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TRI ET FILTRES
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Pictures at an Exibition - La Cabane sur des pattes de poule (BABA-YAGA)
Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 5 - Digital Download
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Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1127869 Composed by Modest Petrovich Mussorgsky. Arranged by Carlo Rossi. 19th Century,Classical. 19 pages. Carlo Rossi #728478. Published by Carlo Rossi (A0.1127869). La Cabane sur des pattes de poule (BABA-YAGA) from 'Pictures at an Exibition' arranged for clarinet quartet.
$3.99
3.69 €
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Modest Petrovich Mussorgsky
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Carlo Rossi
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Pictures at an Exibition - La Cabane sur des pattes de poule
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Carlo Rossi
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SheetMusicPlus
La La La
Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1451266 By N…
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Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1451266 By Naughty Boy Feat. Sam Smith. By Al Hakam El Kaubaisy, Frobisher Mbabazi, James Murray, James Napier, Jonnie Coffer, Mustafa Omer, Sam Smith, and Shahid Khan. Arranged by Liv Muir. A Cappella,Contemporary,Pop. 8 pages. Liv Muir #1030722. Published by Liv Muir (A0.1451266). A 5-part a cappella arrangement for SSSAA of the 2013 pop banger La La La. The mp3 includes a non-notated (very rough!) percussion option for anyone who is blessed with a proper beatboxer/ VP. There is also a bonus bit of solo at the end of the intro for an individual/ small group (tu meri mauja hain). The dynamics are vital to the performance of this one for ultimate atmosphere.Originally adapted for the upper voice alternative pop choir Neighbourhood Voices, based in Sheffield UK. Check us out! IG: @neighbourhoodvoices.
$2.00
1.85 €
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Naughty Boy Feat
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Liv Muir
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La La La
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Liv Muir
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SheetMusicPlus
La La La
Small Ensemble Marimba,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.836431…
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Small Ensemble Marimba,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.836431 By Naughty Boy Feat. Sam Smith. By Al Hakam El Kaubaisy, Frobisher Mbabazi, James Murray, James Napier, Jonnie Coffer, Mustafa Omer, Sam Smith, and Shahid Khan. Arranged by Bradley Lithgow. Contemporary. Score and parts. 8 pages. Bradley Lithgow #5820955. Published by Bradley Lithgow (A0.836431). This is an easy to intermediate arrangement best suited for Diatonic African Marimbas in C but can be adapted for various Orff ensembles. The arrangement is tried and successfully tested at various primary and high school level marimba bands in South Africa. The harmony and bass parts are graded as the piece progresses and if need be the parts can remain in simple form throughout the piece if that is where your students level is. For more information or arrangements please emails me on bradley@marimbaworkshop.co.za I would love to hear this arrangement being performed by your marimba band!
$12.99
12 €
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Naughty Boy Feat
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Bradley Lithgow
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La La La
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Bradley Lithgow
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.89 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
La Folia in D Minor
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose …
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
4.62 €
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
La tricotea
ATB chorus - Digital Download SKU: BJ.1169 Composed by Anonymous. Michaeli Early Mu…
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ATB chorus - Digital Download SKU: BJ.1169 Composed by Anonymous. Michaeli Early Music Series. Early Music, Secular. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1169. Published by Bo Ejeby Forlag - Digital (BJ.1169). 8.27 x 11.7 inches.La tricotea is a three-part song included in Cancionero de Palacio (1490-1520) which is attributed to a certain Franco Alonso. Portions of the lyrics are nonsensical: They are a melange of Latin languages, but also include playfully expressive made-up words. It is a drinking tune that most probably was sung at taverns and among soldiers. The lyrics and the melody lend themselves well to powerful voices. The parts can also be coloured by way of various instruments, including percussion. Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
$2.00
1.85 €
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Anonymous
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La tricotea
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Double Reed Quintet - Variations on La Folia
Woodwind Ensemble,Woodwind Quintet Bassoon,Oboe - Level 3 - Digital Download SKU: A0.76…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Oboe - Level 3 - Digital Download SKU: A0.767509 Composed by Traditional. Arranged by Mike Lyons. Baroque,Renaissance. 13 pages. Lyons Music Services #4804177. Published by Lyons Music Services (A0.767509). A setting of three variations on La Folia for Double Reed Quintet. This piece was an 'earworm' of its day. It was copied and arranged for almost every conceivable type of ensemble by every major composer. The most famous settings are probably those by Purcell, Corelli and Handel, but this is a relatively unknown setting, originally for brass instruments, but it transfers very well onto double reeds.
