble de Percussions
7
Fanfare
6
Piano et Orchestre
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
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351
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporain
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksand...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
Vivace For Violin And Horn
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Luis Anjos Teixeira
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Vivace For Violin And Horn
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixe...
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Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418). Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. It inspired me to finish a duet that toke birth back in the times when I started playing violin. Now after 40 years I guess it is ready!!! I am very grateful for their inspiration. It is dedicated to - „Elmira and Howard The piece requires high skilled and experienced artists. I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences. Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$12.44
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Ten Summer Trios for Low Brass
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Andrew Clayden
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Ten Summer Trios for Low Brass
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Linden Brass Press Inc.
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SheetMusicPlus
Euphonium,Trombone,Tuba - Level 5 - SKU: A0.1475298 Composed by Andrew Clayden. 21st Century,Contemporary. 91 pages. Linden Brass Press Inc. #1052841. P...
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Euphonium,Trombone,Tuba - Level 5 - SKU: A0.1475298 Composed by Andrew Clayden. 21st Century,Contemporary. 91 pages. Linden Brass Press Inc. #1052841. Published by Linden Brass Press Inc. (A0.1475298). ===Part 1: Trombone or Euphonium (Bass or Tenor Clef, Bb Treble)Part 2: Trombone or Euphonium (Bass Clef or Bb Treble)Part 3: Bass Trombone or Tuba (F)1. Whirling Wind and Waves2. Meditation3. Tide Pool Microcosmos4. Dog Daze5. Wacky Weed6. Shifting Tides7. Saga8. Tenacious9. Thinker's Folly10. Modal MidsummerThese newly minted trios by Canadian composer Andrew Clayden are great for friendly get-playing-togethers! They have been tested on both trombone and euphonium.Andrew Clayden served as Principal Trombone of the National Orchestra of Taiwan before taking up the Second Trombone position of the Orchestre symphonique de Québec, a post he held for 21 years. Mr. Clayden currently performs as a soloist and teacher, and in 2014 he was awarded a Certificate in Human Psychology by Bishop's University.===.
$14.95
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Wedding March from “A Mi
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BitNotes.jp
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida....
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
$12.00
Allegro (from "Concerto for Four Claviers") (A min) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.813376 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,S...
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String Ensemble,String Quintet - Level 5 - SKU: A0.813376 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209757. Published by Regis Bookshar (A0.813376). String Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a String Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (French Horn Quintet)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.813400 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standa...
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Brass Ensemble Horn - Level 5 - SKU: A0.813400 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209809. Published by Regis Bookshar (A0.813400). French Horn Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a French Horn Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 French Horns, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (Euphonium Quintet - Bass Clef)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - SKU: A0.813395 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,S...
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Brass Ensemble Euphonium - Level 5 - SKU: A0.813395 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209799. Published by Regis Bookshar (A0.813395). Euphonium Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Euphonium Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts, written in Bass Clef (43 pages). If you prefer, a version written in Treble Clef is also available. In addition to this version for 5 Euphoniums, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (Euphonium Quintet - Treble Clef)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - SKU: A0.813398 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,S...
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Brass Ensemble Euphonium - Level 5 - SKU: A0.813398 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209803. Published by Regis Bookshar (A0.813398). Euphonium Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Euphonium Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts, written in Treble Clef (41 pages). If you prefer, a version written in Bass Clef is also available. In addition to this version for 5 Euphoniums, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (French Horn Quintet)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 5 - SKU: A0.813375 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standa...
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Brass Ensemble Horn - Level 5 - SKU: A0.813375 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 42 pages. Regis Bookshar #6209751. Published by Regis Bookshar (A0.813375). French Horn Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a French Horn Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (42 pages). In addition to this version for 5 French Horns, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Euphonium Quintet - Bass Clef)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - SKU: A0.813369 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,S...
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Brass Ensemble Euphonium - Level 5 - SKU: A0.813369 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209741. Published by Regis Bookshar (A0.813369). Euphonium Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Euphonium Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts, written in Bass Clef (45 pages). If you would prefer, a version written in Treble Clef is also available. In addition to this version for 5 Euphoniums, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Euphonium Quintet - Treble Clef)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - SKU: A0.813370 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,S...
