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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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I'm A Man
Small Ensemble - Level 5 - Digital Download SKU: A0.747849 By Chicago. By Jimmy Mil…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747849 By Chicago. By Jimmy Miller and Steve Winwood. Arranged by Patrick Sheehan. Contemporary. Score and parts. 154 pages. Patrick Sheehan #4968507. Published by Patrick Sheehan (A0.747849). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Claves, Cowbell, Tambourine, Maracas, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The eighth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. In full score, this transcription contains the verbatim parts played by the entire band, including Danny Seraphine’s extended drum solo. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
#
Chicago
#
Patrick Sheehan
#
I'm A Man
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Patrick Sheehan
#
SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
LOVELY THOUGHTS
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.79 €
#
Lars Ek
#
SNÖKÄNGAN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
Beginnings
Small Ensemble - Level 5 - Digital Download SKU: A0.747844 By Chicago. By Robert La…
(+)
Small Ensemble - Level 5 - Digital Download SKU: A0.747844 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 162 pages. Patrick Sheehan #4968489. Published by Patrick Sheehan (A0.747844). * This title is priced at $50.00 due to its long-standing popularity and its history of being a Top 10 Billboard Single in June of 1971 *INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Alto Saxophone (Eb), Trumpet (Bb), Trombone, Acoustic 12-string Guitar, Bass, Drumset, Claves, Tambourine, Maracas, Agogo Bells, Temple Blocks, Cuica. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The third track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.03 €
#
Chicago
#
Patrick Sheehan
#
rock selections.
#
Beginnings
#
Patrick Sheehan
#
SheetMusicPlus
Does Anybody Really Know What Time It Is?
Small Ensemble - Level 5 - Digital Download SKU: A0.747845 By Chicago. By Robert La…
(+)
Small Ensemble - Level 5 - Digital Download SKU: A0.747845 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 83 pages. Patrick Sheehan #4968487. Published by Patrick Sheehan (A0.747845). * This title is priced at $50.00 due to its long-standing popularity and its history of being a Top 10 Billboard Single in October of 1970 *INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The second track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.03 €
#
Chicago
#
Patrick Sheehan
#
Does Anybody Really Know What Time It Is?
#
Patrick Sheehan
#
SheetMusicPlus
Liberation
Small Ensemble - Level 5 - Digital Download SKU: A0.747852 By Chicago. By James Pan…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747852 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 307 pages. Patrick Sheehan #4968513. Published by Patrick Sheehan (A0.747852). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The last track, and a true jam from the first album that the world had ever heard from the legendary rock supergroup CHICAGO. In full score, this transcription contains the verbatim parts played by the entire band, including an extended solo from guitarist Terry Kath. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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Liberation
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Patrick Sheehan
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SheetMusicPlus
Prologue August 29, 1968
Small Ensemble - Level 5 - Digital Download SKU: A0.747851 By Chicago. By James W. …
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Small Ensemble - Level 5 - Digital Download SKU: A0.747851 By Chicago. By James W. Guercio (Aurelius). Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 91 pages. Patrick Sheehan #4968509. Published by Patrick Sheehan (A0.747851). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Electric Guitar, Bass, Tambourine, Metal Barrel, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. A paired track (of sorts) on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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Prologue August 29, 1968
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Patrick Sheehan
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SheetMusicPlus
Listen
Small Ensemble - Level 5 - Digital Download SKU: A0.747847 By Chicago. By Robert La…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747847 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 62 pages. Patrick Sheehan #4968495. Published by Patrick Sheehan (A0.747847). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Cowbell / Handclaps, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The fifth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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Listen
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Patrick Sheehan
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SheetMusicPlus
Introduction
Small Ensemble - Level 5 - Digital Download SKU: A0.747843 By Chicago. By Terry Kat…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747843 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 125 pages. Patrick Sheehan #4968475. Published by Patrick Sheehan (A0.747843). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar, Bass, Tambourine, Cowbell, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The first track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. In full score, this transcription includes the band's introductory song, featuring every member of the band. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
22.52 €
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Chicago
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Patrick Sheehan
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Introduction
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Patrick Sheehan
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SheetMusicPlus
Questions 67 And 68
Small Ensemble - Level 5 - Digital Download SKU: A0.747846 By Chicago. By Robert La…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747846 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 90 pages. Patrick Sheehan #4968491. Published by Patrick Sheehan (A0.747846). INSTRUMENTATION: Lead Vocal, Background Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Electric Guitar, Bass, Tambourine, Cabasa, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The fourth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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Questions 67 And 68
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Patrick Sheehan
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SheetMusicPlus
South California Purples
Small Ensemble - Level 5 - Digital Download SKU: A0.747850 By Chicago. By Robert La…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747850 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 103 pages. Patrick Sheehan #4968505. Published by Patrick Sheehan (A0.747850). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The eighth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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South California Purples
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Patrick Sheehan
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SheetMusicPlus
Poem 58
Small Ensemble - Level 5 - Digital Download SKU: A0.747848 By Chicago. By Robert La…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747848 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 133 pages. Patrick Sheehan #4968503. Published by Patrick Sheehan (A0.747848). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Electric Guitar I, Electric Guitar II, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The sixth track on the first album that the world had ever heard from the legendary rock supergroup CHICAGO. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
18.01 €
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Chicago
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Patrick Sheehan
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Poem 58
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Patrick Sheehan
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SheetMusicPlus
Que Garota Linda (Bb leadsheet)
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.94…
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99
3.59 €
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Mark S
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Que Garota Linda
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Geofonica Artistworks
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SheetMusicPlus
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
3.59 €
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Mark S
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Professor M & M's Jive Detector
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Geofonica Artistworks
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SheetMusicPlus
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