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TRI ET FILTRES
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225
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177
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99
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68
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54
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12
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2
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2
Cor
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1
Tuba
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Ensemble de Tubas
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Ensemble de Trombones
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Trombone
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Trompette, Trombone, Piano
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Cor Anglais
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1
Euphonium, Piano (duo)
1
Trompette, violon (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
6
Violoncelle, Piano
5
Violon
4
Alto seul
2
2 Violons (duo)
2
4 Violoncelles
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
Ensemble de Violons
1
2 Violoncelles, Piano
1
Violon, Alto (duo)
1
Ensemble d'Altos
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Alto, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
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Orchestre d'harmonie
78
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39
Orchestre
33
Ensemble Jazz
23
Orchestre de chambre
12
Jazz combo
8
Orchestre à Cordes
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Cloches
4
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2
Piano et Orchestre
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Big band
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AUTRES
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Aria for Trumpet
Partitions à imprimer
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426
Rubank Treasures for Trumpet
Trumpet, Baritone T.C., Cornet - Grade 2-4 SKU: HL.121437 Book with Online Audio…
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Trumpet, Baritone T.C., Cornet - Grade 2-4 SKU: HL.121437 Book with Online Audio (stream or download). Edited by H. Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.121437). ISBN 9781480352490. UPC: 884088923082. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 13 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Achilles (Endresen) • Allegro (Ostransky) • Alleluja from Exsultate, Jubilate, K. 165 (Mozart) • American Patrol (includes duet part) (Meacham) • Andante Cantabile (Tartini) • Ave Maria (Schubert) • Beguine and Bop (Walters) • Concert Aria, K. 382h (Mozart) • Debonnaire (VanderCook) • In the Hall of the Mountain King from Peer Gynt (Grieg) • L'Allegro (Koepke) • Legend (Shchyolokov) • Orientale (Barat).
Song List: Ave Maria Alleluja Allegro Andante Cantabile Legend In The Hall Of The Mountain King Achilles Debonnaire American Patrol Concert Aria (K. 382h) Orientale Beguine And Bop L'Allegro (The Merry Man)
$17.99
16.57 €
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Allegro (Ostransky) &bull
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Rubank Treasures for Trumpet
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Rubank Publications
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SheetMusicPlus
Aria della battaglia
By Andrea Gabrieli (1533-1585). Arranged by Henry Howey. For Brass Ensemble: Double Brass …
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By Andrea Gabrieli (1533-1585). Arranged by Henry Howey. For Brass Ensemble: Double Brass Quintet. Large ensemble music. Score and parts. Published by Cimarron Music Press
$30.00
27.62 €
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Andrea Gabrieli
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Henry Howey
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Aria della battaglia
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Cimarron Music Press
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SheetMusicPlus
Derek the Deskbound Demon, Halloween Duet for Trumpet and Tenor Horn
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.592114 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6348737. Published by David McKeown (A0.592114). Derek the Deskbound Demon is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Derek the Deskbound Demon is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Most demons spend their time playing fiendish tricks on folk or devising infernal tortures, but all that activity requires organisation behind the scenes and that’s where Derek comes in. Not for him, the sweaty toil at the furnace; Derek may well have little red horns and a pointy tail, but he much prefers sorting out payroll, tax receipts, spreadsheets and work rotas.Derek the Deskbound Demon is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the fast tempo and variable meter. With a playing-time of around three minutes, Derek the Deskbound Demon is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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David McKeown
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Derek the Deskbound Demon, Halloween Duet for Trumpet and Tenor Horn
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David McKeown
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SheetMusicPlus
Deep River, Gospel Song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.592029 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6320067. Published by David McKeown (A0.592029). Deep River is an Afro-American Spiritual Song. This version is arranged by David McKeown as a duet for one Trumpet and one Tenor Horn in E Flat. Deep River was first published in 1917 and quickly became a public favourite. The writer and origin of the song is unknown. In the recording age, Deep River was made famous by Marian Anderson, Paul Robeson and Tommy Dorsey. Deep River is one of several Gospel arrangements available on Sheet Music Plus. Use the search bar above to find 10 Gospel Duets (for intermediate players), and 18 Easy Gospel Duets, Volumes 1 and 2, all available for this instrumental combination. Deep River is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Deep River is perfect for worship and concert performances, both formal and informal. Click the link above to listen to a full performance of the Clarinet version on YouTube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
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Traditional
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David McKeown
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Deep River, Gospel Song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Ave Maria for Trumpet and Orchestra
Large Ensemble Cello,Double Bass,Harp,Horn,Organ,Timpani,Trumpet,Viola,Violin - Level 4 - …
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Large Ensemble Cello,Double Bass,Harp,Horn,Organ,Timpani,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.802992 Composed by Franz Schubert. Arranged by Giuseppe Galante. Christian,Romantic Period,Sacred,Wedding. Score and parts. 38 pages. Giuseppe Galante #3025639. Published by Giuseppe Galante (A0.802992). Franz Schubert: Ellens Gesang III (Ave Maria) in Bb Major for Trumpet and Orchestra arranged by Giuseppe Galante.Flexible arrangement - Trumpet, Horn, Timpani, Organ, Harp 1, Harp 2, Violin I, Violin 2, Viola I, Viola II, Cello & Bass.Includes Trumpet parts in C, Bb & EbYou can listen to a recording of this composition on YouTube at: https://www.youtube.com/watch?v=-pdWB4ARSio
$45.00
41.44 €
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Franz Schubert
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Giuseppe Galante
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Bass
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Ave Maria for Trumpet and Orchestra
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Giuseppe Galante
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.85 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Et in Spiritum Sanctum, Aria for Brass Quintet
Brass Quintet Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download …
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Brass Quintet Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1444783 Composed by Johann Sebastian Bach. Arranged by Daniel Augustine. Baroque. 17 pages. Gordon Cherry #1024654. Published by Gordon Cherry (A0.1444783). Aria, Et in Spiritum Sanctum from the B minor Mass, Credo, No. 7, BWV 232 by J. S. Bach has been beautifully arranged for Brass Quintet by Daniel S. Augustine.This arrangement from Bach's great work of genius features the Trombonist/Euphoniumist as the soloist, however each instrument has an interesting part to play.Appropriate for advanced performers, the 5 1/2 minute arrangement is scored for traditional brass quintet of 2 Trumpets/Cornets in B-flat, Horn, Trombone/Euphonium and Tuba.
