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Alex P
Non classifié
13
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32
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNET
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Vous avez sélectionné:
Alex P
Partitions à imprimer
13 partitions trouvées
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1
Jazzy Waltzes Christmas Medley - Alexander Pomaz - 8 Hands 2 Pianos
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Alexander Pomaz
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Alexander Pomaz
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Jazzy Waltzes Christmas Medley
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alexpomas
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SheetMusicPlus
2 Pianos,8 Hands,Piano Duet - Level 5 - SKU: A0.1508891 By Alexander Pomaz. By P. I. Tchaikovsky, Vince Guaraldi, Arthur Warrell, George Wyle. Arranged ...
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2 Pianos,8 Hands,Piano Duet - Level 5 - SKU: A0.1508891 By Alexander Pomaz. By P. I. Tchaikovsky, Vince Guaraldi, Arthur Warrell, George Wyle. Arranged by Alexander Pomaz. Holiday. Score. 52 pages. Alexpomas #1084135. Published by alexpomas (A0.1508891). This bright Jazz Waltz Christmas Medley consists of 4 very nice songs - 1. Christmas Time Is Here, 2. Waltz Of The Flowers, 3. It's The Most Wonderful Time Of The Year, 4. We Wish You A Merry Christmas, and made in Jazz Waltz Style with abundance of complex Jazz harmonies. It's a very advanced level arrangement will be a great fun for players and for audience.
$12.99
Salute To Alexander - Brass Band March
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Contemporain
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Walter P
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Nigel Hall
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Salute To Alexander - Brass Ba
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Elgin Media
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.806363 Composed by Walter P. English. Arranged by Nigel Hall. Contemporary. Brass Band. 38 pages. Elgin Media #6795687. Published by Elgin Media (A0.806363). Classic march arranged for Brass Band by Nigel Hall. Parts are laid out in A4 Landscape format so can easily be printed on to A5 paper to create a march card.
$25.00
La Péri
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Opera
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Classique
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Paul Dukas
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Chris Gorman
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La Péri
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1086170 Composed by Paul Dukas. Arranged by Chris Gorman. Classical,Opera. Brass Band. 24 pages. Chris Gorman #690366. Published by Chris Gorman (A0.1086170). La Péri is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian) searching for immortality and his encounter with a mythological Peri.
$25.00
Tema "Grata Nova" Para Big Band/"Grata nova" theme for Big Band
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Desconhecido
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Lucas Alexandre Santos Silva
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Tema "Grata Nova" Pa
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LUCAS ALEXANDRE SANTOS SILVA
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SheetMusicPlus
Large Ensemble Alto Saxophone,Drum Set,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1030464 Composed by Desconhecido. Arranged by L...
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Large Ensemble Alto Saxophone,Drum Set,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1030464 Composed by Desconhecido. Arranged by Lucas Alexandre Santos Silva. Christian,Gospel,Jazz,World. Score and parts. 49 pages. LUCAS ALEXANDRE SANTOS SILVA #6332601. Published by LUCAS ALEXANDRE SANTOS SILVA (A0.1030464). O Arranjo Grata Nova e um Funk para Big Band com frases de metais bem elaborado, ideal para trabalhos na igreja como encontro de Big Band ou eventos públicos. Instagram https://www.instagram.com/lucas_alexandre.s/.
$2.00
Scenes (Loops / Resonances / Phase)
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Contemporain
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Scenes
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Marcos Fernandez-Barrero
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Centu...
