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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Sonata
Non classifié
1 008
Piano & claviers
Piano seul
1 103
Piano Facile
123
Orgue
46
Accompagnement Piano
41
Piano, Voix
22
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
11
Clavecin
9
Instruments en Do
9
Piano, Voix et Guitare
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare
231
Guitare notes et tablatures
99
2 Guitares (duo)
58
Piano, Guitare (duo)
8
Ukulele
6
3 Guitares (trio)
5
Banjo
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
2 Mandolines (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale 2 parties
6
Chorale 3 parties
3
Voix Baryton, Piano
3
Voix duo, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale Unison
1
Chorale SSAA
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
145
Clarinette et Piano
100
Flûte et Guitare
97
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
2 Flûtes traversières (duo)
70
Flûte traversière
70
Hautbois, Piano (duo)
62
Saxophone Alto et Piano
61
3 Clarinettes (trio)
50
Flûte, Hautbois, Clarinette (trio)
42
Flûte, Hautbois, Clarinette, Basson
42
Quatuor de Saxophones: 4 saxophones
41
3 Saxophones (trio)
38
2 Saxophones (duo)
37
Clarinette
37
Saxophone Tenor et Piano
35
2 Clarinettes (duo)
31
Flûte, Hautbois, Basson
31
Trio de Flûtes: 3 flûtes
30
Saxophone Soprano et Piano
27
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Clarinette et Basson
24
Saxophone Baryton, Piano
19
Quintette de Saxophone: 5 saxophones
18
Ensemble de Clarinettes
17
Flûte, Violon et Violoncelle
17
Flûte à Bec
15
Quintette de Clarinettes: 5 clarinettes
15
Ensemble de saxophones
14
2 Flûte à bec (duo)
14
2 Clarinettes, Basson
12
Quatuor de Flûtes : 4 flûtes
12
Hautbois, Clarinette, Basson (trio d'anches)
11
Quatuor de Flûtes à bec
11
Flûte, Clarinette (duo)
10
Clarinette Basse, Piano
10
Saxophone Alto
10
Ensemble de Flûtes
8
Cor anglais, Piano
8
Flûte, Alto (duo)
7
Flûte, Violoncelle
7
Flûte à bec Alto, Basse continue
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Clarinette et Alto
6
Flûte traversière, Basse continue
5
Clarinette (partie séparée)
5
Ensemble De Flûte à bec
5
Flûte, Violon
4
Saxophone, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone
4
Hautbois (partie séparée)
4
Flûte, Violon, Piano
4
2 Hautbois et Basson
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte à bec Soprano
3
2 Flûtes, Basse continue
3
3 Flûtes à bec (trio)
3
2 Cors Anglais Et Pianoforte
2
Clarinette, Guitare (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Violon (duo)
2
Ensemble à vent
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo, Piano
2
5 Flûtes à bec
2
Saxophone Tenor
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Soprano, Piano
2
Saxophone (partie séparée)
2
2 Flûtes traversières, Piano
2
Flûte, alto et harpe
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette (duo)
1
Flûte irlandaise
1
Hautbois, Guitare (duo)
1
Hautbois, Flûte
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Flute (partie séparée)
1
Flûte, Trompette (duo)
1
Flûte à Bec, Piano
1
Hautbois
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
4 Hautbois
1
Flûte à bec Alto
1
+ 85 instrumentations
Retracter
Cuivres
Trombone et Piano
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trompette, Piano
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor et Piano
35
Trompette
24
Euphonium, Piano (duo)
23
Tuba et Piano
16
2 Trompettes (duo)
16
Cor
14
2 Cors (duo)
11
Quatuor de cuivres: 4 cors
10
Quatuor de Cuivres
9
2 Trombones (duo)
9
Ensemble de Cors
9
Trompette, Trombone (duo)
8
Cor anglais, Piano
8
Quatuor de cuivres: 4 trombones
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Ensemble de Trompettes
4
Ensemble de Trombones
4
2 Tubas (duo)
4
Trombone
4
3 Trombones (trio)
4
Trompette (partie séparée)
4
4 Tubas
3
2 Euphoniums (duo)
3
2 Cors Anglais Et Pianoforte
2
Trombone basse et Piano
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Saxophone (duo)
2
3 Euphoniums
2
3 Cors (trio)
2
Cor (partie séparée)
1
Trombone (partie séparée)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trompette, Harpe
1
3 Tubas (trio)
1
Trombone, Cor (duo)
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Cor et Harpe
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
225
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon
153
Violoncelle, Piano
127
Alto, Piano
89
Trio à Cordes: violon, alto, violoncelle
46
2 Violons (duo)
