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All About That Bass - Bb Bass Clarinet
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Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95
9.1 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95
13.67 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Peter Warlock: Capriol (Suite for String Orchestra) k/a Capriol Suite: 1.Basse-Danse 2.Pavane 3.Tord
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553777 Composed by Peter Warlock. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Graduation,Standards. Score and parts. 92 pages. RayThompsonMusic #4303953. Published by RayThompsonMusic (A0.553777). The Capriol Suite is a set of dances composed in October 1926 by Peter Warlock, and is considered one of his most popular works. Originally written for piano duet, Warlock later scored it for both string and full orchestras. According to the composer, it was based on tunes in Thoinot Arbeau's Orchésographie, a manual of Renaissance dances. Nevertheless, Warlock's biographer, Cecil Gray, said that if one compares these tunes with what the composer has made of them it will be seen that to all intents and purposes it can be regarded as an original work.The work is dedicated to the Breton Composer Paul Ladmirault.The suite consists of six movements:Basse-Danse, Allegro moderato, D minorPavane, Allegretto, ma un poco lento, G minorTordion, Con moto, G minorBransles, Presto, G minorPieds-en-l'air, Andante tranquillo, G majorMattachins (Sword Dance), Allegro con brio, F majorThe individual movements are very brief; a performance of the suite lasts about 10 minutes.Interesting parts for all players...scored for double wind quintet/ bass.
$19.95
18.24 €
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Peter Warlock
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Ray Thompson
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Peter Warlock: Capriol
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RayThompsonMusic
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SheetMusicPlus
Pachelbel: Canon in D for Alto Clarinet & Harp
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download S…
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.12 €
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95
13.67 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.11433…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95
27.38 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 " American"
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
13.67 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
The Elixir of Love-english horn-bass clarinet duet
Instrumental Duet Bass Clarinet,English Horn,Instrumental Duet - Level 4 - Digital Downloa…
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Instrumental Duet Bass Clarinet,English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.845181 Composed by G Ludovic. Arranged by Phil Beaman. Classical,Opera,Standards,Wedding. Score and parts. 12 pages. Phil Beaman #6330393. Published by Phil Beaman (A0.845181). The Elixir of Love is a comic opera by Donizetti about an elixir to cause two people to fall in love. It turns out that the elixir was fake (just red wine), but it caused the two persons to realize that their love had always been real. My arrangement maintains this joyful, almost comedic, side of love's feelings. Following Ludovic's earlier piano arrangement I treat just three of the opera's many themes. I have altered and enriched some of the simplistic classical chord progressions. There are now numerous markings throughout, particularly in articulation. Each part requires accurate rhythms, and each part has some virtuosic extended patterned runs. The range for each instrument is wide-2 octaves plus a third. This piece is a fun way to show your technical skills in concert or audition/competition. Or useful anyplace that you want joyful melodrama (Donizetti's own description). Also works well for pre-wedding music if you prefer the humorous side of true love instead of the sappy stuff.
$5.99
5.48 €
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G Ludovic
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Phil Beaman
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The Elixir of Love-english horn-bass clarinet duet
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Phil Beaman
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SheetMusicPlus
The Elixir of Love-alto sax-bass clarinet duet
Instrumental Duet Alto Saxophone,Bass Clarinet,Instrumental Duet - Level 4 - Digital Downl…
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Instrumental Duet Alto Saxophone,Bass Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.845188 Composed by G Ludovic. Arranged by Phil Beaman. Classical,Opera,Standards,Wedding. Score and parts. 12 pages. Phil Beaman #6331607. Published by Phil Beaman (A0.845188). The Elixir of Love is a comic opera by Donizetti about an elixir to cause two people to fall in love. It turns out that the elixir was fake (just red wine), but it caused the two persons to realize that their love had always been real. My arrangement maintains this joyful, almost comedic, side of love's feelings. Following Ludovic's earlier piano arrangement I treat just three of the opera's many themes. I have altered and enriched some of the simplistic classical chord progressions. There are now numerous markings throughout, particularly in articulation. Each part requires accurate rhythms, and each part has some virtuosic extended patterned runs. The range for each instrument is wide-2 octaves plus a third. This piece is a fun way to show your technical skills in concert or audition/competition. Or useful anyplace that you want joyful melodrama (Donizetti's own description). Also works well for pre-wedding music if you prefer the humorous side of true love instead of the sappy stuff.
