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A Few Good Men: Score
Partitions à imprimer
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Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
17.87 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Feeling Good
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.969085 By Michael Bubl…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.969085 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Robert Todd, Jr. Jazz. Score and parts. 14 pages. Robert Todd, Jr #5317761. Published by Robert Todd, Jr (A0.969085). From Michael Bublé's hit album, It's Time. This trombone quartet arrangement is true to form with starting out calm and ending huge with full emotion. The main melody is in the First trombone, but all the other parts get their moment to shine as well. This piece is sure to be a highlight of any performance. First Trombone goes to a Bb a few times. Bass trombone goes down to a pedal F# .
$14.99
13.39 €
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Michael Buble
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Robert Todd, Jr
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Feeling Good
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Robert Todd, Jr
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SheetMusicPlus
The Good, The Bad And The Ugly (main Title)
Instrumental Duet Dulcimer,Flute,Instrumental Duet - Digital Download SKU: A0.836886
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Instrumental Duet Dulcimer,Flute,Instrumental Duet - Digital Download SKU: A0.836886 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score and parts. 8 pages. Ben D'Ooge #443607. Published by Ben D'Ooge (A0.836886). Written by Italian composer Ennio Morricone. This is the title theme soundtrack music played throughout the movie The Good, The Bad and The Ugly, a 1966 Spaghetti Western film directed by Sergio Leone, starring Clint Eastwood, and marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. This is a duet arrangement for Native American style flute in the key of A minor playing the melody, and chromatic Appalachian mountain lap dulcimer playing rhythm backup chords. The Native American style flute arrangement is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.
$6.99
6.24 €
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Ennio Morricone
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Ben D'Ooge
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The Good, The Bad And The Ugly
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Ben D'Ooge
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SheetMusicPlus
The Good, The Bad And The Ugly (main Title)
Instrumental Duet Dulcimer,Instrumental Duet - Level 4 - Digital Download SKU: A0.84786…
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Instrumental Duet Dulcimer,Instrumental Duet - Level 4 - Digital Download SKU: A0.847868 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score and parts. 12 pages. Ben D'Ooge #443608. Published by Ben D'Ooge (A0.847868). Written by Italian composer Ennio Morricone. This is the title theme soundtrack music played throughout the movie The Good, The Bad and The Ugly, a 1966 Spaghetti Western film directed by Sergio Leone, starring Clint Eastwood, and marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. This arrangement includes 2 parts, one being a chord melody, and the other being backup rhythm chords. Most of this arrangement can be played on a standard DAD tuned mountain dulcimer, but requires a chromatic mountain dulcimer to play some of the transition chords heard in the movie, but can be electively omited.
$4.99
4.46 €
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Ennio Morricone
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Ben D'Ooge
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The Good, The Bad And The Ugly
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Ben D'Ooge
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SheetMusicPlus
Pastyme with good companye (with lyrics) - Henry VIII
Level 1 - Digital Download SKU: A0.1407877 Composed by Henry VIII. Arranged by Alas…
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Level 1 - Digital Download SKU: A0.1407877 Composed by Henry VIII. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #990478. Published by Wold Meridian (A0.1407877). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Dance Masters,  this individual piece is presented in full score and with separate parts for each of the lines.Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the harmony line and a simple accompaniment.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=9j3WsybKPvsAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=uIUNwdyPd0ELine 3 is featured at  https://www.youtube.com/watch?v=ZX_iLVOpGmg Â
$2.50
2.23 €
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Henry VIII
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Alastair Lodge
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Pastyme with good companye
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Wold Meridian
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SheetMusicPlus
I'm Yours, You're Mine - Instrumental Performance Track-no piano
Double Bass,Drums,Piano - Digital Download SKU: A0.1068164 Composed by Deborah John…
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Double Bass,Drums,Piano - Digital Download SKU: A0.1068164 Composed by Deborah Johnson. Holiday,Jazz,Love,R & B,Wedding,World. Accompaniment. Duration 226. Deborah Johnson #6682609. Published by Deborah Johnson (A0.1068164). This is an Instrumental background track with no piano for I’m Yours, You’re Mine by Deborah Johnson. It can be performed as a piano solo or with addition of a pianist, soloist and small ensemble. It's an upbeat song with a Latin feel sung in English, but includes a few phrases in Spanish. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This lively arrangement is perfect for solo performance or performance with backup singers. Sheet Music also available.The vocals are from A below middle C to C# above for only a little over an octave range. The piano score is written out and is at the intermediate level, very achievable for most players. It is a fun and energetic piece that would be a good addition for most any event!MP3s of the song and the instrumental track with piano are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99
8.03 €
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Deborah Johnson
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I'm Yours, You're Mine - Instrumental Performance Track-no piano
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Deborah Johnson
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SheetMusicPlus
A Fistful Of Dollars
Instrumental Duet Dulcimer,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Dulcimer,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.834322 Composed by Ennio Morricone. Arranged by Ben D'Ooge. Film/TV. Score and parts. 11 pages. Ben D'Ooge #6567677. Published by Ben D'Ooge (A0.834322). Written by Italian composer Ennio Morricone. This is the title theme soundtrack music played throughout the movie A Fistful of Dollars, a 1964 Spaghetti Western film directed by Sergio Leone, starring Clint Eastwood, and marketed as the first installment in the Dollars Trilogy, followed by For a Few Dollars More and The Good, The Bad And The Ugly.
