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At First Sight
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Love at First Sight-Instrumental Performance Track
Double Bass,Drums,Piano - Digital Download SKU: A0.1068165 Composed by Deborah John…
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Double Bass,Drums,Piano - Digital Download SKU: A0.1068165 Composed by Deborah Johnson. Film/TV,Holiday,Love,Pop,Wedding. Accompaniment. Duration 297. Deborah Johnson #6683515. Published by Deborah Johnson (A0.1068165). This is the instrumental perfomance track without vocals for performance of Love at First Sight by Deborah Johnson. It's a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This arrangement is perfect for solo performance or performance with small rhythm section. Individual extracted vocal part with rhythm is also included in this sheet music, including piano/chords and vocal for rhythm sections and a lyric sheet. A total of 15 pages, including cover. The vocals are from F below middle C to A above for only a little over an octave and a half range. The full sheet music score is also available and the song is available for licensing upon seperate agreement. MP3s of the song and the instrumental track without piano or vocals are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99
8.3 €
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Deborah Johnson
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Love at First Sight-Instrumental Performance Track
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Deborah Johnson
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SheetMusicPlus
Love at First Sight
Double Bass,Drums,Piano - Digital Download SKU: A0.1068166 Composed by Deborah John…
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Double Bass,Drums,Piano - Digital Download SKU: A0.1068166 Composed by Deborah Johnson-Instrumental Performance Track-no piano. Film/TV,Holiday,Love,Pop,Wedding. Full Performance. Duration 297. Deborah Johnson #6683517. Published by Deborah Johnson (A0.1068166). This is an instrumental background MP3 without vocals or piano for performance of Love at First Sight by Deborah Johnson. It's a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This arrangement is perfect for solo performance or performance with small rhythm section. Full sheet music also available and for licensing upon seperate agreement.The vocals are from F below middle C to A above for only a little over an octave and a half range. It is a richly arranged beautiful piece that would be a good addition for most any event! MP3s of the song and the instrumental track with piano are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99
8.3 €
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Deborah Johnson-Instrumental Performance Track-no piano
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Love at First Sight
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Deborah Johnson
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SheetMusicPlus
Sight-Singing 1
Voice - easy to advanced - Digital Download SKU: S9.Q19477 A fresh approach.…
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Voice - easy to advanced - Digital Download SKU: S9.Q19477 A fresh approach. This edition: method. Schott Sight-Reading Series. The aim of this first sight-singing volume is to instill confidence in singers an to present a method of approaching all aspects of singing at sight. Downloadable, Textbook. Op. 1. Schott Music - Digital #Q19477. Published by Schott Music - Digital (S9.Q19477). English • French • German.The aim of this first sight-singing volume is to instil confidence in singers and to present a method of approaching all aspects of singing at sight. Many of the melodies follow familiar shapes and rhythms, and use sequences to aid recognition of these patterns. Singers are encouraged to observe how to obtain their starting note from the introduction and to note the help with their vocal line that can be found in the accompaniment. A teacher and pupil-friendly approach valuable to both singers and instrumentalists - styles recognisable to both student and teacher - simple piano parts with chord indications - progressive examples beginning with just 3 or 4 notes and simple time values.
$12.99
12 €
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Sight-Singing 1
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Schott Music - Digital
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.24 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
When younglings first on Cupid fix their sight
Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508462
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508462 Arranged by Eric Burger Music. Renaissance. Score and parts. 9 pages. Eric Burger Music #3884763. Published by Eric Burger Music (A0.508462). View the score with playback at: https://youtu.be/6QPxOO2yeJU Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$6.00
5.54 €
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Eric Burger Music
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When younglings first on Cupid fix their sight
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Eric Burger Music
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SheetMusicPlus
Love At First Sight
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1415157 By Michael Bub…
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1415157 By Michael Buble. By Andrew Van Slee. Arranged by David Lartey. Jazz. 2 pages. David Lartey #996892. Published by David Lartey (A0.1415157).
