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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach's Toccata
Non classifié
15
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Piano seul
30
Piano Facile
15
Orgue
14
Clavecin
1
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1
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1
+ 4 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
8
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7
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4
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2
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1
Alto (partie séparée)
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2 Violons (duo)
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Alto seul
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Orchestre d'harmonie
43
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FLUTE A DIX…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
Bach's Toccata
Partitions à imprimer
15 partitions trouvées
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1
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #10535...
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Instrumental Duet - Level 5 - SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20
Bach - Toccata - Fugue in E Minor BWV855 - 2 Clarinets, Clarinet Duo
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E Mi
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TK
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.824114 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) ...
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Woodwind Ensemble - Level 3 - SKU: A0.824114 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) Murray #5743197. Published by TK (Tim) Murray (A0.824114). Bach's brilliant 'Toccata' fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$4.95
Bach - Toccata - Fugue in E minor BWV855 - 2 Bassoons, Basson Duo
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E mi
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TK
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.824139 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) ...
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Woodwind Ensemble - Level 3 - SKU: A0.824139 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. 4 pages. TK (Tim) Murray #6287687. Published by TK (Tim) Murray (A0.824139). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
Bach - Toccata - Fugue in E Minor BWV855 - 2 Cellos, Cello Duo
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E Mi
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TK
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.824140 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Graduation,Standards. Score and parts. ...
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String Ensemble - Level 3 - SKU: A0.824140 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Graduation,Standards. Score and parts. 4 pages. TK (Tim) Murray #6287691. Published by TK (Tim) Murray (A0.824140). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
Bach - Toccata - Fugue in E Minor BWV855 - 2 Violas, Viola Duo
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Classique
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Johann Sebastian Bach
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Tim TK Murray
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tkmurraycomp@aol.com
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Bach - Toccata - Fugue in E Mi
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TK
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.824141 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 4 p...
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String Ensemble - Level 3 - SKU: A0.824141 Composed by Johann Sebastian Bach. Arranged by Tim TK Murray. Baroque,Concert,Standards. Score and parts. 4 pages. TK (Tim) Murray #6288959. Published by TK (Tim) Murray (A0.824141). Bach's brilliant 'Toccata' Fugue in E minor from 'The Well-Tempered Klavier' makes a superb short show piece for both Players. A great encore!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$4.95
Toccata, Chorale and Fugue - A Cello Ensemble, Op.39 [1986] - Dedicated to Prof.Parisot
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An-lun Huang
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Toccata, Chorale and Fugue - A
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DoReMi Edition
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SheetMusicPlus
