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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All-4-One
Non classifié
6 890
Piano & claviers
Piano seul
1 770
Piano, Voix
728
Piano, Voix et Guitare
468
Piano Facile
343
Instruments en Do
252
1 Piano, 4 mains
189
Orgue
132
2 Pianos, 4 mains
80
Accompagnement Piano
57
Piano (partie séparée)
48
Piano Trio: piano, violon, violoncelle
47
Piano grosses notes
38
Piano Quatuor: piano, violon, alto, violoncelle
12
Accordéon
11
Orgue, Piano (duo)
8
2 Pianos, 8 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
3
Clavier
1
2 Accordéons
1
+ 17 instrumentations
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Guitares
Guitare notes et tablatures
183
Basse electrique
160
Guitare
145
Ligne De Mélodie, (Paroles) et Accords
72
Guitare (partie séparée)
69
4 Guitares (Quatuor)
45
2 Guitares (duo)
21
3 Guitares (trio)
12
Ukulele
11
Dulcimer
9
Paroles et Accords
8
Ensemble de guitares
8
Piano, Guitare (duo)
6
Guitare, Violon, Violoncelle (trio)
3
Mandoline
3
2 Mandolines (duo)
2
2 Dulcimers (duo)
2
Banjo
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
+ 15 instrumentations
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Voix
Chorale SATB
1 135
Chorale TTBB
296
Chorale SSAA
180
Chorale 3 parties
161
Chorale Unison
84
Chorale 2 parties
77
Voix Baryton, Piano
60
Pack Instrumental pour Chorale
51
Voix Soprano, Piano
39
Voix duo, Piano
34
Voix duo
26
Voix haute
26
Voix Tenor, Piano
12
Voix Alto, Piano
10
Voix moyenne, Piano
7
Chorale SSATTB
4
Voix seule
4
Voix Tenor
4
Voix basse, Piano
3
Chorale
2
Voix d'Enfants
2
Chorale SSAATTBB
2
Voix Soprano
2
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
+ 21 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
2 960
2 Saxophones (duo)
884
Saxophone (partie séparée)
484
Saxophone Alto et Piano
426
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418
Saxophone Tenor et Piano
317
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
237
Saxophone Soprano et Piano
226
Saxophone Alto
200
Flûte traversière et Piano
198
Quatuor de Flûtes : 4 flûtes
195
Flûte, Hautbois, Clarinette, Basson
188
2 Flûtes traversières (duo)
180
Quintette de Saxophone: 5 saxophones
180
Clarinette et Piano
159
2 Clarinettes (duo)
159
Saxophone Tenor
159
Hautbois, Piano (duo)
157
Saxophone Baryton, Piano
151
3 Saxophones (trio)
150
Ensemble de saxophones
147
Saxophone, Clarinette (duo)
140
Flûte, Clarinette (duo)
81
Clarinette, Violon (duo)
80
Clarinette
78
Ensemble de Clarinettes
77
Flûte traversière
74
Quintette de Clarinettes: 5 clarinettes
69
Clarinette, Trompette (duo)
68
Hautbois (partie séparée)
65
Hautbois, Basson (duo)
63
Ensemble de Flûtes
61
Hautbois, Clarinette (duo)
55
2 Hautbois (duo)
53
Flûte, Saxophone (duo)
48
Clarinette et Alto
43
Flûte, Violon
41
Hautbois, Flûte
40
Flûte, Trompette (duo)
38
3 Clarinettes (trio)
37
Saxophone
35
Clarinette Basse, Piano
35
Flûte, Alto (duo)
34
Ocarina
29
Cor anglais, Piano
27
2 Flûtes traversières, Piano
26
Flute (partie séparée)
25
Flûte, Trombone (duo)
20
Quintette de Flûte : 5 flûtes
20
Trio de Flûtes: 3 flûtes
17
2 Flûte à bec (duo)
17
Hautbois, Violoncelle
16
Quatuor de Flûtes à bec
15
Clarinette (partie séparée)
14
Flûte et Guitare
13
4 Hautbois
13
Clarinette, Basson (duo)
13
Clarinette, Trombone (duo)
12
Saxophone Soprano
10
Saxophone Baryton
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte, Hautbois (duo)
8
Clarinette, Guitare (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Basson
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Violoncelle (duo)
7
Flûte à Bec
7
Ensemble De Flûte à bec
7
Flûte à bec Soprano
7
Flûte, Violon et Violoncelle
6
Flûte, Clarinette et Basson
6
Flûte, Hautbois, Piano (trio)
5
Cor Anglais
5
Saxophone et Guitare
5
2 Saxophones, Piano
5
Harmonica
4
Flûte, Violon, Piano
4
Saxophone, Violon (duo)
4
5 Flûtes à bec
4
Flûte, Violoncelle
4
Flute, harpe et violon
4
Flûte à bec Alto
4
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3
Hautbois
3
Flûte à bec Soprano, Piano
3
Saxophone et Orgue
3
Piccolo, Piano
3
Flûte, Clarinette, Piano (trio)
3
Instruments en Mib
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et violoncelle
2
Saxophone, Basson (duo)
2
Hautbois, trombone (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Tenor
2
Hautbois et alto (duo)
2
Hautbois, Violon, Piano
2
Hautbois, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violon, Violoncelle et Piano
2
3 Hautbois
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Basse continue
1
Clarinette, Harpe (duo)
1
Piccolo
1
Hautbois, violon (duo)
1
Clarinette Basse
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Tuba (duo)
1
Ensemble de Hautbois