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Brass Ensemble Euphonium - Level 5 - SKU: A0.813370 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 42 pages. Regis Bookshar #6209745. Published by Regis Bookshar (A0.813370). Euphonium Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Euphonium Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts, written in Treble Clef (41 pages). If you would prefer, a version written in Bass Clef is also available. In addition to this version for 5 Euphoniums, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Violoncello Quintet)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.813385 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Mul...
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String Ensemble,String Quintet Cello - Level 5 - SKU: A0.813385 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 44 pages. Regis Bookshar #6209779. Published by Regis Bookshar (A0.813385). Violoncello Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violoncello Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (44 pages). In addition to this version for 5 Violoncellos, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (Violincello Quintet)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.813411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,...
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String Ensemble Cello - Level 5 - SKU: A0.813411 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 43 pages. Regis Bookshar #6209863. Published by Regis Bookshar (A0.813411). Violoncello Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violoncello Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for 5 Violoncellos, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Oboe Quintet)
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 5 - SKU: A0.813374 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Sta...
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Woodwind Ensemble Oboe - Level 5 - SKU: A0.813374 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 44 pages. Regis Bookshar #6209753. Published by Regis Bookshar (A0.813374). Oboe Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for an Oboe Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (44 pages). In addition to this version for 5 Oboes, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Sonata Pian ‘e Forte for 8-part Antiphonal Trombone Ensemble
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Giovanni Gabrieli
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Russell McKinney
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Pian
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Sonata Pian ‘e Forte for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792814 Composed by Giovanni Gabrieli. Arranged by Russell McKinney. Baroque,Classical,Renaissance. Score and parts. 14 pages. Gordon Cherry #6641859. Published by Gordon Cherry (A0.792814). Gabrieli's Sonata Pian 'e Forte for 8-part Antiphonal Trombone Ensemble has been beautifully arranged (down a fifth from the original key) by Russel McKinney. The work (Ch.175) is part of the 1597 Sacrae symphoniae, published posthumously which contains sixty-three choral and instrumental works, many in multi-choir formations. This 8-part Sonata is in two choirs....a high one and a low one (in this case choir II uses three bass trombones with an optional Contrabass Trombone!)The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.The dramatic performance of the sound sample is by the arranger himself, Bass Trombonist Russell McKinney playing both tenor and bass trombones.The most unique aspect of this masterpiece is its use of printed dynamics...originally thought to be the first work of its sort; Pian (soft) and Forte (loud). These dynamic markings are central to the structure of the work.This 4 1/2 minute work is appropriate for moderately advanced to advanced performers. Parts 1 A and B are in tenor clef. Parts 4A, 2B,2C & 2D are for Tenor-Bass or Bass Trombones. Part 4B may be performed by a Contrabass Trombonist.
$22.50
FORESTS for 10 Trombones
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Contemporain
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Henry Wolking
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FORESTS for 10 Trombones
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792676 Composed by Henry Wolking. Contemporary. Score and parts. 58 pages. Gordon Cherry #5709507. Published...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792676 Composed by Henry Wolking. Contemporary. Score and parts. 58 pages. Gordon Cherry #5709507. Published by Gordon Cherry (A0.792676). Henry Wolking has written an exciting new work for Trombone Ensemble: FORESTS for 10 TROMBONES. This work, written for advanced performers is perfectly suited for nature lovers and the outdoors as it features the following special effect sounds: water, bird calls, the wind, the colors of the forest and winter storms. As well, the composer uses multiple mute colors, enhancing the sound of the music. The instrumentation is for two choirs of five with: 2 alto trombones, 6 tenor trombones and 2 bass trombones. It is about 10 minutes in length.
$40.00
Speaking Drums
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Peter Eotvos
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Speaking Drums
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Schott Music - Digital
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SheetMusicPlus
Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo ...
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Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo part. A battere. Downloadable, Solo part. Duration 23 minutes. Schott Music - Digital #Q49877. Published by Schott Music - Digital (S9.Q49877). Artificial language.'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) - S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.]).
$23.99
Illusion for Alto Sax, Bass Trombone and Piano
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Elizabeth Raum
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Illusion for Alto Sax, Bass Tr
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Gordon Cherry
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SheetMusicPlus
Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Che...