45
Violoncelle
38
Alto seul
31
Harpe
29
Violon, Violoncelle (duo)
26
Violon, Alto (duo)
24
Trio à Cordes: 2 violons, violoncelle
24
2 Violoncelles (duo)
23
Trio à cordes: 3 violins
21
Violon (partie séparée)
19
2 Altos (duo)
18
Violoncelle, Contrebasse (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contrebasse, Piano (duo)
11
Violoncelle, Basse continue
11
Violon, Basse continue
10
Alto (partie séparée)
7
Trio à Cordes: 3 violoncelles
6
4 Violoncelles
6
Contre Basse
5
Flûte, Contrebasse (duo)
5
Violoncelle (partie séparée)
5
Alto, Violoncelle (duo)
5
Trio à Cordes: 2 violons, alto
4
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
Violoncelle , Guitare (duo)
3
2 Violons, Piano
2
2 Harpes (duo)
2
Ensemble de Violoncelles
2
Violon, Guitare (duo)
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Alto et Harpe
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
2 Violons et Basse continue
1
Ensemble de Violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
110
Orchestre
67
Orchestre de chambre
50
Orchestre d'harmonie
44
Ensemble de cuivres
16
Ensemble Jazz
4
Ensemble de Percussions
2
Percussion
1
Percussion (partie séparée)
1
Marimba
1
Xylophone
1
+ 6 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
A Sonata
Partitions à imprimer
1 008 partitions trouvées
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1
26
51
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1001
Sonata for banjo and guitar
#
Contemporain
#
Jeremiah Lawson
#
Sonata for banjo and guitar
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Jeremiah Lawson
#
SheetMusicPlus
Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremi...
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Instrumental Duet Banjo,Guitar,Instrumental Duet - Level 4 - SKU: A0.985326 Composed by Jeremiah Lawson. Contemporary. Score and parts. 14 pages. Jeremiah Lawson #6013867. Published by Jeremiah Lawson (A0.985326). This is a 14 page work in three movements that has a performance time of roughly 12:30 to 13:30. I composed this sonata back in 2012 and it was given a filmed premiere by Brett Parnell on banjo and Daniel Corr on guitar.The first movement is a sonata form that opens in G minor and ends in G major. The second movement is a set of variations on an old shape note tune known as Star in the East, and the third movement is a five-part rondo that recapitulates themes from the first and second movements. This sonata is part of a larger cycle of chamber sonatas I have been composing since 2000 which began with my sonata for flute and guitar and pairs the guitar up with woodwinds, strings and brass. The over-arching concept that guides the chamber sonata cycle as I've been working on it is to draw upon Haydn and Clementi's monothematic sonata forms as a template for synthesizing 18th century galant era processes of gestural development with American vernacular and popular styles, often from the age of ragtime up through to the 1940s and beyond.
$10.00
Sonata No.20 in A Major by Franz Schubert for Clarinet Quintet.
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Classique
#
Franz Schubert
#
Stephen Davies
#
Sonata No.20 in A Major by Fra
#
Stephen Davies
#
SheetMusicPlus
Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.891917 Composed by Franz Schubert. Arranged by Stephen Davies. Classical. 63 pages. Stephen Davies #34...
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Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.891917 Composed by Franz Schubert. Arranged by Stephen Davies. Classical. 63 pages. Stephen Davies #3489949. Published by Stephen Davies (A0.891917). Written during the last months of Schubert's life, between Spring and Summer 1828, his last 3 Sonatas (19,20,21) are widely regarded as shining examples of the genre for piano. Here I have chosen the 1st movement of Schubert's penultimate piece, the Sonata in A Major (D959). As you would imagine in a Sonata, there are lots of twists and turns, aggressive and passive and at 361 bars (493 if you play the repeat!!), that's the second half of your concert covered!
$24.99
Sonata No. 12 1 Allegro
#
Mark Jones
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Sonata No. 12 1 Allegro
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Mark Jones
#
SheetMusicPlus
Oboe - SKU: A0.1067800 Composed by Mark Jones. Baroque,Contemporary. Full Performance. Duration 210. Mark Jones #5319823. Published by Mark Jones (A0.10...