$6.99
6.24 €
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Ennio Morricone
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Ben D'Ooge
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A Fistful Of Dollars
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Ben D'Ooge
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SheetMusicPlus
Concertino in A major (Badley A2)
Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Compose…
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Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$62.00
55.39 €
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Leopold Hofmann
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Allan Badley
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Concertino in A major
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Artaria Editions
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.1 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Alfred's Guitar 101, Ensemble: Manzanita: Score
Guitar Ensemble Guitar Ensemble - Digital Download SKU: AX.00-PR-0005003 Score
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Guitar Ensemble Guitar Ensemble - Digital Download SKU: AX.00-PR-0005003 Score. Composed by Jody Fisher. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005003. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005003). ISBN 9781470617417. UPC: 038081491905.Alfred's Guitar 101, Ensemble makes a great supplement to any class guitar program. Your students will enjoy rehearsing and performing great-sounding pieces using the skills and concepts they have learned in Alfred's Guitar 101. This flexible guitar ensemble is written for five guitars, but it can easily be adapted for as few as two or as many as eight guitars. A creative teacher can find many ways to use Alfred's Guitar 101, Ensemble: add a bass player, percussion, or other melodic or harmonic instruments---whatever fills the needs of your students and program. Manzanita is an ensemble piece to help students learn to play and read in 3/4 time. The Guitar 1 part contains quarter notes, dotted quarter notes, half notes, and eighth notes providing experience playing constantly changing note values. Guitar parts 2 and 3 fill a harmonic role and will also help develop proficiency performing call and response playing. Guitar 4 challenges the student to play steady streams of eighth notes in the bass register, while the Guitar 5 part helps develop a good time feel while learning to change basic chords accurately.
$8.00
7.15 €
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Jody Fisher
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Alfred's Guitar 101, Ensemble: Manzanita: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Beati I: Pro curatis (For those that are cared for) (Downloadable)
Soprano solo, SSAA choir, organ, cello, synthesizer, and handbells - Medium - Digital Down…
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Soprano solo, SSAA choir, organ, cello, synthesizer, and handbells - Medium - Digital Download SKU: MQ.56-0021-E Composed by Howard Goodall. 14 pages. Duration 7 minutes, 12 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0021-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0021-E). Latin. Lamentations 1:2; John 14:18.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women’s chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 (“Weeping, she hath wept in the nightâ€) and John 14:18 (“I will not leave you orphansâ€). Duration 7:12Instrumentalists play from the choral score.
$3.35
2.99 €
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Howard Goodall
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John 14:18
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Beati I: Pro curatis
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 8 (Songs 190-216)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152774 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152774 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753011. Published by Socrates Arvanitakis (A0.1152774). This is the eighth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 8 (Songs 190-216)Coconut TreeCodfish Shanty (The)Cold Blows the Wind  1 (Shropshire)Cold Blows the Wind 2 (The Unquiet Grave)Cold, Haily, Windy NightCollier’s Rant (The)Come All You Fair and Tender LadiesCome all you True Good ChristiansCome All You Worthy Christian MenCome all you worthy GentlemenCome Away to the SkiesCome buy my fine herringsCome O’er the Stream CharlieCome Write me DownCome, Tune Your Cheerful VoiceConstant Farmer’s Son (The )Constant JohnnyCooper Of Fife (The)Cosher BaileyCottage thatched with straw (The)Coulter’s CandyCoventry Carol 1Coventry Carol 2 (Lulle Lullay)Crocodile (The)Cropper’s Song (The)Cruel Mother (The)Cruel Ship’s Carpenter (The).
