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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The River Of Dreams
Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1363090 By Billy Joel. By …
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Choral Choir,Choral - Level 4 - Digital Download SKU: A0.1363090 By Billy Joel. By Billy Joel. Arranged by Jason Nicolo Ferrandino. Contemporary,Contest,Festival,Pop,Rock. 21 pages. Jason Nicolo Ferrandino #947476. Published by Jason Nicolo Ferrandino (A0.1363090). Your choir will have lots of fun with this daring a capella arrangement of Billy Joel's iconic River of Dreams. Complete with vocal percussion and the original piano solo rearranged for voice, the harmonies and catchy rhythmic ostinati will keep your singers and audiences fully engaged. Arrangement is SSATBB a capella.
$1.99
1.78 €
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Billy Joel
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Jason Nicolo Ferrandino
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The River Of Dreams
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Jason Nicolo Ferrandino
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SheetMusicPlus
AN ECHO OG GREEK FOLK MUSIC, for chamber ens. Version 2
Level 4 - Digital Download SKU: A0.1319811 Composed by Marilena Zlatanou. 21st Cent…
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Level 4 - Digital Download SKU: A0.1319811 Composed by Marilena Zlatanou. 21st Century. 33 pages. Marilena Zlatanou #908368. Published by Marilena Zlatanou (A0.1319811). Version 2: For Flute, B Clarinet, violin, violoncello, piano and hand drumAs the title indicates, none of the musical material used in this composition is actual folk-music, but it is throughout its entirety inspired by it: The choice of Byzantine music modes, the irregular time signatures, the choice of instruments to be as closely related to those used in folk-music, the frequent use of ison (long-held note), heterophony, parallel thirds, simple ostinati and restrained harmony, as well as the permeating melancholic mood and the attempted intensity of expression, are all intended to be suggestive of Greek Folk-music.Version 1: For Flute, B Clarinet, viola, violoncello, harp and hand drum is also listed on SMP. For more information on the composer, please visit www.zlatanou.net (member of TONO, the Norwegian copyright org.)
$25.00
22.4 €
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Marilena Zlatanou
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AN ECHO OG GREEK FOLK MUSIC, for chamber ens. Version 2
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Marilena Zlatanou
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SheetMusicPlus
Posy's Predicament
4 Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM632 Composed by Kevin R…
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4 Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM632 Composed by Kevin Riley. Bassoon Quartet. Score and parts. 18 pages. Forton Music - Digital #FM632. Published by Forton Music - Digital (F2.FM632). ISBN 9790570485314.Originally composed for the Allegro Wind Ensemble this became a favourite piece for the players. It is a very tongue in cheek piece. I decided to arrange it for the unique sound of a bassoon quartet as I felt that sound world they create really suited it. A series of ostinati create excitement at the start of the piece. In the second section, chromatic lines create tension and drama before the opening section returns. When I had originally composed it I was stuck for a name, inspiration came from a pupil I was teaching at the time. Posy was struggling with a section of music, hence Posy's Predicament.
$9.95
8.91 €
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Kevin Riley
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Posy's Predicament
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Forton Music - Digital
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
41.2 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
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