Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
melody
Non classifié
237
Piano & claviers
Piano seul
409
Piano, Voix
53
Orgue
18
Instruments en Do
14
Piano Trio: piano, violon, violoncelle
10
Piano, Voix et Guitare
8
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
171
Guitare
79
Ligne De Mélodie, (Paroles) et Accords
24
Mandoline
3
Basse electrique
2
Ukulele
1
Paroles et Accords
1
Dulcimer
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
42
Chorale TTBB
21
Chorale SSAA
19
Chorale SSAATTBB
2
Chorale 3 parties
2
Voix Soprano, Piano
2
Voix duo
1
Voix duo, Piano
1
Chorale Unison
1
Voix haute
1
+ 5 instrumentations
Retracter
Vents
Saxophone
29
Clarinette
26
Flûte traversière
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Flûte traversière et Piano
18
Saxophone Alto
11
Hautbois, Piano (duo)
10
Clarinette et Piano
9
Saxophone Alto et Piano
8
Saxophone Tenor
8
Hautbois (partie séparée)
7
2 Saxophones (duo)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
6
2 Flûtes traversières (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
4
3 Clarinettes (trio)
4
2 Clarinettes (duo)
3
Flûte et Guitare
3
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Quintette de Saxophone: 5 saxophones
1
Saxophone Soprano
1
Flûte, Clarinette, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Alto et Piano
1
2 Hautbois (duo)
1
2 Clarinettes, Basson
1
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Clarinette Basse
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Harmonica
1
Ensemble de saxophones
1
2 Flûtes traversières, Piano
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette
27
Trombone
21
Trombone et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Piano
11
Ensemble de Trombones
8
Cor et Piano
7
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Tuba et Piano
4
Cor
3
Euphonium, Piano (duo)
3
Tuba
3
2 Euphoniums et 2 Tubas
3
Trompette (partie séparée)
2
3 Trombones (trio)
1
3 Tubas (trio)
1
Trombone basse
1
Cor et Orgue
1
2 Trompettes (duo)
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
Euphonium
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
28
Violoncelle
21
Violon et Piano
20
Violoncelle, Piano
17
Alto seul
13
Violon, Violoncelle (duo)
11
Alto, Piano
7
Harpe
7
4 Violoncelles
5
2 Violoncelles (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violons (duo)
3
Alto (partie séparée)
3
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Alto, Violoncelle (duo)
2
2 Altos (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
2 Contrebasses (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Ensemble Jazz
27
Orchestre à Cordes
26
Orchestre
24
Ensemble de cuivres
21
Jazz combo
15
Ensemble de Percussions
6
Cloches
6
Orchestre de chambre
6
Batterie
2
Fanfare
2
Marimba
2
Piano et Orchestre
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
237
Librairie Musicale
166
Matériel de Musique
253
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
melody
expert
Partitions à imprimer
237 partitions trouvées
<
1
26
51
....
226
And The Melody Still Lingers On
#
Chaka Khan
#
Accubass
#
And The Melody Still Lingers O
#
Accubass
#
SheetMusicPlus
Bass Guitar,Instrumental Solo,Synthesizer - Level 5 - SKU: A0.838779 By Chaka Khan. By Arif Mardin, Chaka Khan, Frank Paparelli, and John Birks Gillespi...
(+)
Bass Guitar,Instrumental Solo,Synthesizer - Level 5 - SKU: A0.838779 By Chaka Khan. By Arif Mardin, Chaka Khan, Frank Paparelli, and John Birks Gillespie. Arranged by Accubass. Hip-Hop,R & B. Individual part. 8 pages. Accubass #6624563. Published by Accubass (A0.838779). Complete bassline.
$5.99
The Melody Man
#
Classique
#
Richard Mcclelland and William
#
Jock McKenzie
#
The Melody Man
#
Superbrass Music, Music for Brass
#
SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1081808 Composed by Richard Mcclelland and William Leon Goldenberg. Arranged by Jock McKenzie. ...
(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1081808 Composed by Richard Mcclelland and William Leon Goldenberg. Arranged by Jock McKenzie. Classical. 53 pages. Superbrass Music, Music for Brass #685936. Published by Superbrass Music, Music for Brass (A0.1081808). Superbrass Music, Music for Brass 4 Trumpets 1 Horn in F 3 Trumpets 1 Euphonium (or Trombone) 1 Tuba 1 Drum Kit.
$25.00
Gypsy Melody
#
Rodion Shchedrin
#
Gypsy Melody
#
Schott Music - Digital
#
SheetMusicPlus
Violin - difficult - SKU: S9.Q6595 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 4 minutes. Schott Mus...
