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--INSTRUMENTS--
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Around The Games
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
Around The Games
Partitions à imprimer
4 partitions trouvées
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Mysterious Moment for oboe and string trio
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Contemporain
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Pomp and Circumstance
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Edward Elgar
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Pomp and Circumstance
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q588710 Marches 1-5. Composed by Edward Elgar. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable,...
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Orchestra - SKU: S9.Q588710 Marches 1-5. Composed by Edward Elgar. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q588710. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q588710). Pride, pomp, and circumstance of glorious war! – It is these words from Shakespeare's Othello that the probably best-known work by the English composer Sir Edward William Elgar falls back on: the five marches which are contained in Pomp and Circumstance Marches, op. 39. The work was a sensational success from the very beginning, especially March No. 1 should be going around in the head of every lover of classical music. At its premiere in 1901 under the composer's direction, the audience requested two repeats; in 1902 the words of 'Land of Hope and Glory' were added to the march at the request of Edward VII for his coronation ceremonial. The resulting version is now performed every year at the Last Night of the Proms and as English hymn at the Commonwealth Games. Motivated by the success of the first two marches, Elgar composed another three which were performed in 1905, 1907 and 1930. No. 4 is as euphemistic and formal as No. 1 whereas the others are of a rather melancholy nature.
$29.99
Momotaro - Director's Script
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Betsy Lee Bailey
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Momotaro - Director's Script
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.746015 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 31 pag...
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Small Ensemble - Level 1 - SKU: A0.746015 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 31 pages. Betsy Lee Bailey #3465954. Published by Betsy Lee Bailey (A0.746015). Momotaro – A Tale of Bravery is a retelling of the famous Japanese folktale Momotaro the Peach Boy. This Children's Musical for ages 5-9 calls for elements of Kibuki stylizations. The music is built around the pentatonic scale with western musical theater sensibilities. The main idea of the show is to reveal the Hero (Momotaro) as the real treasure. The Director's Script (31 pages) contains stage directions, suggestions for costuming, scenery, props, and choreography, Warm-ups and Acting games. Additional: The Production Kit (19 pages) includes Booklet Script, Song Sheets, Coloring Activity Page, foldable Invitation, and Performance License for two shows, and the Piano/Vocal Score downloadable in two groups: Part 1 (24 pages) Part 2 (26 pages) are valuable production guides and should be purchased and downloaded from SMP Press separately.  Accompaniment Mp3’s are also available for individual purchase from SheetMusicPlus. Songs lists, photos, guide vocal recordings and other helpful ideas for mounting a production may be viewed at BaileyKidsMusicals.com
$39.99
Never Cry Wolf - Production Kit
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Betsy Lee Bailey
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Never Cry Wolf - Production Ki
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.746004 Composed by Betsy Lee Bailey. Broadway,Children,Contemporary,Musical/Show. Score and parts. 27 pages. Betsy Le...
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Small Ensemble - Level 3 - SKU: A0.746004 Composed by Betsy Lee Bailey. Broadway,Children,Contemporary,Musical/Show. Score and parts. 27 pages. Betsy Lee Bailey #2897217. Published by Betsy Lee Bailey (A0.746004). Never Cry Wolf – a Children’s Musical for ages 5-14.  Itis a retelling of the Aesop Fable The Boy Who Cried Wolf.  Set in Ancient Greece, the story revolves around Alec, the boy who would just rather goof off all the time.  The people around him would like him to learn to work and always be sincere.  They show him that everybody works.  This play has many opportunities for study of the culture of ancient Greece -- from learning about the political origins of democracy to women's work of spinning and weaving.  And don't forget the cute factor of having some little children portray the sheep.  The Production Kit (27 pages) contains a reproducible Booklet script and Song Sheets, a coloring activity page, and Performance License for one series of shows.Additional: The Director's Script (44 pages) contains suggestions for staging, costuming, choreography, set designs, and Acting Games and the Piano/VocalScore downloadable in two groups: Part 1 (46 pages) and Part 2 (45 pages) are valuable production guides and should be purchased and downloaded separately.  Individual accompaniment MP3 files of the songs may be purchased separately from SMP Press.  See song lists, guide vocal recordings, photos, video of past productions and other helps at BaileyKidsMusicals.com
$59.99
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Around The Games