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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 Sonata
Non classifié
709
Piano & claviers
Piano seul
878
1 Piano, 4 mains
65
Piano Facile
60
Orgue
38
2 Pianos, 4 mains
22
Clavecin
8
Piano, Voix
6
Instruments en Do
5
Piano, Voix et Guitare
2
Piano Trio: piano, violon, violoncelle
2
Instrument seul et Orgue
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 9 instrumentations
Retracter
Guitares
Guitare
166
Guitare notes et tablatures
28
2 Guitares (duo)
25
4 Guitares (Quatuor)
9
Ukulele
5
3 Guitares (trio)
3
Banjo
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Voix Baryton, Piano
2
Chorale SATB
2
Chorale 2 parties
2
Chorale Unison
1
Vents
Flûte traversière et Piano
94
2 Flûtes traversières (duo)
79
Flûte traversière
67
Clarinette et Piano
65
Quatuor de Saxophones: 4 saxophones
63
Quatuor de Clarinettes: 4 clarinettes
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
2 Saxophones (duo)
42
Hautbois, Piano (duo)
40
Saxophone Alto et Piano
39
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
27
Saxophone Tenor et Piano
27
2 Hautbois (duo)
26
3 Clarinettes (trio)
26
Flûte et Guitare
23
Clarinette
21
Quatuor de Flûtes : 4 flûtes
21
3 Saxophones (trio)
18
Flûte, Hautbois, Clarinette, Basson
17
Trio de Flûtes: 3 flûtes
16
Flûte à Bec
16
Saxophone Baryton, Piano
15
Clarinette Basse, Piano
14
2 Flûte à bec (duo)
14
Ensemble de saxophones
13
Quatuor de Flûtes à bec
13
Ensemble de Clarinettes
13
Flûte, Clarinette et Basson
11
Flûte, Hautbois, Clarinette (trio)
10
Quintette de Saxophone: 5 saxophones
8
Quintette de Clarinettes: 5 clarinettes
8
Flûte, Hautbois, Basson
8
Saxophone Alto
7
Cor anglais, Piano
6
Flûte, Clarinette (duo)
6
Hautbois (partie séparée)
6
3 Flûtes à bec (trio)
5
Clarinette, Guitare (duo)
5
Flûte, Violon et Violoncelle
5
Flûte à bec Alto, Basse continue
5
Saxophone, Clarinette (duo)
5
Ensemble de Flûtes
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette (partie séparée)
4
2 Cors Anglais Et Pianoforte
4
2 Clarinettes, Basson
4
Flute, harpe et violon
4
Hautbois, Basson (duo)
3
2 Flûtes traversières, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Violon (duo)
3
Flûte traversière, Basse continue
3
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Flûte, Violon
2
Saxophone
2
Ensemble De Flûte à bec
2
Flûte à bec Alto, Piano
2
Hautbois
1
4 Hautbois
1
Flûte, Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Violoncelle
1
Flûte, alto et harpe
1
Flûte, Violon, Piano
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec Tenor
1
Flûte, Tuba (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec, Piano
1
Flûte, Basson et Piano
1
Hautbois, violon (duo)
1
Clarinette et Alto
1
Flute (partie séparée)
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
32
Cor et Piano
27
Trompette, Piano
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
2 Trombones (duo)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
2 Cors (duo)
19
2 Trompettes (duo)
17
Quatuor de cuivres: 4 cors
15
Trompette
15
Euphonium, Piano (duo)
13
2 Euphoniums (duo)
13
Tuba et Piano
10
Quatuor de cuivres: 4 trombones
10
Cor
8
4 Tubas
8
2 Tubas (duo)
7
Trompette (partie séparée)
6
Cor anglais, Piano
6
Ensemble de Cors
5
2 Cors Anglais Et Pianoforte
4
Tuba
4
Ensemble de Trombones
3
Trombone
3
Trompette, Trombone (duo)
3
Ensemble de Trompettes
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
1
Cor (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
+ 31 instrumentations
Retracter
Cordes
Violon et Piano
128
Quatuor à cordes: 2 violons, alto, violoncelle
79
Violon
77
Violoncelle, Piano
69
Alto, Piano
68
2 Violons (duo)
54
Trio à Cordes: violon, alto, violoncelle
36
2 Violoncelles (duo)
34
Violoncelle
32
2 Altos (duo)
30
Violon, Violoncelle (duo)
22
Violon, Alto (duo)
21
Violon (partie séparée)
17
Harpe
14
Trio à cordes: 3 violins
13
Alto seul
12
4 Violoncelles
10
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
8
2 Contrebasses (duo)
7
Violon, Guitare (duo)
7
2 Violons, Piano
7
Alto, Violoncelle (duo)
7
Trio à Cordes: 3 violoncelles
6
Violoncelle, Basse continue
5
Violoncelle (partie séparée)
5
Contrebasse (partie séparée)
5
Violon, Basse continue
5
Contrebasse, Piano (duo)
4
Quatuor à cordes: 4 violons
4
Violoncelle , Guitare (duo)
4
2 Violons et Basse continue
4
Violoncelle, Contrebasse (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contre Basse
2
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Ensemble d'Altos
1
Ensemble de Violons
1
Ensemble de Violoncelles
1
Violoncelle, Orchestre
1
2 Harpes (duo)
1
Trio à cordes: 3 altos
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
111
Orchestre
37
Orchestre de chambre
28
Orchestre d'harmonie
24
Ensemble de cuivres
11
Ensemble Jazz
2
Cloches
2
Xylophone
1
2 Xylophones
1
Voix Mezzo-Soprano, Orchestre
1
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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4 Sonata
Partitions à imprimer
709 partitions trouvées
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701
Albinoni Op.6 No.4 Sonata in D minor 4. Allegro. Accompaniment mp3.