(+)
Violin - difficult - SKU: S9.Q6595 Composed by Rodion Shchedrin. This edition: Sheet music. Violin Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q6595. Published by Schott Music - Digital (S9.Q6595).
$9.99
Vienna
#
Rock
#
Billy Joel
#
Don Hodell Chilcote
#
Fun Stuff.
#
Vienna
#
Don Hodell Chilcote
#
SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.779219 By Billy Joel. By Billy Joel. Arranged by Don Hodell Chilcote. Pop,Rock. Score and parts. 4 pages. Don Hodell ...
(+)
Small Ensemble - Level 5 - SKU: A0.779219 By Billy Joel. By Billy Joel. Arranged by Don Hodell Chilcote. Pop,Rock. Score and parts. 4 pages. Don Hodell Chilcote #6680465. Published by Don Hodell Chilcote (A0.779219). Vienna is for piano solo or ensemble. This is a great song by billy joel and I was having fun using melodyne vocal audio units plugin in logic and adding harmonies. I transposed the original score to a bass or alto range for singing. 3 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. Fun Stuff.
$4.99
Rain and Flowers (for violin and piano)
#
Contemporain
#
Paul SanGregory
#
Rain and Flowers
#
Distant Engraver Music
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distan...
(+)
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.977042 Composed by Paul SanGregory. Contemporary. Score and parts. 23 pages. Distant Engraver Music #4593095. Published by Distant Engraver Music (A0.977042). At the request of a friend, this piece incorporates the melody of an old popular song from Taiwan’s Japanese period. It is a simple folk-like melody with words based on the image of flowers that were washed to the ground during a rainy night. Rain and Flowers is neither an arrangement nor a traditional theme and variations. Instead, it is a series of free improvisations on ideas from the song. Some of those ideas are musical, while others relate to images or meanings in the lyrics. Because I think the lyrics contain a sense of sadness and loss, there are times when that emotion comes through. The image of flower petals strewn on the ground was an important inspiration because it can be seen as being both beautiful and pitiful, or even tragic. Also, those petals can be contemplated in silence after the storm, or during the time when they are begin blown by the driving rain and fierce winds. For that reason, I portray various types of rain and wind as the piece progresses. However, because the original song was a simple melody written after the storm, that is where this piece ends, with a more obvious playing of the melody, though still in an improvisatory and folk-like way. The single downloadable file for this piece contains both the full score and violin part.
$10.00
Donna Lee
#
Jazz
#
Charlie Parker
#
David Heywood
#
Donna Lee
#
David Heywood
#
SheetMusicPlus
Large Ensemble,Rhythm Section Flute - Level 5 - SKU: A0.910422 By Charlie Parker. By Charlie Parker. Arranged by David Heywood. Jazz. Score and parts. 6...
(+)
Large Ensemble,Rhythm Section Flute - Level 5 - SKU: A0.910422 By Charlie Parker. By Charlie Parker. Arranged by David Heywood. Jazz. Score and parts. 63 pages. David Heywood #5203399. Published by David Heywood (A0.910422). Donna Lee by legendary jazz saxophonist Charlie Parker falls in to the category of a contrafact, or the recycling of an older tune using a new melody with the same chord changes. In this case, Parker used an old tune from 1917 called Indiana, or Back Home Again in Indiana, improvised a new melody over it, and the rest is history. This medium-up tempo swing arrangement features flute quartet (Four C Flutes) and rhythm section, and uses a paraphrase of the original tune in combination with Parker’s melody in the head and a canon with the same melody in the head out. All instruments get the opportunity to solo, and there is a flute soli section after blowing that pays homage to another contrafact done on the same tune by Horace Silver. Not an easy chart, but well worth the effort!
$19.99
Sinfonietta for Percussion Trio
#
Contemporain
#
measure 41, the transition has
#
Dan Heslink
#
#
Sinfonietta for Percussion Tri
#
Pharaoh Publications
#
SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - SKU: A0.935386 Composed by Dan Heslink. Contemporary...
(+)
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
Rather Be
#
Clean Bandit Feat
#
Hot Potato Band
#
Rather Be
#
Hot Potato Band
#
SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat instrument,Baritone Saxophone,Bass Clef Instrument,Bass Voice,Drums,E-Flat Instrument,Tambourine,Tenor Saxophone,Treble Cle...