$5.99
5.48 €
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G Ludovic
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Phil Beaman
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The Elixir of Love-alto sax-bass clarinet duet
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Phil Beaman
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SheetMusicPlus
Mozart: Ein Musikalischer Spass K522 (A Musical Joke) - symphonic wind dectet/bass
B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A…
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B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1195142 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Chamber,Classical,Comedy. 92 pages. RayThompsonMusic #794318. Published by RayThompsonMusic (A0.1195142). Arranged symphonic wind dectet/bassA Musical Joke (in German: Ein musikalischer Spaß) K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke (Catalogue of All My Works) on June 14, 1787. Commentators have opined that the piece's purpose is satirical – that [its] harmonic and rhythmic gaffes serve to parody the work of incompetent composers – though Mozart himself is not known to have revealed his actual intentions.The title A Musical Joke might be a poor rendering of the German original: Spaß does not necessarily connote the jocular, for which the word Scherzwould more likely be used. In Fritz Spiegl's view, a more accurate translation would be Some Musical Fun. The sometimes-mentioned nicknames Dorfmusikantensextett (village musicians' sextet) and Bauernsinfonie (farmers' symphony) were added after Mozart's death.The piece consists of four movements and takes about 20 minutes to perform. Allegro (sonata form), F major Menuetto and trio, F major (trio in B-flat major) Adagio cantabile, C major Presto (sonata rondo form), F major  In a modernised version by Waldo de los Rios, the opening of the finale of A Musical Joke was used for many years as the theme tune to the BBC's Horse of the Year Show.The mp3 is of the Finale.
$24.99
22.85 €
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Ein Musikalischer Spass K522
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RayThompsonMusic
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Elgar • Pomp and Circumstance | woodwind trio sheet music | oboe • clarinet • bassoon • piano accomp
Bassoon,Clarinet,Oboe,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1484979
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Bassoon,Clarinet,Oboe,Piano Accompaniment - Level 2 - Digital Download SKU: A0.1484979 Composed by Edward Elgar. Arranged by Benzaiten Editions. 19th Century,Instructional,March,Romantic Period,Wedding. 14 pages. Benzaiten Editions #1062060. Published by Benzaiten Editions (A0.1484979). Hey there! Ready to dive into the majestic and stirring melody of Pomp and Circumstance? Let's create some musical magic together!Perfect for graduations and formal events, this song adds a touch of grandeur and tradition to any celebration. Let the powerful music carry you away on a journey of achievement and honor with this unforgettable classic.Elgar • Pomp and Circumstance | woodwind trio sheet music | oboe • clarinet • bassoon • piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, you'll be able to download:• Full score with all instruments of the arrangement (with piano accompaniment)• Oboe part• Clarinet part• Bassoon part About the song | Elgar • Pomp and Circumstance Pomp and Circumstance, composed by Sir Edward Elgar, is an iconic march that has become synonymous with graduation ceremonies worldwide. With its uplifting and ceremonial melody, this piece has inspired countless individuals as they mark significant milestones in their lives.Whether you're playing it solo or as part of a group, its majestic power and timeless appeal are sure to captivate your audience and leave a lasting impression.
