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TRI ET FILTRES
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Vous avez sélectionné:
Arnold Schoenberg
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[Brooks] L'apres midi d'un Schoenberg
Large Ensemble Cello,Clarinet,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,…
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Large Ensemble Cello,Clarinet,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Digital Download SKU: A0.953116 Composed by Richard Brooks. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4639343. Published by American Composers Alliance Inc. (A0.953116). An affectionately humorous mini-cantata in three tableaux imagined from several photos of Arnold Schönberg with libretto by Nancy Bogen. Cast for soprano, mezzo-soprano, tenor, and baritone, with flute, clarinet, violin, cello, and piano.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$19.95
18.41 €
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Richard Brooks
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[Brooks] L'apres midi d'un Schoenberg
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American Composers Alliance Inc.
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.07 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Transfigured Night (Verklärte Nacht, Op. 4)
Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Ro…
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Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Romantic. Score, Set of Parts. 57 pages. Published by Dorm 40 Music (S0.171403). - Score,Set of Parts - 21st Century,Post-Romantic - Dorm 40 Music
$30.00
27.69 €
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Arnold Schoenberg
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Craig Garner
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Transfigured Night
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Dorm 40 Music
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SheetMusicPlus
Nocturne for Left Hand Alone (Opus 9 Number 2)
Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymp…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.68 €
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Plead My Cause, O Lord (Revised Version)
Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E
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Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.
$1.95
1.8 €
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James McCullough
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Plead My Cause, O Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Composer Word Search, Vol. I
Small Ensemble - Digital Download SKU: A0.931089 Composed by Ylan Chu. Instructiona…
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Small Ensemble - Digital Download SKU: A0.931089 Composed by Ylan Chu. Instructional. Score and parts. 32 pages. Ylan Chu #5953867. Published by Ylan Chu (A0.931089). This set features word searches on nine composers, using terms from the RCM syllabus as well as pertinent names and concepts. Teachers can print and copy pages as needed. The word lists can be used as vocabulary reminders, exercises, or fun assignments. Ideal for music history review. There are six bonus smaller word unscrambler puzzles (1-6 words) with the group topic as the clue.All in grayscale for easy printing or replicating. Formatted for 8.5 x 11, portrait, with space for hole-punching or binding. Work sheets are 1-2 pages. Answer keys are located at the end of the document.For more information about Ylan Chu, please visit her website: www.ylanchu.com.Classroom Resources; Homeschool Resources; PuzzlesSong ListWord SearchesHildegard von BingenAntonio VivaldiJohann Sebastian BachGeorge Frideric HandelFranz Joseph HaydnWolfgang Amadeus MozartLudwig van BeethovenMaurice RavelArnold SchoenbergWord UnscramblerSoloPairTriangleGroup of FourThe FiveLes Six
$3.95
3.65 €
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Ylan Chu
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Homeschool Resources
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Composer Word Search, Vol. I
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Ylan Chu
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SheetMusicPlus
Colours
Small Ensemble B-Flat Clarinet,Cello,Violin - Level 4 - Digital Download SKU: A0.101129…
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Small Ensemble B-Flat Clarinet,Cello,Violin - Level 4 - Digital Download SKU: A0.1011297 Composed by Ho Jie Rong. Contemporary,Standards. Score and parts. 11 pages. Ho Jie Rong #5794857. Published by Ho Jie Rong (A0.1011297). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Colours Colours is composed in 2013. Colours represents one of the first important works in my early composition career. Scored for the B flat Clarinet, Violin and the cello, it requires the players to know the aspects of the 12â€tone techniques founded by Arnold Schoenberg, and also to grasp understanding of the musical analysis of these pieces before attempting.
$7.00
6.46 €
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Ho Jie Rong
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Colours
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Ho Jie Rong
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SheetMusicPlus
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