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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
B Dorian
Sheetmusicplus
Non classifié
16
Piano & claviers
Piano seul
8
Piano, Voix
2
Piano Facile
1
1 Piano, 4 mains
1
Orgue
1
Guitares
Guitare notes et tablatures
17
Basse electrique
3
Ukulele
1
Guitare
1
Voix
Chorale SATB
7
Chorale 3 parties
2
Chorale TTBB
1
Vents
Clarinette (partie séparée)
3
Clarinette et Piano
3
Saxophone (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
3 Clarinettes (trio)
1
2 Saxophones (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Cor Anglais
1
+ 9 instrumentations
Retracter
Cuivres
Trompette, Piano
3
Quatuor de Cuivres
2
Euphonium, Piano (duo)
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette (partie séparée)
1
Trombone et Piano
1
Tuba et Piano
1
2 Tubas (duo)
1
Tuba
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
Cor
1
Cor Anglais
1
+ 9 instrumentations
Retracter
Cordes
Violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Alto, Piano
1
Violon
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Ensemble de Percussions
1
Orchestre à Cordes
1
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ACCORDEON
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DOBRO - GUI…
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EUPHONIUM
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
B Dorian
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
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1
Playing Octaves on Guitar - The B Dorian Mode
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Traditional
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Danny Crocome
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Playing Octaves on Guitar - Th
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1462024 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 1 pages. Da...
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Guitar - Level 3 - SKU: A0.1462024 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 1 pages. Danny Crocome Music #1040773. Published by Danny Crocome Music (A0.1462024). This info sheet shows guitarists how to play a 2-octave B Dorian Mode using octaves (playing two of the same note name, one octave apart, simultaneously). Playing melodies in octaves is a common stylistic choice in jazz and rock music, and is a great way to make your lead lines sound bigger and clearer. In standard notation and TAB, with fretting hand fingerings notated in the score.
$2.49
B Dorian Mode Exercises - Ascending and Descending in 4ths
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Traditional
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Danny Crocome
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B Dorian Mode Exercises - Asce
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1465421 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Da...
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Guitar - Level 3 - SKU: A0.1465421 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Danny Crocome Music #1044123. Published by Danny Crocome Music (A0.1465421). A series of increasingly complex B Dorian mode exercises for guitarists, which involve ascending and descending though the mode in 4ths. Mastering these exercises will give you better understanding of the mode pattern, the fretboard, as well as greatly developing your fretting hand and picking hand synchronization. Fretting hand fingering, and picking suggestions included in notation. Backing track includes metronome for playing along with.
$2.99
B Dorian Mode Exercises - Ascending and Descending in 3rds
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Traditional
#
Danny Crocome
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B Dorian Mode Exercises - Asce
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Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1457295 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Da...
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Guitar - Level 3 - SKU: A0.1457295 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Pop,Rock. Guitar Tab. 3 pages. Danny Crocome Music #1036345. Published by Danny Crocome Music (A0.1457295). A series of increasingly complex B Dorian mode exercises for guitarists, which involve ascending and descending though the mode in 3rds. Mastering these exercises will give you better understanding of the mode pattern, the fretboard, as well as greatly developing your fretting hand and picking hand synchronization. Fretting hand fingering, and picking suggestions included in notation. Backing track includes metronome for playing along with.
$2.99
B Flat Valved Brass Scales / Grades 1 - 5
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Methodes
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Dorian Kelly
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B Flat Valved Brass Scales / G
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Modal Music
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Trumpet - Level 2 - SKU: A0.866131 Composed by Dorian Kelly. Instructional. Score and parts. 9 pages. Moda...
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Instrumental Duet Euphonium,Instrumental Duet,Trumpet - Level 2 - SKU: A0.866131 Composed by Dorian Kelly. Instructional. Score and parts. 9 pages. Modal Music #3035447. Published by Modal Music (A0.866131). Scales for B Flat / Treble Clef Brass / Grades 1 - 5Suitable for ABRSM exams for Trumpet / Cornet / Flugelhorn / Tenor Horn / Baritone / EuphoniumThe syllabus on which this publication is based is © Copyright by The Associated Board of the Royal Schools of Music and is reproduced by permission of the copyright owner. Scale requirements subject to change. Please check current relevant syllabus.
$4.00
Gaudete (mp3)
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Traditional
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David Warin Solomons
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Gaudete
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059406 Composed by Traditional. Arranged by David Warin Solomons. Christian,Christmas,Classical,Praise & Worship,Renaissance. Full Perf...
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Choir - SKU: A0.1059406 Composed by Traditional. Arranged by David Warin Solomons. Christian,Christmas,Classical,Praise & Worship,Renaissance. Full Performance. Duration 98. David Warin Solomons #3383557. Published by David Warin Solomons (A0.1059406). Arrangement for men's voices sung by the dwsChoraleif you would like the score (in B Dorian or D Dorian) please enter this code in the sheetmusicplus search box: S0.910609
$2.70
Chameleon
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Contemporain
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Bennie Maupin, Harvey Mason, H
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Bud Caputo
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I-IV in Bâ™
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Chameleon
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.826748 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackson. Arranged by Bud Caputo. Contempora...