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Oboe - SKU: A0.1067800 Composed by Mark Jones. Baroque,Contemporary. Full Performance. Duration 210. Mark Jones #5319823. Published by Mark Jones (A0.1067800). Sonata No. 12 First movement Allegro. A Sonata for Oboe, from my Sonatas for Various Unaccompanied Instruments Opus 1.
$2.00
Sonata for Multiple Woodwinds and Piano
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the same token, the pianist is
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Brett L
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Sonata for Multiple Woodwinds
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Sonata Grendel Publishing
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major. The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
$27.95
Triosonata B minor
#
Johann Ludwig Krebs
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Triosonata B minor
#
Schott Music - Digital
#
SheetMusicPlus
2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - SKU: S9.Q16177 Composed by Johann Ludwig Krebs. This edition: Sheet music. ...
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2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - SKU: S9.Q16177 Composed by Johann Ludwig Krebs. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q16177. Published by Schott Music - Digital (S9.Q16177). Key: B minor.Johann Ludwig Krebs (1713-1780) was a student of Johann Sebastian Bach who greatly valued his musical accomplishments and scholarly knowledge. During his time in Zwickau (1737-43) Krebs composed a collection of six trio sonatas 'Denen Liebhabern der Instrumental-Music zum angenehmen Zeitvertreib', the second of which is the sonata published here. Although still in the formal tradition of the sonata da chiesa, the four-movement church sonata, it already points to the post Baroque era, especially with regard to the melody, to the gallant sentimental movements. This very charming work has been out of print for a long time and is now republished in the Edition Schott.
$18.99
Sonata en Re
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Gloria Villanueva
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Sonata en Re
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - SKU: ZY.DO-1558 Composed by Gloria Villanueva. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1558. Published by Les Editions Dober...
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Guitar - SKU: ZY.DO-1558 Composed by Gloria Villanueva. Score. 16 pages. Les Editions Doberman-Yppan (digital) #DO 1558. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1558). The Sonata in Re is the result of a commission made by guitarist Fix Nicolet, who already counts in his repertoire with many of my works for guitar.It is a sonata that follows quite faithfully the structure of this musical form, with an introduction and four movements: Allegro Moderato, Largo, Tempo di Minuetto and Rondó. - The latter with a somewhat extemporaneous license as to include in it a swing-rhythm.Moreover, it is a work of retro air and neo-Romantic character, with soft harmonies and pleasant and relaxed hearing.La Sonate en Ré est le résultat d'une commande du guitariste Fix Nicolet, qui compte déjà dans son répertoire plusieurs de mes œuvres pour guitare.C'est une sonate qui suit assez fidèlement la structure de cette forme musicale, avec une introduction et quatre mouvements : Allegro Moderato, Largo, Tempo di Minuetto et Rondó. - Ce dernier avec une licence quelque peu improvisée au point d'y inclure un rythme swing.De plus, c'est une œuvre d'air rétro et de caractère néo-romantique, avec des harmonies douces et une écoute agréable et détendue.1. Introduccion y Allegro2. Largo3. Tempo di Minuetto4. Rondó.
$12.95
Sonata in D minor for Violin and Piano
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Classique
#
Robert Edward Smith
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Sonata in D minor for Violin a
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ROBERT EDWARD SMITH MUSIC
#
SheetMusicPlus
Strings Instrumental Solo,Piano - Level 5 - SKU: A0.1475550 Composed by Robert Edward Smith. Classical. Score and individual part. 34 pages. ROBERT EDWA...
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Strings Instrumental Solo,Piano - Level 5 - SKU: A0.1475550 Composed by Robert Edward Smith. Classical. Score and individual part. 34 pages. ROBERT EDWARD SMITH MUSIC #1053103. Published by ROBERT EDWARD SMITH MUSIC (A0.1475550). This is a sonata in four movements for violin and piano. The music is tonal, melodic, and accessible to the average audience for classical chamber music. The sound sample is a computer reading of the first movement. Parts of the sonata are quite virtuosic, and meant as flashy technical displays.
$50.00
Sonata for 6 Players
#
Hans Werner Henze
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Sonata for 6 Players
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Schott Music - Digital
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SheetMusicPlus
Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. ·...
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Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
$34.99
Sonata in D minor for piano (without structure)
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Classique
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Santino Cara
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Sonata in D minor for piano
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Santino Cara
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SheetMusicPlus
Piano Solo (4-Part) - Level 3 - SKU: A0.516276 Composed by Santino Cara. Romantic Period. Score. 65 pages. Santino Cara #2007865. Published by Santino C...
