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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
America, the Beautiful - Timpani
Non classifié
457
Piano & claviers
Piano seul
325
Piano, Voix
129
Piano Facile
121
Piano, Voix et Guitare
57
Accompagnement Piano
43
Orgue
23
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
10
Instruments en Do
9
Accordéon
7
Orgue, Piano (duo)
6
2 Pianos, 4 mains
4
1 Piano, 6 mains
4
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon, Voix
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Guitare
17
Ukulele
8
Ensemble de guitares
3
Ligne De Mélodie, (Paroles) et Accords
3
Ukulele Baryton
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Guitare Pedal Steel
2
Piano, Guitare (duo)
2
Mandoline
2
Guitare (partie séparée)
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
216
Chorale 3 parties
67
Chorale 2 parties
62
Pack Instrumental pour Chorale
55
Chorale TTBB
30
Voix duo, Piano
18
Chorale Unison
15
Chorale SSAA
14
Chorale
13
Voix duo
10
Voix haute
5
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix Soprano
2
Voix basse, Piano
1
Voix basse
1
Voix seule
1
Voix Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
88
Clarinette et Piano
56
Saxophone (partie séparée)
45
Quatuor de Saxophones: 4 saxophones
41
Saxophone Alto et Piano
37
Hautbois, Piano (duo)
37
Clarinette (partie séparée)
34
Saxophone Tenor et Piano
34
2 Clarinettes (duo)
28
Saxophone Soprano et Piano
28
Cor anglais, Piano
27
2 Flûtes traversières (duo)
26
Flute (partie séparée)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte, Hautbois, Clarinette, Basson
24
Flûte traversière
24
Quintette de Saxophone: 5 saxophones
20
Quatuor de Clarinettes: 4 clarinettes
20
2 Saxophones (duo)
18
3 Clarinettes (trio)
18
Saxophone Baryton, Piano
17
Quatuor de Flûtes : 4 flûtes
17
Clarinette
15
Ensemble de Clarinettes
12
Trio de Flûtes: 3 flûtes
12
Hautbois (partie séparée)
11
Flûte, Clarinette (duo)
10
Ensemble de saxophones
10
Saxophone Alto
9
Clarinette, Violon (duo)
9
Clarinette Basse, Piano
8
Hautbois, Clarinette (duo)
7
Flûte, Hautbois (duo)
7
Flûte, Violon
7
Ensemble de Flûtes
6
Flûte, Hautbois, Violon
6
Flûte à bec Alto, Piano
6
3 Saxophones (trio)
6
Saxophone Tenor
6
Flûte, Hautbois, Clarinette (trio)
6
Saxophone Soprano
5
Flûte, Clarinette et Basson
5
Flûte à bec Soprano, Piano
5
Flûte, Clarinette, Violon (trio)
4
Hautbois
4
Flûte, Violoncelle
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Clarinette, Trompette (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone, Clarinette (duo)
3
2 Clarinettes, Piano
3
Saxophone Baryton
2
Flûte irlandaise
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Hautbois, Violoncelle
2
Ocarina
2
Flûte, Violon, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Trombone (duo)
2
Saxophone et Piano
2
Saxophone
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
Instruments en Mib
1
Flûte, Alto (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Basson (duo)
1
Harmonica
1
2 Flûtes traversières, Harpe
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trompette (duo)
1
Cor Anglais
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Alto et Piano (trio)
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette, Piano
47
Trombone et Piano
46
Trombone (partie séparée)
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor anglais, Piano
27
Trompette
26
Trompette (partie séparée)
22
Cor et Piano
18
Euphonium, Piano (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
14
Trombone
12
Cor (partie séparée)
10
Tuba (partie séparée)
10
3 Trombones (trio)
9
2 Trombones (duo)
9
Cor
8
Ensemble de Trombones
7
Ensemble de Trompettes
6
2 Trompettes (duo)
6
Tuba
5
Tuba et Piano
5
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
2
Cornet A Pistons
2
Cor, Violoncelle (duo)
2
3 Trompettes (trio)
2
2 Trombones, Piano
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trombone basse et Piano
1
Cornet et orchestre
1
Cor et Orgue
1
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Instruments en Sib
1
Cor Anglais
1
2 Trompettes, Clavier (piano ou orgue)
1
Trio de Cuivres
1
Bass Clef Instruments
1
+ 38 instrumentations
Retracter
Cordes
Violon et Piano
74
Quatuor à cordes: 2 violons, alto, violoncelle
74
Alto, Piano
46
Violoncelle, Piano
45
Violon
26
2 Violons (duo)
26
Violoncelle
21
Harpe
19
Harpe, Flûte (duo)
17
Violon (partie séparée)
17
Violon, Violoncelle (duo)
16
Trio à Cordes: 2 violons, violoncelle
14
Violon, Alto (duo)
14
Alto seul
14
Trio à cordes: 3 violins
14
2 Violoncelles (duo)
11
2 Harpes (duo)
11
2 Altos (duo)
10
Contrebasse (partie séparée)
10
Contrebasse, Piano (duo)
9
Trio à cordes
8
Alto (partie séparée)
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle (partie séparée)
6
Piano Trio: Violon, Alto, Piano
6
Contre Basse
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Ensemble de Violons
3
