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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Be Choir
Non classifié
2 899
Piano & claviers
Piano, Voix
259
Piano seul
160
Piano, Voix et Guitare
141
Accompagnement Piano
119
Orgue
71
Instruments en Do
23
Piano Facile
21
Piano Trio: piano, violon, violoncelle
7
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 4 mains
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
Clavier
1
Clavecin
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
8
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
6
Basse electrique
3
Ukulele
2
Dulcimer
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Paroles et Accords
1
2 Guitares (duo)
1
Mandoline, Piano (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
7 019
Chorale 2 parties
2 899
Chorale 3 parties
2 735
Chorale Unison
1 998
Chorale TTBB
1 112
Chorale SSAA
736
Chorale
148
Pack Instrumental pour Chorale
139
Voix duo, Piano
28
Chorale SSAATTBB
13
Voix duo
11
Voix haute
9
Chorale SSATB
9
Chorale SSATTB
6
Chorale SSAB a cappella
5
Voix seule
3
Chorale SSAB, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Soprano, Piano
2
Chorale SATBB
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
Chorale SAATB A Cappella
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix basse, Piano
1
Chorale SSATBB
1
+ 24 instrumentations
Retracter
Vents
Ensemble de Flûtes
210
Ensemble de Clarinettes
156
Quatuor de Clarinettes: 4 clarinettes
52
Ensemble de saxophones
46
Quatuor de Flûtes : 4 flûtes
41
Flûte, Hautbois, Clarinette, Basson
41
Quatuor de Saxophones: 4 saxophones
38
Clarinette et Piano
34
Quintette de Saxophone: 5 saxophones
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
3 Saxophones (trio)
25
Hautbois, Piano (duo)
24
Flûte traversière et Piano
23
Quintette de Flûte : 5 flûtes
21
Saxophone Alto et Piano
21
3 Clarinettes (trio)
19
Quintette de Clarinettes: 5 clarinettes
17
Saxophone Tenor et Piano
16
2 Saxophones (duo)
16
2 Clarinettes (duo)
15
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
9
2 Flûtes traversières (duo)
8
Cor anglais, Piano
8
Trio de Flûtes: 3 flûtes
7
Clarinette
6
Saxophone (partie séparée)
6
Flute (partie séparée)
5
Quatuor de Flûtes à bec
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
Hautbois (partie séparée)
3
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Hautbois, Flûte
2
Ensemble à vent
2
Flute, harpe et violon
2
Flûte traversière
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
5 Flûtes à bec
2
Flûte à Bec
1
2 Clarinettes, Basson
1
2 Flûte à bec (duo)
1
Saxophone Alto
1
Clarinette, Basson (duo)
1
Saxophone Tenor
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
3 Flûtes à bec (trio)
1
Saxophone, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Piccolo
1
Clarinette, Contrebasse (duo)
1
Flûte, Clarinette, Violon (trio)
1
Cor Anglais
1
Flûte à bec Alto
1
Piccolo, Piano
1
Flûte, Violoncelle
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
Ensemble de Trompettes
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Ensemble de Trombones
22
Trompette, Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
17
Cor et Piano
14
Quatuor de cuivres: 4 trombones
12
3 Trombones (trio)
11
Euphonium, Piano (duo)
10
Trompette
9
Cor anglais, Piano
8
Trombone (partie séparée)
7
Ensemble de Cors
7
Trompette (partie séparée)
7
Quatuor de Cuivres
7
Quatuor de cuivres: 4 cors
6
2 Trompettes (duo)
4
Cor
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trombone
3
3 Trompettes (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trio de Cuivres
3
Trombone, Tuba (duo)
2
Tuba et Piano
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
1
Tuba
1
Ensemble de Tubas
1
Tuba et Orgue
1
Trombone, Orgue
1
Cor Anglais
1
Clarinette, Cor (duo)
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violoncelle
19
Alto, Piano
19
Violoncelle, Piano
17
Trio à Cordes: violon, alto, violoncelle
13
Violon
12
4 Violoncelles
9
2 Violons (duo)
9
Violon (partie séparée)
8
Trio à cordes: 3 violins
6
Violon, Alto (duo)
6
2 Violoncelles (duo)
6
Contre Basse
5
Contrebasse (partie séparée)
5
Violon, Violoncelle (duo)
4
Piano Trio: Violon, Alto, Piano
4
2 Altos (duo)
3
Alto seul
3
Harpe
3
Violoncelle, Contrebasse (duo)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