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Piano Solo (4-Part) - Level 3 - SKU: A0.516276 Composed by Santino Cara. Romantic Period. Score. 65 pages. Santino Cara #2007865. Published by Santino Cara (A0.516276). There are five pieces not included in other works, and I have gathered to five times to form a sonata.
$8.50
Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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Aaron Sinnett
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Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classic...
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Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume). Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.
$14.99
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
Abel - 6 Easy Sonatas, WK 141-146
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Easy Sonatas, WK 141-
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and...
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Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 47 pages. J.G. Cuco Barber #6133199. Published by J.G. Cuco Barber (A0.819757). Work Title 6 Easy SonatasAlternative Title Six Easy Sonatas for the Harpsichord or for a Viola da Gamba, Violin or German Flute with a Thorough-Bass AccompanimentComposer Abel, Carl FriedrichOpus/Catalogue Number WK 141-146Movements/Sections 6 sonatas:Sonata in C major, WK 141Sonata in A major, WK 142Sonata in D major, WK 143Sonata in G major, WK 144Sonata in A major, WK 145Sonata in E minor, WK 146First Publication 1771 ca.Composer Time Period ClassicalPiece Style ClassicalInstrumentation harpsichord (viola da gamba), violin (flute), continuoExtra Information Knape classifies these as sonatas for viola da gamba and continuo.
$28.00
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221995. Published by jmsgu3 (A0.612801). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Baritone Horn Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.612791 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arrang...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.612791 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221985. Published by jmsgu3 (A0.612791). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Albinoni Sonata per Pisendel in B flat major
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Classique
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Tomaso Giovanni Albinoni
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Sneakwood Editions
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Albinoni Sonata per Pisendel i
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score ...
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Small Ensemble Cello,Harpsichord,Violin - SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 8 pages. Sneakwood Editions #4782289. Published by Sneakwood Editions (A0.890771). While in Venice, Pisendel met another of the great Italian composers of the time, Tomaso Albinoni. Albinoni, too, was captivated by the young virtuoso, to the extent that Pisendel returned to Dresden with three sonatas for violin and continuo copied by the Italian master himself. But, although we can assume that all three sonatas were dedicated in some way to Pisendel, it is the Sonata for violin and continuo in B flat Major that bears a special dedication on its frontispiece: Sonata a Violino solo di me Tomaso Albinoni Composta p[er] il Sig:[re] Pisendel. And not only this dedication but also certain musical aspects lead us to believe that the sonata in question may have been written specifically for Pisendel. The sonata goes beyond Albinoni’s usual technical requirements, exploring the upper register of the violin in a way that appears only rarely in other sonatas by this Italian. And, in the second movement, marked Allegro, we find an unusual and virtuoso use of triple stops in a fast semi-quaver rhythm. This singular effect is used by Albinoni in only one other work, the Concerto for violin and strings in C Major Co2, although with a strange and interesting nuance: of the versions of the concerto that remain we find this technique only in a manuscript version in Dresden, the version that Pisendel brought back from Italy in 1717 together with the sonata. Other versions of the concerto, such as the one published by Roger around 1717, or other manuscript versions do not contain the triple-stop passages. This suggests that they may be a personal touch added by Albinoni in recognition of Pisendel’s remarkable performing skills.
$10.00
Abel - 6 Trio Sonatas for a violin, violoncello, with thorough base for the harpsichord, WK 86-91 ;
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Trio Sonatas for a vi
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - SKU: A0.819763 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 7...
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Small Ensemble Cello,Harpsichord,Violin - SKU: A0.819763 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 77 pages. J.G. Cuco Barber #6204043. Published by J.G. Cuco Barber (A0.819763). Work Title Six sonatas for a violin, a violoncello, & base, with thorough base for the harpsichordComposer Abel, Carl FriedrichOpus/Catalogue Number Op.9 ; WK 86-91Movements/Sections 6 sonatasTrio Sonata in A major, WK 86Trio Sonata in C major, WK 87Trio Sonata in G major, WK 88Trio Sonata in B-flat major, WK 89Trio Sonata in D major, WK 90Trio Sonata in F major, WK 91First Publication 1771 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation violin, cello, continuo (harpsichord, bass).
$25.00
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
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Joseph Bodin De Boismortier
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Le Sr. Le Clere.
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BOISMORTIER THREE SONATAS OPUS
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque...
