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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
9 pages.
Sheetmusicplus
Non classifié
8 194
Piano & claviers
Piano, Voix
3 728
Piano seul
3 698
Piano grosses notes
3 325
Piano, Voix et Guitare
2 926
Orgue
1 988
Piano Facile
980
1 Piano, 4 mains
251
Piano Trio: piano, violon, violoncelle
125
Accordéon
77
Instruments en Do
75
2 Pianos, 4 mains
61
Clavier
59
Accompagnement Piano
56
Piano Quatuor: piano, violon, alto, violoncelle
31
Piano Quintette: piano, 2 violons, alto, violoncelle
25
Piano Quatuor: piano, 2 violons, violoncelle
25
Orgue, Trompette (duo)
21
Piano (partie séparée)
18
Clavecin
16
Orgue, Piano (duo)
15
1 Piano, 6 mains
11
2 Accordéons
4
2 Pianos, 8 mains
2
Fake Book
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
2 228
Guitare
433
Basse electrique
267
2 Guitares (duo)
72
Piano, Guitare (duo)
58
Ligne De Mélodie, (Paroles) et Accords
42
Ukulele
39
4 Guitares (Quatuor)
36
3 Guitares (trio)
18
Mandoline
11
Dulcimer
9
Guitare (partie séparée)
8
3 Dulcimers (trio)
7
Ensemble de guitares
7
Paroles et Accords
5
Guitare, Flûte, Clarinette
3
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
2
2 Ukuleles
1
2 Mandolines (duo)
1
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
Banjo
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
3 569
Chorale 3 parties
1 535
Chorale 2 parties
932
Chorale TTBB
713
Chorale SSAA
395
Pack Instrumental pour Chorale
312
Voix duo, Piano
241
Chorale
189
Chorale Unison
164
Voix duo
88
Voix Soprano, Piano
61
Voix seule
58
Voix haute
49
Voix Alto, Piano
30
Voix Tenor, Piano
30
Voix basse, Piano
29
Voix Baryton, Piano
26
Voix moyenne, Piano
15
Chorale SSATB
9
Voix Tenor
8
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix basse
4
Chorale SSAB a cappella
4
Chorale SAATB A Cappella
3
Chorale SSATTB
2
Voix, Guitare
2
Male Voice
2
Chorale SSAATB
2
Voix Moyenne
2
Chorale SSAB, Piano
2
Voix haute, Piano
1
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
+ 29 instrumentations
Retracter
Vents
Flûte traversière et Piano
942
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
709
Clarinette et Piano
682
Quatuor de Saxophones: 4 saxophones
646
Saxophone Alto et Piano
585
Hautbois, Piano (duo)
526
Saxophone Tenor et Piano
447
Quatuor de Clarinettes: 4 clarinettes
431
Flûte, Hautbois, Clarinette, Basson
383
2 Saxophones (duo)
343
Quatuor de Flûtes : 4 flûtes
300
Saxophone Soprano et Piano
277
Quintette de Saxophone: 5 saxophones
268
2 Flûtes traversières (duo)
252
3 Clarinettes (trio)
221
2 Clarinettes (duo)
218
Clarinette
214
3 Saxophones (trio)
163
Flûte traversière
150
Trio de Flûtes: 3 flûtes
147
Saxophone Baryton, Piano
146
Clarinette Basse, Piano
96
2 Flûte à bec (duo)
95
Flûte, Clarinette (duo)
84
Flûte et Guitare
80
Quintette de Clarinettes: 5 clarinettes
79
Cor anglais, Piano
73
Ensemble de Clarinettes
72
Saxophone (partie séparée)
70
2 Hautbois (duo)
69
Hautbois (partie séparée)
66
Quatuor de Flûtes à bec
57
Clarinette (partie séparée)
52
Saxophone Alto
49
Flûte, Violon
48
Hautbois, Basson (duo)
47
Flûte, Clarinette et Basson
45
Ensemble de Flûtes
44
Flûte, Violon, Piano
43
Flûte, Hautbois, Clarinette (trio)
42
Saxophone Tenor
40
Clarinette, Violon (duo)
40
Piccolo, Piano
39
Clarinette, Guitare (duo)
38
Hautbois, Clarinette, Basson (trio d'anches)
37
Flûte, Clarinette, Piano (trio)
35
3 Flûtes à bec (trio)
34
Clarinette, Basson (duo)
30
Quintette de Flûte : 5 flûtes
30
Ensemble De Flûte à bec
30
Flûte, Violoncelle
26
Flûte, Hautbois, Basson
25
2 Clarinettes, Piano
24
Flute (partie séparée)
