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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
America The Beautiful - Violin
Non classifié
381
Piano & claviers
Piano seul
322
Piano, Voix
129
Piano Facile
121
Piano, Voix et Guitare
54
Accompagnement Piano
35
Orgue
23
1 Piano, 4 mains
13
Instruments en Do
9
Accordéon
7
Orgue, Piano (duo)
4
1 Piano, 6 mains
4
2 Pianos, 4 mains
4
Piano grosses notes
3
Orgue, Trompette (duo)
2
Accordéon, Voix
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
29
Guitare
16
Ukulele
8
Ensemble de guitares
3
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
2
Mandoline
2
4 Guitares (Quatuor)
2
Guitare Pedal Steel
2
2 Guitares (duo)
2
Ukulele Baryton
2
Guitare (partie séparée)
1
Dulcimer
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
204
Chorale 3 parties
67
Chorale 2 parties
61
Pack Instrumental pour Chorale
56
Chorale TTBB
30
Voix duo, Piano
18
Chorale Unison
15
Chorale SSAA
14
Chorale
14
Voix duo
10
Voix haute
5
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix Soprano
2
Voix seule
1
Voix basse
1
Voix basse, Piano
1
Voix Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
85
Clarinette et Piano
55
Saxophone (partie séparée)
45
Quatuor de Saxophones: 4 saxophones
40
Saxophone Alto et Piano
37
Saxophone Tenor et Piano
34
Clarinette (partie séparée)
34
Hautbois, Piano (duo)
34
Saxophone Soprano et Piano
28
2 Clarinettes (duo)
28
Cor anglais, Piano
27
2 Flûtes traversières (duo)
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Flûte, Hautbois, Clarinette, Basson
24
Flute (partie séparée)
24
Flûte traversière
24
Quintette de Saxophone: 5 saxophones
20
Quatuor de Clarinettes: 4 clarinettes
19
2 Saxophones (duo)
18
3 Clarinettes (trio)
18
Saxophone Baryton, Piano
17
Quatuor de Flûtes : 4 flûtes
17
Clarinette
14
Ensemble de Clarinettes
12
Trio de Flûtes: 3 flûtes
11
Hautbois (partie séparée)
11
Flûte, Clarinette (duo)
10
Ensemble de saxophones
10
Saxophone Alto
9
Clarinette Basse, Piano
8
Hautbois, Clarinette (duo)
7
Flûte, Hautbois (duo)
7
Saxophone Tenor
6
Ensemble de Flûtes
6
Flûte à bec Alto, Piano
6
Flûte, Hautbois, Clarinette (trio)
6
3 Saxophones (trio)
6
Saxophone Soprano
5
Flûte à bec Soprano, Piano
5
Flûte, Clarinette et Basson
5
Hautbois
4
Quintette de Flûte : 5 flûtes
3
2 Hautbois (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Flûte, Violoncelle
3
2 Clarinettes, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Flûte irlandaise
2
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Saxophone Baryton
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, Violoncelle
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone et Piano
2
Ocarina
2
Flûte, Alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Instruments en Mib
1
Harmonica
1
Cor Anglais
1
Clarinette, Basson (duo)
1
Saxophone
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
2 Flûtes traversières, Harpe
1
Flûte, Trompette (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Flûte
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Trompette, Piano
47
Trombone et Piano
46
Trombone (partie séparée)
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Cor anglais, Piano
27
Trompette
24
Trompette (partie séparée)
22
Cor et Piano
18
Euphonium, Piano (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres
14
Trombone
12
Cor (partie séparée)
10
Tuba (partie séparée)
10
3 Trombones (trio)
9
2 Trombones (duo)
9
Cor
8
Ensemble de Trombones
7
Ensemble de Trompettes
6
2 Trompettes (duo)
6
Tuba
5
Tuba et Piano
5
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 cors
4
Trompette, Trombone (duo)
4
Cor, Violoncelle (duo)
2
Cornet A Pistons
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Instruments en Sib
1
2 Cors (duo)
1
Trombone basse et Piano
1
2 Trombones, Piano
1
Trompette, Cor (duo)
1
Cor Anglais
1
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
Cornet et orchestre
1
Clarinette, Cor (duo)
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
+ 38 instrumentations
Retracter
Cordes
Alto, Piano
44
Violoncelle, Piano
39
Harpe
19
Violoncelle
17
Harpe, Flûte (duo)
17
Alto seul
13
2 Harpes (duo)
11
Contrebasse (partie séparée)
10
Contrebasse, Piano (duo)
9
2 Altos (duo)
8
Alto (partie séparée)
7
2 Violoncelles (duo)
7
Trio à cordes
6
Violoncelle (partie séparée)
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Contre Basse
5
Alto et Basson
2
Harpe, Voix
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Ensemble d'Altos
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
360
Fanfare
58
Orchestre
49
Orchestre à Cordes
33
Cloches
21
Ensemble de cuivres
19
Ensemble Jazz
15
Percussion (partie séparée)
13
Orchestre de chambre
7
Percussion
6
Timbales (partie séparée)
5
Ensemble de Percussions
4
Quintette à Vent
3
Batterie
2
Marimba
1
Batterie (partie séparée)
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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BLUEGRASS
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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America The Beautiful - Violin
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Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