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 8
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 14 (Songs 352-378)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153432 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #753693. Published by Socrates Arvanitakis (A0.1153432). This is the fourteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 14 (Songs 352-378)Georgie Jeems (Who will shoe my Foot)Gibson, Wilson and Johnson-The Three ButchersGipsy (The)Gipsy Countess Part 1 (The)Gipsy Countess Part 2 (The)Gipsy Laddy OGirl I Left Behind Me (The)GlenlogieGo Down MosesGo Tell it on the MountainGod Bless the MasterGod speed the ploughGolden Vanity (The)Good King EneryGood NewsGood Old Leathern Bottle (the)Goodbye fare-ye-wellGossip JoanGrampound Wassail (The)Green Broom 1Green Broom 2Green Bushes 1 (The)Green Bushes 2 (The)Green Bushes 3 (the)Green Gravel (Derbyshire)Green Gravel (Lancashire)Green grow the Leaves.
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 14
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Socrates Arvanitakis
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SheetMusicPlus
Ten Christmas Carols for 13-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,V…
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Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Voice,Xylophone - Level 1 - Digital Download SKU: A0.569918 By Sharon Wilson. By Various. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Holiday,Sacred. Score and parts. 78 pages. Sharon Wilson #6137843. Published by Sharon Wilson (A0.569918). This collection of 10 Christmas songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For each song there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note chart is also provided for each song as well as a chord chart when appropriate. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are provided for each song. Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note (one octave, C to C chromatic scale) instrument such as a xylophone, glockenspiel, or recorder. For those songs with chords provided, a ukulele could be included in the ensemble. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a fewEach of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Away in a MangerBring a Torch, Jeannette, IsabellaGood King WenceslasI Saw Three ShipsIn Little Bethlehem (Wind Through the Olive Trees) O Come, All Ye FaithfulThe Friendly BeastsPat-a-PanWe Three KingsWho Is He in Yonder Stall?Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
17.86 €
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Sharon Wilson
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Sharon Wilson Music
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Ten Christmas Carols for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 32 (Songs 838-864)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166066 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166066 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #766444. Published by Socrates Arvanitakis (A0.1166066). This is the thirtieth-second of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 32 (Songs 838-864)Tam LinTaney CountyTarpaulin Jacket (the)Tattie JockTen Joys of Mary (the)There was a Pig went out to DigThere was an Old Woman in our townThere’s nae luck aboot the hooseThis Old ManThou Bonnie Wood o’ CraigieleaThousands or MoreThree Dukes (the)Three HarksThree Jolly HuntsmenThree little babesThree Maidens a-milking did goThree PiratesThree Ravens (the)Three Score and TenThree SistersThresher and the Squire (the)Threshing SongThrough MoorfieldsThrough the GroveThe Tinker’s WeddingTipteerers’ CarolTo All the Good Children, A Happy New Year.
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 32
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Socrates Arvanitakis
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.44 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 17
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 25 (Songs 649-675)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161791 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161791 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 50 pages. Socrates Arvanitakis #762166. Published by Socrates Arvanitakis (A0.1161791). This is the twenty-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 25 (Songs 649-675)O Bury Me Not on the Lone PrairieO Can Ye Sew CushionsO give me a cotO Good Ale Thou art my DarlingO Ho the Pretty ChainO No John 1O ru, ru, ruO Sally My DearO Waly WalyOak and the Ash (the)Oats and Beans and Barley GrowsOh, I love a Maiden FairOld Daddy FoxOld Farmer BuckOld Man of the Woods (the)Old Oak Tree (the)old turf fire (the)Old WichetOld Woman and her Pig (the)Old Woman in our townOld Zip CoonOliver CromwellOn Board of a Man-of-WarOn Christmas DayOn Christmas Night On The Banks Of Sweet DundeeOn this day
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 25
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Socrates Arvanitakis
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SheetMusicPlus
Turn Your Eyes Upon Jesus - for Trombone Quintet/Choir
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782103 Composed by Hel…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782103 Composed by Helen H. Lemmel. Arranged by Steve Ash. Easter,Spiritual. Score and parts. 10 pages. Aaron Hettinga #6712103. Published by Aaron Hettinga (A0.782103). Helen H. Lemmel composed this melody in 1922 inspired by the scripture of Hebrews 12:2. Steve Ash’s introspective treatment of this melody in his trombone quintet arrangement shares the tune between instrumental parts so no one player carries the melodic weight for the whole piece. Other accompanying moving lines around the entire ensemble will keep things interesting for everybody, making for a good exercise in ensemble balance and blend.While the first two trombone parts go as high as a G above the staff, and there are a few characteristic lower notes for the bass trombonist, there aren’t many other technical challenges making for an accessible chart for a broad range of skill levels.This tender arrangement would fit well when needing a reflective piece on a program.