$8.95
8.27 €
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Michael Buble
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David Lartey
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Love At First Sight
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David Lartey
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SheetMusicPlus
Tchaikovsky: Love Theme from Romeo & Juliet Fantasy Overture for Bass Clef Instruments (3 scores in
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Horn,Tenor Recorder,Tenor Saxophone,Trombone,Tuba - Level 2 - Digital Download SKU: A0.871392 Composed by Peter Ilyich Tchaikovsky. Arranged by Clara Obsidian. Holiday,Love,Romantic Period,Wedding. Score and parts. 6 pages. Clara Obsidian #6019483. Published by Clara Obsidian (A0.871392). Romeo and Juliet Fantasy Overture, is an orchestral work composed by P. Tchaikovsky based on Shakespeare's play of the same name. The Overture's yearning Love Theme signifies the couple first meeting at Juliet's balcony. and is universally acknowledged as one of the greatest melodies ever written. It is quintessentially the love at first sight music in numerous movies including the 1992 comedy Wayne's World, and the first movie with sound, 1927's The Jazz Singer.Arranged for Bass Clef Instruments [Slurring recommendation included]I: Original Octave II: Original Octave with some tenor clefIII: Lower OctaveAll 3 Scores are included in the purchase-------
$2.99
2.76 €
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Peter Ilyich Tchaikovsky
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Clara Obsidian
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Tchaikovsky: Love Theme from Romeo & Juliet Fantasy Overture for Bass Clef Instruments
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Clara Obsidian
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SheetMusicPlus
Tchaikovsky: Love Theme from Romeo and Juliet Fantasy Overture for Treble Clef Instruments (2 scores
Large Ensemble Alto Recorder,Alto Saxophone,Clarinet,Flute,Guitar,Horn,Oboe,Soprano Record…
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Large Ensemble Alto Recorder,Alto Saxophone,Clarinet,Flute,Guitar,Horn,Oboe,Soprano Recorder,Soprano Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.871395 Composed by Peter Ilyich Tchaikovsky. Arranged by Clara Obsidian. Holiday,Love,Romantic Period,Wedding. Score and parts. 4 pages. Clara Obsidian #6019487. Published by Clara Obsidian (A0.871395). Romeo and Juliet Fantasy Overture, is an orchestral work composed by P. Tchaikovsky based on Shakespeare's play of the same name. The Overture's yearning Love Theme signifies the couple first meeting at Juliet's balcony. and is universally acknowledged as one of the greatest melodies ever written. It is quintessentially the love at first sight music in numerous movies including the 1992 comedy Wayne's World, and the first movie with sound, 1927's The Jazz Singer.Arranged for Treble Clef Instruments [Slurring recommendation included]I: Lower Octave II: Higher OctaveBoth scores are included in the purchase-------
$2.99
2.76 €
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Peter Ilyich Tchaikovsky
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Clara Obsidian
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Tchaikovsky: Love Theme from Romeo and Juliet Fantasy Overture for Treble Clef Instruments
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Clara Obsidian
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SheetMusicPlus
Erlkönig - 10 piece brass
Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Digital Download SKU: A0.101…
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Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Digital Download SKU: A0.1017071 Composed by Franz Schubert. Arranged by Eoin Buchanan. Contemporary. Score and parts. 92 pages. 7plc Music #6048125. Published by 7plc Music (A0.1017071). Erlkönig Music: Franz Schubert (1797-1828)Poem: Johann Wolfgang von Goethe (1749-1832)I have spent many a long hour in choosing instruments which, when blended correctly will offer the performers both pleasure and challenge. At first sight the score will not appear formidable. However, given the speed of the piece (Schubart marked it at a crotchet equals 152) and the need to allow the solo voices to speak, I believe the score to be challenge enough!Taking time to acquaint oneself with Schubert’s original will be time well spent in understanding both the storyline of Goethe’s poem and the structure of the piece . I therefore commend the animated presentation by Oxford Lieder on YouTube, which also contains an English translation.Back to this score, the solo parts are:Narrator: Alto Trombone unhurried, tell the story...Father: Tenor Trombone in a bold, reassuring style...Child: Flugelhorn (Soprano Tuba) in a frightened, anguished style...Elf-King: Euphonium [scored in C] (Tenor Tuba) in a haunting style with good old fashioned vibrato...Other parts:2 Bb Trumpets 2 Horns in FBass TromboneBass Tuba scored in CIf you need a score and parts using a Bb Euphonium and/or Eb/F Bass Tuba then let me know.
$22.50
20.78 €
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Franz Schubert
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Eoin Buchanan
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Erlkönig - 10 piece brass
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7plc Music
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SheetMusicPlus
Abri A Porta
Accordion,Bass Voice,Flute,Guitar - Level 3 - Digital Download SKU: A0.1451896 Comp…
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Accordion,Bass Voice,Flute,Guitar - Level 3 - Digital Download SKU: A0.1451896 Composed by Gilberto Passos Gil Moreira and Jose Domingos De Moraes. Arranged by @romulodoviolao. 20th Century,Latin,Multicultural,Traditional,World. 6 pages. @romulodoviolao #1031209. Published by @romulodoviolao (A0.1451896). If you love Brazilian music, you definitely should learn this tune. It's a song about love at first sight, and how the world gets better with a loved one by your side.Don't let it pass. Buy it now.