1
+ 110 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
599
Quatuor de Cuivres : 2 trompettes, trombone, tuba
420
Trombone (partie séparée)
412
Trombone et Piano
370
Quatuor de cuivres: 4 trombones
343
2 Trombones (duo)
231
Trombone
176
Trompette, Trombone (duo)
140
Trompette (partie séparée)
132
Quatuor de Cuivres: 2 trompettes, Cor, trombone
126
Trompette, Piano
109
Trompette, Saxophone (duo)
104
Cor et Piano
101
Ensemble de Trombones
89
Trompette
79
2 Trompettes (duo)
63
Quatuor de Cuivres
62
Tuba et Piano
60
Euphonium, Piano (duo)
50
Quatuor de cuivres: 4 cors
40
2 Euphoniums et 2 Tubas
37
Cor
35
Ensemble de Trompettes
34
2 Cors (duo)
33
Cor (partie séparée)
28
Cor anglais, Piano
27
Tuba
27
Tuba (partie séparée)
24
3 Trombones (trio)
24
4 Tubas
23
Trio de Cuivres
21
Quatuor de cuivres: 4 trompettes
17
2 Euphoniums (duo)
13
Trombone, Tuba (duo)
12
Trompette, Cor (duo)
12
Trombone, Cor (duo)
12
2 Tubas (duo)
11
Ensemble de Cors
11
Euphonium, Tuba (duo)
11
Trombone, Violon (duo)
7
Euphonium
5
Instruments en Sib
5
Cor Anglais
5
Tuba et Orgue
5
Trombone basse
5
Trombone, violoncelle (duo)
4
Trompette, Basson (duo)
4
Trombone basse et Piano
3
Bass Clef Instruments
3
3 Cors (trio)
2
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Alto (duo)
2
3 Tubas (trio)
2
2 Cors Anglais Et Pianoforte
2
3 Euphoniums
1
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Cornet et orchestre
1
Trombone, Orgue
1
Cor, Trompette, Trombone (trio)
1
+ 61 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
697
Violon, Violoncelle (duo)
321
Trio à Cordes: violon, alto, violoncelle
271
Violon et Piano
267
Violon
243
Violoncelle, Piano
201
Alto, Piano
151
2 Violons (duo)
119
Violoncelle
116
Harpe
115
Violon, Alto (duo)
97
2 Violoncelles (duo)
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Altos (duo)
66
Contrebasse (partie séparée)
62
4 Violoncelles
61
Trio à Cordes: 2 violons, violoncelle
56
Alto seul
55
Contrebasse, Piano (duo)
45
Contre Basse
31
Quatuor à cordes: 4 violons
22
Alto, Violoncelle (duo)
22
Quatuor à cordes : 4 altos
19
Alto (partie séparée)
18
Violon (partie séparée)
14
Violon, Basson (duo)
14
Trio à cordes: 3 violins
14
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
11
Ensemble d'Altos
10
Violoncelle, Contrebasse (duo)
10
2 Contrebasses (duo)
8
Trio à cordes: 3 altos
8
Violoncelle , Guitare (duo)
7
2 Harpes (duo)
7
Trio à Cordes: 2 violons, alto
6
Piano Trio: Violon, Alto, Piano
4
4 Contrebasses
4
Harpe, Flûte (duo)
4
Violon, Guitare (duo)
4
Violoncelle (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
2
Alto, Guitare (duo)
2
Alto et Harpe
2
Harpe, Violon (duo)
2
3 Harpes
2
Violoncelle, Orgue
2
Harpe, Violoncelle (duo)
2
5 Harpes
2
Harpe, Trombone (duo)
1
Alto et Basson
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
4 Harpes
1
Ensemble de Violoncelles
1
Harpe, Quatuor à cordes
1
+ 53 instrumentations
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1 829
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783
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499
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368
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336
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188
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138
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137
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136
Ensemble de Percussions
64
Batterie (partie séparée)
47
Batterie
26
Xylophone, Piano
20
Marimba
16
Vibraphone
12
Percussion (partie séparée)
10
2 Xylophones
7
Xylophone
6
Ensemble d'École
6
Percussion
3
Vibraphone et Marimba
3
Big band
2
3 Marimbas
1
Piano et Orchestre
1
Marimba, Saxophone (duo)
1
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6876
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
Silent Night (Bb) (Brass Octet - 4 Trp, 4 Trb)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.814534 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicult...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.814534 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636623. Published by Regis Bookshar (A0.814534). Brass Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets and 4 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
O Sole Mio - 4 Trombones
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Eduardo Di Capua
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Raymond Fenech
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O Sole Mio - 4 Trombones
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Trombone - Level 2 - SKU: A0.760181 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Romantic Period,Stand...