(+)
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
(+)
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards....
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Perio...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
American Patriotic Music for All, Volume 1 (for bass instruments)
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 ...
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Small Ensemble - Level 3 - SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #4575883. Published by Custom Chamber Music (A0.722610). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 bass instruments as listed below. We also have a version for 3, 4, or 5 treble instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a bassoon quintet and a trombone trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Bassoon trio, quartet, and quintet.Trombone trio, quartet, and quintet.Euphonium trio, quartet, and quintet.Cello trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D3-Ab4] is the main melody. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, Bassoon, French Horn, Baritone, Trombone, C/Bb Euphonium, Viola, Cello.Part 2 [G2-Eb4] has some B-section melody and harmony. Alto/Bass Clarinet, Baritone Saxophone, Bassoon, French Horn, Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 3 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 4 [G2-Bb3] is additional harmony. Alto/Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
America The Beautiful - Double Bass Duet (with piano accompaniment)
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Katherine Lee Bates and Samuel
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Valdir Maia
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America The Beautiful - Double
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.1390599 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by V...
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.1390599 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 3 pages. Valdir Maia #974159. Published by Valdir Maia (A0.1390599). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$5.99
America The Beautiful - Double Bass Duet (with piano accompaniment + CHORDS)
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Katherine Lee Bates and Samuel
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Valdir Maia
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America The Beautiful - Double
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Valdir Maia
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SheetMusicPlus
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.1390598 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by V...
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.1390598 Composed by Katherine Lee Bates and Samuel A Ward. Arranged by Valdir Maia. Patriotic,Traditional. 3 pages. Valdir Maia #974158. Published by Valdir Maia (A0.1390598). Title: America The Beautiful Double Bass Sheet MusicDescription:Embark on a resonant journey through the melodic depths of America The Beautiful with our meticulously crafted Double Bass sheet music arrangement. Tailored for players of all levels, this rendition offers a stirring interpretation of the patriotic anthem, ideal for solo performances, duets, or ensemble settings.**Double Bass Solo Version:**Delve into the emotive resonance of America The Beautiful with our solo Double Bass arrangement. From the heartfelt opening notes to the resounding conclusion, experience the full breadth of this beloved classic as you showcase your skill and artistry on the Double Bass.**Double Bass Duet with Piano Accompaniment Version (With Chords):**Elevate your performance with our Double Bass duet accompanied by piano, featuring chord symbols for harmonious support. Perfect for duos seeking to harmonize and intertwine their voices, this arrangement allows for expressive collaboration, capturing the essence of America's spirit and heritage.**Double Bass Duet with Piano Accompaniment Version (Without Chords):**Immerse yourself in the rich textures of our Double Bass duet, accompanied by piano without chord symbols. This version provides a clean and focused interpretation, allowing players to emphasize melodic lines and rhythmic nuances while the piano provides a supportive backdrop.Each note is carefully arranged to ensure comfortable playing ranges for the Double Bass, allowing players to convey the stirring melodies and poignant harmonies with confidence and nuance. For those seeking to expand their repertoire or enhance their bass-playing skills further, our extensive catalogue offers a diverse selection of sheet music options across various genres and styles. Additionally, visit our YouTube page at www.youtube.com/@easysheetmusic for tutorials, demonstrations, and additional resources to support your musical development.Experience the resonance and depth of America The Beautiful through the expressive voice of the Double Bass, and join in celebrating the enduring beauty of the United States through music.