$17.00
15.7 €
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Gilberto Passos Gil Moreira and Jose Domingos De Moraes
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@romulodoviolao
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Abri A Porta
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@romulodoviolao
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SheetMusicPlus
Turandot - Extracts from the Opera for 8-part Trombone Ensemble
Bass Trombone,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.1238465 Comp…
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Bass Trombone,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Period. 43 pages. Gordon Cherry #833915. Published by Gordon Cherry (A0.1238465). Turandot is an opera by Giacomo Puccini set in ancient China. The story follows Princess Turandot who has sworn never to marry unless a suitor can answer three riddles, and those who fail are executed. When Calaf arrives in Beijing and falls in love with Turandot at first sight, he decides to try his luck and solve the riddles. With the help of a servant girl named Liu, Calaf succeeds but offers Turandot a challenge of guessing his name before sunrise. The opera reaches its dramatic conclusion as the characters confront their own desires and fears.This dramatic 6-minute arrangement by Randall Malmstrom which includes the monumental aria Nessun Dorma is for 8-part Trombone ensemble of advanced performers including an optional Contrabass on part 8. A strong player (or doubled-up) is needed on part 1.
$37.50
34.63 €
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Giacomo Puccini
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Randall Malmstrom
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Turandot - Extracts from the Opera for 8-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Two Songs Without Words for String Quartet
Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed…
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Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed by Bronson I. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 187. Ivan Howard #58ukgthy9yGFywBqZ15xOI. Published by Ivan Howard (A0.484893). Key: C major.A two movement Lyric Piece for String Quartet. This being the First Movement, Bit. Each movement is short, and hopefully embodies the fullness of their title names. I tried to keep each movement as short as possible, making them somewhat difficult sounding but easy sounding to the listener, while hopefully playable at first or second Sight-Reading by the Advanced Quartet. I. Bit- 0:30 II. Love's Eternal Kiss- 2:37.
$3.99
3.68 €
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Bronson I
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Two Songs Without Words for String Quartet
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Ivan Howard
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SheetMusicPlus
Come, Let Us Walk this Road Together
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's fi…
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95
12.88 €
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Come, Let Us Walk this Road Together
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SheetMusicPlus
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Compose…
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implacabili
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Nicole Elyse DiPaolo
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Guthrie: The Tuba Choir Christmas Book
Tuba - Level 2 - Digital Download SKU: A0.550704 Composed by Traditional. Arranged …
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Tuba - Level 2 - Digital Download SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Published by jmsgu3 (A0.550704). The Tuba Christmas BookChristmas Reharmonizations by James M. Guthrie. The Tuba Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your tuba choir can perform the Tuba Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. tubas read from the score on one stand, while the Euphoniums each use the parts on separate stands. The Tuba Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Tuba Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Tuba Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$38.95
35.97 €
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Traditional
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James M
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Guthrie: The Tuba Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Guthrie: The Trombone Choir Christmas Book
Trombone - Level 2 - Digital Download SKU: A0.550705 Composed by Traditional. Arran…
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Trombone - Level 2 - Digital Download SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4777875. Published by jmsgu3 (A0.550705). The Trombone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Trombone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your trombone choir can perform the Trombone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible. The Trombone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Trombone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Trombone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.28 €
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Traditional
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James M
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Guthrie: The Trombone Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Guthrie: The Flute Choir Christmas Book
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.550706 Composed by Tradition…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.550706 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4780493. Published by jmsgu3 (A0.550706). The Flute Christmas BookChristmas Reharmonizations by James M. Guthrie. The Flute Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your flute choir can perform the Flute Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. flutes read from the score on one stand, while the alto & bass flutes each use the parts on separate stands. The Flute Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Flute Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Flute Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the flutes.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.28 €
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Traditional
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James M
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Guthrie: The Flute Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Guthrie: The French Horn Choir Christmas Book
Horn - Level 2 - Digital Download SKU: A0.550710 Composed by Traditional. Arranged …
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Horn - Level 2 - Digital Download SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785609. Published by jmsgu3 (A0.550710). The French Horn Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The French Horn Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Horn choir can perform the French Horn Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. I & III read from the score on one stand, while the II & IV use the parts on a separate stand. The French Horn Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the French Horn Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the French Horn Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of brasswind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.28 €
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Traditional
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James M
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Guthrie: The French Horn Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Guthrie: The Double Reed Choir Christmas Book
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.550711 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785741. Published by jmsgu3 (A0.550711). The Double Reed Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Double Reed Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Double Reed Choir can perform the Double Reed Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. oboes read from the score on one stand, while the Bassoon and English Horn use the parts on separate stands. The Double Reed Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Double Reed Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Double Reed Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.28 €
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Traditional
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James M
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Guthrie: The Double Reed Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.9174…
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
18.47 €
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Gregory Fritze
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Nineteen Skeletal Duets for Euphoniums
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Musica Nova USA
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SheetMusicPlus
Guthrie: The Saxophone Choir Christmas Book
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Do…
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 68 pages. Jmsgu3 #4784649. Published by jmsgu3 (A0.550709). The Saxophone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Saxophone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your sax choir can perform the Saxophone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. Soprano & Alto read from the score on one stand, while the Tenor & Bass uses the parts on a separate stand. The Saxophone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Saxophone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Saxophone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
32.28 €
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Traditional
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James M
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Alto
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Guthrie: The Saxophone Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Birthday Suit
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122…
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
1.86 €
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
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