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Brass Ensemble Trombone - Level 2 - SKU: A0.760181 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Romantic Period,Standards,Wedding. Score and parts. 10 pages. Raymond Fenech #3513737. Published by Raymond Fenech (A0.760181). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes.
$6.00
Balloon Ride (reduction)
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Piano - Level 4 - SKU: A0.923345 Composed by James Alexander Pavlic. Contemporary. Score and parts. 34 pages. James A. Pav...
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Small Ensemble Clarinet,Flute,Piano - Level 4 - SKU: A0.923345 Composed by James Alexander Pavlic. Contemporary. Score and parts. 34 pages. James A. Pavlic #6458793. Published by James A. Pavlic (A0.923345). This piano reduction with 2 flutes and 2 oboes of my work Balloon Ride (full score available on Sheet Music Plus) will present a challenge to anyone who is in for a stretch. Piano parts are best played as one voice to reduce hand cramps; however, the damper pedal works nicely as well. The winds contemplate the work nicely and will present a challenge to anyone who really wants to stretch their arpeggio skills. May work nicely for a college recital possibly. As a performance suggestion, it may be helpful to slow down some sections to make it less strenuous on the wrist if desired.
$10.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 4 Trb)
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Russian Dance
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.814527 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Rom...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.814527 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6615135. Published by Regis Bookshar (A0.814527). Brass Octet - Advanced/Intermediate - . This marvelous arrangement of the Russian Dance from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance, for a Brass Octet, consisting of 4 Trumpets and 4 Trombones, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker S.
$16.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble - Level 3 - SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
March )from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 4 Trb)
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March )from "The Nutcrack
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.814516 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Rom...
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Brass Ensemble Trombone,Trumpet - Level 4 - SKU: A0.814516 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612547. Published by Regis Bookshar (A0.814516). Brass Octet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Octet, consisting of 4 Trumpets and 4 Trombones, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
Can't Help Falling In Love
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.845301 By Elvis Presley. By George David Weiss, Hu...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.845301 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 15 pages. Phil Beaman #6710881. Published by Phil Beaman (A0.845301). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts.
$12.99
Danse Infernale from The Firebird Ballet for Brass Choir and Percussion
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Igor Stravinsky
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Steven Eckert
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Danse Infernale from The Fireb
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Gordon Cherry
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SheetMusicPlus
Large Ensemble,Mixed Percussion Bass Trombone,Euphonium,Horn,Mallet Percussion,Multi-Percussion,Piccolo Trumpet,Tenor Trombone,Timpani,Tuba - Level 5 - SKU:...
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Large Ensemble,Mixed Percussion Bass Trombone,Euphonium,Horn,Mallet Percussion,Multi-Percussion,Piccolo Trumpet,Tenor Trombone,Timpani,Tuba - Level 5 - SKU: A0.1511207 Composed by Igor Stravinsky. Arranged by Steven Eckert. 20th Century. 146 pages. Gordon Cherry #1086397. Published by Gordon Cherry (A0.1511207). Steven Eckert has brilliantly arranged Igor Stravinsky's Danse Infernale from the Firebird Ballet for Brass Choir and Percussion. The Danse Infernale, also known as the Infernal Dance of King Kastchei is one of the great iconic works of the entire 20th Century. The work, composed in 1910 and premiered that same year in Paris for Sergei Diaghilev's Ballet Russes Company burst young Stravinsky onto the world stage and marked the moment when post-Romantic style of composition was becoming predominant.The Danse Infernale rushes headlong into a frenetic and wild dance with feathers flying onstage and the orchestra dashing forward at a maddening pace, hardly letting up till the last note.The instrumentation is for 4 Trumpets (including Piccolo) 4 Horns 4 Trombones, 2 Euphoniums, 2 Tubas, Timpani, large Percussion section including Xylophone, Glockenspiel and Marimba.