24
Ensemble de saxophones
23
Flûte, Violoncelle, Piano (trio)
22
Flûte à Bec
21
Clarinette, Violoncelle (duo)
20
Hautbois, Clarinette (duo)
20
Flûte à bec Alto, Piano
20
Flûte à bec Soprano
19
Flûte à Bec, Piano
19
Flûte à bec Soprano, Piano
19
Flute, harpe et violon
18
Flûte à bec Tenor
18
3 Hautbois
18
Flûte, Hautbois (duo)
18
Clarinette, Harpe (duo)
17
Hautbois
17
2 Flûtes traversières, Piano
17
Flûte, Harpe et Violoncelle
16
Clarinette et Alto
16
Saxophone et Guitare
15
Flûte, Basson et Piano
15
2 Saxophones, Piano
14
Flûte, Hautbois, Piano (trio)
14
Flûte, Violon et Violoncelle
14
Hautbois, Flûte
13
Flûte à bec Alto
13
Flûte, Alto (duo)
13
2 Clarinettes, Basson
13
Saxophone, Clarinette (duo)
12
5 Flûtes à bec
12
Hautbois, Guitare (duo)
10
Flûte, Trompette (duo)
10
Flûte, Trombone (duo)
8
Saxophone et Piano
8
Clarinette, Basson, Piano (trio)
8
Cor anglais, Guitare (duo)
7
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Harmonica
7
Saxophone et Orgue
7
Clarinette, Violoncelle, Piano (trio)
7
Saxophone
6
Hautbois, violon (duo)
6
Saxophone Soprano
6
Hautbois, Violoncelle
6
Flûte traversière, Orgue (duo)
5
Clarinette Basse
4
Cor Anglais
4
Clarinette, Trombone (duo)
4
Flûte et Trio à cordes
4
Clarinette, Orgue
4
2 Cors Anglais Et Pianoforte
4
Flûte, Saxophone (duo)
4
2 Hautbois, Piano
4
Flûte, Clarinette, Violon (trio)
3
Hautbois, Violoncelle et Piano
3
Flûte, Alto et Piano
3
Clarinette, Trompette (duo)
3
Flûte à bec, Guitare (duo)
3
Flûte, Violoncelle, Guitare
3
4 Hautbois
3
Ocarina
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone, Violon (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, Basson et Piano
2
Saxophone Baryton
2
Flûte, Hautbois, Violon
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Instruments en Mib
2
Saxophone et Harpe
2
Hautbois, Harpe
2
Saxophone et violoncelle
2
Clarinette, trompette et piano
2
Hautbois, Trompette (duo)
2
Saxophone, Basson (duo)
2
Hautbois, Orgue
2
Hautbois, trombone (duo)
1
Flûte, alto et harpe
1
Piccolo
1
Ensemble de Hautbois
1
2 Hautbois et Cor anglais
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois et alto (duo)
1
Flûte, Violon, Guitare
1
Flûte et Quatuor à Cordes
1
Ensemble à vent
1
2 Hautbois et Basson
1
2 Flûtes traversières, Guitare
1
2 Flûtes traversières, Harpe
1
Cor anglais et Harpe (duo)
1
+ 141 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
765
Trombone et Piano
487
Trompette, Piano
468
Quatuor de Cuivres : 2 trompettes, trombone, tuba
342
Cor et Piano
339
Trompette
188
Tuba et Piano
161
Quatuor de Cuivres
156
Euphonium, Piano (duo)
101
2 Euphoniums et 2 Tubas
95
2 Trombones (duo)
94
2 Trompettes (duo)
90
2 Cors (duo)
85
Quatuor de Cuivres: 2 trompettes, Cor, trombone
83
Cor
82
Cor anglais, Piano
73
Trombone
67
Quatuor de cuivres: 4 cors
67
Trompette (partie séparée)
63
Trombone (partie séparée)
60
Trompette, Trombone (duo)
59
Quatuor de cuivres: 4 trombones
55
Trompette, Cor (duo)
42
Cor (partie séparée)
40
Ensemble de Trompettes
38
Trombone basse et Piano
37
Ensemble de Trombones
36
Tuba
34
3 Trompettes (trio)
31
3 Trombones (trio)
29
Trio de Cuivres
28
4 Tubas
18
Trompette, Saxophone (duo)
17
Trombone, Tuba (duo)
14
Quatuor de cuivres: 4 trompettes
13
Trombone, Cor (duo)
13
Tuba (partie séparée)
12
2 Tubas (duo)
11
Trompette, Tuba (duo)
11
2 Euphoniums (duo)
11
Cor, Tuba (duo)
10
3 Cors (trio)
9
Tuba et Orgue
9
Trombone, Orgue
8
Cor anglais, Guitare (duo)
7
Trombone basse
7
Ensemble de Cors
6
2 Trompettes, Clavier (piano ou orgue)
6
Trompette et Guitare
6
Euphonium
5
2 Trombones, Piano
5
Cor et Harpe
5
