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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
9
Non classifié
8 674
Piano & claviers
Piano, Voix et Guitare
5 286
Piano, Voix
4 935
Piano seul
4 684
Piano grosses notes
3 347
Orgue
2 035
Piano Facile
1 134
1 Piano, 4 mains
294
Piano Trio: piano, violon, violoncelle
130
Accordéon
78
2 Pianos, 4 mains
77
Instruments en Do
75
Accompagnement Piano
63
Clavier
59
Piano Quatuor: piano, violon, alto, violoncelle
31
Piano Quintette: piano, 2 violons, alto, violoncelle
25
Orgue, Piano (duo)
25
Piano Quatuor: piano, 2 violons, violoncelle
25
Orgue, Trompette (duo)
21
Clavecin
18
Piano (partie séparée)
18
1 Piano, 6 mains
13
2 Accordéons
4
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
2
Fake Book
1
Instrument seul et Orgue
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 227
Guitare
501
Basse electrique
320
2 Guitares (duo)
77
Piano, Guitare (duo)
59
Ukulele
50
Ligne De Mélodie, (Paroles) et Accords
48
4 Guitares (Quatuor)
36
3 Guitares (trio)
20
Mandoline
12
Dulcimer
9
Guitare (partie séparée)
8
Paroles et Accords
8
Ensemble de guitares
7
3 Dulcimers (trio)
7
Guitare, Flûte, Clarinette
3
Guitare, Violon, Violoncelle (trio)
3
Basse électrique (partie séparée)
2
Mandoline, Piano (duo)
2
Banjo
1
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
2 Mandolines (duo)
1
2 Ukuleles
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
3 889
Chorale 3 parties
1 729
Chorale 2 parties
1 019
Chorale TTBB
794
Chorale SSAA
409
Pack Instrumental pour Chorale
313
Voix duo, Piano
290
Chorale
194
Chorale Unison
165
Voix seule
134
Voix duo
88
Voix Soprano, Piano
66
Voix haute
49
Voix Alto, Piano
31
Voix basse, Piano
31
Voix Tenor, Piano
31
Voix Baryton, Piano
28
Voix moyenne, Piano
17
Chorale SSATBB
12
Chorale SSATB
11
Chorale SSAATTBB
8
Voix Tenor
8
Voix Mezzo-Soprano, Piano
7
Chorale SAATB A Cappella
6
Chorale SATTB
5
Chorale SSAB a cappella
5
Voix basse
4
Chorale SSAB, Piano
3
Voix, Guitare
3
Voix Moyenne
2
Chorale SSATTB
2
Voix haute, Piano
2
Male Voice
2
Chorale SATTBB, Clavier
2
Chorale SSAATB
2
Voix et basse continue
1
Voix duo, Orgue
1
Voix Soprano, Orchestre
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
+ 35 instrumentations
Retracter
Vents
Flûte traversière et Piano
974
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
711
Clarinette et Piano
696
Quatuor de Saxophones: 4 saxophones
649
Saxophone Alto et Piano
595
Hautbois, Piano (duo)
533
Saxophone Tenor et Piano
448
Quatuor de Clarinettes: 4 clarinettes
432
Flûte, Hautbois, Clarinette, Basson
383
2 Saxophones (duo)
344
Quatuor de Flûtes : 4 flûtes
302
Saxophone Soprano et Piano
278
Quintette de Saxophone: 5 saxophones
268
2 Flûtes traversières (duo)
252
Clarinette
247
3 Clarinettes (trio)
222
2 Clarinettes (duo)
218
Flûte traversière
196
3 Saxophones (trio)
164
Saxophone Baryton, Piano
146
Trio de Flûtes: 3 flûtes
146
Clarinette Basse, Piano
96
2 Flûte à bec (duo)
95
Flûte, Clarinette (duo)
85
Flûte et Guitare
80
Quintette de Clarinettes: 5 clarinettes
79
Cor anglais, Piano
73
Ensemble de Clarinettes
72
Saxophone (partie séparée)
71
2 Hautbois (duo)
69
Hautbois (partie séparée)
66
Clarinette (partie séparée)
61
Saxophone Alto
58
Quatuor de Flûtes à bec
57
Saxophone Tenor
49
Flûte, Violon
48
Hautbois, Basson (duo)
48
Flûte, Clarinette et Basson
45
Ensemble de Flûtes
44
Flûte, Violon, Piano
43
Flûte, Hautbois, Clarinette (trio)
42
Clarinette, Violon (duo)
40
Piccolo, Piano
39
Hautbois, Clarinette, Basson (trio d'anches)
39
Clarinette, Guitare (duo)
38
Flûte, Clarinette, Piano (trio)
35
3 Flûtes à bec (trio)
34
Quintette de Flûte : 5 flûtes
31
Clarinette, Basson (duo)
30
Ensemble De Flûte à bec
30
Flûte, Violoncelle
27
Flûte à Bec
27
Hautbois
26
Flûte, Hautbois, Basson
25
2 Clarinettes, Piano
24
Flute (partie séparée)
24
Ensemble de saxophones
23
Flûte, Violoncelle, Piano (trio)
22
Flûte à bec Soprano
20
Flûte à bec Alto, Piano
20
Clarinette, Violoncelle (duo)
20
Hautbois, Clarinette (duo)
20
Flûte à Bec, Piano
20