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Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Century,Classical,Contemporary,Film/TV,New Age. Individual part. 30 pages. Marcos Fernandez-Barrero #896802. Published by Marcos Fernandez-Barrero (A0.1307538). A solo piano work commissioned by Palau de la Música Catalana and funded by the Barcelona Creació Sonora to be premiered on the 28th September 2022 at Palau de la Música Catalana (Barcelona) by Alex Alguacil. Scenes is a musical composition comprising three distinct pieces: Loops, Resonances, and Phase. These works can be programmed independently or played consecutively without interruption to create a seamless, unified musical experience.Each of the three pieces draws its melodic inspiration and thematic ideas from Los Requiebros, the opening composition of Enrique Granados' Goyescas. In Los Requiebros, Granados skillfully incorporates a traditional Valencian tune known as La Tirana del TrÃpili to depict a romantic scene inspired by one of Francisco Goya's paintings. Goya's art served as a profound influence on Granados during this period.In Scenes, the aforementioned Valencian tune, along with various other elements rooted in the Spanish-Catalan piano school of Granados' era, is explored, dissected, reassembled, and blended with original ideas. This creative process results in three unique acoustic scenes where the central musical material is manipulated through looping, resonating, and phase shifting techniques. The resulting compositions provide a fresh perspective on the source material, offering a captivating journey through the world of sound, evoking a sense of timelessness and innovation.Scenes invites the audience to explore the rich heritage of Spanish-Catalan music while embracing contemporary approaches to composition and performance. The choice to perform the three pieces in succession without interruption allows for a seamless narrative that unites these scenes into a singular, immersive musical experience_________________________________________________________Una obra para solo encargo del Palau de la Música Catalana y financiada por el Barcelona Creació Sonora para su estreno el 28 de septiembre de 2022 en el Palau de la Música Catalana (Barcelona) a cargo de Alex Alguacil. “Scenes†(Escenas) es una composición que consta de tres obras distintas: Loops, Resonances y Phase. Estas pueden ser programadas de manera independiente o tocarse de manera consecutiva sin interrupciones para crear una experiencia musical unificada y fluida.Cada una de las tres piezas extrae su inspiración melódica y sus ideas temáticas de Los Requiebros, la obra de apertura de Goyescas de Enrique Granados. En Los Requiebros, Granados incorpora de manera magistral una melodÃa tradicional valenciana conocida como La Tirana del TrÃpili para representar una escena romántica inspirada en una de las pinturas de Francisco Goya. En Scenes, la mencionada melodÃa valenciana, junto con varios otros elementos arraigados en la escuela de piano española-catalana de la época de Granados, se exploran, deconstruyen, reensamblan y mezclan con ideas originales. Este proceso creativo da como resultado tres escenas acústicas únicas en las que el material musical central se manipula mediante técnicas de bucle, resonancia y cambio de fase. Las composiciones resultantes ofrecen una perspectiva fresca sobre el material fuente, brindando un viaje cautivador a través del mundo del sonido, evocando una sensación de atemporalidad e innovación.Scenes invita al público a explorar la rica herencia de la música española-catalana al tiempo que adopta enfoques contemporáneos para la composición y la interpretación. La elección de interpretar las tres piezas de manera sucesiva sin interrupciones permite una narrativa fluida que une estas escenas en una experiencia musical singular y envolvente.
$19.95
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Der junge Lord
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Hans Werner Henze
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Der junge Lord
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q40441 Comic opera in 2 acts after the parable from The Sheik of Alexandria and his Slaves by Wilhelm Hauff. Composed by Hans Werner Henz...
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SKU: S9.Q40441 Comic opera in 2 acts after the parable from The Sheik of Alexandria and his Slaves by Wilhelm Hauff. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 140' 0. Schott Music - Digital #Q40441. Published by Schott Music - Digital (S9.Q40441). German • English.2 (beide auch Picc.) * 2 * 2 * 2 - 4 * 2 * 2 * 1 - P. S. (3 Trgl. * hg. Beck. * Beckenpaar * Tamt. * Tamb. * 4 Tomt. * Mil. Tr. * 3 Bong. * Ruhrtr. * gr. Tr. m. Beck. * gr. Tr. * Mar. * Peitsche * Glsp. * Xyl. * Fingerzimb.) (6 Spieler) - Hfe. * Klav. * Cel. * Git. * 2 Mand. [2. ad lib.] - Str. Buhnenmusik (Garnisonsmusik): 2 Picc.* * 2 Ob.* * 2 Klar. - 2 Trp. * 2 Pos. * Tb. - Schellenb.* * Trgl. * gr. Tr. m. Beck. * Beckenpaar (* diese Instrumente konnen bei kleineren Buhnen notfalls weggelassen werden) Auf der Buhne: Klav. - Trp. - S. (Trgl. * hg. Beck. * Hi-Hat [o. Beckenpaar] * Tamb. * Mil. Tr. * gr. Tr. m. Beck. [mit Ped.]) Kammerorchester: Picc. * Klar. - Trp. - S. (Trgl. * Mil.Tr. * gr. Tr.) - Hammerklav. - Vl. * Vc. * Kb.2 (beide auch Picc.) · 2 · 2 · 2 – 4 · 2 · 2 · 1 – P. S. (3 Trgl. · hg. Beck. · Beckenpaar · Tamt. · Tamb. · 4 Tomt. · Mil. Tr. · 3 Bong. · Rührtr. · gr. Tr. m. Beck. · gr. Tr. · Mar. · Peitsche · Glsp. · Xyl. · Fingerzimb.) (6 Spieler) – Hfe. · Klav. · Cel. · Git. · 2 Mand. [2. ad lib.] – Str. Bühnenmusik (Garnisonsmusik): 2 Picc.* · 2 Ob.* · 2 Klar. – 2 Trp. · 2 Pos. · Tb. – Schellenb.* · Trgl. · gr. Tr. m. Beck. · Beckenpaar (* diese Instrumente können bei kleineren Bühnen notfalls weggelassen werden) Auf der Bühne: Klav. – Trp. – S. (Trgl. · hg. Beck. · Hi-Hat [o. Beckenpaar] · Tamb. · Mil. Tr. · gr. Tr. m. Beck. [mit Ped.]) Kammerorchester: Picc. · Klar. – Trp. – S. (Trgl. · Mil.Tr. · gr. Tr.) – Hammerklav. – Vl. · Vc. · Kb.