Euphonium, Tuba (duo)
5
Cornet A Pistons
4
Cor Anglais
4
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
4
2 Cors Anglais Et Pianoforte
4
Trompette, violon (duo)
3
Trombone, violoncelle (duo)
3
Trompette, Harpe
3
3 Tubas (trio)
3
2 Cors, Piano
3
Instruments en Fa
2
Bass Clef Instruments
2
Cor, Violoncelle (duo)
2
Trompette, Trombone, Piano
2
Euphonium Ou Saxhorn Et Piano
2
3 Euphoniums
2
Trompette, Basson (duo)
2
Instruments en Sib
2
Trompette, Violoncelle (duo)
2
Trompette, Violoncelle et Piano
1
Cor et Basson (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Violon (duo)
1
Trombone, Alto (duo)
1
Tuba ou Euphonium ou Saxhorn
1
4 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Cor et Orgue
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 109
Violon et Piano
1 075
Violoncelle, Piano
767
Alto, Piano
623
Violon, Violoncelle (duo)
347
Trio à Cordes: violon, alto, violoncelle
291
Quintette à cordes: 2 violons, alto, violoncelle, basse
277
2 Violons (duo)
225
Harpe
208
2 Violoncelles (duo)
193
2 Harpes (duo)
168
Violon
161
Violoncelle
136
Violon, Alto (duo)
131
2 Altos (duo)
104
Contrebasse, Piano (duo)
101
Trio à Cordes: 2 violons, violoncelle
86
4 Violoncelles
80
Alto, Violoncelle (duo)
67
Alto seul
66
Quatuor à cordes: 4 violons
63
Trio à cordes: 3 violins
62
Piano Trio: Violon, Alto, Piano
57
Trio à cordes
52
Trio à Cordes: 3 violoncelles
51
Harpe, Violon (duo)
41
Violon, Guitare (duo)
40
Contre Basse
35
Violon (partie séparée)
33
Violoncelle , Guitare (duo)
32
Trio à cordes: 3 altos
32
Harpe, Flûte (duo)
31
Harpe et Piano
30
Alto (partie séparée)
25
Contrebasse (partie séparée)
24
2 Contrebasses (duo)
24
Trio à Cordes: 2 violons, alto
24
Alto, Guitare (duo)
22
Quatuor à cordes : 4 altos
21
Violoncelle, Contrebasse (duo)
20
2 Violons, Piano
16
Ensemble de Violoncelles
10
Violoncelle (partie séparée)
10
Violon, Basson (duo)
9
Violon, Clarinette, Piano (trio)
8
Ensemble de Violons
8
Alto et Harpe
7
3 Contrebasses
7
2 Violoncelles, Piano
6
Harpe, Violoncelle (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violon, Orgue
6
Ensemble d'Altos
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Violon, Violoncelle
5
4 Contrebasses
5
Alto et Basson
4
Harpe, Voix
3
Violoncelle, Orgue
3
Violon, Basse continue
3
Violon, Violoncelle, Clarinette
2
Ensemble de Contre basses
1
Alto, Orgue
1
2 Altos, Piano
1
Flûte, Contrebasse (duo)
1
Violon, Contrebasse (duo)
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
930
Orchestre d'harmonie
508
Cloches
304
Orchestre
267
Ensemble de cuivres
265
Ensemble Jazz
152
Orchestre de chambre
146
Fanfare
133
Batterie
110
Jazz combo
68
Ensemble de Percussions
67
Marimba
33
Percussion (partie séparée)
28
Xylophone, Piano
13
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
13
Quintette à Vent
13
Batterie (partie séparée)
12
Vibraphone
11
Quatuor à Vent : 4 instruments à vents
9
Timbales (partie séparée)
9
2 Xylophones
6
Percussion
6
Batterie-Fanfare
5
Vibraphone (partie séparée)
3
Caisse Claire
2
Trio à Vent: 3 instruments à vents
2
Xylophone
2
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
2 Percussions
1
Vibraphone et Marimba
1
Timbales
1
+ 29 instrumentations
Retracter
Autres
Formation musicale - Solfège
12
Papeterie
4
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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8176
9 to Nine
#
Zack Davis
#
9 to Nine
#
James Zachary Davis
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.1010613 Composed by Zack Davis. Concert,Contemporary. 9 pages. James Zachary Davis #568785. Published by Jam...