$7.99
7.3 €
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purchasing our edition, you'll be able to download:
• Full score with all instruments of the arrangement
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Edward Elgar
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Benzaiten Editions
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Elgar • Pomp and Circumstance | woodwind trio sheet music | oboe • clarinet • bassoon • piano accomp
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Benzaiten Editions
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SheetMusicPlus
Elgar • Pomp and Circumstance | woodwind quintet | flute • oboe • clarinet • bassoon • contrabassoon
Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Level 2 - Digital D…
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Woodwind Ensemble,Woodwind Quintet Clarinet,Contrabassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1484984 Composed by Edward Elgar. Arranged by Benzaiten Editions. 19th Century,Instructional,March,Romantic Period,Wedding. 18 pages. Benzaiten Editions #1062066. Published by Benzaiten Editions (A0.1484984). Hey there! Ready to dive into the majestic and stirring melody of Pomp and Circumstance? Let's create some musical magic together!Perfect for graduations and formal events, this song adds a touch of grandeur and tradition to any celebration. Let the powerful music carry you away on a journey of achievement and honor with this unforgettable classic.Elgar • Pomp and Circumstance | woodwind quintet sheet music | flute • oboe • clarinet • bassoon • contrabassoon Our edition | Benzaiten Editions By purchasing our edition, you'll be able to download:• Full score with all instruments of the arrangement• Flute part• Oboe part• Clarinet part• Bassoon part• Contrabassoon part About the song | Elgar • Pomp and Circumstance Pomp and Circumstance, composed by Sir Edward Elgar, is an iconic march that has become synonymous with graduation ceremonies worldwide. With its uplifting and ceremonial melody, this piece has inspired countless individuals as they mark significant milestones in their lives.Whether you're playing it solo or as part of a group, its majestic power and timeless appeal are sure to captivate your audience and leave a lasting impression.
$15.99
14.62 €
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purchasing our edition, you'll be able to download:
• Full score with all instruments of the arrangement
• Flute part
• Oboe part
• Clarinet part
• Bassoon part
• Contrabassoon part
About the song | Elgar • Pomp and Circumstance
Pomp and Circumstance, composed by Sir Edward Elgar, is an iconic march that has become synonymous with graduation ceremonies worldwide
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Edward Elgar
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Benzaiten Editions
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Elgar • Pomp and Circumstance | woodwind quintet | flute • oboe • clarinet • bassoon • contrabassoon
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Benzaiten Editions
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SheetMusicPlus
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Jos…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
30.17 €
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G major
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KVAMusic Edition
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SheetMusicPlus
Modern Dinosaur
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Downl…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00
45.71 €
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.37 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
45.7 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
A Proud College Boy
Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,…
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Strings Acoustic Guitar,Bass Voice,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Oboe,Piano and Keyboard,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1238228 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Film/TV,New Age,Soul,Spiritual. 8 pages. Amphibia Cultural Legacy #833702. Published by Amphibia Cultural Legacy (A0.1238228). A Proud College Boy is a cover song from Amphibia Legacy sung by Sprig Plantar (Justin Felbinger), based on the original composition, Evening Wind Blows In My Heart, by Ali Yue.The song features a catchy melody and is accompanied by an upbeat melody. The arrangement is simple yet effective, and the song evokes energy and emotion. The song is upbeat and joyful. Its lyrics are uplifting and inspiring, encouraging listeners to strive for their goals and be proud of their accomplishments. The additional instruments give the song a fuller, more dynamic sound.The song is about a 12-year-old frog Sprig Plantar, full of pride and joy, who is proud of achieving and rewarding with a Master of Music college degree, although he reflects on the hard work he has put in and how it has paid off. He expresses his gratitude for the people who have supported him and encouraged him to reach his goals, as he is proud of himself and the person he has become. He's excited to start a musical adventure of his life and looks forward to the future. The song is full of optimism and hope and is a great reminder to celebrate the small successes in life.A Proud College Boy is a great example of how music can be used to capture the emotions of a time and place, and it is sure to bring back fond memories for many fans. It's an uplifting and inspiring song that will leave listeners feeling proud and inspired.Overall, A Proud College Boy is an inspiring cover song celebrating hard work and perseverance. It's a great reminder that we should all take pride in our achievements and be thankful for the support of everyone.