String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages...
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String Ensemble - Level 5 - SKU: A0.1081699 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 78 pages. DoReMi Edition #685820. Published by DoReMi Edition (A0.1081699). “Toccata, Chorale and Fugue†was the last work composed by An-lun Huang during the time he studied at Yale University in 1986. It was commissioned and dedicated to the Yale cello professor Aldo Parisot who premiered the work with more than sixty young cellists at the Banff Art Center, Canada, in 1986. Cello ensemble is a challenge for composer because of the single instrumental color. In this particular work, Huang had made the Chinese music upon to a new level.-- not only melodic sense, but also harmonically and contrapuntal. It consists of three sessions. The first is a virtuoso Toccata, the second is a chorale typed Adagio, and the third is a double Fugue in five voices. Bach‘s name, B-A-C-H, forms the secondary theme of the fugue. The recording attached was performed by Prof. Kirill Rodin(First price of Tchaikovsky Competition) with his students, plus one double bass, in Moscow Conservatory, 2001. Duration:16’ 题献给帕瑞索特教授 托å¡å¡”ã€åœ£å’ä¸Žèµ‹æ ¼ 大æç´åˆå¥ 黄安伦 作å“39（纽黑文 1986） 这是作者1986年在耶é²å°±å¦å†™ä½œçš„最åŽä¸€éƒ¨ä½œå“ï¼Œä¹ƒæ˜¯è¯¥æ ¡è‘—å的帕瑞索特教授所委约并题献给他的一部作å“ã€‚å¸•ç‘žç´¢ç‰¹æ•™æŽˆå¹¶åœ¨åŠ æ‹¿å¤§çš„ç芙国际音ä¹è¥çŽ‡é¢†å…åä½™æ¥è‡ªä¸–ç•Œå„地的大æç´å®¶é¦–演了这部力作。 写作å•ä¸€éŸ³è‰²çš„大æç´åˆä½œï¼Œå¯¹äºŽä½œæ›²å®¶æ˜¯ä¸€ä¸ªæŒ‘战。在这部特别的作å“ä¸ï¼Œæ— 论在和声上ã€æ—‹å¾‹ä¸Šæˆ–是对ä½ä¸Šï¼Œé»„安伦都ç±æ¤ä½œæŠŠä¸å›½éŸ³ä¹æå‡åˆ°ä¸€ä¸ªæ–°çš„高度。 ä¹æ›²ç”±ä¸‰éƒ¨åˆ†ç»„æˆã€‚开头是是一部技巧艰深的托å¡å¡”，ä¸éƒ¨æ˜¯ä¸€é¦–æ…¢æ¿çš„圣å’，而ä¹æ›²åŽéƒ¨åˆ™æ˜¯ä¸€é¦–充满活力的二é‡èµ‹æ ¼ï¼Œå·´èµ«å¤§å的四个德文å—æ¯B-A-C-HåŠå˜å½¢æ£æ˜¯æ¤èµ‹æ ¼çš„第二主题。 所附mp3乃是莫斯科音ä¹å¦é™¢è‘—å的罗金教授带领他的14个å¦ç”Ÿå¤–åŠ ä¸€ä½å€ä½ŽéŸ³æç´æ‰‹äºŽ2002年在莫斯科录制的。.
$39.95
Toccata Op.92 N.6 for Double Reed Quintet MP3
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Max Reger
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Cristiano Vecchi
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Toccata Op.92 N.6 for Double R
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Cristiano Vecchi
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SheetMusicPlus
Bassoon,English Horn,Oboe - SKU: A0.1066272 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sacred,Stand...
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Bassoon,English Horn,Oboe - SKU: A0.1066272 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sacred,Standards. Full Performance. Duration 134. Cristiano Vecchi #4796007. Published by Cristiano Vecchi (A0.1066272). Version for Double Reed Quintet : Oboes 1&2 - English Horn - Bassoons 1&2 . Duration: 2'15'' .This unquiet, virtuosistic, double-soul introverted-extroverted toccata precedes the powerful last fugue in the Suite for Organ Op.92 (1905) by Max Reger, masterwork of the late Romanticism that anticipates so many trends of the Expressionism period: loss of the tonal sense, exasperating contrasts, giant spots of vibrating timbrical color. Plus, the all-pervading memories and attitudes of the baroque period (specially the Bach's lesson) give to this music an irresistible charme, emotional and intellectual. SCORE and PARTS also purchasable on this website.
$1.99
Toccata Op.92 N.6 for Double Reed Quintet
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Max Reger
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Cristiano Vecchi
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Toccata Op.92 N.6 for Double R
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.963341 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Centur...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.963341 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Romantic Period,Sacred,Standards. 15 pages. Cristiano Vecchi #4795997. Published by Cristiano Vecchi (A0.963341). Version for Double Reed Quintet : Oboes 1&2 - English Horn - Bassoons 1&2 . Duration: 2'15'' .This unquiet, virtuosistic, double-soul introverted-extroverted toccata precedes the powerful last fugue in the Suite for Organ Op.92 (1905) by Max Reger, masterwork of the late Romanticism that anticipates so many trends of the Expressionism period: loss of the tonal sense, exasperating contrasts, giant spots of vibrating timbrical color. Plus, the all-pervading memories and attitudes of the baroque period (specially the Bach's lesson) give to this music an irresistible charme, emotional and intellectual. SCORE and PARTS. MP3 also purchasable on this website.