$9.99
9.23 €
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Traditional
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Mike Lyons
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Double Reed Quintet - Variations on La Folia
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Lyons Music Services
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SheetMusicPlus
Lamento di Madama Lucia, con la risposta di Cola - Score Only
Small Ensemble - Digital Download SKU: A0.546788 Composed by F. Manelli and G. B. F…
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Small Ensemble - Digital Download SKU: A0.546788 Composed by F. Manelli and G. B. Fasolo. Arranged by Duarte Domingues. Baroque,Classical,Renaissance. Score and parts. 6 pages. S. Caeciliae Publisher #156722. Published by S. Caeciliae Publisher (A0.546788). This Lament was written ca. 1628, either by G. B. Fasolo, or F. Manelli. In this edition from the available manuscript by the publisher Cornetto-Verlag, I intend to offer a modern edition, as there is no other one available in the internet. Lamento di Madama Lucia belongs to (what is probably) an Opera: Il Carro di Madama Lucia (The Madama Lucia's Carnival Float). This Lamento is of great harmonic beauty. The text is powerful, as so the music transmits. *Now with improved engraving quality and legebility.*.
$5.70
5.27 €
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F
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Duarte Domingues
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Lamento di Madama Lucia, con la risposta di Cola - Score Only
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S. Caeciliae Publisher
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SheetMusicPlus
BOISMORTIER LA MATIGNON OPUS 33 No. 1 for flute, oboe & bassoon or cello
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811781…
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811781 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Instructional. Score and parts. 24 pages. Piper Publications #6290969. Published by Piper Publications (A0.811781). This is the first of a set of ‘ SIX GENTILLESSES EN TROIS PARTIES’ for musette (a type of bagpipe), viele (an early violin) and a bass instrument (probably a cello) published by Boivin in Paris in 1731 and described as also playable on recorder, transverse flute, oboe or violin. Of course all the parts could be doubled (good for sales) and the instructions ‘tous’ for all players and ‘seul’ when only one should play would come in useful. Boismortier became very wealthy from sales of his music. The three movements, Gayment, Gracieusement & Gayment are for three independent players of intermediate standard and above. This arrangement for flute, oboe and bassoon or cello has been lightly edited. All edits are shown in parentheses ( ) or dashed lines. The original two top parts have been set in the modern treble clef. The Boivin edition used the old violin clef. The edition also had no dynamic markings as the musette was not capable of dynamic variation. Generally the sections marked ‘tous’ should be louder than those marked ‘seul’ but, since dynamics are so much a matter of personal taste, I have left these to the performers’ discretion.
$12.00
11.09 €
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Joseph Bodin De Boismortier
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BOISMORTIER LA MATIGNON OPUS 33 No. 1 for flute, oboe & bassoon or cello
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Piper Publications
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SheetMusicPlus
La Llorona Triste
Acoustic Guitar,Guitarron,Harp,Trumpet,Violin - Level 3 - Digital Download SKU: A0.1241…
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Acoustic Guitar,Guitarron,Harp,Trumpet,Violin - Level 3 - Digital Download SKU: A0.1241424 By Rodolfo Gonzalez. By Rodolfo Gonzalez. Arranged by Rodolfo Gonzalez. 21st Century,Folk,Historic,Mariachi,Multicultural,World. 22 pages. Rodolfo Gonzalez #836788. Published by Rodolfo Gonzalez (A0.1241424). La Llorona Triste is for Intermediate Mariachi with score and parts for Violin 1 2 3, Trumpets 1 2, Alto & Tenor Voices, Harp, Vihuela/Guitar and Guitarron. The lyrics tell of the story of La Llorona, The Weeping Woman, who upon learning her husband has been unfaithful takes his baby sons to the river and drown them in her despair. The piece features solos for tenor and alto voices as well as featuring trumpets playing in duet and violins in 3 part harmony. The harp also adds color to the sadness of the story.