Flûte à bec Soprano, Piano
19
Flûte à bec Tenor
18
Flute, harpe et violon
18
Flûte, Hautbois (duo)
18
3 Hautbois
18
Clarinette, Harpe (duo)
17
2 Flûtes traversières, Piano
17
Flûte, Harpe et Violoncelle
16
Clarinette et Alto
16
Saxophone et Guitare
15
Flûte, Basson et Piano
15
2 Saxophones, Piano
14
Flûte, Hautbois, Piano (trio)
14
Saxophone
14
Flûte, Violon et Violoncelle
14
Flûte à bec Alto
13
Flûte, Alto (duo)
13
2 Clarinettes, Basson
13
Hautbois, Flûte
13
Saxophone, Clarinette (duo)
12
5 Flûtes à bec
12
Hautbois, Guitare (duo)
10
Flûte, Trompette (duo)
10
Flûte, Trombone (duo)
8
Clarinette, Basson, Piano (trio)
8
Saxophone et Piano
8
Harmonica
7
Clarinette, Violoncelle, Piano (trio)
7
Cor anglais, Guitare (duo)
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Saxophone et Orgue
7
Hautbois, violon (duo)
6
Saxophone Soprano
6
Hautbois, Violoncelle
6
Flûte traversière, Orgue (duo)
5
Clarinette, Trombone (duo)
4
2 Cors Anglais Et Pianoforte
4
Clarinette Basse
4
Clarinette, Orgue
4
Cor Anglais
4
Flûte, Saxophone (duo)
4
2 Hautbois, Piano
4
Flûte et Trio à cordes
4
Flûte, Violoncelle, Guitare
3
Flûte, Violon, Violoncelle et Piano
3
Ocarina
3
Clarinette, Trompette (duo)
3
Flûte, Clarinette, Violon (trio)
3
4 Hautbois
3
Hautbois, Violoncelle et Piano
3
Flûte à bec, Guitare (duo)
3
Flûte, Violon, Guitare
3
Flûte, Alto et Piano
3
Saxophone et Harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Instruments en Mib
2
Saxophone et violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone, Basson (duo)
2
Clarinette, trompette et piano
2
Saxophone, Violon (duo)
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, Basson et Piano
2
Hautbois, Trompette (duo)
2
Hautbois, Orgue
2
Hautbois, Harpe
2
2 Hautbois et Basson
1
Piccolo
1
Hautbois et alto (duo)
1
Flûte et Quatuor à Cordes
1
Cor anglais et Harpe (duo)
1
2 Flûtes traversières, Guitare
1
Flûte traversière, Basse continue
1
Clarinette, Orchestre
1
2 Flûtes traversières, Harpe
1
Ensemble de Hautbois
1
Hautbois, Violon, Piano
1
Clarinette, Alto et Piano (trio)
1
Hautbois, trombone (duo)
1
2 Hautbois et Cor anglais
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, alto et harpe
1
Ensemble à vent
1
+ 143 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
769
Trombone et Piano
488
Trompette, Piano
479
Cor et Piano
345
Quatuor de Cuivres : 2 trompettes, trombone, tuba
342
Trompette
198
Tuba et Piano
162
Quatuor de Cuivres
158
Euphonium, Piano (duo)
101
Cor
98
2 Euphoniums et 2 Tubas
95
2 Trombones (duo)
93
2 Trompettes (duo)
90
2 Cors (duo)
86
Quatuor de Cuivres: 2 trompettes, Cor, trombone
83
Cor anglais, Piano
73
Trompette (partie séparée)
72
Trombone
71
Quatuor de cuivres: 4 cors
69
Trombone (partie séparée)
66
Trompette, Trombone (duo)
59
Quatuor de cuivres: 4 trombones
57
Trompette, Cor (duo)
42
Cor (partie séparée)
40
Ensemble de Trompettes
38
Ensemble de Trombones
37
Trombone basse et Piano
37
Tuba
34
3 Trompettes (trio)
30
Trio de Cuivres
29
3 Trombones (trio)
28
4 Tubas
19
Trompette, Saxophone (duo)
17
Tuba (partie séparée)
16
Trombone, Tuba (duo)
14
Quatuor de cuivres: 4 trompettes
14
Trombone, Cor (duo)
13
2 Tubas (duo)
11
Trompette, Tuba (duo)
11
2 Euphoniums (duo)
11
Cor, Tuba (duo)
10
3 Cors (trio)
9
Tuba et Orgue
9
Trombone, Orgue
8
Trombone basse
7
Cor anglais, Guitare (duo)
7
Euphonium
7
Ensemble de Cors
6
2 Trompettes, Clavier (piano ou orgue)
6
Trompette et Guitare
6
Cor et Harpe
5
2 Trombones, Piano
5
Euphonium, Tuba (duo)
5
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
2 Cors Anglais Et Pianoforte
4
Cor Anglais
4
Cornet A Pistons
4
Trompette, Harpe
3
2 Cors, Piano
3
Trombone, violoncelle (duo)
3
3 Tubas (trio)
3
Trompette, violon (duo)
3
Trompette, Basson (duo)
2
Bass Clef Instruments
2
Instruments en Sib
2
3 Euphoniums
2
Trompette, Violoncelle (duo)
2
Trompette, Trombone, Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cor, Violoncelle (duo)
2
Instruments en Fa
2
Trombone, Violon (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba ou Euphonium ou Saxhorn