$3.99
Toccata et fugue en ré mineur (BWV 565)
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Classique
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Johann Sebastian Bach
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Sam Bateman
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Toccata et fugue en ré
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Sam Bateman
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts....
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
J.S. Bach Adagio from the Organ Toccata in C
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Classique
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Johann Sebastian Bach
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James Scott
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}
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J.S. Bach Adagio from the Orga
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Mesa Music Publishing
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.892486 Composed by Johann Sebastian Bach. Arranged by James Scott. Baroque. Sc...
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 3 - SKU: A0.892486 Composed by Johann Sebastian Bach. Arranged by James Scott. Baroque. Score and parts. 8 pages. Mesa Music Publishing #4885421. Published by Mesa Music Publishing (A0.892486). Bach Adagio from the Organ Toccata in C Piano parts for both solo A-E-B-F# and orchestra G-D-A-E tuning are included along with the solo bass part written in tenor clef. p { margin-bottom: 0.08in; }
$12.50
Toccata in E minor from Partita No. 6, BWV 830
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Bach, J
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Sauer, Ralph
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Toccata in E minor from Partit
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792259 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 32 ...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792259 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 32 pages. Gordon Cherry #4764783. Published by Gordon Cherry (A0.792259). The Toccata in e minor comes from the keyboard Partita, BWV 830 first published in 1731. This work is not only grand in length, but also in expression having a very serious tone. The many moods of the work have been beautifully portrayed by Ralph Sauer's elegant transcription. All parts have equal weight in importance in this setting. About seven minutes in length for advanced performers.
$22.50
J.S. Bach - Toccata and fugue, BWV 565, arranged by Sérgio Varalonga
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Contemporain
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Sérgio Varalonga
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J.S. Bach - Toccata and fugue,
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Sérgio Varalonga
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SheetMusicPlus
Small Ensemble - SKU: A0.977710 Arranged by Sérgio Varalonga. Contemporary. Score and parts. 12 pages. Sérgio Varalonga #4795865. Published by SÃ...
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Small Ensemble - SKU: A0.977710 Arranged by Sérgio Varalonga. Contemporary. Score and parts. 12 pages. Sérgio Varalonga #4795865. Published by Sérgio Varalonga (A0.977710).
$4.00
Toccata and Fugue in D minor, BWV 565
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Classique
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Johann Sebastian Bach
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Tony BC Huang
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Toccata and Fugue in D minor,
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Tony BC Huang
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - SKU: A0.1165343 Composed by Johann Sebastian Bach. Arranged by Tony BC...
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Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - SKU: A0.1165343 Composed by Johann Sebastian Bach. Arranged by Tony BC Huang. Baroque,Chamber. 30 pages. Tony BC Huang #765697. Published by Tony BC Huang (A0.1165343). It's interesting to perform this masterpiece with a B flat Clarinet (or Alto Clarinet, Basset Horn) and a Bass Clarinet (or Contra-Alto). Very challenging, and enjoy it.
$15.00
Ataccot
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Enjott Schneider and Johann Se
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Ataccot
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Schott Music - Digital
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SheetMusicPlus
Organ; timpani ad libitum - advanced - SKU: S9.Q6355 J. S. Bachs Toccata D minor in a retrograde version. Composed by Enjott Schneider and Johann...
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Organ; timpani ad libitum - advanced - SKU: S9.Q6355 J. S. Bachs Toccata D minor in a retrograde version. Composed by Enjott Schneider and Johann Sebastian Bach. This edition: Sheet music. Downloadable. Duration 3 minutes. Schott Music - Digital #Q6355. Published by Schott Music - Digital (S9.Q6355). A musical fun piece with an astonishing outcome: Even played backwards, Bach's famous Toccata in D minor is a decent, indeed brilliant piece which is nice to listen to.
$9.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
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Bach's Toccata