$19.99
17.86 €
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Helen H
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Steve Ash
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Turn Your Eyes Upon Jesus - for Trombone Quintet/Choir
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Aaron Hettinga
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 33 (Songs 865-891)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1166663 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 50 pages. Socrates Arvanitakis #767044. Published by Socrates Arvanitakis (A0.1166663). This is the thirtieth-third volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 33 (Songs 865-891)Tobacco Is An Indian WeedTom BowlingTom’s Gone to HiloTommy make room for your UncleTop of the Morning (the)Tramping SongTravel the Country RoundTree in the Wood (the)Trees they do grow High (the)Trees They’re All Bare (the)Trimdon Grange ExplosionTurmut-hoeingTurpin HeroTwo Magicians (the)Twa SistersTwankydilloTwelve Apostles (the)Twelve Days of Christmas (the)Twenty Eighteen Two Affectionate LoversTwo Brothers  (the)Unfortunate Tailor (the)Up the RawUp! Good Christen FolkVan Dieman’s LandVenus and AdonisVicar of Bray (the).
$25.00
22.33 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 33
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Socrates Arvanitakis
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 C…
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.44 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.44 €
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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jmsgu3
#
SheetMusicPlus
After Satie
Small Ensemble Alto Recorder,Descant Recorder,Piano,Soprano Recorder - Level 3 - Digital D…
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Small Ensemble Alto Recorder,Descant Recorder,Piano,Soprano Recorder - Level 3 - Digital Download SKU: A0.966350 Composed by Greg Shapley. 20th Century,Contemporary. Score and parts. 6 pages. Greg Shapley #2743. Published by Greg Shapley (A0.966350). This small accessible, but challenging work for descant recorder, alto recorder and piano is based on a few notes from an Erik Satie composition and is in a post-minimalist style. Complex rhythms and time signatures are overlaid with simple, but mesmerizing melodic fragments. It is a good work to show off the recorder in a modern context. Length 2:30 mins.
$3.49
3.12 €
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Greg Shapley
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After Satie
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Greg Shapley
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SheetMusicPlus
W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Compo…
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Small Ensemble Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811808 Composed by Wilhelm Friedrich Ernst Bach (1759 - 1845). Arranged by Pat Spence. Classical,Concert,Graduation,Standards. Score and parts. 38 pages. Piper Publications #6385007. Published by Piper Publications (A0.811808). W.F.E. Bach, grandson of J.S. Bach, was the last in the long line of composers in the Bach family. Very few of his works have survived. The Trio in G major is one of two composed for the unusual combination of two flutes and viola. Here it has been arranged for flute, violin and viola. It would make a good companion piece with Beethoven’s Serenade for the same combination.The style is early classical retaining the Baroque reluctance to indicate dynamics , leaving this largely to the performers. I have added a few in parentheses ( ) and also some additional phrasings - shown with dashed lines to provide some guidance to less experienced players. The four movements are: Larghetto cantabile, Allegro, Poco Adagio and Presto. A trio of advanced intermediate players will discover that the Bach magic was there to the end.
$15.00
13.4 €
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Wilhelm Friedrich Ernst Bach
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Pat Spence
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W.F.E BACH: TRIO IN G MAJOR IW 2 for flute, violin & viola
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Piper Publications
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SheetMusicPlus
O Come, Little Children for 8-note Bells and Boomwhackers (with Color Coded Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.565331 By Sharon Wilson. By Johann A. P. Schulz. Arranged by Sharon Wilson. Children,Christmas,Multicultural,Sacred,Traditional,World. 8 pages. Sharon Wilson #3895697. Published by Sharon Wilson (A0.565331). This arrangement is one of the 10 songs in the collection Ten Christmas Carols for 8-note Bells and Boomwhackers.This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.This arrangement is one of the easier Christmas songs for Bells and Boomwhackers making it a good selection when introducing new players to Handbells and Boomwhackers®. With only quarter notes and rests in the score, beginning players can focus on learning ringing and whacking techniques. Using a familiar tune presented in an easy format builds confidence as players become comfortable being a part of an ensemble while learning a few basic notes and rhythms. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played with soprano or alto recorders.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided for 6, 8, and 15 players.
$5.99
5.35 €
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Sharon Wilson
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Sharon Wilson
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O Come, Little Children for 8-note Bells and Boomwhackers
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Sharon Wilson
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SheetMusicPlus
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