$25.00
23.02 €
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Johann Sebastian Bach
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Daniel Augustine
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Et in Spiritum Sanctum, Aria for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
O Mio Babbino Caro (Brass Trio): Trumpet, Horn in F and Trombone
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1445910 Composed by Giac…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1445910 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 11 pages. John A. Dempsey #1025742. Published by John A. Dempsey (A0.1445910). A combination of sweeping majesty and melodic lyricism, Puccini's irresistible aria O Mio Babbino Caro (from Gianni Schicchi) is arranged here as a brass trio for two Bb trumpets and trombone. Recommended for concerts, recitals, weddings and more. Movies and TV shows that have showcased this aria include A Room with a View, Rocky Balboa, Luca, Downton Abbey, and You're a Good Skate, Charlie Brown. 7 pages of music (that includes separate one-page parts for trumpet, French horn and trombone). Concert Key: Eb major.
$9.99
9.2 €
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Giacomo Puccini
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John A
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O Mio Babbino Caro
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John A. Dempsey
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SheetMusicPlus
Amazing Grace (Brass Trio): Two Trumpets and Trombone
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1041677 Compos…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1041677 Composed by John Newton and Virginia Harmony. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 16 pages. John A. Dempsey #646443. Published by John A. Dempsey (A0.1041677). A brass trio for two Bb trumpets and trombone, this arrangement of the beloved Christian hymn Amazing Grace begins in shaded tranquility but soon triumphant, effervescent touches emerge as the music progresses, with tempo variation, dynamic shading, melodic variation and embellishments. Â Recommended for traditional church services and other worship events as a prelude, postlude, an offertory, interlude and special music. Â Also makes a touching performance selection for concerts and recitals. Â 12 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone). Â Concert Key: F major. Trumpet Key: G major. Trombone Key: F major.
$9.99
9.2 €
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John Newton and Virginia Harmony
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John A
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Amazing Grace
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John A. Dempsey
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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jmsgu3
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SheetMusicPlus
America for Trumpet Ensemble
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894425 Composed by Henr…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.894425 Composed by Henry Carey. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 20 pages. Zack Richards #6427357. Published by Zack Richards (A0.894425). America (My Country, 'Tis of Thee) uses lyrics written by Samuel Francis Smith to the tune of the United Kingdom's national anthem, God Save the Queen. It was once the de facto national anthem of the U.S.A. before The Star-Spangled Banner was adopted. This arrangement adds to the fanfare and gallantry of the tune with many flourishes and ornaments. The second verse features a Charles Ives-like variation with a rhythmically augmented melody soaring over a three-part canon below. It is bound to give the audience a patriotic swelling in their chests! All of these works are available individually or all together in my United We Stand Collection.S0.1059707 United We Stand Collection for Trumpet Ensemble Each of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series. S0.1059731 America for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One Series Trumpet Ensemble 5-10 B-flat Trumpets Intermediate- Advanced Intermediate Approx. 2:15 Visit zackrichards.com for more from this composer!
$9.99
9.2 €
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Henry Carey
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Zack Richards
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America for Trumpet Ensemble
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Zack Richards
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SheetMusicPlus
Lord, Enthroned in Heavenly Splendor (Bryn Calfaria)
By Michael Burkhardt. For Congregation, optional Unison Voices, SATB choir / Organ, Brass …
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By Michael Burkhardt. For Congregation, optional Unison Voices, SATB choir / Organ, Brass Quartet or Brass Quintet, Timpani, Handbells. Occasion: General. Sacred. Moderately Easy. Published by MorningStar Music Publishers - Digital Sheet Music
$15.00
13.81 €
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Michael Burkhardt
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Lord, Enthroned in Heavenly Splendor
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giova…
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.62 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.62 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.81 €
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Beethoven: Duet WoO 27 No. 2 for Trumpet & Cello
Instrumental Duet Cello,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Cello,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.550634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Instructional,Standards,Wedding. Score and parts. 32 pages. Jmsgu3 #4764223. Published by jmsgu3 (A0.550634). Score: 14 pages. Duration: 10:24. In three movements. Trumpets parts in C and Bb included.Contents:1. Allegro affettuoso2. Aria - Larghetto3. Rondo - Allegretto moderato.