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Woodwind Ensemble - Level 3 - SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 43 pages. Piper Publications #4338647. Published by Piper Publications (A0.811704). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR Written for 2 equal instruments these sonatas bring pleasure to players of intermediate standard and above whilst developing their independent playing skills. Each sonata has 4 movements slow and fast alternating in the same key. The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page. It is highly likely that the sonatas would have been played by pairs of oboes or violins or possibly by bassoons or cellos according to the players available in the homes of the wealthy amateur players who could afford to buy music. The flute parts were printed in the soprano clef - with G on the bottom line. This would have been convenient for flute players who often also played bassoon when required and were often not keyboard players. This edition uses the modern bass clef and has a score plus separate parts to facilitate page turns. In editing the sonatas the presentation of the music has been modernised.
$15.00
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Abel - 6 Sonatas for Keyboard and Violin, Op.13 ; WK 129-134
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Sonatas for Keyboard
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J.G. Cuco Barber
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - SKU: A0.819761 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Cl...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - SKU: A0.819761 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 91 pages. J.G. Cuco Barber #6196529. Published by J.G. Cuco Barber (A0.819761). Work Title 6 Sonatas for Keyboard and ViolinAlternative Title Six sonatas pour le clavecin, ou piano forte, avec accompagnement d'un violonComposer Abel, Carl FriedrichOpus/Catalogue Number WK 129-134 ; Op.13Movements/Sections 6 sonatasViolin Sonata in G major, WK 129Violin Sonata in F major, WK 130Violin Sonata in A major, WK 131Violin Sonata in B-flat major, WK 132Violin Sonata in C major, WK 133Violin Sonata in E-flat major, WK 134First Publication 1777 - London: Robert BremnerDedication Countess of AbingdonComposer Time Period ClassicalPiece Style ClassicalInstrumentation: violin, harpsichord/piano.
$25.00
Abel - 6 Flute Sonatas, Op.6 ; WK 123-128
Flute, Harpsichord
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Classique
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Carl Friedrich Abel
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Abel - 6 Flute Sonatas, Op.6 ;
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J.G. Cuco Barber
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SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - SKU: A0.819759 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Scor...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - SKU: A0.819759 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 55 pages. J.G. Cuco Barber #6134725. Published by J.G. Cuco Barber (A0.819759). Work Title 6 Flute Sonatas, Op.6Alternative Title Sei sonate a solo per il flauto traverso e bassoComposer Abel, Carl FriedrichOpus/Catalogue Number Op.6 ; WK 123-128Movements/Sections 6 sonatasFlute Sonata in C major, WK 123Flute Sonata in G major, WK 124Flute Sonata in E minor, WK 125Flute Sonata in E major, WK 126Flute Sonata in F major, WK 127Flute Sonata in G major, WK 128First Publication 1763 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation flute, continuo.
$25.00
BACH: Trio Sonata No. 1 BWV 525 for Double Reed Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 3...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 1 BWV 525 for String Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score...
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String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6490989. Published by jmsgu3 (A0.552645). Sonata No. 1 BWV 525, originally for organ, arranged for string trio: 1 violin, 1 viola, 1 cello. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Sammartini: Sonata Op. 1 No. 2 for English Horn Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
English Horn,Instrumental Duet - Level 2 - SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,...
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English Horn,Instrumental Duet - Level 2 - SKU: A0.1082622 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. 12 pages. Jmsgu3 #686830. Published by jmsgu3 (A0.1082622). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini's Sonatas Op. 1 was composed in the early 18th century. Sammartini, an Italian composer, was known for his instrumental works, particularly for the flute, recorder, and oboe. He dedicated his 12 sonatas Op. 1 to Frederick, indicating his attachment to the family he worked for. Most of Sammartini's chamber music was regularly performed and republished during his lifetime, highlighting the significance of his works in the Baroque era. The historical context of these sonatas is rooted in the Baroque period, during which the sonata form and chamber music flourished.Sammartini is considered a formative influence on the preclassical symphony and the development of the Classical style. His approach to symphonic composition was unique, drawing influence from the trio sonata and deviating from the Italian overture model. His symphonies were driven by rhythm and more precise forms, reflecting a mixture of Baroque and Preclassical forms and anticipating the direction of classical music, such as the Sturm und Drang style. He composed around 70 symphonies and is praised for his innovations in the development of the symphony, which have contributed to the development of the Classical style.
$27.95
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