Trio à Cordes: 2 violons, alto
3
2 Violons, Piano
2
Alto, Violoncelle (duo)
2
Alto et Basson
2
Harpe, Voix
2
Violon, Basson (duo)
2
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
Harpe, Violon (duo)
1
4 Violoncelles
1
2 Violoncelles, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
351
Fanfare
58
Orchestre
52
Orchestre à Cordes
44
Cloches
21
Ensemble de cuivres
19
Ensemble Jazz
15
Percussion (partie séparée)
13
Orchestre de chambre
12
Percussion
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette à Vent
3
Batterie
2
Ensemble de Percussions
2
Vibraphone
1
Batterie (partie séparée)
1
Marimba
1
+ 12 instrumentations
Retracter
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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America, the Beautiful - Timpani
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Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
#
Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
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Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
(+)
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards....
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Perio...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
America The Beautiful - Cello Duet (with piano accompaniment)
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Katherine Lee Bates and Samuel
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Valdir Maia
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America The Beautiful - Cello
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1390561 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1390561 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 3 pages. Valdir Maia #974133. Published by Valdir Maia (A0.1390561). America The Beautiful: Cello Sheet MusicDescription:Embark on a soul-stirring musical journey with our captivating arrangements of America The Beautiful for violin solo, as well as violin duet with piano accompaniment. Whether you're a soloist seeking a stirring rendition or a duo looking for harmonious collaboration, our sheet music provides an enchanting exploration of this patriotic anthem.For the violin solo version, experience the beauty and expressiveness of the melody as it soars through the air, captivating audiences with its poignant resonance. Each note is carefully crafted to evoke the spirit of America's majestic landscapes and timeless ideals, allowing soloists to showcase their artistry with grace and passion.In the duet version with piano accompaniment, violinists can join forces to create a harmonious blend of melody and harmony. With clear notation for both violin parts and piano accompaniment, this arrangement offers a rewarding collaborative experience, perfect for recitals, performances, or casual enjoyment.Additionally, we offer two versions of the duet arrangement: one with chord symbols for those who wish to improvise or add embellishments, and one without chords for a more straightforward interpretation. Whether you prefer to follow a structured accompaniment or explore your own musical creativity, our sheet music accommodates your preferences with ease.Explore the rich harmonies and stirring melodies of America The Beautiful as you delve into our violin solo and duet arrangements. Enhance your musical journey further by visiting our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources.Experience the timeless beauty and spirit of America through the evocative sounds of the violin, and celebrate the enduring power of music to inspire, unite, and uplift.
$5.99
American Patriotic Music for All, Volume 1 (for treble instruments)
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.722609 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 438 ...
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Small Ensemble - Level 3 - SKU: A0.722609 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 438 pages. Custom Chamber Music #4575879. Published by Custom Chamber Music (A0.722609). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 treble instruments as listed below. We also have a version for 3, 4, or 5 bass instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a clarinet quintet and a trumpet trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Trumpet trio, quartet, and quintet.Viola trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola.Part 3 [F3-C5] is the main bass line. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, Viola, Cello.Part 4 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 5 [E3-C5] is other harmony. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, French Horn, Bb Trumpet, Trombone, Viola, Cello.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
American Patriotic Music for All, Volume 1 (for bass instruments)
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 ...