$65.00
Trombone Blues Cheer (Marching/Pep Band)
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Blues
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Blake LaBarge
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Trombone Blues Cheer
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Blake LaBarge
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.978378 Composed by Blake LaBarge. Blues. Score and parts. 16 pages. Blake LaBarge #6440907. Published by Blake LaBarg...
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Small Ensemble - Level 3 - SKU: A0.978378 Composed by Blake LaBarge. Blues. Score and parts. 16 pages. Blake LaBarge #6440907. Published by Blake LaBarge (A0.978378). A fun, upbeat, and driving cheer for a solid trombone section. This cheer is guaranteed to hype up the crowd at any football or basketball game.Trombone 3 introduces the main motif of the cheer, with the low marching bass drum accompanying in the background. Trombone 4 adds a driving bassline, and then we enter the main chorus. The drumline is accompanying the trombones with a nice groovy beat.We enter the solo section, where a soloist can wail out a Bb minor blues improv solo, following with a mention of the main chorus. Each time the music calls for a solo, you can use the same soloist, switch off soloists, or even have a new soloist each time.Following the solos, we go into a final blow of the main chorus.-For repeats, you can skip over them, follow them, or even add more repeats. -If you want to play this cheer but there aren't enough trombones in your band, then it's entirely possible to change parts to fit your band accordingly (for example, tuba can play the trombone 4 part, euphoniums can play the trombone 3 part, etc.).
$9.99
Trombone Symphony
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Newell H
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Trombone Symphony
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Rubank Publications
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SheetMusicPlus
Trombone (4 Trombones - Baritone/Tuba ad lib) Low Brass Ensemble, Brass Ensemble, Trombone Quartet, Trombone Ensemble (2 Trombone, 3rd Trombone or Baritone, and...
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Trombone (4 Trombones - Baritone/Tuba ad lib) Low Brass Ensemble, Brass Ensemble, Trombone Quartet, Trombone Ensemble (2 Trombone, 3rd Trombone or Baritone, and 4th Trombone or Tuba) SKU: HL.4475326 For Trombone Quartet/Ensemble. Arranged by Newell H. Long. Ensemble Collection. Classical. 24 pages. Published by Rubank Publications (HL.4475326). UPC: 073999753264. 9.0x12.0x0.089 inches.Trombone Symphony.
Song List
: All Through The Night Alma Mater Silent Night Dutch Tune Symphony No.4 (Brahms) Russian Folk Tune Chorale A Warrior Bold (Adams) Integer Vitae Nobody Knows The Trouble I've Seen The Blue Bells Of Scotland Little Brown Jug Oh, Them Golden Slippers Drink To Me Only With Thine Eyes O Come, All Ye Faithful
$6.99
Intermezzo from Cavalleria Rusticana - 4 intermediate guitars
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Opera
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Classique
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Pietro Mascagni
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Derek Hasted
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Intermezzo from Cavalleria Rus
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797827 Composed by Pietro Mascagni. Arranged by Derek Hasted. Classical,Opera,Romantic Period. Score and part...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797827 Composed by Pietro Mascagni. Arranged by Derek Hasted. Classical,Opera,Romantic Period. Score and parts. 13 pages. Derek Hasted #6428743. Published by Derek Hasted (A0.797827). INTERMEZZO (Cavalleria Rusticana) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes The opera Cavalleria Rusticana opened on 17 May 1890 in Rome to a half empty house. However, the audience included not only the most authoritative music critics in the country but also Queen Margherita, a great music lover. It was a success from its opening notes. Following Stagno's rendition of the Siciliana behind the curtain the audience leaped to their feet with a thunderous applause not heard for many years. Mascagni took 40 curtain calls.The intermezzo is an orchestra interlude that most people recognise, that far fewer can name, and virtually no-one can identify the composer. My arrangement was inspired by hearing the original orchestral version at the funeral of Bill, a fellow guitarist, and this is my tribute to him - an arrangement for 4 guitars.In order to make the very best of the compass of the guitar, I’ve had to change to pitch a little, but it makes it all the more playable.The tempo is slow - really slow and relaxed. I’ve not added fingering, because although much can be played in low positions, you may well find that there is plenty of time to take much of the piece up the neck, where the guitar really comes alive.I hope you enjoy performing this!