$40.00
36.95 €
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Rodolfo Gonzalez
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Rodolfo Gonzalez
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La Llorona Triste
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Rodolfo Gonzalez
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SheetMusicPlus
Il primo giorno dell'Apocalisse (Oltre l'orizzonte)
Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - …
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Large Ensemble Clarinet,Drum Set,Organ,Piano,Synthesizer,Trombone,Trumpet,Tubular Bells - Level 3 - Digital Download SKU: A0.976854 Composed by Monica Bergo. Contemporary. Score and parts. 36 pages. Monica Bergo #3236823. Published by Monica Bergo (A0.976854). 2017 Holiday Contest EntryIL PRIMO GIORNO DELL’APOCALISSE (OLTRE L’ORIZZONTE) Gente che invade le strade Siamo d’estate e la neve cade Nell’aria oscuri presagi Lancette ferme negli orologi Oltre l’orizzonte non posso guardare Una stella che brilla è già pronta a morire Il sole e la luna, che sta succedendo? Insieme nel cielo , è la fine del mondo Sei pronto a pentirti di tutti i peccati? La gente impazzita, va in cerca dei preti Chi piange, chi ride, chi canta , chi prega campane suonate, tamburi rullate è giunta la fine per l’umanità Non mi aspettavo che tutto finisse Questo è il primo giorno dell’Apocalisse Io che sono astemia mi riempio il bicchiere Se devo morire, non voglio capire E scendo in pista per l’ultima danza Mentre lo tzunami si innalza ed avanza Fra tutta la gente non cerco che te Ma tu dove sei? Non vieni da me? Oltre l’orizzonte ti vorrei portare Non sarebbe bello? Tra campi di fiori Noi sopravvissuti ,nell’eden perduto Soltanto per noi Dimmi che lo vuoi E sarebbe vita e nuova occasione E sarebbe gioia e non più prigione Incontaminati, senza più peccati Dimmi una bugia e portami via Da questo tragico presente Dall’Armagghedon imminente Angeli cantano in coro Mi metto in fila, vado con loro Ma tra la folla il tuo viso E Chi se ne frega del paradiso Maschere bianche mi sbarrano il passo Io grido , ti chiamo, ma tu sei lontano Lo strato d’ozono è ormai inesistente La pelle si brucia Il caldo è asfissiante Ognuno parla una lingua diversa moderna Babele, la torre è riapparsa Frammenti di Bibbia, la Genesi insegna Per ogni peccato, la giusta condanna Non mi aspettavo che tutto finisse Ma è l’ultimo giorno dell’Apocalisse Il genere umano , si estingue stanotte La terra oltraggiata, alla fine ci inghiotte Sarebbe bello morire abbracciati I nostri 2 corpi in eterno avvinghiati Oltre l’orizzonte non posso guardare Il sole che esplode Continuo a ballare La morte che avanza Una tragica danza Oltre l’orizzonte ti ritroverò Monica Bergo
$3.99
3.69 €
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Monica Bergo
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Il primo giorno dell'Apocalisse
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Monica Bergo
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SheetMusicPlus
Hungarian Folksongs, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
4.61 €
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Symphony No. 3 Eb major
2 · 2 · 2 · 2 - 2 Ventilhr. · 2 Waldhr. · 2 · 0 · 0 - 2 P. - Str. orc…
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2 · 2 · 2 · 2 - 2 Ventilhr. · 2 Waldhr. · 2 · 0 · 0 - 2 P. - Str. orchestra - Digital Download SKU: S9.Q12438 Rhenish. Composed by Robert Schumann. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Schumann s'installa en 1850 à Düsseldorf, ville située sur le Rhin, pour y occuper le poste de directeur municipal de la musique. Ce sont probablement ses impressions de la Rhénanie qui inspirèrent au compositeur la 3e symphonie. Downloadable, Study score. Op. 97. Duration 28 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12438. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12438). Key: E flat major. German • English.To occupy the post of municipal music director, Schumann came to Düsseldorf on the Rhine in 1850, and it was probably the impressions of the Rhineland that inspired the composer to write his Symphony No. 3. In a letter to the publisher Simrock, Schumann himself wrote that the peculiarities of Rhenish life had found expression in the work. To Schumann, the view of the Cathedral of Cologne was a highlight of his trips in the area surrounding Düsseldorf; even if there are no records testifying to his attending a church service, it almost seems as if the impressions of such a service are reflected in the fourth movement of the symphony which was originally entitled 'In the Character of the Accompaniment to a Solemn Ceremony'.