(+)
Large Ensemble Alto Saxophone,B-Flat instrument,Baritone Saxophone,Bass Clef Instrument,Bass Voice,Drums,E-Flat Instrument,Tambourine,Tenor Saxophone,Treble Clef Instrument,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1099768 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Hot Potato Band. Contemporary,Funk,Jazz,Pop. Score and parts. 61 pages. Hot Potato Band #702044. Published by Hot Potato Band (A0.1099768). Hot Potato Band's pumping arrangement of Rather Be. Think: Brass Band meets Pop meets Drum&Bass. You might need a towel after this! This PDF includes: Score, Vocal Melody (Concert Treble), Trumpet, Alto Sax, Tenor Sax, Trombone, Bari Sax, Sousaphone, Bass, Tambourine, Drums. PLUS it comes with a bonus E-flat Melody part (e.g. alto sax, bari sax, Eb clarinet), B-flat Melody part (e.g. trumpet, tenor sax, Bb clarinet), and Bass Clef Melody part (e.g. trombone, cello). Check it out on YouTube!
$59.99
Colours for Trombone and Guitar
#
Contemporain
#
Stewart, Billy
#
Colours for Trombone and Guita
#
Gordon Cherry
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Trombone - Level 5 - SKU: A0.792092 Composed by Stewart, Billy. Contemporary. Score and parts. 4 pages. Gordo...
(+)
Instrumental Duet Guitar,Instrumental Duet,Trombone - Level 5 - SKU: A0.792092 Composed by Stewart, Billy. Contemporary. Score and parts. 4 pages. Gordon Cherry #3420749. Published by Gordon Cherry (A0.792092). The composer's description of this fascinating, expressive and unique work: I wrote this piece after being inspired by the poem 'Colours' by Yevgeny Yevtushenko, an older contemporary poet who was of Russian heritage [recently deceased]. This coincided - of course - with the loss of my 'heart's desire'. I wrote one melodic note for each syllable of the English translation of the text. I came up with the melody in the left hand of the piano with right hand playing chords/lines above it. I re-wrote the chordal parts for the guitar [my true instrument] with the idea of a low voice singing the words below the guitar part. It seems the melody was not singable! However, I did not want to change it- I thought the melody was exactly as it should be. This work is about 3 minutes in length and appropriate for advanced performers.
$15.00
Diehnelt: Stile Antico for 5-voice cello ensemble
#
Kim Diehnelt
#
Diehnelt: Stile Antico for 5-v
#
Kim Diehnelt
#
SheetMusicPlus
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim D...
(+)
String Ensemble,String Quintet Cello - Level 5 - SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim Diehnelt #4350647. Published by Kim Diehnelt (A0.809059). Stile Antico: On a theme of Palestrina (2012) for 5-voice cello ensemble The title Stile Antico refers a style of musical composition from the 16th century which was often employed in church music, because it allowed the words (sacred text) of each singer to be clearly heard. This pre-classical polyphony was many-voiced and without instrumental accompaniment. Inspired by a theme from a mass by Giovanni Pierluigi da Palestrina (c. 1525 – 1594) ‘Praestet hoc nati genitor, I present a modern cello ensemble rendition of this ‘ancient style.’ Most conspicuous of the work’s attributes is the use of time. Rather than moving the musical ideas and themes towards a goal or through structural development and a sense of progress, the music (and time) unfolds perhaps as the natural swing of a pendulum; neither clinging to a past, nor anticipating a future. The listener beholds one moment continuously being reshaped through sound. Also, the concepts of melody and harmony as we assume them today are blurred. Of the five players, no one has the melody, no one has the harmony, yet together the ensemble combines to create a continuous flux of melodic-harmony (or harmonic-melody). This idea is of another type of ‘stile antico.’ Within the ideas of alchemy, which richly influenced the music of the 16th century and beyond, exists the concept that one plus one equals three. That is, two objects also create a ‘between-ness.’ So too with musical voices; the combination of two voices creates a new between-ness. Through out this work the individual cellists create a continuously shifting canvas of ‘between-ness.’ The music and the performers ask for a renewed perception of the many between-nesses of our present moment. www.kimdiehnelt.com(c) 2012 (ASCAP)
$18.95
Brass Sextet - Allegro Spiritoso
#
Contemporain
#
Mike Lyons
#
Brass Sextet - Allegro Spirito
#
Lyons Music Services
#
SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Servic...
(+)
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
Nearer, My God, To Thee
#
Musique Sacrée
#
Lowell Mason
#
Melody Shipley
#
Nearer, My God, To Thee
#
Melody Shipley
#
SheetMusicPlus
Brass Ensemble Trumpet - Level 5 - SKU: A0.773055 Composed by Lowell Mason. Arranged by Melody Shipley. Christian,Easter,Sacred. Score and parts. 18 pag...