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Alto (duo)
1
Trompette, Violoncelle et Piano
1
Cor et Basson (duo)
1
4 Euphoniums
1
Cor et Orgue
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 139
Violon et Piano
1 130
Violoncelle, Piano
814
Alto, Piano
638
Violon, Violoncelle (duo)
347
Trio à Cordes: violon, alto, violoncelle
293
Quintette à cordes: 2 violons, alto, violoncelle, basse
275
Violon
250
2 Violons (duo)
228
Harpe
210
2 Violoncelles (duo)
198
Violoncelle
189
2 Harpes (duo)
168
Violon, Alto (duo)
132
2 Altos (duo)
106
Contrebasse, Piano (duo)
101
Alto seul
95
Trio à Cordes: 2 violons, violoncelle
89
4 Violoncelles
82
Alto, Violoncelle (duo)
67
Trio à cordes: 3 violins
64
Quatuor à cordes: 4 violons
63
Violon (partie séparée)
59
Piano Trio: Violon, Alto, Piano
58
Trio à cordes
53
Trio à Cordes: 3 violoncelles
51
Violon, Guitare (duo)
44
Contre Basse
41
Harpe, Violon (duo)
41
Alto (partie séparée)
35
Trio à cordes: 3 altos
32
Violoncelle , Guitare (duo)
32
Harpe, Flûte (duo)
32
Harpe et Piano
30
Contrebasse (partie séparée)
24
2 Contrebasses (duo)
24
Trio à Cordes: 2 violons, alto
24
Alto, Guitare (duo)
22
Quatuor à cordes : 4 altos
21
Violoncelle, Contrebasse (duo)
20
2 Violons, Piano
18
Violoncelle (partie séparée)
14
Ensemble de Violoncelles
10
Violon, Basson (duo)
9
Violon, Clarinette, Piano (trio)
8
2 Violoncelles, Piano
8
Ensemble de Violons
8
Alto et Harpe
7
Harpe, Violoncelle (duo)
7
3 Contrebasses
7
Ensemble d'Altos
6
Violon, Orgue
6
Violon, Basse continue
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
4 Contrebasses
5
Harpe, Violon, Violoncelle
5
Alto et Basson
4
Harpe, Voix
3
Violoncelle, Orgue
3
2 Altos, Piano
2
Alto et orchestre
2
Violon, Violoncelle, Clarinette
2
Violon, Contrebasse (duo)
1
2 Violons et Basse continue
1
Ensemble de Contre basses
1
Alto, Orgue
1
Flûte, Contrebasse (duo)
1
+ 63 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
942
Orchestre d'harmonie
527
Cloches
304
Orchestre
296
Ensemble de cuivres
265
Ensemble Jazz
152
Orchestre de chambre
148
Fanfare
133
Batterie
117
Ensemble de Percussions
69
Jazz combo
68
Marimba
34
Percussion (partie séparée)
28
Xylophone, Piano
13
Quintette à Vent
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
13
Batterie (partie séparée)
12
Vibraphone
11
Quatuor à Vent : 4 instruments à vents
9
Percussion
9
Timbales (partie séparée)
9
2 Xylophones
6
Batterie-Fanfare
5
Piano et Orchestre
4
Vibraphone (partie séparée)
3
Caisse Claire
2
2 Percussions
2
Xylophone
2
Trio à Vent: 3 instruments à vents
2
Orchestre, Violon
1
2 Marimbas
1
Timbales
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
Vibraphone et Marimba
1
+ 32 instrumentations
Retracter
Autres
Formation musicale - Solfège
12
Papeterie
4
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
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LIVRES
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MANDOLINE
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FUNK
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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9 to Nine
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1010613 Composed by Za…
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1010613 Composed by Zack Davis. Concert,Contemporary. 9 pages. James Zachary Davis #568785. Published by James Zachary Davis (A0.1010613). 9 to Nine by: Zack Davis Score, Flute 1, Flute 2, Flute 3, Flute 4, Flute 5. This piece is a short chorale for Flute Ensemble. It was written as a beautiful chorale for a slow of pace in a studio concert, or for a piece in a Recital. Each part carries a line of melody from time to time with Flute 1 and 2 echoing each other at times. This beautiful piece will set a soft, quiet mood. The idea behind 9 to Nine is a musical statement more than a title. The 9th scale degree is used a good bit through the piece. You hear it at the beginning and end of the piece hence the title 9 to Nine.. I sincerely hope you enjoy this piece for Flute Ensemble. -Zack Davis.