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Small Ensemble - Level 3 - SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #4575883. Published by Custom Chamber Music (A0.722610). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 bass instruments as listed below. We also have a version for 3, 4, or 5 treble instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a bassoon quintet and a trombone trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Bassoon trio, quartet, and quintet.Trombone trio, quartet, and quintet.Euphonium trio, quartet, and quintet.Cello trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D3-Ab4] is the main melody. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, Bassoon, French Horn, Baritone, Trombone, C/Bb Euphonium, Viola, Cello.Part 2 [G2-Eb4] has some B-section melody and harmony. Alto/Bass Clarinet, Baritone Saxophone, Bassoon, French Horn, Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 3 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 4 [G2-Bb3] is additional harmony. Alto/Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
America The Beautiful - Violin and Viola Duet (with piano accompaniment + CHORDS)
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Katherine Lee Bates and Samuel
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Valdir Maia
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America The Beautiful - Violin
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 1 - SKU: A0.1390651 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 1 - SKU: A0.1390651 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 3 pages. Valdir Maia #974211. Published by Valdir Maia (A0.1390651). Title: America The Beautiful Violin and Viola Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted Violin and Viola sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, or ensemble settings.**Violin and Viola Solo Version:**Dive into the emotive depths of America The Beautiful with our solo Violin and Viola arrangement. From the tender opening phrases to the triumphant finale, experience the full spectrum of this cherished classic as you showcase your artistry and skill on the Violin and Viola.**Violin and Viola Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Violin and Viola duet accompanied by piano, featuring chord symbols for harmonious support. Ideal for duos seeking to harmonize and blend their voices, this arrangement facilitates expressive collaboration, capturing the essence of America's spirit and legacy.**Violin and Viola Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Violin and Viola duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive foundation.Each note is thoughtfully arranged to ensure comfortable playing ranges for the Violin and Viola, enabling players to convey the stirring melodies and poignant harmonies with confidence and expression.For those eager to expand their repertoire or refine their violin and viola-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the beauty and depth of America The Beautiful through the expressive voices of the Violin and Viola, and join in celebrating the enduring spirit of the United States through music.
$5.99
America The Beautiful - Violin and Viola Duet (with piano accompaniment)
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Katherine Lee Bates and Samuel
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Valdir Maia
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America The Beautiful - Violin
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 1 - SKU: A0.1390653 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 1 - SKU: A0.1390653 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 3 pages. Valdir Maia #974213. Published by Valdir Maia (A0.1390653). Title: America The Beautiful Violin and Viola Sheet MusicDescription:Embark on a soul-stirring journey through the melodic tapestry of America The Beautiful with our meticulously crafted Violin and Viola sheet music arrangement. Tailored for players of all levels, this rendition offers a poignant interpretation of the patriotic anthem, perfect for solo performances, duets, or ensemble settings.**Violin and Viola Solo Version:**Dive into the emotive depths of America The Beautiful with our solo Violin and Viola arrangement. From the tender opening phrases to the triumphant finale, experience the full spectrum of this cherished classic as you showcase your artistry and skill on the Violin and Viola.**Violin and Viola Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Violin and Viola duet accompanied by piano, featuring chord symbols for harmonious support. Ideal for duos seeking to harmonize and blend their voices, this arrangement facilitates expressive collaboration, capturing the essence of America's spirit and legacy.**Violin and Viola Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Violin and Viola duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive foundation.Each note is thoughtfully arranged to ensure comfortable playing ranges for the Violin and Viola, enabling players to convey the stirring melodies and poignant harmonies with confidence and expression.For those eager to expand their repertoire or refine their violin and viola-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical journey.Experience the beauty and depth of America The Beautiful through the expressive voices of the Violin and Viola, and join in celebrating the enduring spirit of the United States through music.
$5.99
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America, the Beautiful - Timpani