$16.99
15.7 €
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Robert Schumann
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Symphony No. 3 Eb major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
LOVE AND ITS FORMS
Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Compo…
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Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Composed by Monica Bergo. Contemporary. Score and parts. 20 pages. Moni Bergo #5743677. Published by Moni Bergo (A0.1012750). Music and song composed by me, about my imaginary conversation with love♫*´¨`*•.¸¸.♫ L'amore e le sue forme ♫*´¨`*•.¸¸.♫ Lo incontrai era un giorno senza fiato perso tra la folla mi guardava disperato stai con me, sembri triste e solo mentre piega il capo lo accarezzo e lo consolo non so chi sei, ma ti starò vicino non sei uomo o donna non sei adulto nè bambino guardami, oltre le apparenze, mi hai rincorso tanto ed ero qua.. ero con te in quelle vie ma tu non mi hai notato, negli occhi spenti di chi ormai tutto ha perduto ero in quel barbone steso là , avvolto nel giornale ero in quella squallida corsia tra la miseria e il male ma ora fermati, smetti di correre quante forme vuoi prima di accorgerti che sono intorno a te in ogni brivido che proverai e come angeli dalle ali fragili spiccate il volo verso cieli sterili sfiorate il sole ma poi come Icaro cadete giù ma ora tu puoi dirmi cosa vuoi vorrei, vorrei, vorrei scordare le lacrime e poi vorrei con te toccare le nuvole vorrei gettare la maschera e poi sentirmi più libera vorrei poter riconoscere tra tanta gente che c'è chi somiglia un po' a me Vorrei tornare all'origine e poi riscrivere pagine vorrei squarciare il silenzio e poi io vorrei e non dovrei ricordarmi di lui... ti lascio esplodere selvaggia nemesi divento sterile femmina inutile moderna Elettra nel mio lutto fragile di nero mi vestirò e smetto i panni da Pierrot improbabile ed indurisco la mia scorza debole povero cuore mio soltanto un muscolo l'amore rinnegherò non mi commuovo più smetto di ridere calpesto questa parte mia sensibile io burattino strano e un po' patetico i fili miei taglierò la gentilezza che diventa acredine e sputo in faccia a chi fraintende e immagina che donna dolce=disponibile uomini solo a metà Femmina alfa di tribù di vergini vi incateniamo maschilisti ipocriti la tua virilità non può dipendere solo dal sesso che fai Mi adeguo a questa società di plastica e mi innamoro solo del tuo bancomat la mia natura astratta e vulnerabile cenere al vento sarà Ma questa donna chi è? non sono io e ritorno al mondo mio da te che so chi sei ti ho riconosciuto sei l'amore in ogni forma offeso e maltrattato stai con me non sarò triste e sola stringo la tua mano che accarezza e che consola.... Monica Bergo
$5.00
4.62 €
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Monica Bergo
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LOVE AND ITS FORMS
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Moni Bergo
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SheetMusicPlus
Christmas Horror
Small Ensemble Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.976885…
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Small Ensemble Organ,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.976885 Composed by Monica Bergo. Christmas,Contemporary. Score and parts. 37 pages. Monica Bergo #3373741. Published by Monica Bergo (A0.976885). Christmas Horror Occhi aperti Notte scura Si fa strada la paura E comincio già a tremare Il Natale è qui, sta per arrivare Sto pensando a qualcosa per poterlo evitare Diventare trasparente Od il tempo fermare Mentre nulla mi convince La risposta è già qua Il mio libro un aiuto mi darà Pelle di serpente, occhio di bue Gocce di rugiada tra le mani mie dente di vipera, urla di una strega girotondo ed il tutto si completa Mostri e vampiri, tra fumi e vapori Direttamente dal regno degli orrori Scheletri e demoni Mummie malandate Streghe su scope e la festa si farà ma eccentrica sarà di nero addobberà tutta la mia città Sarà un Natale un po’ strano Per tutti quanti noi Sarà il mio Christmas Horror Rapiamo Babbo Natale e pensiamo a tutto noi È tutto sotto controllo Sarà fantastico Un party mitico E siete tutti miei invitati A questa mensa degli idioti Sarà magnifico Un giorno atipico E non ti devi preoccupare C’è abbastanza da mangiare Per te che vivi al cellulare E pensi solo ad apparire Non c’è internet o bluetooth Niente foto su Facebook E se qualcosa devi dire In faccia me lo dovrai urlare Niente stati su Whatsapp Non è quella la realtà ÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂ.