$70.00
64 €
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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A Proud College Boy
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Amphibia Cultural Legacy
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SheetMusicPlus
Woodwind Quintet sheet music: Sururu na Cidade (score & parts)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1512486 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. Latin. 22 pages. Glissato Edizioni Musicali #1087505. Published by Glissato Edizioni Musicali (A0.1512486). Discover the lively rhythms and captivating melodies of Brazilian Chorinho with Sururu na Cidade, a brilliant composition by Zequinha de Abreu, the celebrated composer behind the iconic Tico Tico. This piece has been artfully arranged for Woodwind Quintet by Francesco Leone, targeting musicians of an intermediate skill level. The arrangement carefully balances the unique timbres of each instrument, offering an engaging ensemble experience that faithfully represents the spirit and charm of Chorinho music.This comprehensive ebook package provides the full score and a set of seven parts, including Flute, Oboe, B♭ Clarinet, French Horn in F, and Bassoon, ensuring a rich and dynamic range of sounds. To accommodate varying ensemble configurations, alternative parts for E♭ Horn and B♭ Bass Clarinet (as a substitute for Bassoon) are also included, offering flexibility and adaptability to groups of different compositions.Enhance your preparation and performance with an audio demo available at www.glissato.it. This valuable resource allows musicians to hear a professional rendition of the arrangement, serving as an inspiration and guide for tempo, dynamics, and overall interpretation.In addition to the musical scores, this edition is augmented with informative resources in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These materials delve into the rich history of Chorinho music, provide insights into Zequinha de Abreu's life and works, and offer contextual information about Sururu na Cidade, enriching the musician's understanding and connection to the piece.Whether you're a woodwind musician looking to explore the vibrant world of Brazilian music, a music teacher in search of compelling educational content, or simply a fan of Chorinho, this arrangement of Sururu na Cidade for Woodwind Quintet by Francesco Leone is a perfect addition to your musical library. Engage with the joyous and intricate world of Chorinho, and let this arrangement transport you and your audience to the heart of Brazil's musical heritage.- Holzblasinstrumente-Noten, partitions pour instruments à vent, partituras para instrumentos de viento madera, partituras para instrumentos de sopro de madeira, spartiti per strumenti a fiato, üflemeli çalgılar için notalar, nuty na instrumenty dęte drewniane, noter for treblåseinstrumenter, noter för träblåsinstrument, 목관악기 악보, 木管楽器の楽譜 -.
$15.99
14.62 €
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Francesco Leone
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Francesco Leone
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Woodwind Quintet sheet music: Sururu na Cidade
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Glissato Edizioni Musicali
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SheetMusicPlus
Va-Moose! - Mixed Ensemble
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Piano Accompaniment,Trumpet,Viola,…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Piano Accompaniment,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.722408 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Patriotic. Score and parts. 39 pages. Music-Scores.com #6500313. Published by Music-Scores.com (A0.722408). The story of a moose going about his day-to-day business. He enjoys the morning sun with the rest of the herd, then he goes off at a trot to find that scent. He finally comes back to rejoin the herd and recount his day. This arrangement is for Mixed Ensemble: 2 Flutes, 2 Clarinets, Bassoon, Trumpet, 2 Violins, Viola, Cello and Double Bass.Duration: about 2 minutes, 30 seconds.By Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.35 €
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Anne L Christopherson GRSM ARCM at
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Anne L Christopherson GRSM ARCM
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Va-Moose! - Mixed Ensemble
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Music-Scores.com
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SheetMusicPlus
Flicker
Bass Clarinet Solo - Level 5 - Digital Download SKU: A0.1023049 Composed by Kyle Ro…
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Bass Clarinet Solo - Level 5 - Digital Download SKU: A0.1023049 Composed by Kyle Rowan. Contemporary. Individual part. 8 pages. Penguinman Music #4595925. Published by Penguinman Music (A0.1023049). Flicker is a varied and playful work for solo bass clarinet composed for Calvin Falwell. The piece provides the larger clarinet with a degree of lightness perhaps more characteristic of its smaller brethren, with sections of agile flourishes, pointillistic staccato, and lyrical melodies juxtaposed against each other. The instrument's strength remains evident, however, particularly in the lower register. The playfulness emerges not only in the materials, but in the formal design, as the clarinetist flits from one character to another quickly and suddenly, rarely staying in one place for very long. The virtuosity that the work requires is therefore about more than technical skill; the performer must also navigate these changes of character and style with a balance and fluency that allows for cohesion between these disparate elements.