$15.00
13.83 €
#
Zack Davis
#
9 to Nine
#
James Zachary Davis
#
SheetMusicPlus
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 9
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876541 Composed by Ludwi…
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876541 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 34 pages. JoeCopio Music LLC #2101569. Published by JoeCopio Music LLC (A0.876541). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
9.21 €
#
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies
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Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 9
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JoeCopio Music LLC
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SheetMusicPlus
THE BEETHOVEN DUETS FOR CELLO VOLUME 3 SCHERZI 7, 8 and 9
String Ensemble Cello - Level 5 - Digital Download SKU: A0.876555 Composed by Ludwi…
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.876555 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 78 pages. JoeCopio Music LLC #2101639. Published by JoeCopio Music LLC (A0.876555). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
18.42 €
#
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies
#
Ludwig van Beethoven
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Joe Procopio
#
THE BEETHOVEN DUETS FOR CELLO VOLUME 3 SCHERZI 7, 8 and 9
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JoeCopio Music LLC
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SheetMusicPlus
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 9
String Ensemble Cello - Level 5 - Digital Download SKU: A0.876554 Composed by Ludwi…
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String Ensemble Cello - Level 5 - Digital Download SKU: A0.876554 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 37 pages. JoeCopio Music LLC #2101601. Published by JoeCopio Music LLC (A0.876554). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
9.21 €
#
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies
#
Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 9
#
JoeCopio Music LLC
#
SheetMusicPlus
THE BEETHOVEN DUETS FOR VIOLA VOLUME 3 SCHERZI 7, 8 and 9
String Ensemble Viola - Level 5 - Digital Download SKU: A0.876544 Composed by Ludwi…
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String Ensemble Viola - Level 5 - Digital Download SKU: A0.876544 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 65 pages. JoeCopio Music LLC #2101581. Published by JoeCopio Music LLC (A0.876544). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
18.42 €
#
Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies
#
Ludwig van Beethoven
#
Joe Procopio
#
THE BEETHOVEN DUETS FOR VIOLA VOLUME 3 SCHERZI 7, 8 and 9
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JoeCopio Music LLC
#
SheetMusicPlus
Albinoni - Oboe Concerto No.9 in C major Op.9 for Two Oboes and Cembalo or Piano
Instrumental Duet Harpsichord,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: …
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Instrumental Duet Harpsichord,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.517161 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and parts. 26 pages. Santino Cara #3557581. Published by Santino Cara (A0.517161). Complete score and parts of the Oboe Concerto No.9 in C major for Two Oboes and Cembalo. Transcribed by Santino Cara fro 12 Comcertos Op.9 by Tomaso Albinoni.
$17.99
16.59 €
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Albinoni Tomaso
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Santino Cara
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Albinoni - Oboe Concerto No.9 in C major Op.9 for Two Oboes and Cembalo or Piano
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Santino Cara
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SheetMusicPlus
Albinoni - Oboe Concerto No.9 in C major Op.9 for Two Oboes, Strings and Cembalo
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.517160 Composed by Albinoni …
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.517160 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. 81 pages. Santino Cara #3555335. Published by Santino Cara (A0.517160). Complete core and parts of the Oboe Concerto No.9 in C major for Two Oboes, Strings and Cembalo. Reconstructed and elaborated by Santino Cara from 12 Concertos Op.9 by Tomaso Albinoni.
$18.40
16.96 €
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Albinoni Tomaso
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Santino Cara
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Albinoni - Oboe Concerto No.9 in C major Op.9 for Two Oboes, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.59 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Co…
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String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
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