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Afro advanced
Partitions à imprimer
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School of Bongo
Percussion (miscellaneous) - Intermediate-Advanced - Digital Download SKU: M0.22174BCDE…
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Percussion (miscellaneous) - Intermediate-Advanced - Digital Download SKU: M0.22174BCDEB Composed by Trevor Salloum. Percussion: Hand Percussion and Bodhran. School of. Latin American. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22174BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.22174BCDEB). ISBN 9781610659994. 8.75x11.75 inches.Destined to become a classic, School of Bongo is Trevor Salloum's fourth bongo book for Mel Bay, but first to seriously explore a variety of bongo patterns in contemporary music. This text begins with the basic Afro-Cuban patterns (Martillo , Afro, Bolero), but demonstrates over 300 rhythms including jazz, blues, rock, R&B reggae, bossa nova and samba. This book is ideally suited for the intermediate-advanced player. Rhythm patterns are demonstrated on audio and audio downloads. Includes access to online audio.
$17.99
16.2 €
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Trevor Salloum
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School of Bongo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.16 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Go Down Moses, Gospel Song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.590171 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195603. Published by David McKeown (A0.590171). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Go Down Moses, Gospel Song for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.590160 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195579. Published by David McKeown (A0.590160). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Go Down Moses, Gospel Song for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.590161 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195581. Published by David McKeown (A0.590161). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Violin. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Ritmos Cubanos
Congas drums and Rhythm - instruments - Digital Download SKU: S9.Q586594 Traditi…
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Congas drums and Rhythm - instruments - Digital Download SKU: S9.Q586594 Traditional and popular rhythms from Cuba for congas and cuban rhythm instruments history, forms, music. Composed by Uwe Egger. Cuba - rhythm - style. Downloadable. Musikverlag Zimmermann - Digital #Q586594. Published by Musikverlag Zimmermann - Digital (S9.Q586594). German • English.This edition gives the beginner the possibility to get to know the elementary structures of the afro-cuban music. It gives a good overview of popular and traditional rhythms, their styles and origins. In the last part also the advanced player can get some good new ideas and suggestions. Overviews and tables, numerous photos and pictures as well as recommendations for further reading round off the work. It is thus more than useful for teaching.
$23.99
21.61 €
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Uwe Egger
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Ritmos Cubanos
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Acrobatic Stomp
Guitar and bandoneon - Advanced - Digital Download Composed by Raffaele Bellafronte. …
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Guitar and bandoneon - Advanced - Digital Download Composed by Raffaele Bellafronte. Score and part. 33 pages. Les Productions d'OZ - Digital #DZ 3717. Published by Les Productions d'OZ - Digital
$12.95
11.66 €
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Raffaele Bellafronte
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Acrobatic Stomp
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SheetMusicPlus
Klezmerengue
Composed by Unknown. Arranged by Chaim Rubinov. For Violin,Soprano Sax,Trumpet,Trombone,Pi…
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Composed by Unknown. Arranged by Chaim Rubinov. For Violin,Soprano Sax,Trumpet,Trombone,Piano,Accordion,Bass Guitar,Drum Set,Congas,Guiro/Cowbell. Latin,Klezmer,Afro-Cuban. Advanced Intermediate. Set of Parts. 43 pages. Published by Blew Funk Productions,
$14.99
13.5 €
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Unknown
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Chaim Rubinov
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Klezmerengue
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Blew Funk Productions,
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SheetMusicPlus
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