$32.95
30.34 €
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Ludwig van Beethoven
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James M
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Beethoven: Duet WoO 27 No. 2 for Trumpet & Cello
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jmsgu3
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SheetMusicPlus
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
13.81 €
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Spiritual
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Maria Thompson Corley
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"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
13.81 €
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Spiritual
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Maria Thompson Corley
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"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Ten Duets for Trumpet in C & Trombone
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.792586 Com…
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Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.792586 Composed by Various. Arranged by Brubeck, Neal. 20th Century,Baroque,Classical,Romantic Period. Score and parts. 38 pages. Gordon Cherry #5010257. Published by Gordon Cherry (A0.792586). David Brubeck and Brian Neal have beautifully arranged ten little masterpieces for Trumpet in C and Trombone by the following composers: J. S. Bach: Air in G, Badinerie, Aria, Two part Invention No. IV & VI, Siciliana R. Gliere: Berceuse, Op. 39 L. Beethoven: Fur Elise J. Dowland: Flow, My Tears Traditional Shaker Melody: Simple Gifts The arrangements are for advanced performers and any of them can be grouped together for a concert or recital.
$22.50
20.72 €
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Various
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Brubeck, Neal
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Ten Duets for Trumpet in C & Trombone
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Gordon Cherry
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SheetMusicPlus
O Mio Babbino Caro (Brass Trio): Trumpet, Horn in F and Trombone
Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1450806 Composed by Giac…
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Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1450806 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 11 pages. John A. Dempsey #1030322. Published by John A. Dempsey (A0.1450806). A combination of sweeping majesty and melodic lyricism, Puccini's irresistible aria O Mio Babbino Caro (from Gianni Schicchi) is arranged here as a brass trio for Bb trumpet, horn in F and trombone. Recommended for concerts, recitals, weddings and more. Movies and TV shows that have showcased this aria include A Room with a View, Rocky Balboa, Luca, Downton Abbey, and You're a Good Skate, Charlie Brown. 7 pages of music (that includes separate one-page parts for trumpet, French horn and trombone). Concert Key: Eb major.
$9.99
9.2 €
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Giacomo Puccini
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John A
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O Mio Babbino Caro
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John A. Dempsey
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SheetMusicPlus
Festival Repertoire for Brass Quintet
Brass Ensemble; Brass Quintet SKU: HL.4474270 Full Score. Composed by Variou…
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Brass Ensemble; Brass Quintet SKU: HL.4474270 Full Score. Composed by Various. Ensemble Collection. Classical, Contest. 72 pages. Published by Rubank Publications (HL.4474270). UPC: 073999742701. 9.0x12.0x0.253 inches.Scored for 1st and 2nd cornet/trumpet, F horn or trombone (third part), trombone or baritone (fourth part) and tuba This great collection of grade 3 music for brass quintet appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The fourteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library. Contents: Aria and Minuet (A. Scarlatti) * Banter (Dieterich) * Cantilena (Koepke) * Courante and Rigadoon (Ostransky) * Fair and Warmer (Walters) * Festival Prelude (Koepke) From Stephen Foster (arr. Beeler) * If Thou Be Near (Bach) * March Regal (Neibig) * Petite Concertante (Johnson) * Prelude and Badinage (Irons) * A Purcell Suite (Voxman) * Siciliana (Mascagni) * Two Miniatures (Tcherepnine).
Song List: Aria and Minuet Banter Cantilena Courante & Rigadoon Fair And Warmer From Stephen Foster If Thou Be Near March Regal Petite Concertante Prelude & Badinage A Purcell Suite Two Miniatures Festival Prelude Siciliana
$9.99
9.2 €
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Various
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Brass Quintet
SKU: HL
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Festival Repertoire for Brass Quintet
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Rubank Publications
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SheetMusicPlus
Ave Maria (for Brass Quartet - Organ Accompaniment - Alternate Version)
Brass Ensemble Organ,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.627975 C…
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Brass Ensemble Organ,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.627975 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wedding. Score and parts. 21 pages. Exultet Music #6084047. Published by Exultet Music (A0.627975). (This version contains two Trombones in place of a French Horn and Trombone) One of Schubert's most popular works, this piece has been freshly arranged for Brass Quartet (Bb-Trumpet (2), Trombone (2) ) with Organ accompaniment. Appropriate and accessible for any church or concert setting. Most appropriate during weddings, funerals, Christmas, and any Marian feast day.
$12.99
11.96 €
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Franz Schubert
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
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