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String Ensemble - Level 4 - SKU: A0.826748 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackson. Arranged by Bud Caputo. Contemporary. Score and parts. 23 pages. Bud Caputo #6703647. Published by Bud Caputo (A0.826748). Chameleon is a jazz standard composed by Herbie Hancock in collaboration with Bennie Maupin, Paul Jackson and Harvey Mason. The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: I-IV in Bâ™ Dorian (Bâ™m7 and Eâ™7). The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey. The piece is one of the most widely recognized jazz standards, and has become standard repertoire in many small jazz ensembles. The drum set will provide the true flavor. A Trombone Substitute for Horn is included.
$19.95
Chameleon
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Contemporain
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Bennie Maupin, Harvey Mason, H
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Bud Caputo
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Chameleon
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Bud Caputo
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.826749 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackso...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.826749 Composed by Bennie Maupin, Harvey Mason, Herbie Hancock, and Paul Jackson. Arranged by Bud Caputo. Contemporary. Score and parts. 22 pages. Bud Caputo #6699129. Published by Bud Caputo (A0.826749). Chameleon is a jazz standard composed by Herbie Hancock in collaboration with Bennie Maupin, Paul Jackson and Harvey Mason. The song has a characteristic bass line and is set to a funk beat. For the most part, it is built entirely on a two-chord vamp: I-IV in Bâ™ Dorian (Bâ™m7 and Eâ™7). The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey. The piece is one of the most widely recognized jazz standards and has become standard repertoire in many small jazz ensembles.
$25.00
Portuguese Rain
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Robin Andrews
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Portuguese Rain
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Robin Andrews
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1028114 Composed ...
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Large Ensemble Cello,Clarinet,Flute,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1028114 Composed by Robin Andrews. Celtic,Folk,World. Score and parts. 1 pages. Robin Andrews #3367015. Published by Robin Andrews (A0.1028114). A melody in the Lydian Mode written in Portugal.There's not many tunes written in the Lydian mode, so harmonising them presents an interesting creative challenge. The basic idea here is that the chords from a D major scale are used, but the home note is G. Also, the strong A-D cadence is lost, so we have to find another cadence which will provide a similar tension/release effect. In the Lydian mode this can be achieved with Bm-G, A-G or Em-G. One really interesting aspect of the Lydian mode in G is that Em is still the relative minor, except it comes out as Dorian. So if the B part of a tune tune moves to the relative minor as this one does, then it can be treated as an E Dorian tune in its own right.
$2.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
(+)
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
My love - A hypnotic incantation for 3 clarinets and guitar ostinato (mp3)
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David Warin Solomons
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My love - A hypnotic incantati
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David Warin Solomons
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SheetMusicPlus
B-Flat Clarinet,Guitar - Level 3 - SKU: A0.1504045 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 234. David Wa...
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B-Flat Clarinet,Guitar - Level 3 - SKU: A0.1504045 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 234. David Warin Solomons #1079505. Published by David Warin Solomons (A0.1504045). This work in the Dorian mode was originally a vocal trio (also available on this site as Before my gaze she stands and My love is far from here).I felt that an instrumental version would also work. The melodic parts intertwine and create hypnotic harmonies above the guitar ostinato.
$4.00
RUSALKAS and MEN
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Music: Alan Edgar and Trad
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RUSALKAS and MEN
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Alan Edgar Ted Moon
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SheetMusicPlus
Bassoon,Cello,Oboe,Violin,Voice - Level 2 - SKU: A0.1488216 Composed by Music: Alan Edgar and Trad. Lyrics: Alan Edgar, Sue Edgar, Alexander Pushkin. 20...
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Bassoon,Cello,Oboe,Violin,Voice - Level 2 - SKU: A0.1488216 Composed by Music: Alan Edgar and Trad. Lyrics: Alan Edgar, Sue Edgar, Alexander Pushkin. 20th Century,Folk,Thriller. 34 pages. Alan Edgar Ted Moon #1065102. Published by Alan Edgar Ted Moon (A0.1488216). RUSALKAS and MEN Soprano (mostly wordless, D up to A), Baritone (G# up to G), Oboe or Violin, and Cello or Bassoon.The instrument parts in the score are easily used for rehearsal on keyboard. Here are three songs about men's encounters with rusalkas (water-nymphs) in Slavic myth. Siren Song: a man describes his narrow escape from death. Lyrics by Sue Edgar. The Man’s melodies based on two Slavic folk tunes. The rusalka sings my own melody. King of the Underwater World: a very lucky man sings of his being favoured, made king and cosseted by a rusalka. He uses the Ukrainian dorian scale, the rusalka aeolian. Rusalka (Pусалка) by Alexander Pushkin: The baritone is the storyteller. For him I use D mixolydian alternating with b minor, but the rusalka mostly sings in half-whole octatonic. 26 minutes for all three songs.
$39.00
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015....
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Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Sli...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
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