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Classique
#
Tomaso Giovanni Albinoni
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Rhodri Tomos
#
Albinoni Op.6 No.4 Sonata in D
#
RT Music Ltd
#
SheetMusicPlus
Oboe,Trumpet,Violin - SKU: A0.1067262 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 131. ...
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Oboe,Trumpet,Violin - SKU: A0.1067262 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 131. RT Music Ltd #2930239. Published by RT Music Ltd (A0.1067262). Albinoni Op.6 No.4 Sonata in D minor 4. Allegro. Accompaniment mp3. Produced by professional music software.
$2.99
Albinoni Op.6 No.4 Sonata in D minor 2. Larghetto. Accompaniment mp3.
#
Classique
#
Tomaso Giovanni Albinoni
#
Rhodri Tomos
#
Albinoni Op.6 No.4 Sonata in D
#
RT Music Ltd
#
SheetMusicPlus
Oboe,Trumpet,Violin - SKU: A0.1067261 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 134. ...
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Oboe,Trumpet,Violin - SKU: A0.1067261 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 134. RT Music Ltd #2930235. Published by RT Music Ltd (A0.1067261). Albinoni Op.6 No.4 Sonata in D minor 2. Larghetto. Accompaniment mp3. Produced by professional music software.
$2.99
Albinoni Op.6 No.4 Sonata in D minor 3. Adagio. Accompaniment mp3.
#
Classique
#
Tomaso Giovanni Albinoni
#
Rhodri Tomos
#
Albinoni Op.6 No.4 Sonata in D
#
RT Music Ltd
#
SheetMusicPlus
Oboe,Trumpet,Violin - SKU: A0.1067263 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 129. ...
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Oboe,Trumpet,Violin - SKU: A0.1067263 Composed by Tomaso Giovanni Albinoni (1671-1751). Arranged by Rhodri Tomos. Baroque. Accompaniment. Duration 129. RT Music Ltd #2930237. Published by RT Music Ltd (A0.1067263). Albinoni Op.6 No.4 Sonata in D minor 3. Adagio. Accompaniment mp3. Produced by professional music software.
$2.99
Vivaldi - Violin Sonata No. 3 in B flat major RV 33 Op.5 for Violin and Cembalo (or Piano)
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Classique
#
Antonio Vivaldi
#
Santino Cara
#
Vivaldi - Violin Sonata No. 3
#
Santino Cara
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - SKU: A0.517377 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score ...
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Instrumental Duet Harpsichord,Instrumental Duet,Violin - Level 4 - SKU: A0.517377 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 15 pages. Santino Cara #4780865. Published by Santino Cara (A0.517377). Complete score and part of the SonataNo.3 in B flat major RV 33 for Violin and Cembalo (or Piano). Reconstructed and elaborated by Santino Cara from Six Violin Sonatas Op,5 by Antonio Vivaldi.
$14.40
Six Sonatas for Cello, Op. 40
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Aaron Sinnett
#
Aaron Sinnett
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Six Sonatas for Cello, Op. 40
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Aaron Sinnett
#
SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classic...
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Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume). Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.