(+)
Woodwind Ensemble Flute - Level 4 - SKU: A0.1010613 Composed by Zack Davis. Concert,Contemporary. 9 pages. James Zachary Davis #568785. Published by James Zachary Davis (A0.1010613). 9 to Nine by: Zack Davis Score, Flute 1, Flute 2, Flute 3, Flute 4, Flute 5. This piece is a short chorale for Flute Ensemble. It was written as a beautiful chorale for a slow of pace in a studio concert, or for a piece in a Recital. Each part carries a line of melody from time to time with Flute 1 and 2 echoing each other at times. This beautiful piece will set a soft, quiet mood. The idea behind 9 to Nine is a musical statement more than a title. The 9th scale degree is used a good bit through the piece. You hear it at the beginning and end of the piece hence the title 9 to Nine.. I sincerely hope you enjoy this piece for Flute Ensemble. -Zack Davis.
$15.00
Largo from Symphony No. 9 (From The New World) for Violin and Viola Duet
#
Antonin Dvorak
#
Ahsan Fathoni
#
Largo from Symphony No. 9
#
A Suburb Violinist
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - SKU: A0.1476049 Composed by Antonin Dvorak. Arranged by Ahsan Fathoni. 20th Cen...
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - SKU: A0.1476049 Composed by Antonin Dvorak. Arranged by Ahsan Fathoni. 20th Century,Classical,Multicultural,Romantic Period,World. 9 pages. A Suburb Violinist #1053599. Published by A Suburb Violinist (A0.1476049). Famous Largo from Symphony No. 9 (From the New World) arranged for violin and viola. Parts and piano score are available in the file.
$4.49
VIVALDI-BACH - Bwv 972 - Transcription for Piano/Organ of Concerto in D major n. 9 - RV 230 by Anto
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Classique
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Antonio Vivaldi
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J
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VIVALDI-BACH - Bwv 972 - Trans
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Renato Tagliabue
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - SKU: A0.724237 Composed by Antonio Vivaldi. Arranged by J.S.Bach - Transcription by ...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - SKU: A0.724237 Composed by Antonio Vivaldi. Arranged by J.S.Bach - Transcription by Marcello Meneguzzo. Baroque. Score and parts. 9 pages. Renato Tagliabue #3559563. Published by Renato Tagliabue (A0.724237). Bach: Concerto n° 1 in re maggiore BWV 972Vivaldi: Concerto for Violin, String and Basso continuo in D major n. 9 -RV 230.
$8.90
Fantasia #9 For 4 Viols - for Wind Quartet
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Classique
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Thomas Lupo
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R
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Fantasia #9 For 4 Viols - for
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R. Nhomi
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SheetMusicPlus
Bass Trombone,Clarinet,Euphonium,Trumpet - Level 3 - SKU: A0.1013431 Composed by Thomas Lupo. Arranged by R. Nhomi. Baroque. 9 pages. R. Nhomi #6206865....
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Bass Trombone,Clarinet,Euphonium,Trumpet - Level 3 - SKU: A0.1013431 Composed by Thomas Lupo. Arranged by R. Nhomi. Baroque. 9 pages. R. Nhomi #6206865. Published by R. Nhomi (A0.1013431). Wind quartet arrangement of Fantasia #9 For 4 Viols by Thomas Lupo. Arranged for Bb Clarinet, Bb Trumpet, Tenor Trombone (or Euphonium), Bass Trombone. Sixth in a collection of 13 pieces for 4 Viols (7 Fantasias, 6 Arias).
$11.75
Largo from Symphony No.9 - From the New World - arrangement for trumpet, trombone and organ
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Classique
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Antonin Dvorak
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Largo from Symphony No.9 - Fro
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Matthias Eckart
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SheetMusicPlus
Organ,Trombone,Trumpet - Level 3 - SKU: A0.1000553 Composed by Antonin Dvorak (1841-1904). Arranged by Matthias Eckart - Edition Ensemble Akzente. Roman...