$5.99
America, the Beautiful
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Katharine Lee Bates and Samuel
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Edwin Mclean
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America, the Beautiful
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The FJH Music Company - Digital
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SheetMusicPlus
Voice solo and piano accompaniment - SKU: F0.PV3000 Composed by Katharine Lee Bates and Samuel Ward. Arranged by Edwin Mclean. Secular Vocal Solos. The ...
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Voice solo and piano accompaniment - SKU: F0.PV3000 Composed by Katharine Lee Bates and Samuel Ward. Arranged by Edwin Mclean. Secular Vocal Solos. The FJH Piano Vocal Series. Vocal. Solo Sheet. 3 pages. The FJH Music Company - Digital #PV3000. Published by The FJH Music Company - Digital (F0.PV3000). UPC: 674398209972.This beautiful arrangement of the sacred American anthem achieves a grand sound while remaining accessible to the late intermediate performer. With its hymn-like setting, octave doubling in the bass, and sophisticated voice leading, it makes a perfect selection for all occasions. Complete verses provided.
$2.50
America the Beautiful Rehearsal Track
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Samuel Ward
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Zack Richards
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America the Beautiful Rehearsa
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Zack Richards
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SheetMusicPlus
Trumpet - SKU: A0.1068936 Composed by Samuel Ward. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Accompaniment. Duration 205. Zack Ric...
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Trumpet - SKU: A0.1068936 Composed by Samuel Ward. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Accompaniment. Duration 205. Zack Richards #6426583. Published by Zack Richards (A0.1068936). These Rehearsal Tracks are for the United We Stand Collection ZRM Minus One Series Sheet Music. Each track is a virtual Trumpet Ensemble with all parts so you can play along and hear the Solo Part.S0.1059727 America the Beautiful for Solo Trumpet They are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesVisit zackrichards.com for more from this composer!
$1.99
The Star-Spangled Banner for Trumpet Ensemble
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John Stafford Smith
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Zack Richards
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The Star-Spangled Banner for T
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Zack Richards
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.894427 Composed by John Stafford Smith. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.894427 Composed by John Stafford Smith. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 13 pages. Zack Richards #6427349. Published by Zack Richards (A0.894427). This arrangement of the National Anthem of the United States of America embraces the fanfare and pomp of the original tune while adding some modern harmonic twists and musical Easter Eggs. The short introduction quotes You're a Grand Old Flag, setting the tone. Also quoted are America the Beautiful and the Let freedom ring! phrase of America to bring the piece to a triumphant close. For extra fanfare, my original work, We the People - A Fanfare for Freedom, can precede this arrangement.Pair this with We the People for Trumpet Ensemble S0.1060237 All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059707 United We Stand Collection for Trumpet Ensemble Each of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series.S0.1059719 The Star-Spangled Banner for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One Series Trumpet Ensemble 5-10 B-flat Trumpets Intermediate- Advanced Intermediate Approx. 1:15 Visit zackrichards.com for more from this composer!
$9.99
An American Adventure for Band with (optional) Chorus
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Patriotique
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Various
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Jeremy Corcoran
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An American Adventure for Band
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LPC Publishers
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SheetMusicPlus
Choral Choir (4-Part) - Level 2 - SKU: A0.714216 Composed by Various. Arranged by Jeremy Corcoran. Patriotic. Octavo. 33 pages. LPC Publishers #3096711....
