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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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XYLOPHONE
An dro harp solo
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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An dro harp solo
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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1
When I Survey the Wondrous Cross--harp duet
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Musique Sacrée
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Gospel Spirituel
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Isaac Watts, Lowell Mason
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Beka Wilson
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When I Survey the Wondrous Cro
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Beka Wilson
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.786553 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and par...
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String Ensemble - Level 2 - SKU: A0.786553 Composed by Isaac Watts, Lowell Mason. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and parts. 4 pages. Beka Wilson #6253769. Published by Beka Wilson (A0.786553). When I Survey the Wondrous Cross has long been a favorite hymn to celebrate Easter and Christ’s sacrifice, and this arrangement is perfect for a prelude, offertory, or other special music piece for Easter Sunday, communion, or any other church service. This harp duet is also ideal for a teacher/student duet, with a very simple Harp 1 and more advanced Harp two parts. This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. A vocal version of this arrangement will be made available soon. Key: Concert GLength: approximately 3 minutes 4 pages (includes score and separate solo Harp 1 part)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$9.99
Drop Bear
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Fiona Hickie
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Drop Bear
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Fiona Alice Hickie
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SheetMusicPlus
Small Ensemble Marimba,Piano Accompaniment,Timpani - Level 4 - SKU: A0.738087 Composed by Fiona Hickie. Children,Contemporary,Rock,Standards. Score and ...
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Small Ensemble Marimba,Piano Accompaniment,Timpani - Level 4 - SKU: A0.738087 Composed by Fiona Hickie. Children,Contemporary,Rock,Standards. Score and parts. 6 pages. Fiona Alice Hickie #4628499. Published by Fiona Alice Hickie (A0.738087). A timpani solo with marimba (OR piano) accompaniment, about the mythical Australian animal, with its origin unknown. Probably comes from the idea that Australia has many dangerous animals, and koalas do have quite sharp claws they can use if need be. If dehydrated they can drop from trees. The drop bear is said to be bigger than a usual koala, and is a carnivorous animals that can drop from high branches on unsuspecting animals. If the timpanist wants to avoid changing the pitch of the timpani they can start after the introduction, or let the marimba play the timpani cue.Here the Drop Bear is painted as an evil character, but also a cool dude riding the branches and flying through the air. Enjoy!
$4.99
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporain
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksand...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
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