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Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Cherry #1027301. Published by Gordon Cherry (A0.1447517). Below are the program notes for Illusion for Alto Sax, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the alto sax is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. There are editions for Trumpet and Bass Trombone and Trumpet and Tuba, all accompanied by Piano.The work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.
$40.00
All I Want For Christmas Is You
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Noël
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Mariah Carey
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Austin Ralphson
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All I Want For Christmas Is Yo
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Austin Ralphson
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SheetMusicPlus
Euphonium,Tuba - Level 5 - SKU: A0.563382 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary,Po...
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Euphonium,Tuba - Level 5 - SKU: A0.563382 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary,Pop. 19 pages. Austin Ralphson #3574137. Published by Austin Ralphson (A0.563382). One of the most instantly recognisable, sing-along Christmas songs, this piece has been arranged for tuba quartet to be exciting to play and to listen to. Features a big, rubato solo at the start before kicking into the exciting bit! Needs a solid, driving bass sound to keep it motoring along. Also has the option for one of more players to have a sleigh bell attached to the ankle and shake it on every beat throughout the fast sections. Merry Christmas!
$14.99
All I Want For Christmas Is You
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Noël
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Mariah Carey
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Austin Ralphson
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All I Want For Christmas Is Yo
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Austin Ralphson
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.564086 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary...
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Woodwind Ensemble - Level 5 - SKU: A0.564086 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Austin Ralphson. Christmas,Contemporary,Pop. 35 pages. Austin Ralphson #6080979. Published by Austin Ralphson (A0.564086). One of the most instantly recognisable, sing-along Christmas songs, this piece has been arranged to be exciting to play and to listen to. Features a big, rubato solo at the start before kicking into the exciting bit! Needs a solid, driving bass sound to keep it motoring along. Also has the option for one of more players to have a sleigh bell attached to the ankle and shake it on every beat throughout the fast sections.Scored for 2 flutes, 2 oboes, 2 clarinets, 2 horns and 2 bassoons. Merry Christmas!
$15.99
Vienna Philharmonic Fanfare for 8-part Trombone Ensemble
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Richard Strauss
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Ross Holcombe
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Vienna Philharmonic Fanfare fo
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1416392 Composed by Richard Strauss. Arranged by Ross Holcombe. 20th Century,Romantic Period. 13 pages....
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1416392 Composed by Richard Strauss. Arranged by Ross Holcombe. 20th Century,Romantic Period. 13 pages. Gordon Cherry #998072. Published by Gordon Cherry (A0.1416392). The Wiener Philharmoniker Fanfare, Op. AV 109, also known as the Vienna Philharmonic Fanfare is a work for brass instruments written by Richard Strauss.The Fanfare, written for the Vienna Philharmonic orchestra, was premiered on March 4, 1924 at a benefit ball to mark their 40th anniversary and to raise money for the orchestra's pension fund. (Wikipedia)The music is brilliant and grand, having the composer's affinity for striking brass textures.This fantastic arrangement by Ross Holcombe for advanced performers is scored for 6 Tenor Trombones and 2 Bass Trombones.
$27.50
Wiener Philharmoniker Fanfare for Trombone Choir & Timpani (Opt.)
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Classique
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Richard Strauss
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Bob Burnham
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Wiener Philharmoniker Fanfare
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Timpani - Level 5 - SKU: A0.1329115 Composed by Richard Strauss. Arranged by Bob Burnham. 20th Century,Romantic Period. 29 ...
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Bass Trombone,Tenor Trombone,Timpani - Level 5 - SKU: A0.1329115 Composed by Richard Strauss. Arranged by Bob Burnham. 20th Century,Romantic Period. 29 pages. Gordon Cherry #917090. Published by Gordon Cherry (A0.1329115). The Wiener Philharmoniker Fanfare, Op. AV 109, also known as the Vienna Philharmonic Fanfare is a work for brass instruments written by Richard Strauss.The Fanfare was written for the Vienna Philharmonic orchestra, was premiered on March 4, 1924 at a benefit ball to mark their 40th anniversary and to raise money for the orchestra's pension fund. (Wikipedia)The music is brilliant and grand, having the composer's affinity for striking brass textures.This fantastic arrangement by Bob Burnham for advanced performers is scored for 9 Tenor Trombones, 3 Bass Trombones and Timpani (optional).
$30.00
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