2 Violons, Piano
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Cloches
478
Orchestre d'harmonie
208
Orchestre
139
Orchestre à Cordes
117
Orchestre de chambre
99
Ensemble de cuivres
88
Ensemble Jazz
22
Jazz combo
8
Vibraphone
3
Batterie
2
Marimba
2
Quintette à Vent
2
Instrumentation Flexible
1
Percussion (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Ensemble de Percussions
1
Percussion
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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Be Choir
Partitions à imprimer
2 899 partitions trouvées
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2876
Man Who Can't Be Moved / Breakeven (arr. Doug Watts)
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Pop musique
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The Script
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Doug Watts
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Man Who Can't Be Moved / Break
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Choir Community
#
SheetMusicPlus
Choral Choir,Voice (SAATB) - SKU: HX.495785 By The Script. Arranged by Doug Watts. This edition: scorch. Pop. Octavo. 9 pages. Choir Community #139314. ...
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Choral Choir,Voice (SAATB) - SKU: HX.495785 By The Script. Arranged by Doug Watts. This edition: scorch. Pop. Octavo. 9 pages. Choir Community #139314. Published by Choir Community (HX.495785).
$1.99
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festiva...
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Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,St...
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Mall and the Night Visitor - ChoirTrax CD
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Betty Hager and Fred Bock
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The Mall and the Night Visitor
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Fred Bock Music Company
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SheetMusicPlus
Children's Choir, Choral (ChoirTrax CD) SKU: HL.8738040 Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Colle...
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Children's Choir, Choral (ChoirTrax CD) SKU: HL.8738040 Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Collection. CD only. Fred Bock Music Company #BGTC0845. Published by Fred Bock Music Company (HL.8738040). UPC: 073999380408. 5x5.5 inches. Betty Hager & Fred Bock.Can the true spirit of Christmas be found anywhere these days? In this delightful musical,an investigative angel, dressed to look like Sherlock Holmes, is sent from Heaven to look for Christmas spirit at popular shopping malls around the country. There he finds stores dispensing all sorts of holiday spirits (mostly the wrong kind) until everyone's attention is drawn to the creche display and the baby Jesus. He is the true spirit of Christmas. Available:Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Edition and Listening Cassette), Posters, and Bulletins.
$75.00
Who I'd Be
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Comédie Musicale
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Various
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Anita Cracauer
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Who I'd Be
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Custom Arrangements, LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1186810 By Vario...
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Large Ensemble Alto Saxophone,Bass Voice,Drums,Guitar,Percussion,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1186810 By Various. By David Lindsay-Abaire and Jeanine Tesori. Arranged by Anita Cracauer. Broadway,Musical/Show. Score and parts. 43 pages. Custom Arrangements, LLC #786433. Published by Custom Arrangements, LLC (A0.1186810). This is the full score and all instrumental parts for the choral arrangement of Who I'd Be. The instrumentation is for piano, synth, guitar, bass, drum set, percussion, 2 trumpets, trombone, alto saxophone, and tenor saxophone.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more!
$80.00
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards...