$3.99
3.69 €
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Monica Bergo
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Christmas Horror
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Monica Bergo
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) IV. Duo - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553927 Composed by Georges Bizet. Arranged by Ray Thompson. Holiday,Instructional,Romantic Period. Score and parts. 16 pages. RayThompsonMusic #6196941. Published by RayThompsonMusic (A0.553927). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) (this one)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 11 (no. 4 in the petite suite) Arranged double wind quintet and bass,
$7.95
7.34 €
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) III. Impromptu (Le Toupie) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553913 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Standards. Score and parts. 16 pages. RayThompsonMusic #6089863. Published by RayThompsonMusic (A0.553913). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top) (this one)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 2 (no. 3 in the petite suite) Arranged double wind quintet and bass,
$7.95
7.34 €
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Christmas,Romantic Period. Score and parts. 19 pages. RayThompsonMusic #6083141. Published by RayThompsonMusic (A0.553908). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.[ The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of no 6 (no 1 in the petite suite).It is arranged for double wind quintet and bass.
$14.95
13.81 €
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants Suite (Children's Games)(Complete) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553928 Composed by Georges Bizet. Arranged by Ray Thompson. Children,Instructional,Romantic Period. Score and parts. 63 pages. RayThompsonMusic #6197359. Published by RayThompsonMusic (A0.553928). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of the suite.(in bold above) for double wind quintet/bass
$24.95
23.05 €
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants Suite
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RayThompsonMusic
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petro…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
30.44 €
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition - Score Only
Piano Quintet - Level 5 - Digital Download SKU: A0.1398898 Composed by Modest Petro…
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Piano Quintet - Level 5 - Digital Download SKU: A0.1398898 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #982173. Published by jmsgu3 (A0.1398898). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
30.44 €
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Modest Petrovich Mussorgsky
#
James M
#
Mussorgsky: Pictures at an Exhibition for Piano Quintet - 2nd Edition - Score Only
#
jmsgu3
#
SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quintet
Piano Quintet Piano - Level 4 - Digital Download SKU: A0.549935 Composed by Modest …
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Piano Quintet Piano - Level 4 - Digital Download SKU: A0.549935 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 223 pages. Jmsgu3 #4312237. Published by jmsgu3 (A0.549935). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quintet by James M. Guthrie Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto page 1 1. GNOMUS (The Gnome) Sempre vivo page 4  Promenade 2 Moderato commodo assai e con delicatezza page 15  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 18  Promenade 3 Moderato non tanto, pesamente page 27  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso page 29  4. BYDLO (Cattle) Sempre moderato pesante page 34  Promenade 4 Tranquillo page 38  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino page 40  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante page 44  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto page 52  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando page 56  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo page 66    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento page 68  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce page 71  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 90Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the sad and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum. Â
$57.95
53.53 €
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quintet
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jmsgu3
#
SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for String Trio
String Trio - Level 4 - Digital Download SKU: A0.549939 Composed by Modest MUSSORGS…
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String Trio - Level 4 - Digital Download SKU: A0.549939 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 137 pages. Jmsgu3 #4320269. Published by jmsgu3 (A0.549939). еÑÑ‚ Петрович МуÑоргÑкий) Arranged for String Trio by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 69 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)    Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)    Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$37.95
35.06 €
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Modest MUSSORGSKY
#
James M
#
Mussorgsky: Pictures at an Exhibition for String Trio
#
jmsgu3
#
SheetMusicPlus
Le Basque
Ocarina - Level 4 - Digital Download SKU: A0.1366525 By Emiliano Bernagozzi. By Mar…
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Ocarina - Level 4 - Digital Download SKU: A0.1366525 By Emiliano Bernagozzi. By Marin Marais. Arranged by Emiliano Bernagozzi. Baroque,Classical,Early Music,Instructional. Score. 10 pages. Emiliano Bernagozzi #950861. Published by Emiliano Bernagozzi (A0.1366525). Le Basque è un brano tratto da Cinque Danze Francesi una raccolta di composizioni per viola da gamba di Marin Marais. E' una danza veloce e gioiosa. In Francia la frase Courir comme un Basque significa Correre come una lepre (letteralmente sarebbe correre come un Basco).Probabilmente a causa della sua breve durata, oggi il pezzo viene utilizzato molto sovente come bis nei concerti.Il brio e lo spirito di questo brano ben si adattano alle caratteristiche tecniche dell'ocarina.Difficoltà medio alta.
$12.00
11.09 €
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Emiliano Bernagozzi
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Emiliano Bernagozzi
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Le Basque
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Emiliano Bernagozzi
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SheetMusicPlus
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