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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Song For Moses
Non classifié
38
Piano & claviers
Piano seul
18
Piano, Voix
12
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
Mandoline
1
Ukulele
1
Voix
Chorale SATB
23
Chorale 2 parties
12
Chorale 3 parties
4
Voix duo, Piano
4
Chorale Unison
4
Voix moyenne, Piano
1
Chorale TTBB
1
Voix Alto, Piano
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
12
Saxophone Alto et Piano
7
Saxophone Soprano et Piano
7
Cor anglais, Piano
5
Saxophone, Clarinette (duo)
5
Clarinette et Piano
5
Saxophone Tenor et Piano
5
Flûte traversière et Piano
5
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Clarinette (duo)
4
Hautbois, Piano (duo)
4
Saxophone Baryton, Piano
4
Clarinette
4
Quatuor de Saxophones: 4 saxophones
3
Clarinette et Alto
2
Ensemble de Flûtes
2
Flûte, Saxophone (duo)
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
2 Flûtes traversières (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Clarinette Basse, Piano
2
Harmonica
1
Piccolo
1
Ocarina
1
Flûte à bec Alto
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
Hautbois (partie séparée)
1
+ 31 instrumentations
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Cuivres
Trombone et Piano
7
Trompette, Piano
6
Cor anglais, Piano
5
Euphonium, Piano (duo)
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Trompette
2
Cor
1
Trombone
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
6
Alto, Piano
4
Violoncelle, Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violon, Violoncelle (duo)
2
Alto seul
1
Violoncelle
1
2 Violons (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Violon
1
Trio à Cordes: violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
2
Orchestre d'harmonie
2
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
A Song For Moses
Partitions à imprimer
38 partitions trouvées
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Go Down Moses, Gospel Song for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590171 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,P...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.590171 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195603. Published by David McKeown (A0.590171). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Go Down Moses, Gospel Song for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590160 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Pr...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.590160 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195579. Published by David McKeown (A0.590160). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Go Down Moses, Gospel Song for Oboe and Violin Duet
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Musique Sacrée
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Gospel Spirituel
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Traditional
#
David McKeown
#
Go Down Moses, Gospel Song for
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590161 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise &...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.590161 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195581. Published by David McKeown (A0.590161). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Violin. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Go Down Moses, Gospel Song for Alto Flute and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.592741 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Alto Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.592741 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411907. Published by David McKeown (A0.592741). Go Down Moses is a beautiful gospel song arranged here for Solo Alto Flute and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Descant Recorder and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - SKU: A0.592747 Composed by Traditional. Arranged by David McKeown. Praise &...
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Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - SKU: A0.592747 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411921. Published by David McKeown (A0.592747). Go Down Moses is a beautiful gospel song arranged here for Solo Descant Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Tenor Horn and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.592744 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritu...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.592744 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411913. Published by David McKeown (A0.592744). Go Down Moses is a beautiful gospel song arranged here for Solo Tenor Horn and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Treble Recorder and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Solo,Piano,Treble Recorder - Level 2 - SKU: A0.592750 Composed by Traditional. Arranged by David McKeown. Praise & ...
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Instrumental Duet,Piano Instrumental Solo,Piano,Treble Recorder - Level 2 - SKU: A0.592750 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411931. Published by David McKeown (A0.592750). Go Down Moses is a beautiful gospel song arranged here for Solo Treble Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Go Down Moses, Gospel Song for Alto Recorder and Piano
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Musique Sacrée
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592746 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacr...
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 2 - SKU: A0.592746 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Individual part. 4 pages. David McKeown #6411919. Published by David McKeown (A0.592746). Go Down Moses is a beautiful gospel song arranged here for Solo Alto Recorder and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
Folk Songs For Classical Guitar - Volume 14 (Songs 352-378)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #753693. Published by Socrates Arvanitakis (A0.1153432). This is the fourteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 14 (Songs 352-378)Georgie Jeems (Who will shoe my Foot)Gibson, Wilson and Johnson-The Three ButchersGipsy (The)Gipsy Countess Part 1 (The)Gipsy Countess Part 2 (The)Gipsy Laddy OGirl I Left Behind Me (The)GlenlogieGo Down MosesGo Tell it on the MountainGod Bless the MasterGod speed the ploughGolden Vanity (The)Good King EneryGood NewsGood Old Leathern Bottle (the)Goodbye fare-ye-wellGossip JoanGrampound Wassail (The)Green Broom 1Green Broom 2Green Bushes 1 (The)Green Bushes 2 (The)Green Bushes 3 (the)Green Gravel (Derbyshire)Green Gravel (Lancashire)Green grow the Leaves.