(+)
Brass Ensemble Trumpet - Level 5 - SKU: A0.773055 Composed by Lowell Mason. Arranged by Melody Shipley. Christian,Easter,Sacred. Score and parts. 18 pages. Melody Shipley #6320795. Published by Melody Shipley (A0.773055). This quartet for four trumpets includes the title hymn as well as references to Just a Closer Walk With Thee. Range: Low F# to above the staff A in trumpet 2 and above the staff Bb in trumpet 1 briefly.
$10.00
It Don't Mean A Thing (if It Ain't Got That Swing)
#
Jazz
#
Duke Ellington
#
David Heywood
#
It Don't Mean A Thing
#
David Heywood
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - SKU: A0.910433 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by David Heywood. Jazz. 61 pages. Dav...
(+)
Woodwind Ensemble Flute - Level 5 - SKU: A0.910433 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by David Heywood. Jazz. 61 pages. David Heywood #6437245. Published by David Heywood (A0.910433). Looking for something different? How about some thing VERY different? Here is the 1931 Duke Ellington classic It Don't Mean a Thing (if It Ain't Got that Swing) done as a drum feature, with a very modern harmonic approach and aggressive melodic ideas. This fast swinging chart starts with energetic solo drum time, then the entire flute ensemble trades eights (as a soli based on motives from the melody) with the drums for two choruses before a brief statement of the melody. This is followed by open solos over the original changes, and an open drum solo. The chart then transitions to a half-time swing free-for-all with fragments of the melody flying in all directions, capped of by a brief return of the opening section. Not for the faint of heart, and definitely not the same old jazz flute choir experience! Scored for piccolo, five C flutes, alto and bass flutes, piano, bass, and drums, with optional guitar.
$19.99
Arirang (For Piano Trio)
#
Contemporain
#
Han-Ki Kim
#
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
(+)
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90
Oscillation
#
Contemporain
#
contrast, the string quartet h
#
Jeremy Hart
#
Oscillation
#
Jeremy Graham Hart
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
(+)
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
#
Carson Cooman
#
Carson Cooman: Folk Fantasies
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score an...
(+)
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
Corant - trio- xylophone/acoustic guitar/electric bass guitar
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- xylophone/acous
#
Phil Beaman
#
SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instruct...
(+)
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
Carol of the Bells
#
Noël
#
Mykola Leontovych
#
Dillon Ekle
#
Carol of the Bells
#
Dillon Ekle
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.966754 Composed by Mykola Leontovych. Arranged by Dillon Ekle. 20th Century,Christmas. Sco...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.966754 Composed by Mykola Leontovych. Arranged by Dillon Ekle. 20th Century,Christmas. Score and parts. 23 pages. Dillon Ekle #6110763. Published by Dillon Ekle (A0.966754). This is a rhythmic, energetic arrangement of Carol of the Bells for piano duet (four-hands). The melody is treated in several different styles before the final section completes the arrangement with a more traditional treatment of the melody. Written with a concert setting in mind, this arrangement would do well as a postlude or other special instrumental offering during a worship service or other event.The PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
Bach: Christmas Oratorio BWV248 "Sinfonia Pastoral" - symphonic wind
#
Classique
#
Johann Sebastian Bach
#
Ray Thompson
#
Bach: Christmas Oratorio BWV24
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pag...
(+)
Large Ensemble - Level 5 - SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pages. RayThompsonMusic #4762509. Published by RayThompsonMusic (A0.553809). The well known Sinfonia Pastoral comes from the second part of Bach's Christmas Oratorio.It is scored for 2 flutes, 2 oboe d'amore, 2 oboe da caccia, strings, continuoI have added natural horns in G. ( Horns in F are provided as well)Bach uses the 4 oboes to indicate the shepherds, as a counter melody to that of the strings.I have used the 2 oboes and bassoon 1 as the mainstay of the oboe quartet and given the sustained notes played by Bach's 4th oboe to horn or clarinet. This keeps the counter melody on the double reed instruments, and gives a fair refection of Bach's original.Flutes, clarinets and bassoon2 play the original string parts.Arranged here for double wind quintet and bass.
$19.95
Arioso from Cantata No. 156 & Clavier Concerto No. 5
#
Classique
#
Johann Sebastian Bach
#
Ralph Sauer
#
Arioso from Cantata No. 156 &a
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792432 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Christian,Classical,Sacred. Score...