$14.99
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Contrabassoon Duo
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221995. Published by jmsgu3 (A0.612801). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Baritone Horn Duo
#
Jean Baptiste Loeillet of Ghen
#
James M
#
Loeillet: Six Sonatas Op. 5 No
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.612791 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arrang...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.612791 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221985. Published by jmsgu3 (A0.612791). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
4 Sonatas
#
Domenico Scarlatti
#
4 Sonatas
#
Möseler Verlag
#
SheetMusicPlus
Piano (4 hands) SKU: M2.MOS-41248 Composed by Domenico Scarlatti. Hausmusik. 20 pages. Möseler Verlag #MOS 41248. Published by Möseler Verlag (M2.M...
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Piano (4 hands) SKU: M2.MOS-41248 Composed by Domenico Scarlatti. Hausmusik. 20 pages. Möseler Verlag #MOS 41248. Published by Möseler Verlag (M2.MOS-41248). ISBN 9790203732488.
$13.95
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
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Joseph Bodin De Boismortier
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Le Sr. Le Clere.
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BOISMORTIER THREE SONATAS OPUS
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque...
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Woodwind Ensemble - Level 3 - SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 43 pages. Piper Publications #4338647. Published by Piper Publications (A0.811704). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR Written for 2 equal instruments these sonatas bring pleasure to players of intermediate standard and above whilst developing their independent playing skills. Each sonata has 4 movements slow and fast alternating in the same key. The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page. It is highly likely that the sonatas would have been played by pairs of oboes or violins or possibly by bassoons or cellos according to the players available in the homes of the wealthy amateur players who could afford to buy music. The flute parts were printed in the soprano clef - with G on the bottom line. This would have been convenient for flute players who often also played bassoon when required and were often not keyboard players. This edition uses the modern bass clef and has a score plus separate parts to facilitate page turns. In editing the sonatas the presentation of the music has been modernised.
$15.00
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Handel: Sonata No. 4 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 4 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552877 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552877 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 26 pages. Jmsgu3 #6355379. Published by jmsgu3 (A0.552877). Sonata No. 4 I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 PagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Sonata in C Major, Op. 1, No. 7, - instruments in four parts
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Classique
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Arcangelo Corelli
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Paul Burnell
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Sonata in C Major, Op. 1, No.
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burn...
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Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.
$3.99
Telemann: Four Sonatas for Bass Flute & Piano
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.551670 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Inst...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.551670 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and individual part. 130 pages. Jmsgu3 #5330393. Published by jmsgu3 (A0.551670). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Telemann: Four Sonatas for Oboe d'Amore & Piano
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Obo
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.551679 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,In...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.551679 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and individual part. 130 pages. Jmsgu3 #5330431. Published by jmsgu3 (A0.551679). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Vivaldi: Sonata No. 4 for Bass Flute & Piano
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550473 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.550473 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4641301. Published by jmsgu3 (A0.550473). Sonata da Chiesa No. 4 in Bb Major for Bass Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Piccolo & Piano
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Picc
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550472 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,St...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.550472 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4641309. Published by jmsgu3 (A0.550472). Sonata da Chiesa No. 4 in Bb Major for Piccolo & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Oboe d'Amore & Piano
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Oboe
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.550475 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,East...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.550475 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4641319. Published by jmsgu3 (A0.550475). Sonata da Chiesa No. 4 in Bb Major for Oboe d'Amore & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
BACH: Trio Sonata No. 1 BWV 525 for Double Reed Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 3...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 1 BWV 525 for String Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score...
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String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6490989. Published by jmsgu3 (A0.552645). Sonata No. 1 BWV 525, originally for organ, arranged for string trio: 1 violin, 1 viola, 1 cello. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Telemann: Six Sonatas Op. 2 Complete for Baritone Sax Duo
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Six Sonatas Op. 2 Co
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.552390 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,S...
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Woodwind Ensemble - Level 3 - SKU: A0.552390 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. 151 pages. Jmsgu3 #6341707. Published by jmsgu3 (A0.552390). Telemann: Sonata Op. 2 No. 1I. SoaveII. AllegroIII. AndanteIV. AllegroDuration: 9:00 Score: 14 pages Telemann: Sonata Op. 2 No. 2I. LargoII. AllegroIII. AffettuosoIV. Vivace Telemann: Sonata Op. 2 No. 3I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages Telemann: Sonata Op. 2 No. 4I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages Telemann: Sonata Op. 2 No. 5I. SicilianoII. VivaceIII. AndanteIV. AllegroDuration: 9:45 Score: 16 pages Telemann: Sonata Op. 2 No. 6I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages
$49.95
Eight Sonata for Harp
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Classique
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carefully selecting every sing
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Domenico Scarlatti
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Fabrizio Aiello
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Eight Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classica...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
$18.99
Handel: Sonata No. 1 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 1 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552874 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552874 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6345077. Published by jmsgu3 (A0.552874). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
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