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Choral Choir (4-Part) - Level 2 - SKU: A0.714216 Composed by Various. Arranged by Jeremy Corcoran. Patriotic. Octavo. 33 pages. LPC Publishers #3096711. Published by LPC Publishers (A0.714216). End your next concert with this combined Patriotic Band and (optional) Chorus arrangement which includes, Chester, My Country Tis of Thee, and America the Beautiful. The piece can either stand alone as a Concert Band arrangement, or add the Chorus to it for that parent pleasing combined concert closer.
$40.00
America the Beautiful
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Samuel A
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Eric C
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America the Beautiful
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Eric C. Hawkins Publishing
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.932427 Composed by Samuel A. Ward, Katharine Lee Bates. Arranged by Eric C. Hawkins. Contemporary,Folk,Holiday,P...
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Brass Ensemble Horn - Level 4 - SKU: A0.932427 Composed by Samuel A. Ward, Katharine Lee Bates. Arranged by Eric C. Hawkins. Contemporary,Folk,Holiday,Patriotic,Romantic Period. Score and parts. 12 pages. Eric C. Hawkins Publishing #5866961. Published by Eric C. Hawkins Publishing (A0.932427). This powerful arrangement of America the Beautiful for horn quartet is an ideal piece of chamber music for any U.S. patriotic event, such as an Independence Day gathering, sports games, school recitals, church services, and more! The classic, well-known theme is layered upon lush harmonies within the horn quartet in this new version of the piece.
$7.99
America The Beautiful (with "America - My Country 'Tis Of Thee") (Clarinet Choir and Piano)
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Samuel A
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Stephen DeCesare
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America The Beautiful
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.630183 Composed by Samuel A. Ward, Traditional. Arranged by Stephen DeCesare. Folk,Holiday,Patriotic. 17 ...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.630183 Composed by Samuel A. Ward, Traditional. Arranged by Stephen DeCesare. Folk,Holiday,Patriotic. 17 pages. Exultet Music #6424327. Published by Exultet Music (A0.630183). Two of the most well-known U.S. patriotic songs have been joined together and arranged with lush harmonies for a Clarinet Choir (Bb-Clarinet (3), Bass Clarinet) with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.
$12.99
America The Beautiful (with "America - My Country 'Tis Of Thee") (French Horn Quartet and Piano)
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Stephen DeCesare
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Stephen DeCesare
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America The Beautiful
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Exultet Music
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.1050369 By Stephen DeCesare. By Samuel A. Ward, Traditional. Arranged by Stephen DeCesare. Holiday,Patriotic,Sta...
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Brass Ensemble Horn - Level 2 - SKU: A0.1050369 By Stephen DeCesare. By Samuel A. Ward, Traditional. Arranged by Stephen DeCesare. Holiday,Patriotic,Standards,Traditional. Score and parts. 16 pages. Exultet Music #654726. Published by Exultet Music (A0.1050369). Two of the most well-known U.S. patriotic songs have been joined together and arranged with lush harmonies for a French Horn Quartet with Piano accompaniment. Accessible and appropriate for any church, school or concert setting. An accompaniment track is also available.
$12.99
America, the Beautiful
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America, the Beautiful
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SheetMusicPlus
A worship prelude based on the patriotic ballad This lovely patriotic ballad setting is the latest addition to Joel Raney's exciting series of piano/organ d...
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A worship prelude based on the patriotic ballad This lovely patriotic ballad setting is the latest addition to Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion of the prelude for an optional choral introit. This arrangement was first conceived in the aftermath of the events of 9-11, combining America, the Beautiful with Chopin's gorgeous piano etude in E Major, Opus 10, No. 3, and together they make an emotionally powerful presentation. Both keyboard parts and a reproducible page with the choral part are included. An optional 3-7 octave handbell part (w/opt. 3-7 octave handchimes) and a full conductor's score are available separately
Song List
: Single
$22.95
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America The Beautiful - Violin