$12.00
10.97 €
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Kyle Rowan
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Flicker
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Penguinman Music
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SheetMusicPlus
Praying
Mixed Percussion,Strings Bass Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flu…
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Mixed Percussion,Strings Bass Clarinet,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flute,Harp,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Percussion,Piano,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1153279 By Kesha. By Andrew Joslyn, Ben Abraham, Kesha Sebert, and Ryan Lewis. Arranged by Rebecca Dale. Classical,Historic,Praise & Worship,Religious,Spiritual. 10 pages. Amphibia Cultural Legacy #753527. Published by Amphibia Cultural Legacy (A0.1153279). Amphibia Cultural Legacy has released a remixed version of Kesha's hit song, Praying is the beautiful epic cover remixed with additional instruments. The new version features powerful and dramatic instrumentation that adds another layer of emotion to an already emotional experience. This rendition will surely touch listeners in a way they never thought possible.Adding new instruments elevates the song's intensity and gives it a grander feel than before. From the opening notes, you can feel the power behind each instrument as it creates a wall of sound that envelops you. The vocals are just as strong as ever, but now they are accompanied by soaring strings and thundering percussion that leave no doubt about the emotional impact this song can have on its listeners. Overall, Amphibia Cultural Legacy has taken an already emotionally charged song, making it even more powerful.
$40.00
36.57 €
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Kesha
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Rebecca Dale
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Praying
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Amphibia Cultural Legacy
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SheetMusicPlus
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 22 pages. RayThompsonMusic #5215831. Published by RayThompsonMusic (A0.553878). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.This is my arrangement of movement.2 Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$7.95
7.27 €
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Peer Gynt Suite No. 1 - I. Morning Mood
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clar…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1371363 Composed by Edvard Grieg. Arranged by Andrew Jacobi. Classical. 46 pages. Andrew Jacobi #955580. Published by Andrew Jacobi (A0.1371363). Peer Gynt Suite No. 1 is a four-movement work pulled from Edvard Greig’s incidental music to Henrik Ibsen’s 1867 play also titled Peer Gynt.  The original music was composed in 1875 with select movements from the play being pulled into its own suite and published in 1888.  The opening movement to Suite No. 1originated in the prelude to Act IV of the play where it depicted the rising sun.Edvard Grieg was a Norwegian composer and pianist and was considered one of the leading composers from the Romantic Era. His integration of Norwegian folk music into his music helped to develop a national identity for Norway and much of his music remains as standard repertoire today.About the Arrangement:This arrangement of Morning Mood is written for a full woodwind choir, but features a few possible substitutions.  Both oboe parts may be substituted as need to fill in voices.  Oboe 1 features a substitute part for either soprano saxophone or clarinet and is necessary to perform the piece without significant holes.  It is preferred that soprano sax be used in order to get the change in timbre, but clarinet can be effectively used.  The oboe 2 part can be substituted for alto saxophone.  All of the important bassoon parts are doubled in other parts and this arrangement can be played without a bassoon.List of partsFlute 1Flute 2Oboe 1 (Soprano Sax or Clarinet)Oboe 2 (Alto Sax)Bassoon 1Bassoon 2Clarinet 1Clarinet 2Clarinet 3Bass ClarinetContra Alto/Bass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBari Sax.
$30.00
27.43 €
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Edvard Grieg
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Andrew Jacobi
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Peer Gynt Suite No. 1 - I. Morning Mood
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Andrew Jacobi
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