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TRI ET FILTRES
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Vous avez sélectionné:
Anon Folk Tunes
Partitions à imprimer
9 partitions trouvées
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1
Arabic Folk tunes for Flexible quartet
Level 2 - Digital Download SKU: A0.1129914 By Wajdi Abou Diab. By Traditional Arabi…
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Level 2 - Digital Download SKU: A0.1129914 By Wajdi Abou Diab. By Traditional Arabic music, Sayed Darwich, Egyptian , Algerian, Palestinian. Arranged by Wajdi Abou Diab. Chamber,Classical,Folk,Multicultural,Traditional,World. 215 pages. W. Abou Diab #730323. Published by W. Abou Diab (A0.1129914). Arabic folk tunes – flexible quartet is a collection of four (4) Arabic famous folk tunes arranged for a flexible quartet, that can be performed by any type of ensemble (quartet, or bigger ensemble by doubling parts) include scores and parts for the arrangement of these four famous Arabic songs: Mahla Nourha – Sayed Darwich A very popular song by the great Egyptian songwriter/singer Sayyed Darwich, in the Egyptian countryside language, describes the simple life in the Egyptian countryside, that’s starts with the shining sun and continues by bringing the milk from the cows and working in the field. Then meet the loved one near the river and flirt together Rozana – Palestinian Folk The ship called “Rosanna†is an Italian ship that Italy sent to Lebanon and Syria at the time of the great famine in 1914, loaded with wheat. But when it arrived, it turned out that it was loaded with grapes and apples, which disappointed the Lebanese and the Syrians. Despite this, the people of Aleppo secured the necessary wheat for the Lebanese, to save them from starvation. Zourouni – Egyptian Folk An old Egyptian folk tune, with a very catchy melody. Almost every Arabic singer since Sayed Darwich till now made his cover for this song! Starts with an invitation to visit the singer, even once every year, which speaks of how difficult for him to be forgotten, then expresses his fear about feeling the longing. Yal Rayeh – Algerian Folk A world-famous Algerian folk song was written and sung by the Algerian popular singer Dahmane El Harrachi. The song tells about the suffering of immigrants in estranging homes from marginalization, exclusion, and longing to return to the homeland, and it contains advice for the immigrant to invite him to return to the motherland as migration to foreign homes is not considered a healthy or natural solution for Arab immigrants.
$50.00
45.31 €
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Wajdi Abou Diab
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Wajdi Abou Diab
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Arabic Folk tunes for Flexible quartet
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W. Abou Diab
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SheetMusicPlus
Twenty-four English Dance tunes from an anonymous manuscript
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.918854 Composed by Trad…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.918854 Composed by Traditional. Arranged by Nick Barber. Classical,Folk,Standards,World. Score and parts. 28 pages. NickWorks Music #4407018. Published by NickWorks Music (A0.918854). Twenty-four easy trios beautifully arranged for string trio - two violins and one cello. This is traditional English dance music, and is suitable for use as extra material for budding string players, as performance pieces, or as a valuable addition to the repertoire of any ceilidh or barn dance band. .
$9.99
9.05 €
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Traditional
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Nick Barber
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Twenty-four English Dance tunes from an anonymous manuscript
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NickWorks Music
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SheetMusicPlus
Vigany's Cabinet
Chamber trio - Digital Download SKU: OX.9780193568624 Composed by Michael Finnissy.…
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Chamber trio - Digital Download SKU: OX.9780193568624 Composed by Michael Finnissy. Score. 64 pages. Oxford University Press Digital #9780193568624. Published by Oxford University Press Digital (OX.9780193568624). ISBN 9780193568624.For two to six groups of instruments en trio. The piece is itself a cabinet of curiosities: musical excerpts from Vigany's time plus material from Hook, Lawes, Mozart, anonymous dance-tunes from mittal-Europa, and folksongs from Italy. There is no fixed order although the performers are given illustrations to aid their imagination in a 21st century interpretation of these historical musical fragments.
$51.50
46.67 €
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Michael Finnissy
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Vigany's Cabinet
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Oxford University Press Digital
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SheetMusicPlus
First Three Notes - Three Blind Mice - Mary Had a Little Lamb - euphonium/baritone horn and piano
Baritone Horn BC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.1204944 Compo…
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Baritone Horn BC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.1204944 Composed by Anon. Arranged by Phil Beaman. Children,Classical,Folk,Instructional,Traditional. Score and part. 4 pages. Phil Beaman #803234. Published by Phil Beaman (A0.1204944). You have just learned how to finger and play the first three notes on your instrument.  Now it is time for your first easy piece for performance!  My booklet  First Three Notes contains my arrangements of two well known tunes, Three Blind Mice and Mary Had a Little Lamb.  Prepared for the earliest beginners, it uses only the first three notes you learned on your instrument, and also uses only crotchet notes (quarter notes) and crotchet rests (quarter rests).  The piano accompaniment fills it out with simple but richly updated harmony.  4 pages, with cover, scores, parts in Bass Clef1:30 minutes, totalAlso available on this site, I have transposed this booklet for most of the traditional instruments that I know.
