Theme song of the James Bond motion picture Skyfall, Adele?s iconic hit won multiple awards at the Oscars, Grammys, Brits and Golden Globes.

Flutist Myriam Darme and harpist Maia Darme adapted the British singer?s single for a quartet of 2 flutes and 2 pedal harps. This is the arrangement heard in their Youtube video: https://youtu.be/30EhGIy5fu4

An audience-favorite, this version captures the dark and powerful atmosphere of the spy movie. It is fun to play and suitable for intermediate level students as well as professionals.

The PDF file includes a score and four parts (flute 1, flute 2, harp 1 and harp 2).

Performance time: ca. 2?40

More arrangements and recordings are available at www.ensembletraversees.com/en/shop (flute and harp duet Traversées), www.myriamdarme.com (Myriam Darmé, flute) and www.maiadarme.com (Maia Darmé, harp).

Traditional congregational singing renditions in four part harmony for organ with harp and/or handbell accompaniment. Lovely ensembles for Advent or the Christmas Season. Suitable for lever or pedal harp, and can be played by novice harpists. The handbell part is written for 4 ringers with 2 bells each, easily learned with a minimum of rehearsal. A melody line with chord symbols is also provided for an optional guitar or other melody instrument. Includes a full harp part and pullout organ and handbell parts.
Table of Contents:
O Come, O Come, Emmanuel, Away in a Manger, We Three Kings of Orient Are, O Come All Ye Faithful.

This arrangement is for harp and flute, with an optional cello part. The cello adds some color, and is a relatively easy part, and it IS optional. So if you don't have a cello player to play with, don't sweat it. Your download includes the score, harp part, flute part and cello part. The audio sample was digitally produced.

Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.

David Stout writes about his work:

"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says ?hand in bell? he had a problem. With a bass trombone he couldn?t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can?t see him. He then plays that passage. ?Is that the sound you want?? he asks. ?Yeah that?s it. Perfect!? I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ?con sardino.?

Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp

This fine work is appropriate for advanced performers and is about 7 minutes in length.