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Organ,Trombone,Trumpet - Level 3 - SKU: A0.1000553 Composed by Antonin Dvorak (1841-1904). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 9 pages. Matthias Eckart #6343371. Published by Matthias Eckart (A0.1000553). Largo from Symphony from the New World from Antonin Dvorak (1841-1904) is a beautiful romantic piece for trumpet/flugelhorn, trombone and organ. Parts in Bb and C are included. A calm and meditative piece for concerts.Das Largo aus der Sinfonie aus der Neuen Welt von Antonin Dvorak (1841-1904) ist ein zauberhaftes romantisches Stück für Trompete/Flügelhorn, Posaune und Orgel. Stimmen in B (Trompete/Tenorhorn) und C (Trompete/Posaune/Bariton) sind vorhanden. Ein ruhiges und meditatives Stück für Konzerte. „Largo ist das Thema aus dem bekannten 2. Satz der 9. Sinfonie „Aus der Neuen Welt op. 95, die Antonin Dvorák während eines USA-Aufenthaltes komponiert hat. Das bekannte, schwermütige Thema wird im Original von einem Englischhorn gespielt. Um diesem warmen und weichen Klang nahezukommen, sollte dieses Stück mit Corno da Caccia oder Flügelhorn gespielt werden.
$17.00
Duet Sonata #9 Movement 3 Allegro moderato
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Benda, Johann
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Nick Lacanski
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Duet Sonata #9 Movement 3 Alle
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theupperstaff
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.649377 Composed by Benda, Johann. Arranged by Nick Lacanski. Classical,Concert,Instr...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.649377 Composed by Benda, Johann. Arranged by Nick Lacanski. Classical,Concert,Instructional,Standards. Score and parts. 9 pages. Theupperstaff #6050049. Published by theupperstaff (A0.649377).
$3.99
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
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David Warin Solomons
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ATON part 9-Duett der Nofretet
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and par...
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Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4571. Published by David Warin Solomons (A0.576187). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Beethoven: String Trio No.3 in G Op.9 No.1 Mvt.III Scherzo - woodwind trio
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: String Trio No.3 in
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.553613 Composed by Ludwig van Beethoven. Arranged by R...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,English Horn,Flute,Oboe - Level 3 - SKU: A0.553613 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Holiday,Wedding. 9 pages. RayThompsonMusic #3239825. Published by RayThompsonMusic (A0.553613). Originally written for a string trio of violin, viola and cello, I have re arranged it for a woodwind trio of oboe, clarinet and bassoon. The oboe part could be played by a flute.Alternative parts are also provided as follows part 1.oboe - clarinet, part 2.clarinet - cor anglais and part 3.bassoon - bass clarinet.So as long as all 3 parts are covered, the trio will be playable.
$9.95
THE BEETHOVEN DUETS FOR VIOLA SCHERZO NO 9
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - SKU: A0.876541 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts....
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String Ensemble Viola - Level 5 - SKU: A0.876541 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 34 pages. JoeCopio Music LLC #2101569. Published by JoeCopio Music LLC (A0.876541). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
THE BEETHOVEN DUETS FOR CELLO VOLUME 3 SCHERZI 7, 8 and 9
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR CELLO
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.876555 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts....
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String Ensemble Cello - Level 5 - SKU: A0.876555 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 78 pages. JoeCopio Music LLC #2101639. Published by JoeCopio Music LLC (A0.876555). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
THE BEETHOVEN DUETS FOR CELLO SCHERZO NO 9
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR CELLO
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.876554 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts....
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String Ensemble Cello - Level 5 - SKU: A0.876554 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 37 pages. JoeCopio Music LLC #2101601. Published by JoeCopio Music LLC (A0.876554). THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$9.99
THE BEETHOVEN DUETS FOR VIOLA VOLUME 3 SCHERZI 7, 8 and 9
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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THE BEETHOVEN DUETS FOR VIOLA
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JoeCopio Music LLC
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SheetMusicPlus
String Ensemble Viola - Level 5 - SKU: A0.876544 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts....
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String Ensemble Viola - Level 5 - SKU: A0.876544 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Score and parts. 65 pages. JoeCopio Music LLC #2101581. Published by JoeCopio Music LLC (A0.876544). THE BEETHOVEN DUETS FOR VIOLA By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Viola I and Viola II and as a Viola ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Viola are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$19.98
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards....
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
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