$2.99
2.71 €
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Anon
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Phil Beaman
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First Three Notes - Three Blind Mice - Mary Had a Little Lamb - euphonium/baritone horn and piano
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Phil Beaman
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.87 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.87 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
#
SheetMusicPlus
Simple Gifts of Thanks
2-part mixed chorus and keyboard, opt. congregation - Digital Download SKU: JX.00-25665…
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2-part mixed chorus and keyboard, opt. congregation - Digital Download SKU: JX.00-25665 Arranged by Anna Laura Page and Jean Anne Shafferman. Alfred Church Choral Series. Sacred; Folk. Choral octavo. 8 pages. Jubilate Music Group - Digital #00-25665. Published by Jubilate Music Group - Digital (JX.00-25665). UPC: 038081274799. 6.875x 10.5 inches.Partner in thanks! This charming anthem partners the 19th century American folk hymn, 'Tis the Gift to Be Simple, with the universal doxology, Praise God, from Whom All Blessings Flow. The inventive accompaniment provides delightful commentary upon the text as the choir sings, first in canon with the folk hymn and, finally, in partnership with the two tunes. Quickly and easily prepared!
$1.65
1.5 €
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Folk
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Simple Gifts of Thanks
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Jubilate Music Group - Digital
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SheetMusicPlus
Six Sea Shanties
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.612674 Composed by Anonymo…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.612674 Composed by Anonymous. Arranged by Josiah Stucki. Classical,Folk,Traditional. Score and parts. 20 pages. Josiah Stucki #212624. Published by Josiah Stucki (A0.612674). Collection of Traditional Folk Songs for French Horn Quartet. Folk Music, Traditional, French Horn, Chamber Music, Popular Music. Sea Shanties were traditionally used on British and European merchant vessels as rhythmic work songs. These catchy tunes are simple and fun to play, adding a level of groove and excitement to any performance. This medley includes: Wellerman * Leave her Johnny * Blow the Man Down * Row Me Bully Boys * Bully in the Alley * William Taylor.
$14.99
13.58 €
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Anonymous
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Josiah Stucki
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Six Sea Shanties
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Josiah Stucki
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SheetMusicPlus
Ciocârlia - Ševa - for band
Strings Acoustic Guitar,Bass Guitar,Drum Set,Electric Guitar,Violin - Level 5 - Digital Do…
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Strings Acoustic Guitar,Bass Guitar,Drum Set,Electric Guitar,Violin - Level 5 - Digital Download SKU: A0.1486130 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Multicultural,Standards,Traditional,Wedding,World. 79 pages. Zoran Radanovic #1063186. Published by Zoran Radanovic (A0.1486130). This arrangement is for professional band with set of parts.Ciocârlia (meaning the skylark) is a Romanian tune, allegedly composed by the Romani-Romanian pan flute player Angheluş Dinicu[1][2] in the virtuosic style of the urban lăutarească music from late 19th century. Angheluş Dinicu first presented the tune in 1889 at the inauguration of the Eiffel Tower. However, the most famous version would become that of his grandson Grigoraș Dinicu, that adapted the tune for violin. George Enescu also was inspired by Ciocârlia for his composition the Romanian Rhapsody No. 1 for orchestra. Ciocârlia has been covered numerous times, but because it is a piece of lăutărească music and not a piece of Romanian peasant music it cannot be considered representative for the Romanian peasant spirit.[3] In the case of the Ciocârlia, like with other famous tunes of lăutărească music, there were attempts to hide the name of the composer in order to make it seem anonymous/traditional.[4] It is known as Ševa (Шева) and čučuliga (Чучулига) in Serbian, Bulgarian and Macedonian. It has also become highly popular in the Jewish Klezmer repertoire.[5] In Georgia, the tune became widely adopted into traditional folk music repertoire and is known as Torola (ტოროლა, the lark)[6] During the communist-era, the Romanian intelligence service operated a numbers station believed to be used by spies in foreign countries. The station known as V01 became well known for its use of Ciocârlia as its opening interval, which would be followed by a series of number-coded messages in Romanian and concluded with the words Terminat. The station fell off the air soon after the 1989 coup and overthrow of Ceausescu.[7] The song was featured as part of the soundtrack for the 2009 Ubisoft game Rabbids Go Home, performed by Moldovan gypsy brass band Fanfare Vagabontu.
$17.49
15.85 €
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Traditional
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Zoran Radanovic
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Ciocârlia - Ševa - for band
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Zoran Radanovic
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SheetMusicPlus
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