$2.99
Can't Help Falling In Love
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Trombone - Level 2 - SKU: A0.845307 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged b...
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Small Ensemble B-Flat Clarinet,Trombone - Level 2 - SKU: A0.845307 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6718217. Published by Phil Beaman (A0.845307). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsClarinet 1,2,3; Trombone 1,2,3instrument part ranges - 10th 7 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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FrenchHorn 1,2
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Small Ensemble Clarinet,Horn,Trombone - Level 2 - SKU: A0.845310 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by ...
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Small Ensemble Clarinet,Horn,Trombone - Level 2 - SKU: A0.845310 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 13 pages. Phil Beaman #6719795. Published by Phil Beaman (A0.845310). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th Clarinet 1,2; FrenchHorn 1,2; Trombone 1,27 pages score, 1 page parts2:00 minutes
$12.99
Can't Help Falling In Love
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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AltoSax
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Tenor Saxophone - Level 2 - SKU: A0.845314 By Elvis Presley. By George David Weiss, Hu...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Tenor Saxophone - Level 2 - SKU: A0.845314 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. 13 pages. Phil Beaman #6732817. Published by Phil Beaman (A0.845314). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. Â available for several different instrument combinationsinstrument part ranges - 10th BbClarinet; AltoSax; TenorSax; BassClarinet 1,2; BariSax7 pages score, 1 page parts2:00 minutes
$12.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Ballad for Tuba
Trombone|Tuba|B-Flat Trumpet
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J
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Barton Cummings
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Ballad for Tuba
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Cimarron Music Press
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SheetMusicPlus
By J. Christensen. Arranged by Barton Cummings. For tuba solo with brass choir (3 trumpets, 4 horns, 3 trombones, baritone horn and tuba. Solo music. Published ...
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By J. Christensen. Arranged by Barton Cummings. For tuba solo with brass choir (3 trumpets, 4 horns, 3 trombones, baritone horn and tuba. Solo music. Published by Cimarron Music Press
$18.00
A Childes Garden of Ecologickally Correct SONGES
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Tim Fatchen, Flying Tadpole
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A Childes Garden of Ecologicka
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Flying Tadpole Productions
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SheetMusicPlus
Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and part...
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Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and parts. 44 pages. Flying Tadpole Productions #3467356. Published by Flying Tadpole Productions (A0.992357). TEN CHILDREN'S SONGS for adults and smarter kids: it's satire but ecologically, it's CORRECT! The Songes are a satirical counterpoint to the fluffy guff that's so often passed off as kids' songs. They're fun to sing, easy to play, sufficiently gross to satisfy the bloodthirsty urges of older children, entertaining and, seriously, quite scientifically correct. Honesty in children's songs, a new thing in the world! All the Songes have been tested on line and at public performance. ECOLOGICAL REALITY BYTES! It's not all sweetness and light and tree-hugs out there in the Wonderful Ecological World, oh no! So here's the start of a re-education in ecological reality for you! Explore the murderous wooden hearts of trees! Learn the real reason for the decline of Fairy Penguins! Find your place on the Food Chain! There's an architecturally-acclaimed how-to blend your house with nature! And there's more!LEAD SHEETS, LYRIC SHEETS WITH CHORDS, LINER NOTESEach of the Songes can be printed separately as a 4-page booklet, with the lead sheets on the central two pages, the title and liner notes on the front page, and the lyrics only + chords on the back page.PARENTAL ADVISORY! While there's no profanity or overt/covert sexual innuendo anywhere, some adults find the content challenging, because it's not the view of Nature they'd like to have. Kids find these Songes great, especially the grosser ones, and may be able to help such adults cope. There should be parental or other adult guidance in anything like this because it is satire and may need explaining, and it's not for young children. FLYING TADPOLE AND TIM FATCHENThe virtual band Flying Tadpole started as a boat and turned into a state of mind. Mainly the cutting satire, cruel humor, blue angst and general mayhem of the scurrilous and dark alter ego of Tim Fatchen, Flying Tadpole is occasionally joined by others unwise enough to cross to the Dark Side, but wise enough to remain on another Continent. Both lurk in the depths of Mr Dunn's 1844 Mill, in Mount Barker in the beautiful Adelaide Hills, South Australia, and try not to be a blight on the landscape. Their website is at www.flyingtadpole.com
$14.95
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