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String Ensemble Cello - Level 2 - SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
La Majeste (from "Heroic Music") (C) (Brass Choir - 2 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Tim
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Georg Philipp Telemann
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Regis Bookshar
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La Majeste
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1216736 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1216736 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 17 pages. Regis Bookshar #813274. Published by Regis Bookshar (A0.1216736). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been peformed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir with parts for2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Dignity. The parts may be doubled as needed. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$18.00
La Majeste (from "Heroic Music") (C) (Brass Choir - 3 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Majeste
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221720 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221720 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 18 pages. Regis Bookshar #816359. Published by Regis Bookshar (A0.1221720). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and also a Timpani, and is associated with the heroic quality of Dignity. The parts may be doubled as needed. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (18 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$20.00
La Majeste (from "Heroic Music") (C) (Brass Choir - 3 Trp, 1 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Majeste
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221721 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221721 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 19 pages. Regis Bookshar #816378. Published by Regis Bookshar (A0.1221721). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - Dugital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba and also a Timpani, and is associated with the heroic quality of Dignity. There is also aversion without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (19 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$22.00
La Majeste (from "Heroic Music") (C) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Majeste
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221722 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1221722 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 20 pages. Regis Bookshar #817121. Published by Regis Bookshar (A0.1221722). La Majeste (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students. This selection, La Majeste (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 2 French Horns, 2 Trombones, 1 Euphonium and 1 Tuba and a Timpani. The parts may be doubled as needed. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (20 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit yout needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$24.00
La Rejouissance (from "Heroic Music") (Eb) (Brass Choir - 3 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Rejouissance
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222076 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222076 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 16 pages. Regis Bookshar #818360. Published by Regis Bookshar (A0.1222076). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Joy. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$20.00
La Rejouissance (from "Heroic Music") (Eb) (Brass Choir - 3 Trp, 1 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Rejouissance
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222393 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222393 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 17 pages. Regis Bookshar #818658. Published by Regis Bookshar (A0.1222393). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba, and also a Timpani, and is associated with the heroic quality of Joy. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemnn's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$22.00
La Rejouissance (from "Heroic Music") (Eb) (Brass Choir - 2 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Rejouissance
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222063 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222063 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 15 pages. Regis Bookshar #818336. Published by Regis Bookshar (A0.1222063). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is ascociated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited for recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these sompositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and also a Timpani, and is associated with the heroic quality of Joy. The parts may be doubled as needed. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (15 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$18.00
La Rejouissance (from "Heroic Music") (Eb) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Rejouissance
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222494 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1222494 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 18 pages. Regis Bookshar #818759. Published by Regis Bookshar (A0.1222494). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshat to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements.. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made availabe for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 2 French Horns, 2 Trombones, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Joy. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (18 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$24.00
La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 2 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Vigilance
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Regis Bookshar
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SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223237 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223237 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 15 pages. Regis Bookshar #819445. Published by Regis Bookshar (A0.1223237). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 2 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Alertness. The parts may be doubled as needed. There is also a version without the Timpani, if you would prefer. Included are a score and a complete set of parts (15 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$18.00
La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 3 Trp, 1 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Vigilance
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Regis Bookshar
#
SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1224010 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1224010 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 17 pages. Regis Bookshar #820124. Published by Regis Bookshar (A0.1224010). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after reading through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba and a Timpani, and is associated with the heroic quality of Alertness. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (17 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful new arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$22.00
La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 3 Trp, 1 Hrn, 1 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Vigilance
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Regis Bookshar
#
SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223613 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1223613 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 16 pages. Regis Bookshar #819762. Published by Regis Bookshar (A0.1223613). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, as is associated with varioous attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from the Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba and a Timpani. There is a version without the Timpani, if you would prefer. The parts may be doubled if needed. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composotion. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$20.00
La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 3 Trp, 2 Hrn, 2 Trb, 1 Euph, 1 Tuba, Timp)
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Georg Philipp Telemann
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Regis Bookshar
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La Vigilance
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Regis Bookshar
#
SheetMusicPlus
Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1224254 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber...
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Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1224254 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. 18 pages. Regis Bookshar #820355. Published by Regis Bookshar (A0.1224254). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir, Timpani - Intermediate - .Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts available for 3 Bb Trumpets, 2 French Horns, 2 Trombones, 1 Euphonium and 1 Tuba and also a Timpani, and is associated with the heroic quality of Alertness. There is also a version without the Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (18 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.
$24.00
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
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