$84.99
Sanctus, Benedictus and Agnus Dei (with major 7th) for ATB choir and guitar (mp3)
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András Csáki
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Sanctus, Benedictus and Agnus
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David Warin Solomons
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SheetMusicPlus
Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sa...
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Choir,Guitar - Level 4 - SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 419. David Warin Solomons #971335. Published by David Warin Solomons (A0.1387480). Recently rediscovered work of mine from 1975 - with special thanks to Nigel Warner for discovering and returning my manuscript and to Alexandr Burikov for entering it on Finale notation for me. Sanctus, sanctus, sanctusDominus Deus SabbaothSanctus Sanctus Dominus SanctusPleni sunt caeli et terra gloria TuaOsanna in excelsisBenedictus qui venit in nomine DominiOsanna in excelsis.Agnus Dei qui tollis peccata mundiMiserere nobisAgnus Dei qui tollis peccata mundiDona nobis pacemAmen(Holy, holy holyLord God of HostsHoly holy Lord holyHeaven and earth are full of your gloryHosanna in the highestBlessed is he who comes in the name of the LordHosanna in the highestLamb of God who takes away the sins of the worldHave mercy on usLamb of God who takes away the sins of the worldGive us peaceAmen)Performed by:Altos -  Nagy Bernadett and Viola ThurnayTenors - Lajos Fodré and Péter Mészáros Basses -  Ãkos Borka and Béla Silló György Guitar - András Csáki.
$7.50
"Jim and John." Blaine and Logan Campaign Song
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Derrick Dodd
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Derrick Dodd
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"Jim and John." Blai
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
A cappella voice - SKU: LV.12283 Composed by Derrick Dodd. Portraits--James Gillespie Blaine--John Alexander Logan, Eagles, National Emblems, Presidenti...
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A cappella voice - SKU: LV.12283 Composed by Derrick Dodd. Portraits--James Gillespie Blaine--John Alexander Logan, Eagles, National Emblems, Presidential elections. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12283). Jim and John. Blaine and Logan Campaign Song. By Derrick Dodd. Published 1884 by n.p. in n.p. Composition of strophic with satb chorus with a cappella voice instrumentation. Subject headings for this piece include Portraits--James Gillespie Blaine--John Alexander Logan, Eagles, National Emblems, Presidential elections. First line reads We've got it bad I wish I had.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Murder On The Dancefloor
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Pop musique
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Gregg Alexander and Sophie Ell
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P Welsh
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Murder On The Dancefloor
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Accubass
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SheetMusicPlus
Rhythm Section Voice - Level 3 - SKU: A0.1404139 Composed by Gregg Alexander and Sophie Ellis-Bextor. Arranged by P Welsh. Pop. 25 pages. Accubass #9873...
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Rhythm Section Voice - Level 3 - SKU: A0.1404139 Composed by Gregg Alexander and Sophie Ellis-Bextor. Arranged by P Welsh. Pop. 25 pages. Accubass #987313. Published by Accubass (A0.1404139). Parts for gtr bass keys and drums.
$29.99
Chamber concerto D Major
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Alexander Tcherepnin
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Chamber concerto D Major
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Schott Music - Digital
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SheetMusicPlus
2 Korn. - 2 Hr. - 2 P. - Str. (solistisch od. chorisch) flute, violin and small orchestra - SKU: S9.Q1835 Composed by Alexander Tcherepnin. This edition...
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2 Korn. - 2 Hr. - 2 P. - Str. (solistisch od. chorisch) flute, violin and small orchestra - SKU: S9.Q1835 Composed by Alexander Tcherepnin. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Op. 33. Schott Music - Digital #Q1835. Published by Schott Music - Digital (S9.Q1835). Key: D major.
$33.99
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
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