(+)
Brass Ensemble Trombone - Level 5 - SKU: A0.792432 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Christian,Classical,Sacred. Score and parts. 21 pages. Gordon Cherry #4821657. Published by Gordon Cherry (A0.792432). Ralph Sauer has beautifully arranged Bach's famous melody Arioso taken from Cantata No. 156 & Clavier Concerto No. 5. Each part of the melody is repeated, the first time with the simple Cantata phrasing and the second time from the ornamented Clavier Concerto. The end result is a beautiful melding of a piece of music from heaven for four part Trombone Ensemble. This work can be performed by moderately advanced musicians.
$12.50
Witches’ Sabbath from Symphonie Fantastique
#
Classique
#
Hector Berlioz
#
Randall Malmstrom
#
Witches’ Sabbath from Sy
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792558 Composed by Hector Berlioz. Arranged by Randall Malmstrom. 20th Century,Classical,Romantic Period. Sc...
(+)
Brass Ensemble Trombone - Level 5 - SKU: A0.792558 Composed by Hector Berlioz. Arranged by Randall Malmstrom. 20th Century,Classical,Romantic Period. Score and parts. 130 pages. Gordon Cherry #5008561. Published by Gordon Cherry (A0.792558). Symphonie Fantastique was written in 1830 as one of the first program symphonies in musical history. The Witches’ Sabbath is the fifth and final movement tells the story of the author himself amongst a hideous gathering of sorcerers, monsters and witches who have come together for his funeral. The original melody from the first movement is now a vulgar and grotesque dance. Berlioz also combines the Dies irae melody to strike even more fear into the listener. This arrangement of about 10 minutes in length by Randall Malmstrom is a full transcription of the movement and is appropriate for advanced performers.
$42.50
Chopin : Nocturne Op.9-2 (for Eb Clarinet and Piano)
#
Classique
#
Frederic Chopin
#
Shimpei Kojima
#
Chopin : Nocturne Op.9-2
#
Shimpei Kojima
#
SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.914855 Composed by Frederic Chopin. Arranged by Shimpei Kojima. Concert,Romantic...
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 5 - SKU: A0.914855 Composed by Frederic Chopin. Arranged by Shimpei Kojima. Concert,Romantic Period,Standards. Score and parts. 6 pages. Shimpei Kojima #5213737. Published by Shimpei Kojima (A0.914855). Chopin composed his best-known Nocturne in E-flat major, Op.9 No.2 when he was around twenty years old. Nocturne in E-flat major opens with a legato melody, this melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.
$2.99
Hide And Seek
#
Imogen Heap
#
Christopher Bill
#
Hide And Seek
#
Christopher Bill
#
SheetMusicPlus
Small Ensemble Trombone,Tuba - Level 5 - Interactive Download SKU: A0.546896 Composed by Imogen Heap. Arranged by Christopher Bill. This edition: Interac...
(+)
Small Ensemble Trombone,Tuba - Level 5 - Interactive Download SKU: A0.546896 Composed by Imogen Heap. Arranged by Christopher Bill. This edition: Interactive Download. Folk,Pop. Score and parts. 17 pages. Duration 263. Christopher Bill #1Mj1yMurHpWmDvq8ovPA9u. Published by Christopher Bill (A0.546896). Key: A major.Arranged much like a four-part vocal arrangement, the melody is in the 2nd part with the top part riding above the melody until, well, the second part rockets above. Any of the stratospheric range can be taken down an octave and the arrangement still works perfectly.
$14.99
Low Brass - Horn Piece
#
Mike Lyons
#
Low Brass - Horn Piece
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music ...
(+)
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music Services #6703123. Published by Lyons Music Services (A0.767606). Originally a horn quartet inspired by a conversation about writing for horns. There are three movements. The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the lower tuba at the end.Enjoy.This is a really enjoyable and exciting new addition to the low brass quartet repertoire.
$15.00
Be Thou My Vision
#
Musique Sacrée
#
Folklorique/Traditionel
#
Traditional Irish
#
Addison Horner
#
Be Thou My Vision
#
Addison Horner
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.676756 Composed by Traditional Irish. Arranged by A...
(+)
Instrumental Duet Cello,Instrumental Duet,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.676756 Composed by Traditional Irish. Arranged by Addison Horner. This edition: Interactive Download. Praise & Worship. Score and parts. 8 pages. Duration 167. Addison Horner #1VKdkbmh47I3oBxOQMx3a8. Published by Addison Horner (A0.676756). Key: C major.This traditional Irish hymn translates beautifully to a piano-cello duet in C major. The cello plays the melody in two different octaves, and the piano takes the melody for the second verse. This arrangement works well as special music for a worship service or as part of a wedding ceremony!
$4.99
<
1
26
51
....
226
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
melody 