$25.00
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
No More Auction Block for Me (Many Thousand Gone) - Low Voice
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David Neff
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David Neff
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No More Auction Block for Me
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David Neff
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published ...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.829043 Composed by David Neff. Arranged by David Neff. Folk,Spiritual. 4 pages. David Neff #6035801. Published by David Neff (A0.829043). No More Auction Block originated in Canada before the US Civil War among African-Americans who had escaped slavery and found safe haven there. It was later adopted by black troops in the Union Army. It is a song of determination and hope, although its positive message is tempered by the wistful line that closes each verse--many thousand gone. Those many thousand were not only the many who had escaped slavery, but also those who had been separated from family and loved ones by being sold on the auction block. This is a low-voice adaptation of an arrangement written for tenor Larry D. Hylton, who sang with Moses Hogan and with the Metropolitan Opera Chorus, and who has been in over 350 performances of Porgy and Bess. David Neff and Larry Hylton collaborated on recording this remotely during the 2020 pandemic in order to produce music for their church's celebration of Juneteenth, following the widespread protests over the murder of George Floyd. The song is appropriate for any occasion that celebrates African-American history and music, as well as the ideals of freedom and liberty.
$4.99
Moses Slipped Up
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John W
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Moses Slipped Up
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John Fisher
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1302410 Composed by John W. Fisher. Children,Christian,Folk,Instructional,Jewish. Chords/Lyrics. 2 pages. John Fisher #892023...
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Guitar - Level 1 - SKU: A0.1302410 Composed by John W. Fisher. Children,Christian,Folk,Instructional,Jewish. Chords/Lyrics. 2 pages. John Fisher #892023. Published by John Fisher (A0.1302410). This simple sermon song is based on a sermon delivered by Dr. Paul de Jong at First Presbyterian Church of Fort Myers Florida on July 2, 2023. It superimposes lyrics from the story of Numbers 20: 1-13 on the children's tune of Little Black Duck, Swimming in the Water. Rather than having piano accompaniment, it has guitar chords. As the Israelites were wandering in the desert, they implored Moses to get water and the first time, he followed God's command and used his rod to srike a rock to bring forth water, and all was well. However, years later as the people grumbled and threatened the leadership of Moses, he went to God , andmissed the instruction to SPEAK to the rock and he hit it again instead. God gave his people needed water, but saw to it that neither brother Aaron nor Moses would see the promised land for this little slip up. It's a fun song, which could have motions for kids of a slip motion upward and flowing water, etc. This song could be sung by children at Sunday school or Hebrew school or by youth groups or adults.
$7.00
The Song of Moses and of Miriam at the Red Sea-Tambourine
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Contemporain
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Zachary Damm
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The Song of Moses and of Miria
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Digital Print Publishing
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.969568 Composed by Zachary Damm. Contemporary. Score and parts. 3 pages. Digital Print Publishing #3015753. Published...
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Small Ensemble - Level 1 - SKU: A0.969568 Composed by Zachary Damm. Contemporary. Score and parts. 3 pages. Digital Print Publishing #3015753. Published by Digital Print Publishing (A0.969568). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the tambourine part: see also all the individual instrumental parts under the same title.
$4.51
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Wedding March for Viola & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Go Down, Moses (Duet for C-Instruments)
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Stephen DeCesare
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Go Down, Moses
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Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - SKU: A0.629340 Composed by African-American Spiritual. Arranged by Stephen DeCesare. Folk,Sp...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 2 - SKU: A0.629340 Composed by African-American Spiritual. Arranged by Stephen DeCesare. Folk,Spiritual,Standards. Score and parts. 11 pages. Exultet Music #6327293. Published by Exultet Music (A0.629340). The African-American Spiritual that was used as a code song that fugitive slaves used to communicate when fleeing Maryland has now been freshly arranged as a duet for C-Instruments with Piano accompaniment. Accessible and appropriate for any school or concert setting. An accompaniment track is also available.
$4.99
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A Song For Moses
